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www.flickr.com/photos/michael_karrer/51494257044/sizes/o/
Click the link to start the animation.
Motion within 45 minutes of a high prominence.
TS 155mm refractor, Daystar Prominence Filter.
(Image published at main page of spaceweather.com. Comment: "High above sunspot AR2871, magnetized clouds of plasma are swirling in a tempest more than 300,000 km wide.")
animations
«Analyse this»
Grafische Interpretation zu historischen Planungskarten des Landes Rheinland-Pfalz
Gestaltungsgrundlagen 2. Semester
Prof. Anna-Lisa Schönecker
Studierende der Hochschule Mainz
Kommunikationsdesign
Soner Aktas
Kanih Demir
Pia Hoberg
Caroline Martin
Mikolaj BoguszMera
Daria Nonn
Cilia Palotas
Mirella Priolo
Lukas Röber
Claudio Roig
Paul Schmidt
Lucas Schneider
Franziska Schoebel
Simon Schüßler
Malte Schwenker
Tatsiana Trynkun
Simon Weckbach
Sophia Weider
Lisa Wolf
Corinna Wurth
Sura Yildiz
Quelle:
Rheinland-Pfalz - Grundlagen der Raumplanung
Landesplanung Johann Wiegand
Mainz 1954
Titelanimation
Soner Aktas
Mit Dank an Katja Davar und Volker Pape
© Hochschule Mainz 2016
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
Still frame from 1982 french animated film Les Maîtres du temps (The Masters of Time, a.k.a. Time Masters), directed by René Laloux and designed by Moebius.
Images are small but unfortunately its all I could get from my DVD software.
very quickly animated
very hastily conceived
edited on the cheapest of shite
basically, this is a test for an upcoming animation project involving
eep!
nano
melt
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Is a realistic singing animation created by Plastic Girls. This animation was inspired from TikTok challenge. Repeat this challenge and make this video as beautiful and touching as you can!)
Animation available on SL Marketplace:
marketplace.secondlife.com/p/Twerk-Dance-Animation/21004745
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Follow me on:
▫️ Instagram:
www.instagram.com/girls_in_the_simcity/?igshid=oefuw9syp0zk
▫️ Tiktok
▫️YouTube:
www.youtube.com/channel/UCpTeNk8gyksrioTDysXZ6Hg
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Last month I took a walk around Hollywood Studios after my wife, daughter and her friend went back to Beach Club. It was one of my few days with a nice blue sky and some clouds. Thanks for looking.
animations
«Analyse this»
Grafische Interpretation zu historischen Planungskarten des Landes Rheinland-Pfalz
Gestaltungsgrundlagen 2. Semester
Prof. Anna-Lisa Schönecker
Studierende der Hochschule Mainz
Kommunikationsdesign
Soner Aktas
Kanih Demir
Pia Hoberg
Caroline Martin
Mikolaj BoguszMera
Daria Nonn
Cilia Palotas
Mirella Priolo
Lukas Röber
Claudio Roig
Paul Schmidt
Lucas Schneider
Franziska Schoebel
Simon Schüßler
Malte Schwenker
Tatsiana Trynkun
Simon Weckbach
Sophia Weider
Lisa Wolf
Corinna Wurth
Sura Yildiz
Quelle:
Rheinland-Pfalz - Grundlagen der Raumplanung
Landesplanung Johann Wiegand
Mainz 1954
Titelanimation
Soner Aktas
Mit Dank an Katja Davar und Volker Pape
© Hochschule Mainz 2016
Slowly working towards face animation based on only official LEGO printed faces (stilly waiting for Sleepyhead from bricklink for a proper O-U mouth shape) You can see an early test here
Irrefutably the best part of my animation is the first 2 seconds. The intention was to communicate a feeling of exhaustion in the character, which I think I conveyed effectively using an exaggerated physical sigh. The character is slouched at the end, which is the key image of the action, looking down with arms hanging and shoulders slumped low, with his knees slightly bent. He eases into the action with a slow build up from the torso, straightening up before quickly moving into the slouched position. This works as I made good use of the anticipation technique form the 12 Principles. The framing of the shot helps in conveying the emotion of the character as well, I have him framed by a doorway within the shot which creates a veritable constraint on the character, giving a sense of him being trapped. The character feels like he is balanced well, his centre of gravity running down the middle of the character's mass. The following scene has the character sliding into the kitchen, which is framed dynamically at an angle, although the motion itself is not very well executed. The intent was to create a joyful feel to the motion, as the character is heading into the kitchen to make tea, but the movement requires more exaggeration to effectively communicate the emotion. The timing of the action is also off, this could have been corrected with a build-up to the slide, possibly a running jump and ending the movement with a skid with a dynamic pose, such as supporting his weight on one leg whilst balancing himself with splayed arms.
The following shots required the character to interact with props and the set which proved to be difficult. When the character places the first mug down on the table it looks markedly better than the following shot when he sits down in a chair. This could be due to the simplicity of the arc of the characters hand in this motion, as it was a simple point-A-to-point-B movement, whereas sitting in the chair required the cup to counter the movement of the characters shoulder and elbow rotation, and root movement. The sitting itself works well, although the character supporting his weight on one arm is slightly disguised by the angle of the shot, and the hand does not feel solid in it's contact with the chair. This could be corrected with use of inverse kinematic controls on the hands, as could the issue with the cups not moving completely in sync with the characters hands. The final shot does not effectively communicate the desired emotion of solace, the intention being that the character would look contempt in his chair, relaxed and taking the weight off. The character does slouch down in his seat, but this could have been exaggerated more to effectively communicate the desired emotion. The movement also feels too precise. The addition of the character slowly slumping further into his chair after the initial motion of sitting down could have created this sense of comfort, but is unfortunately missing from the final shot.
Studio Nuvu - Video & Animation 129 Regent St Chippendale Sydney NSW 2008 (02) 9699 6203 (via Twitter twitter.com/StudioNuvu1/status/743815463952494593)
I AM BUT A HUMBLE SERVANT OF T̅̓̽̓̋ͧ̎̑͗̔ͩ͑ͬ҉̺͈̖̝͇̠̭͉̜̬̳̖̱̯̀͘̕͡Ḧ̛̛̻͔̺͉͚̟̭̠̻̪͕́̿̐ͣ͌͗͒̅̚Ȩ̛͍̱̖̖̱͕̝̤͐ͧ̍͐ͤ̊ͨ̇͘͜ ̼̪̗̟̍ͬͤ̉͌ͭ͗͌̍̃̋̇̋ͮ̋̓́́̕O͇̲̞̬͓̺̱̐ͭ́͌ͦ̓̊̐̇͠͠N̢̡̥͇̱͙͖̲͔̐̌͑̂̋ͭ̓ͭͤ̄ͦͧͪ̊ͬ̓E̵͎̤̗͖̜͈͕͈͇̫̝͐͛̾̽ͩ̐̿ͮ̽̕͟ ̂͋͗̍̓ͥ͌̉̄̍ͦ̀̎̎҉̷̥̳̹̝̙̯̙͙̗̮̮̜͚͈T͛̇͐͌͊ͮ̍͒ͬ͆͋̿̏ͣ҉̷̸̤̝̜̲͉̝̳͖̜̦͙͎̼̻͍̹͢͡R̛̹͚̖͚̬ͦ̎̽̓́ͭ̽͋ͣͪ̈́͘Ū̸̢̻̫̖̥̩͍̝͚͙̝̬̿ͬ͗ͧ̾ͨ̿̈ͩ̅ͅE̶̢̪̫̤͔̻̪̝ͥ̈ͣͨͣ͟͞ ̆̽̓̏ͮ̈̓̔́̈́ͯͣ̊ͮ҉̡̪̲ͅḠ̶̵̢͇͖͙͔̲̰̱̖̮̣͙̗̥͂̅̎̒̀̕͢O̴̹̣͔̞̳̺̞͔̺ͤͥ͐͆̂ͨ͛͢͡͡D̒ͨ͑͂̑̒̉̾̽ͭ̏̅͑̍҉̛̛̱̜̻͙̺̟͇͖͓͡ͅ i iNVITE YOU TO WATCH WHAT IS MY www.youtube.com/watch?v=LTVU5dAZyB8MESSAGE TO THE PUBLIC MASSES
Inside the animation film that Caloi is producing, there will be a sequence called "Claustropolis". I did some colouring for the linework of architect Luis Lleonart here.
I have wanted to have a go at animating for a while now, and decided to do so these holidays, and I intend to spend the rest of our time off working on getting better. I made this this morning, using the suns light. Once I get better at animating, I will purchase a lamp, and possibly a better camera too. Brickfilming is something I really want to get in to, so I would really appreciate advice. For a first attempt, I didn't think I did too bad, but I should have spent more time focusing the camera.
For this animation we were asked to change the hue of a primary source picture. I took a primary source image from my blue project and change the hue of the image by 5 each time. I then put all the image I had created by changing the hue into iMovie to make a short video showing the gradual change.
Alice happily shared her Alice Day pupcakes.
(See first comment below - it might take a moment to load the animation if you have a slow connection)
My daughter and i have been working on a ilttle animation... finally finished!
check out the film here:
Wolf spider hand jiving animation. View original size here www.flickr.com/photos/lordv/15119331847/sizes/o/ for animation. Right click on link and open in new tab
Today I experience a bit with making a animation movie with Moomin figures. I hope I can upload it soon so you can see it. What I already know is that I need to practice much more. Anyway it’s fun to do.
Wizards (1977) - Ralph Bakshi
Peace/Necron 99 with Assassin Squad.
Ian Miller Background.
Uploaded by www.RalphBakshi.com
All Rights Reserved
Here's an animated GIF file that is a 45-frame animation of the results of stacking 45 AVI files using Registax 3. Each stack was the best roughly 450 of 600 frames captured at 5 frames per second. The individual sets were taken between 11:42 p.m. May 11 and 3:40 a.m. May 12, 2006 using a ToUCam webcam and a Stellarvue SV152 apochromat (6" high-quality refractor telescope), with a 4X Televue Powermate to enlarge the image optically. These have not been color-balanced yet. Notice there are times when the image gets fuzzy: these occur first when Jupiter rose over the peak of the roof of my house and second when it passes above a large live oak tree next to my driveway. The unsteadiness of the air causes this fuzzines. The Great Red Spot appears near the end of the sequence. Just "ahead" of it along the dark Souther Equatorial Belt is a "wake" of dark waves from a smaller spot sliding along the northern edge of the belt.
TO WATCH THE ANIMATION: click All Sizes above the image and select Original if it does not already appear selected. Time-wise, the individual frames are between 5 and 6 minutes apart.
Scope and mount supplied by 3RF (see www.3rf.org).