View allAll Photos Tagged Animation
Last month I took a walk around Hollywood Studios after my wife, daughter and her friend went back to Beach Club. It was one of my few days with a nice blue sky and some clouds. Thanks for looking.
Challenge animation Stromae available at Sl Marketplace or inworld store!
Store Landmark:
maps.secondlife.com/secondlife/Pslande/70/49/27
Marketplace:
marketplace.secondlife.com/p/PLASTIK-Challenge-Animation-...
Watch the animation here:
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Discover more animations on my SL Marketplace:
marketplace.secondlife.com/es-ES/stores/233895
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Follow me on:
▫️ Instagram:
www.instagram.com/plastic_by_sisters_lapay/
▫️ Tiktok:
www.tiktok.com/@plastik_by_sisters_lapay?_d=secCgYIASAHKA...
▫️YouTube:
www.youtube.com/channel/UCpTeNk8gyksrioTDysXZ6Hg
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Dance Animations - Sophia Bento Dances
NEW Girls Release "SOPHIA" OUT NOW!
20% Discount on the MOVE Dancehud with a PACK
Visit the Store
All rights belong to the artist.
Music Rude - Magic!
♥
Three wavelength animation in white, calcium and hydrogen alpha light. TS155mm refractor.
Click the link to start the animation:
Dance fly dancing animation. See original size here www.flickr.com/photos/lordv/22019262292/sizes/o/ for animation
In this animation, i decided to use some type of sexy emotion on the rocket character. The rocket in the animation starts by raising his eyebrows in front of the screen, to the viewer( especially the ladies) which shows that he's about to do something sexy or demonstrate something with "style" on something on which he is an expert. He continues by warming up, rotating his wings and moving his head left and right to prepare to fly. He goes of screen after launching off and flies on the other side of the screen and again the same thing but from the other side. That kind of idea with the warming up, i got it from some old cartoons i used to watch when i was younger. There are characters who are experts on some things such as diving, or cutting trees and they always warm up like rubbing their hands or hopping up and down. They want to do it with style, show some struggle on what they do just to impress other characters and even the viewers who are watching them
See original shot here www.flickr.com/photos/lordv/31361227144/sizes/o/ for animation.
I've only just found out how to shoot a short sequence at 60 fps with my little Nikon 1 camera. The jumping is my more poor alignment/cropping technique. It managed 12 frames before filling the buffer
This is one of 2 final animations for my latest ISTD project which has been sent off for examination- yay!
This is basically just typographically expressing the lyrics in the song: Papa's Got a Brand New Bag by James Brown.
(Just got the results... I got the ISTD award for both animations!)
Not sure what's happened to the shot above but the animation here www.flickr.com/photos/lordv/15122624788/sizes/o/ works OK- right click and open in new tab to view
I make the animation for 1 scene of the movie.
動画の1シーン用のアニメを作る。
今回自分で作るシーン多すぎて萎えるなーorz
あまり得意な作業ではないがー
とりあえずがんばろうー。
Italian postcard by Grafiche Biondetti, Verona, no. 109/3. Image: Walt Disney Productions. Publicity still for The Jungle Book (Wolfgang Reitherman, 1967).
It was Walt Disney's lead story man and writer Bill Peet who first suggested making an animated version of Rudyard Kipling's 'Jungle Book'. In the film version, The Jungle Book (Wolfgang Reitherman, 1967), baby Mowgli is abandoned in the jungle after an accident. He is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realises he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently, taking the young Mowgli under his wing and teaching him that living in the jungle is the best life there is. Bagheera realises that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go to the nearby man-village and stay there.
The Jungle Book (Wolfgang Reitherman, 1967) was the 19th animated feature by the Disney studio, and the last to be personally supervised by Walt Disney himself. Disappointed by the muted reception to The Sword in the Stone (1963), Walt Disney was determined to come back with a universally well-regarded film. He told his animation crew to "throw away" Rudyard Kipling's book 'The Jungle Book' because the original concept storyboards were too dark and dramatic. During pre-production, Disney assigned animator Larry Clemmons to head story development on the project. He gave Clemmons a copy of 'The Jungle Book' and told him, "The first thing I want you to do is not read it." Terry Gilkyson had written a full score initially, but Walt Disney found it also too dark. At the last minute, he threw it away and asked the Sherman brothers to replace it with a more 'fun' score. However, 'Bare Necessities' stayed on at the insistence of others involved in the film, and went on to be nominated for the Academy Award. The xerographic system, which had been used since 101 Dalmatiërs (1961), was further refined to combine both Xeroxed cels with hand-inked details. For example, while the basic animation on the village girl at the end of the film was with Xeroxed cels, her mouth was inked by hand. The backgrounds also moved back towards the more traditional look of earlier films. Ken Anderson storyboarded this scene, the final scene almost at the same time that Richard and Robert Sherman had finished 'My Own Home'. Everything that the Sherman brothers had envisioned while writing the song was up on the storyboards. They brought Anderson up to their office and played him the song and he immediately began to cry.
Source: IMDb.
animations
«Analyse this»
Grafische Interpretation zu historischen Planungskarten des Landes Rheinland-Pfalz
Gestaltungsgrundlagen 2. Semester
Prof. Anna-Lisa Schönecker
Studierende der Hochschule Mainz
Kommunikationsdesign
Soner Aktas
Kanih Demir
Pia Hoberg
Caroline Martin
Mikolaj BoguszMera
Daria Nonn
Cilia Palotas
Mirella Priolo
Lukas Röber
Claudio Roig
Paul Schmidt
Lucas Schneider
Franziska Schoebel
Simon Schüßler
Malte Schwenker
Tatsiana Trynkun
Simon Weckbach
Sophia Weider
Lisa Wolf
Corinna Wurth
Sura Yildiz
Quelle:
Rheinland-Pfalz - Grundlagen der Raumplanung
Landesplanung Johann Wiegand
Mainz 1954
Titelanimation
Soner Aktas
Mit Dank an Katja Davar und Volker Pape
© Hochschule Mainz 2016
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Is a realistic singing animation created by Plastic Girls. This animation was inspired from TikTok challenge. Repeat this challenge and make this video as beautiful and touching as you can!)
Animation available on SL Marketplace:
marketplace.secondlife.com/p/Twerk-Dance-Animation/21004745
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Follow me on:
▫️ Instagram:
www.instagram.com/girls_in_the_simcity/?igshid=oefuw9syp0zk
▫️ Tiktok
▫️YouTube:
www.youtube.com/channel/UCpTeNk8gyksrioTDysXZ6Hg
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www.flickr.com/photos/michael_karrer/51494257044/sizes/o/
Click the link to start the animation.
Motion within 45 minutes of a high prominence.
TS 155mm refractor, Daystar Prominence Filter.
(Image published at main page of spaceweather.com. Comment: "High above sunspot AR2871, magnetized clouds of plasma are swirling in a tempest more than 300,000 km wide.")
Soap bubble freezing animation. See original size here www.flickr.com/photos/lordv/24527801286/sizes/o/ for animation
This is one of 2 final animations for my latest ISTD project which has been sent off for examination- yay!
This is basically just typographically expressing the lyrics in the song: Coconut by Harry Nilsson.
(Just got the results... I got the ISTD award for both animations!)
justinsamazingworldatfennerpaper.blogspot.com/2009/07/thi...
In this animation project I have attempted to encapsulate a moment of existential crisis through distortion of the environment and the body language of the character.
Slowly working towards face animation based on only official LEGO printed faces (stilly waiting for Sleepyhead from bricklink for a proper O-U mouth shape) You can see an early test here
Alice happily shared her Alice Day pupcakes.
(See first comment below - it might take a moment to load the animation if you have a slow connection)
For Strobist.com Lighting 102 1.1: Position (Angle).
This is an animation, so you have to check out the Large size and let it load the whole animation (first run will be slow, it's about 2.3Mb).
This is the first time I've tried this...
Irrefutably the best part of my animation is the first 2 seconds. The intention was to communicate a feeling of exhaustion in the character, which I think I conveyed effectively using an exaggerated physical sigh. The character is slouched at the end, which is the key image of the action, looking down with arms hanging and shoulders slumped low, with his knees slightly bent. He eases into the action with a slow build up from the torso, straightening up before quickly moving into the slouched position. This works as I made good use of the anticipation technique form the 12 Principles. The framing of the shot helps in conveying the emotion of the character as well, I have him framed by a doorway within the shot which creates a veritable constraint on the character, giving a sense of him being trapped. The character feels like he is balanced well, his centre of gravity running down the middle of the character's mass. The following scene has the character sliding into the kitchen, which is framed dynamically at an angle, although the motion itself is not very well executed. The intent was to create a joyful feel to the motion, as the character is heading into the kitchen to make tea, but the movement requires more exaggeration to effectively communicate the emotion. The timing of the action is also off, this could have been corrected with a build-up to the slide, possibly a running jump and ending the movement with a skid with a dynamic pose, such as supporting his weight on one leg whilst balancing himself with splayed arms.
The following shots required the character to interact with props and the set which proved to be difficult. When the character places the first mug down on the table it looks markedly better than the following shot when he sits down in a chair. This could be due to the simplicity of the arc of the characters hand in this motion, as it was a simple point-A-to-point-B movement, whereas sitting in the chair required the cup to counter the movement of the characters shoulder and elbow rotation, and root movement. The sitting itself works well, although the character supporting his weight on one arm is slightly disguised by the angle of the shot, and the hand does not feel solid in it's contact with the chair. This could be corrected with use of inverse kinematic controls on the hands, as could the issue with the cups not moving completely in sync with the characters hands. The final shot does not effectively communicate the desired emotion of solace, the intention being that the character would look contempt in his chair, relaxed and taking the weight off. The character does slouch down in his seat, but this could have been exaggerated more to effectively communicate the desired emotion. The movement also feels too precise. The addition of the character slowly slumping further into his chair after the initial motion of sitting down could have created this sense of comfort, but is unfortunately missing from the final shot.