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3D Modelling & Animation. I made this video for a school assignment. We had some lessons and 5 months after our first lesson i made this.
Spider mite having a pedicure animation. See original size here www.flickr.com/photos/lordv/20918261309/sizes/o/ for animation
My animation work from 2007 to 2008
part of the illustrations were made by www.flickr.com/photos/klang_klang/
Mi trabajo en animacion desde 2007 a 2008
27 de Noviembre de 2023, Auditorio 2
ANIMATION!
ANIMACIÓN PARA NIÑOS Y ADULTOS EN WBD
LATINOAMÉRICA: BÚSQUEDAS Y OPORTUNIDADES EN LA
REGIÓN
PANELISTS: Soledad Yáñez, Sr Manager Original Production Kids & Animation Latam, Discovery Kids / Martín Candiz, Director Programming Kids & Animation Latam, CN, Cartoonito, Adult Swim / Andrés Lieban, Partner, Creative Director, 2DLab / Fernanda Vasquez, Director and Cofounder, Morrón Estudio / Luciana Eguti, Executive Producer, Partner, Birdo / Lucila Iñiguez, Co-founder and Director, LISTO CALISTO! Animation.
Fotografías por: Dan Damelio // Ventana Sur 2023
The discovery of the Dutch vintage animation website made me relax these days. Great animations: www.youtube.com/watch?v=GkrVJfg_vR4
Due to the problems of me working slowly like I usually do, due to my nature of taking things slowly, and the save corruption I had at the skinning process, I had to draw back on my ambitious vision of my first storyboard, with making two models, one fully rigged the other being a teddy bear, either going to be lightly rigged or blend shaped to move slightly to a 25 second clip.
I fell back to only animating the neck up, and working on the 2nd storyboard I made that involves one character talking to himself, but having the camera move to make it look like he’s talking to someone else off screen, this is done by having the transition of everything animating being completely different one frame later as the camera moves instantly in one frame, a little jarring to the viewer, but just a little trick to have an editing point where there is no edit, so I don’t need to use any film editing software and split scenes up.
Sadly disappointed in not be able to do the more exotic storyboard idea, as I always challenge myself in animation mainly because it’s my strength and wanted to show off and fully rigged animation, interacting with a fuzzy textured object.
Although, now thinking about it, it probably didn’t focus on the face of the character that much, and me rushing at the end is probably due to making a fully modelled and rigged character in the first place as everyone else focused on a neck up character, when I could have easily done the same and if I wanted to continue the work of the model over summer, I could easily, re-skin and rig and made a full body, but I guess I thought wrong about over 12 weeks to work on a fully detailed model would be enough to give some flair.
There wasn’t much problems, although I had quite a bit of trouble trying to make a ‘N’ or “De” sound from the mouth, mainly I think it’s because the tongue is extremely active in those expressions and I had a lack worthy amount of blend shapes for the tongue and would definitely make De and N blend shapes for the mouth and tongue next time.
Lastly, within render, due to having a lack of experience with after effects and how syncing audio works, I had problems with the sound, but hopefully I sorted it out, by changing the audio over to Mp3 instead of wav and adjusting the place of the audio on the timeslider a bit, so I only think the “No I meant cake” was a little off but that can be because I couldn’t mouth N sounding words so it’s a little off.
The final rendered video of my animation concept for the grays school of art logo!
The soundtrack is taken from one of my favourite computer games, see if you can guess which one.
I was constrained to making the animation 10 seconds.
I'd love to know what people think of it so please feel free to drop me a comment!
See large size for animation using just 2 shots.
Bee concentrating nectar into honey by evaporation on it's tongue
Animation Sequences produced for Jamie Catto & Duncan Bridgeman's follow up to the hugely successful & inspirational film, '1 Giant Leap'.
The 3D modeling, animation, and editing are all done on Blender 3D. The image at the end is my handcrafted paper sculpture papernoodle.etsy.com , not 3D printed.
This is another animation tutorial. It is a heart beating. This animation was easier than the basketball animation because all you had to do is make a heart with the shape tool and duplicate it 3 times. After that, I resized each heart 5% less each time. So one is full size, one is 95%, one is 90%, and the last is 85%. Then I opened the animation window and deleted the original layer (background). Then I duplicated each layer once to make it look like the heart is beating.
This tutorial was much easier than the basketball animation because I didn't have to move anything, I just resized the % to whatever it had to be. I liked this animation but it was too simple.
Teens throughout Madison had the opportunity to participate in hands-on media workshops including video game design, stop motion animation, and book trailers. Programs were conducted in libraries, schools, detention centers and other partner organizations throughout 2014.
Learn more about the book trailer project at www.madisonbubbler.org/book-trailers. Learn more about the Central Library's Media Lab at www.madisonbubbler.org/media-lab.
This program was funded in part with a grant from the Institute of Museum and Library Services (IMLS) which administers the Library Services and Technology Act (LSTA).
Sammy is a chinese rabbit, living in Britain (hence the raincoat and wellies).
This is a still from a short animation I did of Sammy waving.
You can view him in action at the end of my showreel on my blog: www.sundeeptoor.blogspot.com
Rob made this one during breakfast to show the kids what they could do with the stop-motion app on his phone.
IndieCade @ E for All, At this indie games showcase exhibition, IndieCade featured 20 independent games made by students, individuals, and small teams. Featuring an amazing animation entitled "Ideation" by Jeremiah Dickey and with sound track by Steven Cavitt.
French Tech in Softbank: Japan animation, The future and its globalisation 日本のアニメーション産業の発展・グローバル展開について
25 mars 2016
English Below
フレンチテックラウンドテーブルセッション＃ 2:
日本のアニメーション産業の発展・グローバル展開について
70年代後半〜８０年代以降、日本のアニメ・マンガなどのポップカルチャーは急速に展開。
世界多数国、幅広い年齢層のファンから愛されている日本のアニメーション・マンガ・ゲーム・音楽などのポップカルチャー。多くのアニメイベントでは、数日で12万人の来場者を数えることもある。
日本の次にマンガを消費する国と呼ばれるフランス。近年では、宮崎駿、高畑勲、大友克洋などのアーティストたちの名作は評価され、レジョンドヌール勲章が捧げられてきた。
日本の文化として輸出され、海外で人気の高い日本のアニメーション。
その一方、少子化していく社会、グローバル展開競争の激しいコンテンツビジネス業界、アニメーターの雇用減少等、近大では、いくつかの波に揺れているアニメーション産業は進化している。
今回のLe PITCHでは、FRENCH TECH TOKYO HUBのメンバーでもあり、日本のアニメーション業界でのフランス人経営者が登壇。
リアルタイム で日本のアニメーション展開の黄金時代を見てきた彼らに各々の観点でどのように日本のアニメーション産業は進化しているか、また、どのように斬新していくのかを議論していきます。
P6: French Tech Roundtable Session #2
Japan animation, The future and its globalisation
The Japanese Animation and other popculture had know a global phenomenon in the late 70’s-mid 80’s.
Since then the Japanese popculture and content such as Anime, Manga or VideoGame has known many success and large audience.
France is the second country consuming Manga after Japan. Works of Hayao Miyazaki, Isao Takahata or Katsuhiro Otomo and many other artists have been appreciated in the world and received prestigious National decoration.
Aside this continuous success, Japanese animation is facing some challenges such as the decrease of birth rate, a hard competition in the content business, or the decrease of animators employment.
In this session, our speakers are French Tech Tokyo Hub members who have growned up during this Japanese animation Golden Age.
As a French entrepreneur in the animation industry in Japan, our speakers will share their own perspectives on the evolution of the market and their business.
INTRODUCTION
Introduction on French Tech Tokyo Hub
Corporate Presentations of Speakers.
AOKI STUDIO – Christophe Defaye
YAPIKO ANIMATION – Eddie Mehong
SUN BRIDGE Inc. – Akira Yamaguchi
TOPICS DISCUSSIONS
English Below
講演の流れについて
• 各登壇者からの自己紹介。
• 日本のアニメーション業界とのビジネスの関連についてご紹介。
• 国内と海外のニーズの対応性について。今後のチャレンジは？
• 目標の達成へのどのように導くか？
•各登壇者の観点から、今後の日本のアニメーション業界の海外展開やチャレンジとは？
• A introduction of each speaker:
Their success story in doing business in the Japan animation industry
• What are their next challenges, facing demands and goals in their business fields in Japan and overseas.
• In their own business perspective , observations of trends / movements from Japanese companies going to overseas markets, and other changes.
For more information and registration : please click here.
Fly weight sumo wrestling animation. The first part was intimidation by flashing their wings.
see original size here www.flickr.com/photos/lordv/16855094845/sizes/o/
for animation
After Effects animation template I have created using Photoshop and AE. videohive.net/item/futuristic-gui-logo-reveal/134729?ref=...
An animation of a soldier fly cleaning up itself :)
Animation here: www.flickr.com/photos/orionmystery/4915058420/sizes/o/
Chris Sanders commented that Ward Kimball's musical number on "The 3 Caballeros" would be a big supply of inspiration for him. And also the factor that Mike Mitchell appreciated giving him inspiration was the communal facet of creativeness within the animation studio program at CalArts. Something which made everybody smile was Goldberg speaking about creating a story. He stated that in older days you so that you can tell a tale in 2 minutes because which was the size of a typical super-8 film reel.
Chris Sanders. Photo: Wikipedia
Kevin Lima related being inspired because nowadays students could make a whole animated film by her or himself. Also, he pointed out that whenever creating a film you ought to strive to find away out to really make it fun, to re-affix to a person's inner 14-years old. He spoken about not receiving bogged lower with details. Details can eat you alive. One helpful trick he suggested is to place your image up before one and have a look in internet marketing this can help the thing is the large picture by seeing your image new again for any moment. Also, he pointed out how as he makes films he attempts to draw upon moments from real existence to assist tell the storyline, and never always return to the touchstone animated films.
Eric Goldberg, most likely probably the most experienced 2D animation studio around the panel, pointed out that traditional hands-attracted concepts were essential to learn, which even though the hi-tech tools are essential today, you ought to always remember the foundational aspects the new technology draws upon. Pete Docter also pointed out that art is ultimately an expression from the artist inside, and one should know who the first is to inform a tale in the easiest way.
An enjoyable moment was once they spoken regarding their beginning making student animation studio. A couple of from the panelists, a lot of whom have directed big-budget animated features, related how within their student films, they'd do such things as staying away from showing the legs simply because they could not result in the walk look right. Or how in stop-motion they'd only show the smoothness in the waist up so that they could slide the figures over the set without getting to ensure they are walk.
Welcome to CGmentor Inc. NewMedia house for eye catchy 3d modeling and 3d animation Solutions in Toronto Canada
An animation studio currently occupies this building (constructed in 1956) which is next to the Van Nuys Airport. Its architectural highlights include the bronze entry doors and the atrium skylight lobby.
16509 Saticoy St., Van Nuys, California
a "non-F" photo
At KrishnaOS- 3d walkthrough animation services provider, we believe that the quality is a key aspect of any services. Our expert team is trained to impress you with the technical wizardry and creative chops to surprise you with the outcomes every single time.
A fun little animation made for my 2D Character Animation class at MICA.
This was part of a series created by the class. We each animated a bottle thrown in from the right, a character finding it, drinking from it, suffering some sort of poisonous effect, and then tossing the bottle out the left side of the frame. My animation was the last in the series, which is why the bottle breaks in the end, instead of being tossed. The whole project, with all of the class's animations was great, I wish I had gotten a copy so that I could watch it again.