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Experimentations with Sean Wood and Louis Commère of the Neurocomputational and Intelligent Signal Processing (NECOTIS) research group during an interdiciplinairy art, science and technologies research residency in 2015. The residency program is a collaboration between the Sporobole art center and Université de Sherbrooke.
The granular sampling system analyses and maps audio features such as the amplitude, balance, pitch, spectrum, frequencies, harmonics and percussiveness of sounds. Using a random walker algorithm, it generates endless compositions based on the relationships between the sound samples transposed in reconfigurable point clouds.
www.francois-quevillon.com/html/en/node/303
Expérimentations avec Sean Wood et Louis Commère du groupe NECOTIS (Neurosciences Computationnelles et Traitement Intelligent des Signaux ) dans le cadre d'une résidence de recherche en arts, sciences et technologies. Le programme de résidence est une collaboration entre le centre en art actuel Sporobole et l’Université de Sherbrooke.
Le système d'échantillonnage granulaire procède à l'analyse de caractéristiques sonores et à leur visualisation dans un espace à multiples dimensions. Le logiciel examine des paramètres tels que l'amplitude, l'équilibre, la hauteur, le spectre, les fréquences, les harmoniques, les passages à zéro et l'aspect percussif du son. En utilisant un algorithme de marche aléatoire (random walker), il génère ensuite des pièces infinies selon les relations entre les échantillons sonores transposés dans un nuage de points dont la structure est reconfigurable.
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
Downtown Toronto. From the 'way-back machine, some photos from 2013 that I never got around to processing.
Just started experimenting with a magnet board, mind-mapping and algorithm to get order and an overview into my atomic to-do list. Soon ran out of magnets, so I only grouped the to-do slips roughly. I am still at the very start of this design process. But, boy, does that put fun into your task list. The inspiration came from this website alas, it is in German.
Update: this was one of the first experiment with this method. The method has been greatly refined. Please check out the Slip Method set and the serialised book on my website.
an example of mapping of colors, based on the Hungarian algorithm.
(c) 2016, Taro Yamamoto, All rights reserved.
This image is excerpted from a U.S. GAO report:
www.gao.gov/products/GAO-20-479SP
FORENSIC TECHNOLOGY: Algorithms Used in Federal Law Enforcement
In the performance Robots, Bass, and Hot Algorithms! AI artist Portrait XO enters the stage with Moritz Simon Geist for musical interventions featuring techno robots and an AI collaborator. Portrait XO is an award-winning independent researcher and artist who creates musical and visual works with traditional and non-traditional methods based on ongoing research in computational creativity and human-machine collaboration. Sonically obsessed with space and time, she explores how far she can take storytelling and sound traveling through latent space. Moritz Simon Geist is a music producer working with music robots. He started because he wants to invent the future of electronic music — with robots! His projects range from robotic music performances to robotic sound installations.
Photo: tom mesic
The Haecceity series utilizes a random set of points to form a color and brightness map. Shapes are then painted with a color determined by the nearest color and brightness points.
In place of transparency, textures are used to allow the eye to see harmonious colors at the same time.
All works in the series are generated from the same program. No part of the works are drawn or painted by hand.
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Algorithmes Sérigraphiques
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Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Experimentations with Sean Wood and Louis Commère of the Neurocomputational and Intelligent Signal Processing (NECOTIS) research group during an interdiciplinairy art, science and technologies research residency in 2015. The residency program is a collaboration between the Sporobole art center and Université de Sherbrooke.
The granular sampling system analyses and maps audio features such as the amplitude, balance, pitch, spectrum, frequencies, harmonics and percussiveness of sounds. Using a random walker algorithm, it generates endless compositions based on the relationships between the sound samples transposed in reconfigurable point clouds.
www.francois-quevillon.com/html/en/node/303
Expérimentations avec Sean Wood et Louis Commère du groupe NECOTIS (Neurosciences Computationnelles et Traitement Intelligent des Signaux ) dans le cadre d'une résidence de recherche en arts, sciences et technologies. Le programme de résidence est une collaboration entre le centre en art actuel Sporobole et l’Université de Sherbrooke.
Le système d'échantillonnage granulaire procède à l'analyse de caractéristiques sonores et à leur visualisation dans un espace à multiples dimensions. Le logiciel examine des paramètres tels que l'amplitude, l'équilibre, la hauteur, le spectre, les fréquences, les harmoniques, les passages à zéro et l'aspect percussif du son. En utilisant un algorithme de marche aléatoire (random walker), il génère ensuite des pièces infinies selon les relations entre les échantillons sonores transposés dans un nuage de points dont la structure est reconfigurable.
I am curious about how the mysterious Flickr Explore algorithms work in the Time Domain as well as the Frequency Domain...
That's a new thought for me. I have been focusing on the frequency domain, but recently, it is selecting previously posted photos, so it would be interesting to see how it handles the time domain. It seems to be more complex than I had previously thought...
Perhaps there is a set of (possibly iterative or nested) algorithms...
I wonder if the algorithm is written by artists or engineers... (^_^)
Probably a combination... What do you think?
Wouldn't it be fun to have the data? LOL...
1. My Nighttime Prayer Watchman, What Of The Night? What Would We Do If...?, 2. An Evolving Algorithm's Picks Of My Photos Why These? Some I Might Have Picked :: Others Not so Much De Gustabus Non Disputandum Est My Explored Photos In Big Huge Lab's Scout App, 3. *•. ♪♫•* Beginning Adults & Moving-Up Pre-Teens Onstage Performing "For A Dancer" - Écarté Front, 4. Winged Victory Rosebud By The Dawn's Early Light, 5. The Balletmobile, 6. Wary Tortie's Safe Place, 7. Wary Tortie, 8. Best Friends Forever (BFF) Fifty Years and Counting A Vignette,
9. Jacob And The Angel (Revival), 10. Miss Cecily's Drizzly Afternoon Whirling And Twirling With Hollyhocks And Figs, 11. Peeking Inside A Torch Cactus Flower In The Dawn's Golden Hour, 12. Almost A Bow, 13. Blue Skies Smiling At Me, 14. Wild and Surreal Hair Clip and Car Freshener Adapter , 15. Light and Shadows Rolling Over Tucson's Catalina Mountains, 16. A Pink and Creamy Rose Is Still Blooming In Tucson's Winter,
17. A Pink and Creamy Rose Is Still Blooming In Tucson's Winter, 18. I Can't Hand Hold The Moon!, 19. Last Look :: Close-up View Into This Morning's White Cactus Flower, 20. By The Dawn's Early Light, 21. Deep In The Heart, 22. I Am Springing Forth Said The Pink Dianthus To the Purple Pansies... How About You?, 23. Texture - Bright, 24. Buy Me A Rose,
25. My Heart Is In The Clouds...;)), 26. Southwestern Autumn Color Against Clouds and Sky, 27. Applying Mr. Doob's Hypnotic FX Tool On Flickr's Picnik :: Mosaic :: Polar Snow Cap On Planet Rose, 28. MIT's Frank Gehry Affecting Tucson? Hmmm... Makes you wonder!, 29. ♥ Young Ballet Dancers In Studio ~~ Having Fun ~~ Mugging For The Camera, 30. Mandelbrot Fractal Meets Escher Tesselation "Hands-On" In a Dimensional Distortion Field The Uncertainty of How We Should Or Must View Dimensionality Itself , 31. Karina Ballerina Airborne-01 - A Picture Within A Picture - Student and Teacher, 32. Unnamed Melody ~~ Last White Summer Flower of 2011 In Tucson? ~~ Garlic vs Rose~~,
33. Stablized Shadow ^_^ Without Wall Fixture ^_^ - {Explored July 15th}, 34. 100_7052- Heart Healthy Breakfast, 35. "The Sacred Path" :: The Shaman and The Guardian Spirit of The Eagle, 36. Norman Walker's "The Sacred Path", 37. My Cardiac Surgery - News Update #3, 38. 100_6270 Gobi Desert Beauty :: First White Hollyhock of 2011, 39. Cup of Rose Tea, 40. Bokeh Bubbles,
41. Cholla Cactus Trunk and Arms Remain Standing, 42. First Perennial Pollen of 2011 - Into The Heart Of Darkness, 43. ~~ Racked and Stacked ~~, 44. Inspecting Tutus With Multi-Spectral Lights, 45. White Winter Rose, 46. Red Bird In Paradise Finds No Free Lunch, 47. Bee's Dream, 48. Young Ballet Dancers - IMG_1747_2,
49. Shadow Falls On First Yellow Canna Blooming In 2010, 50. ~ Sophie Dancing ~ Monday Ballet Class Waltz, 51. Jacaranda Blossoms Herald Spring 2010, 52. Hosed Keyholed Posed Cajoled Rosed, 53. Evolution ~A Dancer's Progress or ~Ascent Of Ballerinas, 54. The Last Japanese Iris Flower of 2009? - Yes Really, 55. Barnes and Noble al fresco :: iPhone does Starbucks, 56. Desert Sunrise With Sodium Lamp,
57. A Shot At The Barre, 58. a perfect dose of sunshine, 59. Posing With Silly Faces, 60. Fabric at SAS, 61. Kaley In Cecily's Rodeo: Kick-2, 62. Elegant Ballet Birds, 63. Remember The Hands, 64. Chic 's Pentagon of Ballerinas in First Arabesque in Genuine Fractals 6,
65. Emma Delighted-2, 66. Miss Megan and Her Lemmings, 67. Unfolding Sacred Datura Flower, 68. Deborah in 2007 Dress Rehearsal, 69. Yellow Autumn, 70. Pointe Class Posing in Sous Sus Croisse Arm Fifth en Haut, in Shiny New First Pink Satin Pointe Shoes!, 71. Ben and Alana's Wedding
Created with fd's Flickr Toys
The seven prints in the "Linkages" suite are intended as a fold-out book, potentially with many variations in the ordering and position of the elements. In the Linkages suite, de la Serra combines a purely topological exercise in dividing the picture plane with half and quarter circles with a play of proportions based on the Fibonacci series and the related Lucas series to derive a species of armature. Within this armature are embedded images from a variety of sources: the "Visible Human" project of the U.S. National Institute of Health, images from the Hubble Space Telescope, high-resolution images of the earth from various NASA space flights, and de la Serra's own images. While de la Serra has not yet provided a full explanation of her imagery, it is not out of place to suggest that she is looking for a way to engage social issues while still placing her point of departure in a formal idiom.
Linkages was exhibited by the artist Alma de la Serra at SIGGRAPH 2000.
In plain view, my daily prescription.
Tracking it for the next 2 weeks. May need to rethink how to display it... but it needs to be tatoo'ed on my front cortex.
Juhan's Day Algorithm:
Kiss my wife + kids
Eat 1 green meal
Design 1 thing
Sketch (10m)
Walk twice (20m each)
Listen to a story (20m)
Read a story (20m)
Make a story (20m)
Some very early results of my contour labeling work for Maperitive. This image shows which points on contours are better for placing labels on them (blue is good, red is bad).
Two factors were taken into account: straightness of the contour segment around the point and how horizontal the segment is. The final value was calculated so that the straightness has a much higher priority over the orientation (in other words: vertical labels are better than crooked ones).
The values were calculated based on an imaginary label that's around 3 circles wide.
Algorithmic transformation of the SF skyline and the air on September 9, 2020, aiming to express a feeling rather than a realistic representation of smoke from a large wildfire to the north.
Sandia National Laboratories researchers David Montes de Oca Zapiain, left, and Hojun Lim examine data generated by the machine learning algorithm Material Data Driven Design that could provide auto manufacturing, aerospace and other industries a faster and more cost-efficient way to test bulk materials.
Learn more at bit.ly/351w4yQ
Photo by Bret Latter
1. Untitled, 2. John French Sloan's "Six O'Clock Winter" Takes Over his "City From Greenwich Village", 3. "Existential Crisis at the Baggage Claim", 4. "Catching the Neutrino", 5. "Caterwauling Carousel", 6. Happy Valentine's Day, 2019!, 7. "A Prisoner of Her Own Mind", 8. "The Einstein Special 3.0",
9. "Bamboo Tower, Cropped", 10. "Shattered Spokes, Psychedelic", 11. "The Center Does Not Hold" (in progress 2.0), 12. "The Center Does Not Hold" (in progress 1.0), 13. "Hummers, Digital Oil", 14. "Dillon, Digital Oil", 15. "Journey to the Center of the Earth 2.0", 16. "Piano Warp",
17. "That Dam Horizon Line Again", 18. "The Clouds 2.0" by Aristophanes, 19. "Variation on a Themes by Emil Nolde, Triptych in Red, Blue, and Green ", 20. "Double Thruster of a Terraformed Asteroid"--title by Bill Smith and image inspired by and dedicated to him, 21. "PANO-Typewriters in Antique Shop", 22. "Dragline at Kayenta Mine, Arizona", 23. "Cafe, Morning Light", 24. "Saguaro You Here?"--pun by Paul Ewing and Tim Lefler,
I'm still deciding between 'main(){return(jesus);}' or 'SELECT * FROM earth.humans WHERE logic < 1;`
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
Eric Schurenberg (Amplify Publishing Group), Angelika Sharygina (Techfugees), Michael Richards (U.S. Chamber of Commerce), Sean O hEigeartaigh (AI: Futures and Responsibility Programme)
This is the raw maze that I propose solving with the grammatic genetic algorithm.
The start point lies at the bottom LH corner (green spot) and the 'cheese' is located in the top RH corner.
For demonstration purposes, the maze is relatively simple (with 9 dead ends - the cheese being located in one of them) - but in practice couild be of any size.
The solution presented is based on such a maze: a general solution (for a generally 'blocked off' area with a few (random) dead ends is a simpler case).
The solutions provided here are for a directed or 'fancier' search - with a definite detectable gradient from searcher to target - and a more general 'evolutionary' type mapping of the search area (see earlier discussion in Renaissance Man Flickr group for description of these).
The techniques to be demonstrated rest upon GRAMMATIC genetic algorithms - and as such have much bearing upon the way human beings abstract, cognize, associate/map and remember pattern using LANGUAGE symbols.
Sandia researchers are lessening the burden for analysts sifting through massive data sets by developing the science to gather insights from the data in nearly real time.
Sandia researchers worked with students at the University of Illinois Urbana-Champaign, an Academic Alliance partner, to develop analytical and decision-making algorithms for streaming data sources and integrated them into a nearly real-time distributed data processing framework using big data tools and computing resources at Sandia. The framework takes disparate data from multiple sources and generates usable information that can be acted on in nearly real time.
Learn more at bit.ly/2B9YuEm.
Photo by Randy Montoya