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Created by real time processes using video motion flow and flocking algorithms in Processing, "Every so often" was further developed in Photoshop, primarily through layering and coloring algorithms implemented as scripts.
a puzzle given away by a former client of my father's, a West Michigan foundry. It's a puzzle that I grew up struggling with. Over the holiday I figured out the rather simple algorithm to arrange it into a square with ease!
Flickr Bingo 4-Algorithms
I have very little knowledge of Algorithms, but Stu knows much more than me, he is a IT Senior Systems Administrator and deals with them indirectly.
Handheld Motorola Droid 3, GingerBread
In-phone, 6 shot panorama stitch
Colour corrected off phone
The Ittiam Panorama algorithm for Mobile and Cellphone cameras, Smartphones and Tablets performs multi-shot combinations up to a 360 degree view. It uses intelligent image registration, intensity /white balance correction, optimal seam selection and blending methods to obtain high quality panorama images. The Panorama algorithm is part of Ittiam's Imaging SDK. The photograph was taken using an Android camera application based on Ittiam's Imaging SDK. All processing for this photograph was done in phone, unless explicitly noted.
For further information, please see Ittiam's Panorama Algorithm Web Page
Handheld, iPhone5
In-phone, 3 exposure combination
Dramatic mode
The Ittiam High Dynamic Range (HDR) algorithm for Mobile and Cellphone cameras, Smartphones and Tablets intelligently selects the exposures of the constituent images and combines the details using advanced de-noising, anti-ghosting and tone mapping techniques to obtain high quality HDR images. The HDR algorithm is part of Ittiam's Imaging SDK. The photograph was taken using an iPhone5 application based on Ittiam's Imaging SDK. All processing for this photograph was done in phone, unless explicitly noted.
For further information, please see Ittiam's HDR Algorithm Web Page
My sketchbook entry for December 13th, 2014.
I've been playing around with ways to create areas of softness. In this piece, when polygons are filled with texture (in this case, only simple dots), the dots may be shifted based on their proximity to a series of "displacement" points. The magnitude and direction of the displacements can be tuned, as well as the radius of influence.
The best example to date of tracking independent objects that "collide" and obscure each other. Another feature to notice is that the tracking rectangles move through the large tree trunks like they are not present. The large tree trunks are configured as "blockers" and are handled similar to collisions of moving objects. The video was captured with a Raspberry Pi version 2 camera attached to a Raspberry Pi 4B SBC.
Conduite algorithmique et Rétroviseur, MA, Musée d'art de Rouyn-Noranda. 11 octobre au 8 décembre 2019.
francois-quevillon.com/w/?p=1470&lang=fr
francois-quevillon.com/w/?p=1927&lang=fr
Algorithmic Drive and Rétroviseur, MA, Musée d'art de Rouyn-Noranda. October 11 to December 8, 2019.
this is what happened, inside my head, when i thumbed through explore this morning and thought - 'hmm. has this been updated?'
this is a raw exposure, made too hurriedly, with a mechanical device, onto black & white film, with no processing.
[insert alternative logic here]
is it possible to have one's id surgically removed?
no, really …
[going for 0]
littletinperson
Algorithmically generated image created entirely from random numbers run through mathematical equations.
Photo showing the Project "Not Allowed for Algorithmic Audiences" by Kyriaki Goni (GR) at the Theme Exhibition of Ars Electronica Festival 2021.
In her project, Kyriaki Goni integrates in a fictional narrative the current wealth of research on artificial intelligence, automated voice systems and the relationship between humans and machines into a fictional narrative. Could poetics be a way for us to understand the machines? How can we de-bias the training processes? Is it possible to make kin with machines?
Credit: vog.photo
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Introduction to Algorithms
Ro m theta sigma : 5 -0.04 100 1 \ T N Xo : 98 50 100 nboot: 160 3977d128df7641a0ef757622746645f8cc50ec97
One image from the Parallel Reconstruction series, all of which are generated by the same program. This uses a grid system to attach the ends of series of parallel bezier curves.
Prints of selected works are available at www.tylerlhobbs.com.
The Haecceity series utilizes a random set of points to form a color and brightness map. Shapes are then painted with a color determined by the nearest color and brightness points.
In place of transparency, textures are used to allow the eye to see harmonious colors at the same time.
All works in the series are generated from the same program. No part of the works are drawn or painted by hand.
Installation in the background showing Not Allowed for Algorithmic Audiences by Kyriaki Goni.
In her project, Kyriaki Goni, integrates in a fictional narrative the current wealth of research on artificial intelligence and voice interfaces, as well as the relationship between humans and machines. Listening infrastructures, surveillance and climate crisis are as well part of this narration. Could poetics be a way for us to understand the machines? Can we de-bias the training processes? Is it possible to make kin with the machines?
Photo: Alice Brazzit / Facyl
Ro m theta sigma : 5 -0.05 100 1 \ T N Xo : 98 50 100 nboot: 800 3977d128df7641a0ef757622746645f8cc50ec97
Ro m theta sigma : 5 -0.03 100 1 \ T N Xo : 98 50 100 nboot: 160 620fd5ae7cc000b105a3a3998ca2152a73460fe1
Handheld, iPhone5
In-phone, 3 exposure combination
Dramatic mode
The Ittiam High Dynamic Range (HDR) algorithm for Mobile and Cellphone cameras, Smartphones and Tablets intelligently selects the exposures of the constituent images and combines the details using advanced de-noising, anti-ghosting and tone mapping techniques to obtain high quality HDR images. The HDR algorithm is part of Ittiam's Imaging SDK. The photograph was taken using an iPhone5 application based on Ittiam's Imaging SDK. All processing for this photograph was done in phone, unless explicitly noted.
For further information, please see Ittiam's HDR Algorithm Web Page
I hadn't looked at Scout in a while, but it's obvious the Explore algorithm has changed recently; there's pictures that have popped up in Explore that weren't there before. True oddities are numbers '5' and '8' - I have no idea what they are doing there.
These are the ones that are still in Explore. There's an equivalent number of ines that have been in and dropped out again which aren't included.
1. What A Difference A Shave Makes ..., 2. Rainbow Lorikeet, 3. Photographer At Dawn, 4. Standing On The Sun, 5. Best In Town, 6. Point Hicks Lighthouse Staircase, 7. Spiral Staircase, 8. Approach,
9. Two Feet Up, 10. Swallow And Fence, 11. Footprints On The Beach, 12. Curlews, 13. End Of Another Earth Day, 14. Caught Photographer, 15. Pay No Attention To The Man Behind The Curtain, 16. Legion,
17. Bear-Faced Cheek!, 18. Converse Cliche, 19. Regeneration, 20. Prince Of Fools, 21. Valentine Message, 22. 16/11/2009 (Day 3.320) - Beauty And The Beast, 23. 18/09/2009 (Day 3.261) - Mirror Man, 24. 11/09/2009 (Day 3.254) - The Last Walk,
25. 08/09/2009 (Day 3.251) - Those Dark Hours When The Powers Of Evil Are Exalted, 26. 18/08/2009 (Day 3.230) - Small Change, 27. 17/07/2009 (Day 3.198) - In Which I Suck, 28. 11/07/2009 (Day 3.192) - Woodentop, 29. 29/03/2009 (Day 3.88) - Walking To The End Of The World, 30. Lame Breakfast Of Champions, 31. 25/02/2009 (Day 3.56) - Definitions, 32. 07/10/2008 (Day 2.281) - The Adventures Of Tranzilla, Queen Of The Desert,
33. 30/07/2008 (Day 2.212) - The Descent Of Man, 34. 17/06/2008 (Day 2.169) - On The Road, 35. 03/03/2008 (Day 2.63) - A Good Pick, 36. Cliffs Can Kill, 37. Chillis, Pepper, Soy Sauce And A Clove Of Dalek, 38. 12/07/2007 (Day 224) - Today I Will Mostly Be Releasing Man-Eating Badgers Into The Area, 39. Human Parts, 40. 03/04/2007 (Day 124) - Astride The World,
41. 30/01/2007 (Day 61) - iPod Self-Portrait, 42. Cards and Dice, 43. Torchwood, 44. Bride Of Frankenstein, 45. What's In My (Dice) Bag?, 46. Jump!, 47. Zidane, 48. Walk Into The Light,
49. Clones On A Summer's Day, 50. Pear: Shaped, 51. Didg, 52. What's For Dinner?, 53. Pebble Pattern, 54. Miniature Pub, 55. Blue Man Group, 56. "Holmes Gave Me A Sketch Of The Events",
57. Charles Darwin: The Origin Of Species: 1859, 58. Hug The Wombat, 59. Maya, 60. Through The Doughnut, 61. Attack Run, 62. Self Portrait, 63. Playing Cards, 64. Kajutaijuq,
65. Albino Peacock, 66. Kali, 67. Mummified Thylacine Head, 68. Nazi Flying Saucer, 69. Cei Shouting
Created with fd's Flickr Toys
Ro m theta sigma : 5 -0.05 100 1 \ T N Xo : 98 50 100 nboot: 160 620fd5ae7cc000b105a3a3998ca2152a73460fe1
21 May 2019
2019 OECD Forum
Well-Being and Productivity At Work
Can algorithms make us more effective
and happier at work?
- Martin Lauquin (Making Tomorrow)
- Andre Zollinger (thecamp)
Headquarters, Paris
Photo: OECD/ Stéphane Kyndt
Algorithm: Camille Rojas - Nuit blanche 2019 Toronto
www.facebook.com/events/1257684464402359/?event_time_id=1...
Presented in partnership with Nuit Blanche Toronto:
Saturday, October 5th, 2019, 7pm-2:30am
Exhibition Run: Saturday, October 5th- Sunday, October 6th, 2019
Algorithm is a 30-minute solo contemporary dance piece meditating on sexual discrimination in computer vision science; particularly, the algorithms behind removing images of breasts and vulvas online. Currently, an overwhelming number of algorithms exist solely to detect these body parts – often deemed as “pornographic” – yet very few focus on censoring the phallus. The choreography uses symbols and characters from various algorithms as a point of departure, one of which is the han character (凹) as it closely resembles the shape of a vulva (or “concave, hollow, depression” ¹). Throughout the movements, the body, in its raw and fleshy form, interrogates these shapes from beyond the reach of algorithmic censorship. Algorithm simultaneously celebrates censored body parts while highlighting the gender inequality that is extant in technology.
1 - Shen, Xuanjing, Wei Wei, and Qingji Qian. 2010. “A Pornographic Image Filtering Model Based on Erotic Part.” In
3rd International Congress on Image and Signal Processing (CISP), vol. 5, 2473–77.
___________________________________________________________________
Camille Rojas (b. 1993 Toronto; Lives and works in Toronto) is a multidisciplinary artist working with film, photography, and dance. She holds a BFA in Photography Studies from Ryerson
University and has recently exhibited at Erin Stump Projects, Gallery 44, Ryerson Image Centre, Gallery TPW and the Art Gallery of Ontario.
Instagram: @camiillerojas
I discovered this folding algorithm that produces an approximation of a parabola. This is an example of a recursive algorithm that doesn't create a fractal.
The pattern comes from the relationship between the different pleats; because of their inherent geometry and the starting conditions, certain angles are created during the folding process, which when finished form the outline of the parabola. I haven't figured out the math behind it, but it has something to do with the angle relationships that allow the paper to fold flat. It also has something to do with the fact that these pleat intersections can be treated as positive vector sums, and one of the vectors is always a constant.
Starting with a vertical pleat field, you put a horizontal pleat across it, spread the vertical pleat, and readjust the next part so it folds flat... It seems to produce a parabola, for some reason. I'd love it if somebody could figure out the math behind this...
The vertical pleats are all the same size.
Handheld, Samsung Nexus Prime, ICS
In-phone, 3 exposure combination
The Ittiam High Dynamic Range (HDR) algorithm for Mobile and Cellphone cameras, Smartphones and Tablets intelligently selects the exposures of the constituent images and combines the details using advanced de-noising, anti-ghosting and tone mapping techniques to obtain high quality HDR images. The HDR algorithm is part of Ittiam's Imaging SDK. The photograph was taken using an Android camera application based on Ittiam's Imaging SDK. All processing for this photograph was done in phone, unless explicitly noted.
For further information, please see Ittiam's HDR Algorithm Web Page