View allAll Photos Tagged Algorithms
Collage-Nikov comes clean! Owsley Stanley & Ken Kesey fed me window-pane acid, blotter acid, sugar cubes, yellow sunshine, liberty caps, mellow-yellow, morning glory seeds even
& we all tripped-out just for the laughs. We'd laugh so hard, we shook ourselves out of our skeletons. We became snake-like, slithering sacs of peach-mango jelly. The night was literally electrified--sparks showered the skies from Tillamook to Tijuana--from Skyline Drive to Santa Cruz. Ben Lomond glowed. Hippies were skinny-dipping N-A-K-E-D in Bear Creek, & the swift-flowing creek along the Brookdale Lodge. There were so many Heads frying up @the Rock Quarry, that it was consciousmist fogging the Sequoias, deep in the envelope of the Santa Cruz Mountains. There were trails everywhere! Geometric-physics suddenly took on algorithmic, analytic scenarios--slow-motion Dreamtime earthscapes--blending & blurring boundaries. "I am the Walrus, koo-kooka-ju" nausea--engulfed poor Egos, dying in a tsunami of ego-death-despair. Nature's blanket good, give & take, away from city-fied mass confusion--the peace full moon peace-enlightened illumination of reflected-source fullness photons...chirping, crowing, rustling, beeping, creeping, purring, raining downsounds through a cheesecloth-central nervous system, absorbing millions upon millions of synaptic blasts simultaneously, one enclosure an encapsulated, sentient intelligence firing on all cylinders, a cosmic cruise-control extraconscious symbiosis. Photonic particles in nanospace/time stream image-thought auroras open the gates to exploration. L.S.D.Don Juan. peyote. psilisybin. mescaline. morning glory seeds. jimsonweed. Timothy Leery-C.I.A.-bonded-Stonybrookuniv-of-Alabamama-& ran to Morrocco--what bag are the hippies getting into? Burroughs & Kerouac beat-a-path away from the dark- ness of McCarthyism, into Mexico & then, to Morocco..."What's the escape plan," Lilly dolphinates? Collage-Nikov is on his own in this not so brave new world.
Flickr Bingo 4-Algorithms
I have very little knowledge of Algorithms, but Stu knows much more than me, he is a IT Senior Systems Administrator and deals with them indirectly.
Conduite algorithmique et Rétroviseur, MA, Musée d'art de Rouyn-Noranda. 11 octobre au 8 décembre 2019.
francois-quevillon.com/w/?p=1470&lang=fr
francois-quevillon.com/w/?p=1927&lang=fr
Algorithmic Drive and Rétroviseur, MA, Musée d'art de Rouyn-Noranda. October 11 to December 8, 2019.
this is what happened, inside my head, when i thumbed through explore this morning and thought - 'hmm. has this been updated?'
this is a raw exposure, made too hurriedly, with a mechanical device, onto black & white film, with no processing.
[insert alternative logic here]
is it possible to have one's id surgically removed?
no, really …
[going for 0]
littletinperson
The best example to date of tracking independent objects that "collide" and obscure each other. Another feature to notice is that the tracking rectangles move through the large tree trunks like they are not present. The large tree trunks are configured as "blockers" and are handled similar to collisions of moving objects. The video was captured with a Raspberry Pi version 2 camera attached to a Raspberry Pi 4B SBC.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Algorithmically generated image created entirely from random numbers run through mathematical equations.
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Introduction to Algorithms
One image from the Parallel Reconstruction series, all of which are generated by the same program. This uses a grid system to attach the ends of series of parallel bezier curves.
Prints of selected works are available at www.tylerlhobbs.com.
Ro m theta sigma : 5 -0.04 100 1 \ T N Xo : 98 50 100 nboot: 160 3977d128df7641a0ef757622746645f8cc50ec97
Photo showing the Project "Not Allowed for Algorithmic Audiences" by Kyriaki Goni (GR) at the Theme Exhibition of Ars Electronica Festival 2021.
In her project, Kyriaki Goni integrates in a fictional narrative the current wealth of research on artificial intelligence, automated voice systems and the relationship between humans and machines into a fictional narrative. Could poetics be a way for us to understand the machines? How can we de-bias the training processes? Is it possible to make kin with machines?
Credit: vog.photo
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Ro m theta sigma : 5 -0.04 100 1 \ T N Xo : 98 50 100 nboot: 16 3977d128df7641a0ef757622746645f8cc50ec97
Ro m theta sigma : 5 -0.03 100 1 \ T N Xo : 98 50 100 nboot: 160 620fd5ae7cc000b105a3a3998ca2152a73460fe1
Installation in the background showing Not Allowed for Algorithmic Audiences by Kyriaki Goni.
In her project, Kyriaki Goni, integrates in a fictional narrative the current wealth of research on artificial intelligence and voice interfaces, as well as the relationship between humans and machines. Listening infrastructures, surveillance and climate crisis are as well part of this narration. Could poetics be a way for us to understand the machines? Can we de-bias the training processes? Is it possible to make kin with the machines?
Photo: Alice Brazzit / Facyl
olorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Ro m theta sigma : 5 -0.05 100 1 \ T N Xo : 98 50 100 nboot: 800 3977d128df7641a0ef757622746645f8cc50ec97
Handheld, iPhone5
In-phone, 3 exposure combination
Dramatic mode
The Ittiam High Dynamic Range (HDR) algorithm for Mobile and Cellphone cameras, Smartphones and Tablets intelligently selects the exposures of the constituent images and combines the details using advanced de-noising, anti-ghosting and tone mapping techniques to obtain high quality HDR images. The HDR algorithm is part of Ittiam's Imaging SDK. The photograph was taken using an iPhone5 application based on Ittiam's Imaging SDK. All processing for this photograph was done in phone, unless explicitly noted.
For further information, please see Ittiam's HDR Algorithm Web Page
Algorithm: Camille Rojas - Nuit blanche 2019 Toronto
www.facebook.com/events/1257684464402359/?event_time_id=1...
Presented in partnership with Nuit Blanche Toronto:
Saturday, October 5th, 2019, 7pm-2:30am
Exhibition Run: Saturday, October 5th- Sunday, October 6th, 2019
Algorithm is a 30-minute solo contemporary dance piece meditating on sexual discrimination in computer vision science; particularly, the algorithms behind removing images of breasts and vulvas online. Currently, an overwhelming number of algorithms exist solely to detect these body parts – often deemed as “pornographic” – yet very few focus on censoring the phallus. The choreography uses symbols and characters from various algorithms as a point of departure, one of which is the han character (凹) as it closely resembles the shape of a vulva (or “concave, hollow, depression” ¹). Throughout the movements, the body, in its raw and fleshy form, interrogates these shapes from beyond the reach of algorithmic censorship. Algorithm simultaneously celebrates censored body parts while highlighting the gender inequality that is extant in technology.
1 - Shen, Xuanjing, Wei Wei, and Qingji Qian. 2010. “A Pornographic Image Filtering Model Based on Erotic Part.” In
3rd International Congress on Image and Signal Processing (CISP), vol. 5, 2473–77.
___________________________________________________________________
Camille Rojas (b. 1993 Toronto; Lives and works in Toronto) is a multidisciplinary artist working with film, photography, and dance. She holds a BFA in Photography Studies from Ryerson
University and has recently exhibited at Erin Stump Projects, Gallery 44, Ryerson Image Centre, Gallery TPW and the Art Gallery of Ontario.
Instagram: @camiillerojas
21 May 2019
2019 OECD Forum
Well-Being and Productivity At Work
Can algorithms make us more effective
and happier at work?
- Martin Lauquin (Making Tomorrow)
- Andre Zollinger (thecamp)
Headquarters, Paris
Photo: OECD/ Stéphane Kyndt
Ro m theta sigma : 5 -0.05 100 1 \ T N Xo : 98 50 100 nboot: 160 620fd5ae7cc000b105a3a3998ca2152a73460fe1
Handheld, Samsung Nexus Prime, ICS
In-phone, 3 exposure combination
The Ittiam High Dynamic Range (HDR) algorithm for Mobile and Cellphone cameras, Smartphones and Tablets intelligently selects the exposures of the constituent images and combines the details using advanced de-noising, anti-ghosting and tone mapping techniques to obtain high quality HDR images. The HDR algorithm is part of Ittiam's Imaging SDK. The photograph was taken using an Android camera application based on Ittiam's Imaging SDK. All processing for this photograph was done in phone, unless explicitly noted.
For further information, please see Ittiam's HDR Algorithm Web Page
When you've written some flood fill code, everything looks like a coloring book.
Made with processing.org .
I discovered this folding algorithm that produces an approximation of a parabola. This is an example of a recursive algorithm that doesn't create a fractal.
The pattern comes from the relationship between the different pleats; because of their inherent geometry and the starting conditions, certain angles are created during the folding process, which when finished form the outline of the parabola. I haven't figured out the math behind it, but it has something to do with the angle relationships that allow the paper to fold flat. It also has something to do with the fact that these pleat intersections can be treated as positive vector sums, and one of the vectors is always a constant.
Starting with a vertical pleat field, you put a horizontal pleat across it, spread the vertical pleat, and readjust the next part so it folds flat... It seems to produce a parabola, for some reason. I'd love it if somebody could figure out the math behind this...
The vertical pleats are all the same size.
Ro m theta sigma : 5 -0.049 100 1 \ T N Xo : 98 50 100 nboot: 800 b792b316d3fc463b83c8973073cff640ca7204ae
LSN
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden