View allAll Photos Tagged Algorithms

Most are in pseudocode, some in C++.

Printed on the surface is a Happy.Place machine rendering.

Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.

 

Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.

 

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Fed 2 / Industar 26M 52mm 2.8 lens / expired (unknown date) Kodak BW400CN film

 

1/500 @ f/11

 

The light flares in the centre appear on a few of the photo's taken with the Industar lens, internal reflections? Hrrmph.

Handheld Motorola Droid 3, GingerBread

In-phone, 6 shot panorama stitch

Colour corrected off phone

 

The Ittiam Panorama algorithm for Mobile and Cellphone cameras, Smartphones and Tablets performs multi-shot combinations up to a 360 degree view. It uses intelligent image registration, intensity /white balance correction, optimal seam selection and blending methods to obtain high quality panorama images. The Panorama algorithm is part of Ittiam's Imaging SDK. The photograph was taken using an Android camera application based on Ittiam's Imaging SDK. All processing for this photograph was done in phone, unless explicitly noted.

 

For further information, please see Ittiam's Panorama Algorithm Web Page

“Facebook Algorithmic Factory” sheds light on invisible processes that happen inside of the World’s largest social network. Inside of this black box, non-transparent algorithms are deciding what kind of content will become part of our reality, what will be censored or deleted, which ideas will spread and which news will gain most visibility. They also define new forms of labour and exploitation.

 

Credit: Vladan Joler

Muse and a phalanx of electric trombonists perform "Algorithm" to open their show at Madison Square Garden.

Final Version of the Orkyd Lamp, deisgn by Nate Wendling & myself

Final Version of the Orkyd Lamp, deisgn by Nate Wendling & myself

with dnorm, dexp prior

Parametric design created with 3dsmax 2013 and Octane render v1.0.

section + plans organizations

Algorithmic composition. A zoomable version can be found here.

 

Algorithmic worlds

Blog

This is a comparison of three resizing algorithms.

 

Link to full size: www.flickr.com/photos/kinematic/13783164545/sizes/o/

 

The first is the common method of Bicubic resizing (200%) with unsharp mask of 3 pixels radius applied.

 

The second option is my own custom workflow of 4 algorithms combined with super resolution (which I call resolution +) and no sharpening.

 

The third is one used by programs like Perfect Resize and many other popular resizing tools, Lanczos resizing algorithm with RL Deconvolution sharpening.

 

The Lanczos is definitely an improvement over the Bicubic method, giving a much crisper cleaner resize. However RL Deconvolution does tend to over-sharpen things a touch. I might even say that it artifically sharpens things that shouldn't be sharpened (note the little white sharpened specks on the rock).

 

My hybrid method is still better suited reducing essentially diffraction issues and recovering details. Especially viewed at 100%, it appears not just as a resizing of the image by 200% but an actual increase in resolution without the artifacts that seen in the other two methods. Although it is a little labour intensive, with RAWTherapee workflow the hybrid method definitely yields favourable results.

 

It is not something that one might want to do on every image, however the effort is worth it for those times that you either are resizing images for large reproductions or you're cropping heavily and need to recover some details.

 

Experiments like this certainly disuade me from ever needing to pick up an A7r for more resolution in studio situations (which most of my clients these days rarely ever call for or need).

 

I'm very close to publishing my workflow and description on how this is done. The cost of software is reasonable and the technical aspects behind it have been far simplified with the introduction of RAWTherapee into the workflow.

31 May 2016 - OECD Forum 2016: Lunch Debate: The Algorithmic Society. OECD, Paris, France.

 

Moderator: Gareth Mitchell, Presenter, BBC Click

Speakers

- Pedro Domingos, Professor of Computer Science, University of Washington, United States

- Anindya Ghose, Professor of IT & Marketing; Co-Director, Center for Business Analytics, Leonard N. Stern School

of Business, New York University, United States

- Madhumita Murgia, Head of Technology, The Telegraph, United Kingdom

- Christian Reimsbach-Kounatze, Economist & Policy Analyst, Science, Technology & Innovation, OECD

  

Photo: OECD/Michael Dean

Asian College of Journalism and British Council hosted screening of award winning documentary Algorithms Saturday 22 February 2014 at the ACJ Lecture Hall in Chennai. British Deputy High Commissioner Chennai, Bharat Joshi was the chief guest. Directed by British filmmaker Ian McDonald and produced by Geetha J. the documentary has been screened at over twelve international film festivals and won four awards, including Ram Bahadur Tamang Trophy for Best Film at Film South Asia Kathmandu, Best Film on Intangible Cultural Heritage at the Jean Rouch International Film Festival 2013 in Paris, the Dogwoof Audience Film Prize at the biennial RAI International Festival of Ethnographic Films in Edinburgh and a Special Mention at Durban International Film Festival. Follow us on twitter @UKinIndia.

Drawing upon the idea of the dragon curve, I wondered what other shapes could be created using similar methods. As it turns out, this form of construction is known as an L-system; they create fractal patterns by replacing a segment with a smaller version of the initial pattern molecule. The Koch curve is another example of this. I made pleats in strips of paper to create a physical analogue of this process, which enforces another parameter: because the paper changes direction when folded, the molecule affects the form differently depending on which face of the segment is up during precreasing.

 

A proof for the non-intersection of any pattern made in this fashion:

 

These patterns are produced by replacing a segment with an n-sided molecule. Imagine that each of these original segments is the diagonal of a square; these squares don't overlap because we're using 90 degree symmetry on uniform line segments.

 

So as long as the replacement molecule stays within the square defined by the original line segment, and doesn't intersect itself, then the pattern can never intersect.

The artworks are created with high-resolution (from 50 megapixel) with lots of details. If you are interested in any way to buy artworks or you just want some additional info, contact me: jc2046 [-at-] gmail.com

 

laserdelic.com

Image created using particles obeying certain "gravitational" laws. Mostly variations on "accelerate toward/away from some particle unless some condition is met, in which case move toward/away from some other particle".

       

Made with processing (processing.org).

An early experiment in perfecting the geode algorithm.

Process to assist with solving exam type problems in physics

Algorithmic composition. A zoomable version can be found here.

 

Algorithmic worlds

Blog

Final Version of the Orkyd Lamp, deisgn by Nate Wendling & myself

...I don't think I'll ever be done with logarithmic patterns. They're just SO fun to play with.

 

I also think it odd that "logarithm" and "algorithm" are anagrams. More strange, that I used both words for years and haven't noticed 'til now...

The Algorithm live at The Underworld, Camden, London, UK.

31st May 2016 - Meet the Author: The Master Algorithm How The Quest For The Ultimate Learning Machine Will Remake Our World,OECD,Paris,France

 

Photo: OECD/Christian Moutarde

 

Joy Buolamwini, Researcher; Founder, Algorithmic Justice League, Massachusetts Institute of Technology (MIT) Media Laboratory, USA speaking during the Session "Compassion through Computation: Fighting Algorithmic Bias" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 23, 2019. Congress Centre - Betazone

Copyright by World Economic Forum / Jakob Polacsek

Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.

 

Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.

 

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My websites:

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Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.

 

Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.

 

Please follow, like and leave a comment.

 

My websites:

www.asarstudios.com

springsofeden.com

 

Visit my portfolio sites:

celestial-images.pixels.com

www.saatchiart.com/celestialart

society6.com/asarstudios

www.redbubble.com/people/Motionage/shop

500px.com/p/asarstudios

ahmet-asar.pixels.com

eastern-accents.pixels.com

artistic-panda.pixels.com

springsofeden.com

www.etsy.com/people/troygift

www.ebay.com/usr/troygiftshop

 

FOLLOW ME:

twitter.com/asarstudios

instagram.com/asarstudios

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The Algorithm live at The Underworld, Camden, London, UK.

The Algorithm live at The Underworld, Camden, London, UK.

Example of an algorithm. Read more here bit.ly/tH4TRo.

A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.

 

See more at rndsd.com/drift/

Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.

 

Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.

 

Please follow, like and leave a comment for more exiting future notifications.

 

My websites:

www.asarstudios.com

springsofeden.com

 

Visit my portfolio sites:

www.saatchiart.com/celestialart

society6.com/asarstudios

www.redbubble.com/people/Motionage/shop

 

springsofeden.com

www.ebay.com/usr/troygiftshop

 

FOLLOW ME:

 

instagram.com/asarstudios

www.facebook.com/asarstudios/

www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden

www.pinterest.com/freedomonk

  

ahmet-asar.pixels.com

eastern-accents.pixels.com

artistic-panda.pixels.com

celestial-images.pixels.com

 

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