View allAll Photos Tagged Adolphe
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print
Size: 7" x 9 1/2"
Location:
Object No. 2016.896
Shelf: E-25
Publication: Andre Jammes and Eugenia Parry Janis, The Art of the French Calotype, Princeton University Press, Princeton, 1983, pg 24
Francoise Heilbrun, Charles Negre, Das photographische Werk, Schirmer/Mosel, Munich, 1988, pg 38
Other Collections:
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
In a luxury hotel stage director Nicoleff (Adolphe Menjou) stages a show to get the money to pay his bills. Mrs. Prentiss (Alice Brady), who is backing the show wants her daughter Ann (Gloria Stuart) to marry the millionaire T. Mosely (Hugh Herbert).
But all is not what it seems? A complicated plot held together by Busby Burkley's Direction talents and his very inventive musical staging.
I've said it before. They don't make them like this any more.
William Adolphe Bouguereau(1825-1905) Innocence [Oil on canvas,1893]
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Sanguine, black charcoal & gouache on brown laid paper
265 x 200mm
Inscribed at bottom:
"Notre Maria" (center)
"À ma Charlotte
souvenir de reconnaissance
A Willette
1913"
Detail showing signature and dedication
See other entry for more information.
Photos courtesy of Mert Erdem and Michael Wilson —
River and State was commissioned by the ICOA Chamber Orchestra, Daniel Feng, Conductor, as part of their New World/New Music series. The piece is in honor of the 125th anniversary of Antonin Dvorak's 9th Symphony, From the New World, and was premiered at the Bohemian National Hall in NYC. The accompanying composition is Dvorshock by Bruce Adolphe - also commissioned by the ICOA. The premiere of River and State featured a live performer, Laura King-Pazuchowski, on stage with the orchestra, interacting with the VR environment we developed. This video was captured from within the VR environment used during the performance. The music is a live recording of Dvorshock.
Our concept for this virtual cinema performance is about the promise of a new world, its unlimited potentials, personal freedoms and inevitable progress, and how technology has always played a role in these fantasies.
Our performer, Laura King-Pazuchowski traversed the membrane of our shared environment of lived experience and the fantasy of virtual, illimitable, dream-space.
The VR environment features renderings of Lower Manhattan, Inwood Hill Park, Ellis Island, and an amalgam of different Subway stations. The piece is also inspired by observing flash floods on certain Manhattan streets built above drained streams. whose resulting chaos suggest the transposed, consistent presence of foundational forces occluded by the trappings of contemporary material culture.
The Tulips are a reference to the Tulip tree of Inwood Hill Park where the initial meeting, and subsequent purchase of Manhattan from the Native population occurred. The tree died in the 1933. The sculpture of the Tulips encountered during the capsule scene is a rendering of a currently infamous Jeff Koons sculpture that has a connection to the Statue of Liberty.
The metronome seen at the beginning on the shore returns in the final scene as a monument sized rendering of Man Ray's "Indestructible Object". The character in front of the metronome in the final scene is a rendering of the performance artist.
video and additional information on mayarouvelle.com
Maker: Louis-Adolphe Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print
Size: 7" x 9 1/2"
Location:
Object No. 2016.930
Shelf: E-25
Publication:
Other Collections:
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Maker: Adolphe Terris (1820-1900)
Born: France
Active: France
Medium: cdv back
Size: 2.25" x 4"
Location: France
Object No. 2014.576b
Shelf: E-18-T
Publication:
Other Collections:
Provenance:
Notes: TBAL
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Bain News Service,, publisher.
Raoul Peret
1919 Oct. 11 (date created or published later by Bain)
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title and date from data provided by the Bain News Service on the negative.
Photograph shows French lawyer and politician Raoul Adolphe Pıeret (1870-1942) who was Minister of Commerce in 1914. (Source: Flickr Commons project, 2011)
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.15951
Call Number: LC-B2- 3046-1
Peony 'Adolphe Rousseau' 23W24 Lactiflora F2- (Dessert & Mechin, 1890) (3-DB-RD) Lactiflora Cultivar Peony, Mature plant size: 36in., RED, Tall Height, Double, Red shaded maroon, early midseason bloomer, USDA Hardiness Zone 3-8, Michigan Bloom Week ISO WW22, In Garden Bed F2 for 4.1 YEARS (Wild). Planted in 2019.
APS Registration: ADOLPHE ROUSSEAU (Dessert & Mechin, 1890) - Double - Red - Early - Midseason. Tall. Moderate fragrance, but disagreeable. Dark, lustrous red shaded maroon, showing yellow stamens and light red stigmas in center; odor somewhat disagreeable. Tall; floriferous; stems very strong. Foliage dark, tinged red.
Bloomed in 2021, not true to name. 2022: no buds.
Photo by F.D.Richards, SE Michigan. Link to additional photos of this plant from 2019, 21, 23:
www.flickr.com/search/?user_id=50697352%40N00&sort=da...
#Michigan, #49236, #usdaZone6, , #week4, #Perennial, #Double, #Heirloom, #Red, #Peony, #NOID, #AdolpheRousseau, #23W24
Location Smith College Museum of Art, Massachusetts
William-Adolphe Bouguereau
French Academic Classicist Artist
Genre Painter
1825 – 1905
Charity currently holds the world record for a Bouguereau painting sold at auction selling in the summer of 2000 for 3,600,000 US dollars. The painting depicts a beautiful woman caring and protecting five young children giving them her nurturing, sustenance, and knowledge. The nurturing is represented by her bared breasts indicating her intent to allow the children to nurse from her, and illustrating her willingness to give of herself for their wellbeing. Under her left foot is an overturned jug with gold and silver coins flowing out of it. This symbol reveals that there is no cost too great for their happiness, and that she is willing spend whatever money it takes to ensure it, even if it's everything that she has. By her right foot a boy is leaning on a pile of books, showing her intent to educate them and give them the gift of knowledge. Charity is a truly exquisite painting using symbolic imagery to portray the true meaning of selflessness and of course charity.
PJ Perry, Don Berner, Campbell Ryga, Kirk MacDonald, Phil Dwyer, Pat LaBarbera, Mike Marley, Ross Taggart, Kent Sangster, Jim Brennan, Bill Jamieson, Harrold Dubyk, Dino Dominelli
On behalf of the above-named Canadian saxophonists, thank you for the invention of one of the most important instruments in jazz
© All Rights Reserved. Please do not use or reproduce this image on Websites/Blog or any other media without my explicit permission.
Steel plate engraving of Robert, Marquis of Londonderry - Viscount Castlereagh.
Thier’s Consulate and Empire 1845.
The history of the French Consulate and Empire under Napoleon, written by Adolphe Thiers.
Thiers condensed history adapted from his original 16 Volume set, translated from the original French.
M.J.L. Adolphe Thiers ( 1797-1877) was a French politician and historian, and the first President of the Third Republic ( 1871-1873)..
Published by A. Fullarton, London (1845). 3 volumes, half leather binding.
La guêpe s'agrippe au mur de béton. J'ai cru comprendre que recherche un creux dans une pièce le bois, mais j'avoue que le bois se fait rare sur les lieux.
Maker: Adolphe Bilordeaux (1807-1872)
Born: France
Active: France
Medium: photolithograph
Size: 7.5" x 9.5"
Location: France
Object No. 2015.244f
Shelf: N-4
Publication: Histoire Générale de Paris. La Seine aux âges antéhistoriques par E. Belgrand, Inspecteur général des Ponts et Chaussées, Directeur des Eaux et des Egouts de la ville de Paris. Planche de Paléontologie, Paris, 1889, pl 23
Other Collections:
Provenance: Tableaux Modernes & Contemporains - Sculptures - Photos, Marc-Arthur Kohn, October 16, 2020, Lot 209
Notes: TBAL
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print from original paper negative
Size: 7" x 9 1/2"
Location:
Object No. 2016.944
Shelf: E-25
Publication:
Other Collections:
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY
William-Adolphe Bouguereau (La Rochelle 1825-1905), Pietà - 1876
Dallas Museum of Art, Dallas, TX, US
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print
Size: 7" x 9 1/2"
Location:
Object No. 2016.942
Shelf: E-25
Publication:
Other Collections:
Provenance: Texbraun Galerie via Ader, Photos a Tout Prix, Sept 29, 2016, lot 6
Rank: 164
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Detail From ‘Young Priestess’ William-Adolphe Bouguereau 1902
Devoid of narrative and almost sculptural in quality, Young Priestess is an artistic exploration of pure form, line and color. The fluid fabrics of the priestess’s garments and the drapery behind her contrasts sharply with her pale flesh and the stone mosaic of the floor. The priestess, both life-size and life-like, gazes directly at the viewer and is an example of the photo-idealism that permeated Bouguereau’s work throughout his long career.
Bouguereau painted Young Priestess at the age of 77, only three years before his death in 1905. His traditional painting style and choice of subject matter, reliant on classical, religious and genre themes, was rooted in the French academy and is the antithesis of Impressionism and modernism. His work was frequently derided by contemporary critics, to whom he responded: “ A new art! But what for? Art is eternal…our art is the same as the art of all other times. One shouldn’t believe in all those so-called innovations. There is only one nature and one way to see it.”
From the placard: Memorial Art Gallery
Jules Adolphe Breton ~ French
Reproduced using various softwares including Topaz
Breton was interested in themes of social realism.
Many of his paintings, like this one, show peasants working in the fields.
The sunset, as well as the activity of gleaning, the final gathering of remnants of wheat that marks the end of the harvest, can be seen as a metaphor for the passage of time.
Breton’s inclusion of a young girl, a mature woman, and an elderly gleaner reinforce this theme.
Own image 2456 photographed from The Huntington Art Collections-European Art from the 15th to the early 20th century.
Collection de Vincent Warren
Tiré du recueil : Studies from the Russian Ballet
Emil Otto Hoppé
London
1911
No de document : 1029443
Pour voir la fiche descriptive dans le catalogue de la Bibliothèque : www.bibliodanse.ca/Record.htm?idlist=447&record=10174...
The First Division Memorial, was erected in 1924 in President's Park, west of the White House and south of what is now the Eisenhower Executive Office Building, at the corner of 17th Street and State Place, NW. Designed by Adolphe Huguet and architect Cass Gilbert, the memorial is centered with an 80-foot high pink Milford granite shaft, topped by a 15-foot gilded bronze winged figure of Victory, designed by sculptor Daniel Chester French. Conceived by the Society of the First Division, the veterans' organization of the U.S. Army's First Division, the monument was designed to honor the valiant efforts of the 5,599 men of the First Division who were killed in World War I. Later additions to the monument commemorate the lives of First Division soldiers who fought in subsequent wars---the World War II addition on the west side, designed by Cass Gilbert, Jr. was dedicated in 1957, the Vietnam War addition on the east side in 1977, and the Desert Storm plaque in 1995.
The Eisenhower Executive Office Building (EEOB), formally known as the Old Executive Office Building (OEOB), was built from 1871 and 1888 to house the growing staffs of the State, War, and Navy Departments. Located on 17th Street, N.W., between Pennsylvania Avenue and New York Avenue, and West Executive Drive, it is owned by General Services Administration and currently occupied by the agencies of the Executive Office of the President, such as the White House Office, the Office of the Vice President, the Office of Management and Budget and the National Security Council. Supervising Architect Alfred B. Mullett's design is considered one of the best examples of French Second Empire architecture in the country. Much of the interior was designed by Richard von Ezdorf using fireproof cast-iron structural and decorative elements.
Executive Office Building National Register #69000293 (1969)
Lafayette Square Historic District National Register #70000833 (1970)