View allAll Photos Tagged Adolphe
Maker: André Adolphe-Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 7 7/8 x 9 1/8 in
Location:
Object No. 2016.392b
Shelf: B-2
Publication:
Provenance: Photography: The First 80 Years, Christies On-Line, April 21, 2016, Lot 64
Other Collections:
Notes: numbered '7419' in ink (recto); annotated 'M de Carracciolo' in pencil (verso); titled, dated and numbered '7419' in ink on enclosed original label
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Signature and location of:
Albert Jean Adolphé (American, Pa., 1865-1940)
Portrait of a Father and Son, after Anthony van Dyke
Oil on panel
14 1/8 x 9 3/8 inches
Painted in Paris, at the Louvre, c. 1897-1901
Signed and inscribed, upper right: Albt. Jean Adolphé, Paris
Notes:
In her essay in the catalogue accompanying the 2001 exhibition, "To Paris and Back: Albert Jean Adolphé -- An Artist's Journey" at the Berman Museum of Art, Ursinus College, Pamela Potter-Hennessey notes that Albert Jean Adolphé was born "Albert John Adolph" in Philadelphia in February 1865, and except for a brief period of study in Europe at the turn of the century (c.1897-1901), he lived and worked in Philadelphia his entire life. This painting is one of the rare surviving works from his years in Paris. It is a copy Adolphé' made of a painting by Anthony van Dyck, "Portrait of a Father With His Son (also called Portrait of Guillaume Richardot and His Son," located in the Louvre Museum.
Potter-Hennessey explains the raison d'être of the practice of replicating the Old Masters: "Through the controlled process of copying directly from the paintings, Adolphé and thousands of others learned from the masters of the past, while dreaming that their own works might one day be hung for inspection by a new generation."
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Maker: Adolphe Godard (1817-1883)
Born: France
Active: Italy/France
Medium: CDV back
Size: 2 1/4 in x 4 in
Location:
Object No. 2021.835b
Shelf: E-17-G
Publication:
Other Collections:
Provenance:
Notes: Adolphe Godard (1817-1883) was born in Bernay and began photographing in the French Pyrenees in the mid-1850s. The first landscape photographer to work in Isère, he also took views of Grenoble and Uriage. He became a member of the Société Française de Photographie in 1854. He opened a studio in Genoa in 1856, deposited a series of views of Genoa and Pisa at the Bibliothèque Nationale of Paris in 1857, and exhibited at the 1861 exhibition of the Société Française de Photographie . He produced large format views, stereoscopic views and carte d’vistes of Italian cities including Genoa, Pisa, Rome and Naples, some published with an editorial label "I travel to Italy". In 1862 he was commissioned to document the zinc and lead mines of Monteponi. Between 1860 and 1866 he worked in partnership with the Genoese photographer Giovanni Battista Caorsi (1829- 1900) and continued activity in Genoa as the Etablissement Photographique Adolphe Godard until 1871. By 1880 Godard was living in Aix-en-Provence.
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Catalog #: 09_00989
Title: Adolphe Heri DuBois Special Collection Photo
Additional Information: View of harbor side, Adolphe Heri DuBois served during World War I,
Tags: Adolphe Heri DuBois Special Collection Photo
Repository: San Diego Air and Space Museum Archive
no 38-44 (et no 29-31 rue de Berri) : Immeuble Washington Plaza : Immeuble de bureaux de 60 000 m² construit entre 1929 et 1932 à l'emplacement de l'hôtel de Casa-Riera et de ses jardins pour la société Shell par les architectes Lucien Bechmann (1880-1968) et Roger Chatenay qui voulaient transposer à l'échelle parisienne un building d'affaires new-yorkais. La vaste galerie commerciale qui reliait la rue Washington et la rue de Berri est aujourd'hui fermée au public. (Wikipedia)
William-Adolphe Bouguereau (La Rochelle 1825 – La Rochelle 1905)
Vergine consolatrice, 1877, olio su tela, 204 x 148 cm; Parigi, Musée d’Orsay, in deposito presso il Musée des Beaux-Arts, Strasburgo
Source gallica.bnf.fr / Bibliothèque nationale de France
Les Pilules du diable, féerie
en 3 actes et 20 tableaux, par
MM. Ferdinand Laloue,
Anicet-Bourgeois et Laurent.
Paris 1839.
Jules Alexandre Marinier, sculptures découpages Pierre Adolphe Hennetier.1878
12 tableaux.
Trois haltérophile se cache parmi les danseuses dans cette scène...Serez vous le retrouver?
Tree weightlifter is hiding among the dancers in this scene...Can you find him?
www.flickr.com/photos/193116254@N07/53397158974/in/album-...
www.flickr.com/photos/193116254@N07/53365907058/in/album-...
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print from original paper negative
Size: 7" x 9 1/2"
Location:
Object No. 2016.913
Shelf: E-25
Publication:
Other Collections:
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY
Dutch postcard, no. 47759. Photo: Hilde Meyer-Kupfer.
Impressive Dutch actor Adolphe Engers (1884-1945) appeared in some 50 German and Dutch films in the 1920s and 1930s.
For more postcards, a bio and clips check out our blog European Film Star Postcards.
William-Adolphe Bouguereau
French, 1825-1905
Seated Nude
1884
Oil on canvas
Trained in the academic tradition, Bouguereau viewed the female nude as an ideal subject to display his skill. He rendered this model’s complex pose flawlessly, subtly manipulating light and shade to create a convincing illusion of three-dimensional form. The figure’s skin appears especially soft and smooth in contrast to the raw earth, jagged rock, and glassy water around her. Such craftsmanship attracted Sterling Clark, who continually praised the artist’s technique in his diaries.
(From The Clark Art Institute website)
Catalog #: 09_01014
Title: Adolphe Heri DuBois Special Collection Photo
Additional Information: Army defenses surrounded by moat, Adolphe Heri DuBois served during World War I,
Tags: Adolphe Heri DuBois Special Collection Photo
Repository: San Diego Air and Space Museum Archive
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print
Size: 7" x 9 1/2"
Location:
Object No. 2016.896
Shelf: E-25
Publication: Andre Jammes and Eugenia Parry Janis, The Art of the French Calotype, Princeton University Press, Princeton, 1983, pg 24
Francoise Heilbrun, Charles Negre, Das photographische Werk, Schirmer/Mosel, Munich, 1988, pg 38
Other Collections:
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
In a luxury hotel stage director Nicoleff (Adolphe Menjou) stages a show to get the money to pay his bills. Mrs. Prentiss (Alice Brady), who is backing the show wants her daughter Ann (Gloria Stuart) to marry the millionaire T. Mosely (Hugh Herbert).
But all is not what it seems? A complicated plot held together by Busby Burkley's Direction talents and his very inventive musical staging.
I've said it before. They don't make them like this any more.
William Adolphe Bouguereau(1825-1905) Innocence [Oil on canvas,1893]
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See my most interesting photos ：
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Sanguine, black charcoal & gouache on brown laid paper
265 x 200mm
Inscribed at bottom:
"Notre Maria" (center)
"À ma Charlotte
souvenir de reconnaissance
A Willette
1913"
Detail showing signature and dedication
See other entry for more information.
Photos courtesy of Mert Erdem and Michael Wilson —
River and State was commissioned by the ICOA Chamber Orchestra, Daniel Feng, Conductor, as part of their New World/New Music series. The piece is in honor of the 125th anniversary of Antonin Dvorak's 9th Symphony, From the New World, and was premiered at the Bohemian National Hall in NYC. The accompanying composition is Dvorshock by Bruce Adolphe - also commissioned by the ICOA. The premiere of River and State featured a live performer, Laura King-Pazuchowski, on stage with the orchestra, interacting with the VR environment we developed. This video was captured from within the VR environment used during the performance. The music is a live recording of Dvorshock.
Our concept for this virtual cinema performance is about the promise of a new world, its unlimited potentials, personal freedoms and inevitable progress, and how technology has always played a role in these fantasies.
Our performer, Laura King-Pazuchowski traversed the membrane of our shared environment of lived experience and the fantasy of virtual, illimitable, dream-space.
The VR environment features renderings of Lower Manhattan, Inwood Hill Park, Ellis Island, and an amalgam of different Subway stations. The piece is also inspired by observing flash floods on certain Manhattan streets built above drained streams. whose resulting chaos suggest the transposed, consistent presence of foundational forces occluded by the trappings of contemporary material culture.
The Tulips are a reference to the Tulip tree of Inwood Hill Park where the initial meeting, and subsequent purchase of Manhattan from the Native population occurred. The tree died in the 1933. The sculpture of the Tulips encountered during the capsule scene is a rendering of a currently infamous Jeff Koons sculpture that has a connection to the Statue of Liberty.
The metronome seen at the beginning on the shore returns in the final scene as a monument sized rendering of Man Ray's "Indestructible Object". The character in front of the metronome in the final scene is a rendering of the performance artist.
video and additional information on mayarouvelle.com
Maker: Louis-Adolphe Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print
Size: 7" x 9 1/2"
Location:
Object No. 2016.930
Shelf: E-25
Publication:
Other Collections:
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print
Size: 7" x 9 1/2"
Location:
Object No. 2016.888
Shelf: E-25
Publication: E. Bacot, A. de Brebisson, A Humbert de Molard, Trois Photographes en Basse-Normandie au XIX siecle, ARDI, Caen, 1989, pg 93
Other Collections: Musee Gatien Bonnet, Lagny-sur-Marne
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE