View allAll Photos Tagged Adolphe
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2 1/4 in x 4 in
Location:
Object No. 2021.580c
Shelf: B-10
Publication: Alex Novak, 19th Century French Master Photographers: Life Into Art, Vintage Works, Ltd, Chalfont, 2017, pg 162
Other Collections:
Provenance: Vintage Works
Rank: 133
Notes: TBAL
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Title / Titre :
The Honourable Sir Joseph Philippe René Adolphe Caron, Minister of Militia and Defence, b. December 24, 1843–d. April 20, 1908 /
L'honorable sir Joseph Philippe René Adolphe Caron, ministre de la Milice et de la Défense, né le 24 décembre 1843 et décédé le 20 avril 1908
Creator(s) / Créateur(s) : William James Topley
Date(s) : January 1881 / janvier 1881
Reference No. / Numéro de référence : MIKAN 3421401
collectionscanada.gc.ca/ourl/res.php?url_ver=Z39.88-2004&...
collectionscanada.gc.ca/ourl/res.php?url_ver=Z39.88-2004&...
Location / Lieu : Ottawa, Ontario, Canada
Credit / Mention de source :
William James Topley. Library and Archives Canada, PA-027037 /
William James Topley. Bibliothèque et Archives Canada, PA-027037
This mural by Lucien Adolphe Labaudt (1880-1943) is located along the walls of a spiral staircase in Coit Tower that is not generally open to the public. The mural depicts a street scene on San Francisco's Powell Street and is painted on both walls. Labaudt was also a noted fashion designer hence the detail reflected in the clothing worn by the subjects in this mural.
Labaudt was a native of France who studied in Europe before emigrating to the U.S. in 1906 and finally to San Francisco in 1911. He had a dressmaking shop on Powell Street and was an artist in his spare time ultimately emerging as one of the West Coast's finest painters. During World War II he went to Asia as an artist correspondent for Life Magazine and was killed in a plane crash enroute to China from India. Labaudt's murals are also displayed at the Beach Chalet in San Francisco.
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print
Size: 7" x 9 1/2"
Location:
Object No. 2016.898
Shelf: E-25
Publication: Andre Jammes and Eugenia Parry Janis, The Art of the French Calotype, Princeton University Press, Princeton, 1983, pg 192
Other Collections:
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
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For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Steel engraving from History of the French Consulate and Empire by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead and Hume Greenfield.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 685 pages 26cm x 17.5cm.
History of the French Revolution by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 790 pages 26cm x 17.5cm.
Santinely Adolphe, Pastor_Chaplain (white trousers) mingling among out-patients waiting at initial clinic to be seen (probably by Dr. Alf Borge) Ejeda Hospital patients' families' housing in background SW Madagascar 1966
Caleb and Connie Quanbeck served as missionaries in Madagascar from 1926-1972 for the Lutheran Free Church and The American Lutheran Church.
Caleb Quanbeck slides, 1940s-1980s.
ELCA Archives
http//www.elca.org/archives
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2 1/4 in x 4 in
Location:
Object No. 2021.580b
Shelf: B-10
Publication: Alex Novak, 19th Century French Master Photographers: Life Into Art, Vintage Works, Ltd, Chalfont, 2017, pg 162
Other Collections:
Provenance: Vintage Works
Rank: 133
Notes: TBAL
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Steel engraving from History of the French Revolution by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 790 pages 26cm x 17.5cm.
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print
Size: 7" x 9 1/2"
Location:
Object No. 2016.897
Shelf: E-25
Publication: Andre Jammes and Eugenia Parry Janis, The Art of the French Calotype, Princeton University Press, Princeton, 1983, pg 192
Other Collections: SFP
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Obj. No. 2008.100
William-Adolphe Bouguereau (French, 1825-1905)
Battle of the Centaurs and the Lapithae (Bataille des Centaures contre les Lapithes), 1852
Oil on canvas
49"H x 68⅝"W
124.46 cm x 174.31 cm
Image must be credited with the following collection and photo credit lines:
Virginia Museum of Fine Arts, Richmond. Arthur and Margaret Glasgow Fund.
Photo: Travis Fullerton © Virginia Museum of Fine Arts
The bow of the "Adolphe" is still visible on the Shipwreck Walk, on the northern breakwater at Stockton. The "Adolphe" was wrecked on the notorious Oyster Bank in September 1904 - no lives were lost. The mast in the foreground belongs to the "Regent Murray" (wrecked in 1899).
The modern ship entering port is the "Ocean Wind", registered in Port Vila, Vanuatu.
1904 photo from Cultural Collections, University of Newcastle.
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2 1/4 in x 4 in
Location:
Object No. 2021.580a
Shelf: B-10
Publication: Alex Novak, 19th Century French Master Photographers: Life Into Art, Vintage Works, Ltd, Chalfont, 2017, pg 162
Other Collections:
Provenance: Vintage Works
Rank: 133
Notes: TBAL
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Base militaire
Saint-Adolphe d'Howard (Quebec), Canada
Ancienne base militaire canadienne du Lac-St-Denis à Saint-Adolphe-d'Howard débuta ses opérations au cours des années 1950. Sa mission: surveiller l'espace aérien du sud-ouest du Québec et du Nord-Est de l'Ontario. Cette base était opérée par le Canada dans le cadre du NORAD, à savoir le Commandement de la défense aérospatiale de l'Amérique du Nord (North American Aerospace Defense Command, ou NORAD).
Une organisation américano-canadienne dont la mission est la surveillance de l'espace aérien nord-américain
La base militaire de Saint-Adolphe faisait partie de la ligne Pinetree (Pinetree Line) qui était constituée d'un réseau de 33 stations radars sous juridiction canado-américaine s’échelonnant le long du 49e parallèle afin de protéger l'Amérique du Nord d'éventuelles attaques aériennes en provenance de l'URSS.
Alors que les nouvelles technologies rendent les installations caduques, elles furent fermées en 1987.
Norad Military Base
Saint-Adolphe d'Howard (Quebec), Canada
Canadian military base located in St-Adolphe-d'Howard began its operations in 1950. Its mission: monitor the airspace in southwestern Quebec and northeastern Ontario.
True vestige of the Cold War between the Western bloc and the Eastern bloc, the military base was operated by Canada as part of the NORAD organization (namely North American Aerospace Defense Command, or NORAD. It is an US-Canadian organization whose mission is to monitor the North American airspace.
This military base located in Saint-Adolphe was part of the Pinetree Line which consisted of a network of 33 radar stations under Canada-US jurisdiction ranging along the 49th parallel to protect North America from possible air attacks from the USSR.
While new technologies made these facilities obsolete, it was closed in 1987.
Texte Source: www.urbexplayground.com
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print
Size: 7" x 9 1/2"
Location:
Object No. 2016.890
Shelf: E-25
Publication:
Other Collections:
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
The remains of the "Adolphe", which was wrecked in 1904. It now forms part of the Stockton breakwater, Newcastle, Australia
William-Adolphe Bouguereau (1825-1905) - Dante And Virgil In Hell (1850). This painting was inspired by a short scene from the Inferno, set in the eighth circle of Hell (the circle for falsifiers and counterfeiters), where Dante, accompanied by Virgil, watches a fight between two damned souls: Capocchio, a heretic and alchemist is attacked and bitten on the neck by Gianni Schicchi who had usurped the identity of a dead man in order to fraudulently claim his inheritance. #Dante #painting #dorsaymuseum #paris
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Source: livinghistories.newcastle.edu.au/nodes/view/18280
This image was scanned from a negative in the Bert Lovett collection. It is part of the Norm Barney Photographic Collection, held by Cultural Collections at the University of Newcastle, NSW, Australia.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
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