View allAll Photos Tagged Adolphe
Catalog #: 09_00990
Title: Adolphe Heri DuBois Special Collection Photo
Additional Information: View of ships in harbor from pier, Adolphe Heri DuBois served during World War I,
Tags: Adolphe Heri DuBois Special Collection Photo
Repository: San Diego Air and Space Museum Archive
Maker: Adolphe Block (1829-1903)
Born: France
Active: France
Medium: simili verre print
Size: 3 1/2 in x 7 in
Location: France
Object No. 2025.508a
Shelf: E-2-B
Publication:
Other Collections:
Provenance: eclecticarchive
Rank: 14
Notes: "Simili Verre" is a special process intended to
provide glass-like look to tissue views
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Jules Adolphe Aime Louis Breton - The Wounded Sea Gull, 1878 at Saint Louis Art Museum - St Louis MO
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Maker: André Adolphe-Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 7 7/8 x 9 1/8 in
Location:
Object No. 2024.205
Shelf: B-2
Publication:
Other Collections:
Provenance: Maurice Levert collection, Disderi Archive, Pescheteau-Badin, Godeau & Leroy, Paris
Notes: numbered '40543' in ink (recto). Prince Napoléon Joseph Charles Paul Bonaparte (9 September 1822 – 17 March 1891), usually called Napoléon-Jérôme Bonaparte or Jérôme Bonaparte, was the second son of Jérôme, King of Westphalia, youngest brother of Napoleon I, and his second wife Catharina of Württemberg. Following the death of his nephew Louis-Napoléon, Prince Imperial in 1879, he claimed headship of the House of Bonaparte until his death in 1891. An outspoken liberal however, he was passed over as heir in his cousin's final will, instead choosing his elder son Victor, who was favored by most Bonapartists. From the 1880s he was one of the stronger supporters of General Georges Boulanger, together with other monarchist forces. As well as bearing the title of Prince Napoléon, given to him by his cousin Emperor Napoleon III in 1852, he was also 2nd Prince of Montfort, 1st Count of Meudon and Count of Moncalieri, following his marriage with Maria Clotilde of Savoy in 1859. His popular nickname, Plon-Plon, stemmed from his difficulty in pronouncing his own name while still a child, although other notable historians and contemporary letters by his nephew Colonel Jérôme Bonaparte claim it was because he ran in cowardice during battle when the bombs fell. Another nickname, "Craint-Plomb" ("Afraid-of-Lead",) was given to him by the army due to his absence from the Battle of Solferino.
André-Adolphe-Eugène Disdéri (1819 - 1889) a self-taught daguerreotypist, researched and improved upon the existing collodion-on-glass negative process, which he outlined in his first publication, Manuel Opératoire de Photographie sur Collodion Instantané, 1853. That same year, he returned to Paris and opened the largest studio in Paris, which spread across two floors. It was there that he introduced his carte-de-visite portraits which were a great financial success. For the 1855 Paris Exposition Universelle, he formed the Société du Palais de l'Industrie and obtained the rights to photograph all the products and works of art exhibited at the Exposition. Eder writes "Disdéri was considered the outstanding portrait photographer of his time in Paris. Napoleon III appointed him court photographer. In 1861, he instructed French officers in photography under orders from the minister of war. Disdéri's popularity is best shown by the fact that his character was introduced in 1861 as a star attraction on the stage of a small vaudeville theater in Paris by a realistic representation featuring his bald head and tremendous beard."
(Source: Andrew. Cahan)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print
Size: 7" x 9 1/2"
Location:
Object No. 2016.893
Shelf: E-25
Publication: Andre Jammes and Eugenia Parry Janis, The Art of the French Calotype, Princeton University Press, Princeton, 1983, pl xii
Other Collections:
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Maker: Louis-Adolph Humbert de Molard (1800-1874)
Born: France
Active: France
Medium: modern gelatin silver print
Size: 7" x 9 1/2"
Location:
Object No. 2016.936
Shelf: E-25
Publication:
Other Collections:
Provenance: Texbraun Galerie
Notes: Baron Louis Adolphe Humbert de Molard, born in Paris on October 30, 1800 and died on March 17, 1874, was a French pioneer of photography. From the beginning of the 1840s, Baron Humbert de Molard became interested in the first photographic techniques. He is one of those wealthy amateurs who were passionate about this emerging art. After the death of his first wife, he remarried in 1843 with Henriette Renée Patu, miniaturist designer and lithographer, who owned land in Lagny-sur-Marne. From 1843 to 1850, he produced a series of daguerreotypes but gradually favored the calotype technique , which he experimented with from 1844. He was partly trained by his friend Hippolyte Bayard . He used other techniques, such as albumen printing and wet collodion . He came into contact with Abel Niépce de Saint-Victor to try to improve certain processes and then became the defender of the development techniques promoted by Gustave Le Gray. His productions have remarkable pictorial qualities and reveal a great mastery of the technical stages (lighting, emulsion, development). He staged activities related to the peasant world, as well as several gender figures, helped by his steward and model named Louis Dodier. In 1854, he was a founding member of the Société française de photographie and sought to promote various techniques of development on paper from negatives and resigned in 1864 for health reasons. He published his research between 1851 and 1866 in the journal La Lumière, which was for a time the bulletin of the Société héliographique de Paris. (Source: Wikipedia)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Steel engraving from History of the French Revolution by Adolphe Thiers 1845.
From Thier’s Historical Works Series. Translated from the German by Thomas Redhead.
Published by A.Fullerton, London, Edinburgh & Dublin. Four volumes,. half leather binding, this volume 790 pages 26cm x 17.5cm.
Peony 'Adolphe Rousseau' 23W24 Lactiflora F2- (Dessert & Mechin, 1890) (3-DB-RD) Lactiflora Cultivar Peony, Mature plant size: 36in., RED, Tall Height, Double, Red shaded maroon, early midseason bloomer, USDA Hardiness Zone 3-8, Michigan Bloom Week ISO WW22, In Garden Bed F2 for 4.1 YEARS (Wild). Planted in 2019.
APS Registration: ADOLPHE ROUSSEAU (Dessert & Mechin, 1890) - Double - Red - Early - Midseason. Tall. Moderate fragrance, but disagreeable. Dark, lustrous red shaded maroon, showing yellow stamens and light red stigmas in center; odor somewhat disagreeable. Tall; floriferous; stems very strong. Foliage dark, tinged red.
Bloomed in 2021, not true to name. 2022: no buds.
Photo by F.D.Richards, SE Michigan. Link to additional photos of this plant from 2019, 21, 23:
www.flickr.com/search/?user_id=50697352%40N00&sort=da...
#Michigan, #49236, #usdaZone6, , #week4, #Perennial, #Double, #Heirloom, #Red, #Peony, #NOID, #AdolpheRousseau, #23W24
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Timother ADOLPHE, Guide Jeffrey JOHN, FRA, Athletisme, 100m - T11 à Rio 2016 Paralympic Games, Brazil
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Installation des étudiants du lycée Chérioux - Rue du Général Renault (Paris 11e) - Crédits Chérioux, lycée des métiers de l'habitat et de l'aménagement urbain
Original = Adolphe William Bouguereau
Parure des champs, The jewel of the fields, 1884
Óleo sobre lienzo, 163 x 90 cm
Musée des Beaux-Arts, Montreal, Canada
Catalog #: 09_01021
Title: Adolphe Heri DuBois Special Collection Photo
Additional Information: Four unidentified military ships at sea, Adolphe Heri DuBois served during World War I,
Tags: Adolphe Heri DuBois Special Collection Photo
Repository: San Diego Air and Space Museum Archive
PEGOUD nous a appris à voler !
Je tiens à crier bien haut
que sans lui la guerre aérienne
était impossible
Il convient de rappeler
tout ce que nous lui devons
et quelle fut sa part dans la victoire
journal 26 avril 1919
Jules Védrines aviateur
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Adolphe William Bouguereau oil paintings, art reproduction, art gallery.
Angel Oil Painting Art Co,.Ltd.
Add:17B,JiAnGe,BaoLong Mansion,BuJi
ShenZhen,518112 China
Email: xj8cn@yahoo.com angel@angeloilpainting.com
Tel:86-13928408619
Fax:86-755-28281991
Les Bretonnes au Pardon
Pascal-Adolphe-Jean Dagnan-Bouveret (1852-1929)
France, 1887
Oil on canvas
In the late 1880s, naturalism reached the height of its popularity. The interest surrounding themes associated with the detailed depiction of the rural world explains the enormous success achieved by this objective composition at the 1889 Salon, where it received an award.
An ethnographic representation of pious customs, the painting evokes the ceremony of the Pardon, an indulgence granted by the Church to the faithful, and serves as a pretext for casting an analytical gaze at a world struggling to resist the changes of the end of the century. At the time, Brittany was the focus of particular attention from artists working in various movements and one of the most stimulating counterpoints to this painting was created by Gauguin.
Photographs taken by Dagnan-Bouveret in Rumengol and successive attempts at creating portraits of isolated models contributed to the end result of the painting. The final work, brought together by the painter in his studio, is therefore the result of a considerable amount of prior effort and a complex process of scenic arrangement.
Museu Calouste Gulbenkian ● Calouste Gulbenkian Museum
Lisbon, Portugal
20171112_083041