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**PLEASE DO NOT POST TO YOUR OWN TUMBLR ACCOUNT - THESE PHOTOS ARE ONLY TO BE POSTED ON MY OWN PERSONAL TUMBLR ACCOUNT - PLEASE REBLOG FROM THAT ACCOUNT IF YOU HAVE TO - THANK YOU** inefekt69.tumblr.com/
Photo from the Scaling New Heights Accounting and Training Conference. For additional photos from the event see: Scaling Flickr photo set June 2012.
Picture by Grant Wickes principal of Wickpoint Management Services and VP Businss Development Wasp Barcode Technologies.
Photo (cc). If using photo, please credit: Photo courtesy Grant Wickes.
In picture:
#snh2011 #scalingnewheights
Phuck you instagram!
I didn't think I'd already tried to create an Instagram account and don't feel comfortable 'logging in with Facebook' even though FB and Instagram are both owned by the Zucker Fucker (just like Whataspp is).
So I go to create a new account - only to get told an account already exists with my email address. WTF?
So I go to try and recover it and find out the password, only to be told that no account exists with my email address!
How the fork am I going to check out Hawk Tuah girl (Hailey Welch) properly if I can't access the service? 8-)
This is so grossly utterly unacceptable! Oh the first-world problems with deal with on a daily basis! 8-)
This is a photograph from the SSE Airticity Dublin Marathon which was held in Dublin City, Ireland on Monday October 27th 2014 at 09:00. This is the 35th year of the SSE Airtricity Dublin Marathon, which is run through the historic Georgian streets of Dublin, Ireland's largest and capital city. This photograph was taken in Dublin City Center Mount Street Canal Bridge which is just before the 26 mile mark on Mount Street.
PLEASE NOTE: These are completely unofficial photographs. We have no linkages whatsoever to the official photography outlets for the marathon
Please read the information below on how to use these photographs on social media or other media
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
I was forced to sign up for a Google Account. However, while going through the typical account creation screen, I was happy to see one of the options they offer for the lost password challege question - "What is your library card number?" Who says Google doesn't need libraries?
Although, this question might not work for its intended purpose - most people who come into the library don't even know their library card number, so I don't know if it would help them prove who they are in the case of them forgetting their password.
Early voting centre for the Australian Federal Election set for Saturday May 21 2022. For this election pre-polling day voting was held at a number of designated voting centres in each electorate between Monday May 9 and Friday May 20. This venue also serves as an election booth on the polling day itself. Dandenong Stadium served the Divisions of Bruce, Aston, Hotham, Isaacs and Chisholm
Once accounting for a small section of vote, pre-polling centres have been accounting for increasing portion of the vote that is counted separately to the booth votes on election day itself. In the 2019 election nearly 30% of votes cast were at pre-poll centres with a further 10% either postal or other declaration (signed for) votes. In response the pre poll period has been restricted to 12 days before polling day rather than around three weeks as was previously the case.
The increase in pre polling means that political parties have had to change campaign tactics to account for the early vote. It also has consequences for the count itself as the pre-poll and election day vote can trend differently for the parties as the 'pre-poll dump' of votes comes in.
Many enterprises find it difficult to efficiently manage their #PayrollAccounting. Schedule consultation with us to get the best accounting solutions! goo.gl/GWOc2y
I've had an account with Flickr four years as of today, December 13th, and 2,637 posts -- along with 144,045 page views -- later, I'm still little more than a big kid armed with a cheap camera, running back and forth as time permits, trying to teach myself something about photography and, very simply, different ways of looking at the world. The biggest thing that's happened to me over this time is that I've acquired a rather severe distaste for digital images. As I tried to think of a post for today, I decided to choose sort of a favorite upload from each calendar year, and they're represented in the above mosaic. These picks are very random, however, but a significant commonality is that each post is a double-exposed film image -- and three of the five are examples from my CPP project. Thank you for stopping by, and for all the great comments, Flickr-mails, and in some cases, participation in different projects since I first logged on to use a 3-month Pro account that Caterina gave me in order to conduct research for a magazine piece I was working on. There continues to be more and more very trying moments in my own chaotic life, it seems ("yeah, boo hoo, everybody hurts" ;), but spending time here, posting my crazy shots and checking out your latest stuff, is easily as much fun as it always has been. Cheers! ^_^
M O S A I C
I N G R E D I E N T S :
from 04
CPP Project example - Fall 1997
An older CPP image, shot in Miami with Melina Teresa Borrero. Unfortunately, the presentation here is from a very low quality scan (I can't locate a better copy at the moment -- lost along with quite a few other early examples). For instance, you can barely see the kid in the left side, stepping out of the fountain and into one of the exposures. This was part of the Florida Emerging Artists exhibit at the Arts On the Park Gallery in Lakeland (December, 1998).
from 05
923 First Holga rolls - Boat Parking [multiple exposure mess, scan 009]
This represents the [censored by Flickr] joy of picking up and playing with my first Holga -- the lovely & primitive 120S, purchased for under $20 at Clarks in Cumberland. Shooting with a Holga is something that I want/need to get back to!
from 06
Another CPP piece, this one shot with Denim. I really like this collision of images -- Main Street in the mountains of Western Maryland, and some gorgeous mountains shot in Canada. Some of the collaborative shots with Denim have been uncanny in terms of coincidental -- almost serendipitous -- visual and other connections between subjects randomly fused within the camera.
from 07
Supersampler DE Madness in Blue - And so it begins...
Ah, an illness begins, and grows unchecked into a dangerous obsession! This began as I innocently rewound the last few frames in my test rolls for double exposure work/play. And now? Supersampler Double Exposure Madness!
This example is noteworthy because of that wonderful, freaky blue. I probably had nothing to do with it, however. Rather than xpro, it was pedestrian film and some sort of mishap at the lab! So, cheers to them!
from 08
Speaking of the Supersampler, here is a CPP collaboration between myself and -fiona-! So far, I'm still posting results from the first roll in which we both used a Supersampler -- very cool, fun stuff, and please check out Fi's stream!
There are some other noteworthy collaborations going on, including shooting random doubles with Darlene and 3_little_birds -- along with several others that have been discussed, but haven't really materialized yet for a number of reasons. I promise to give the project more of my attention in the near future.
Final thoughts, as I e-ramble my way to the end here? Well, my picks start and end with examples of CPP, and that probably says quite a bit about my own passion with regard to photography. Also, the fact that each of these images involve glorious, smelly, old-fashioned film, has to be telling. But for now, I'm exhausted.
Again, cheers, & thank you! ^_^
#Accounting #firm refers to a corporation that offers accounts administration to customers. That is, it may handle a client's finance, receivables and creditor liabilities, charges, or any other accounting related administrations. goo.gl/5kbxmJ
Holy Moly @aquatictreasures! 😮 #polyplab Want us to feature your account? Direct Message us your tank pictures and we will feature you! Get Free Shipping and 10% off of your order with coupon code THELAB23, visit www.PolypLab.com! #coral #reeftank #coralreeftank #reef #reefpack #reef2reef #reefcandy #reefersdaily #reefrEVOLution #coralreef #coraladdict #reefaholiks #reefjunkie #reeflife #instareef #allmymoneygoestocoral #instareef #reefpackworldwide #ilovemyreef #rarecorals #reefing #exoticcorals #reefporn #reeferdise #reefers4reefers #coralporn #aquarium #polyplab
My students in Oral English for Accounting majors. There are easily 70 plus students in this class. Finding a way to give everyone a chance to use English during classtime is going to be a challenge.
Feel free to leave your thoughts.
New homepage design for the Account Planning Group by Andrew Whitehead (@andrewwhitehead). Mock content.
More
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
Photo from the Scaling New Heights Accounting and Training Conference. For additional photos from the event see: Scaling Flickr photo set June 2012.
Picture by Grant Wickes principal of Wickpoint Management Services and VP Businss Development Wasp Barcode Technologies.
Photo (cc). If using photo, please credit: Photo courtesy Grant Wickes.
In picture: Shadi Gholami, Kim Wilson
#snh2011 #scalingnewheights
The IBS Career Forum 2020 17th edition - Finance, Accounting, Consulting, HR took place at Iscte on the 12th of february 2020.
Fotografia de Hugo Alexandre Cruz.
inagorillacostume.com/2011/funny-friday-funny-retweets-me...
When we created this website we set up an In A Gorilla Costume Twitter account to retweet our blog posts and our guerrilla marketing initiatives. I also used Yahoo! Pipes to aggregate twitter searches and retweet conversations about "in a gorilla costume". I'm not going to lie, I did it to find and retweet some funny sh!t.
Last night I checked on the account for pretty much the first time since our first test guerrilla marketing blog posts in April. Needless to say, i ended up staying up an hour later sifting through and laughing at all of the funny retweets, @replies and love the @AGorillaCostume has received so far.
Without further ado, here are the best, funniest and our favorites.
Funny Retweets and Mentions from In A Gorilla Costume on Twitter:
[caption id="attachment_2487" align="aligncenter" width="361" caption="Twitter AGorillaCostume - you tease me"] [/caption]
Sorry @gracenjohnson, didn't mean to be a tease!
[caption id="attachment_2486" align="aligncenter" width="354" caption="Twitter AGorillaCostume - unlocked the gorilla bot"] [/caption]
Sweeeet, we're not called a gorillabot thanks to @gubeltrut.
[caption id="attachment_2485" align="aligncenter" width="358" caption="Twitter AGorillaCostume - strange rt by inagorillacostume"] [/caption]
My guess is it's pretty equal, @a_musinghcguy.
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[caption id="attachment_2484" align="aligncenter" width="359" caption="Twitter AGorillaCostume - powerslides and fan dance"] [/caption]
Powerslides and a Fan Dance with KhandieKhisses? I wasn't quite expecting that either!
[caption id="attachment_2482" align="aligncenter" width="368" caption="Twitter AGorillaCostume - my mother in a gorilla costume"] [/caption]
@jen4coffee @studio_gal We want those pictures!! (Maybe. Send pictures first :P)
[caption id="attachment_2481" align="aligncenter" width="356" caption="Twitter AGorillaCostume - meet me in 10"] [/caption]
@i_lve-robsten: ok.@ToRoaminTheRain: I'll confirm that in 20. ;)
[caption id="attachment_2480" align="aligncenter" width="361" caption="Twitter AGorillaCostume - lmao yo really get outta here"] [/caption]
@AndyForeverMacn, @GeorgieOvoxo, @GeorgieBlooper bwahahaha!
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[caption id="attachment_2479" align="aligncenter" width="363" caption="Twitter AGorillaCostume - it was this foo"] [/caption]
@EvanWindfieldIt was me! No wait, just kidding.
[caption id="attachment_2478" align="aligncenter" width="362" caption="Twitter AGorillaCostume - if i had to feed you"] [/caption]
Ha same here, @BobbyBlissXXX, glad you enjoyed it as well.
[caption id="attachment_2477" align="aligncenter" width="355" caption="Twitter AGorillaCostume - I was in there too"] [/caption]
Ha this is super funny THEConnorJamesV - I had to google PMSL. :P
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[caption id="attachment_2476" align="aligncenter" width="352" caption="Twitter AGorillaCostume - funniest spam ever"] [/caption]
I agree with @Mitch1984.
[caption id="attachment_2475" align="aligncenter" width="359" caption="Twitter AGorillaCostume - everyone please follow"] [/caption]
Thanks for the love @iLegitQuotes!
[caption id="attachment_2483" align="aligncenter" width="354" caption="Twitter AGorillaCostume - new best friend"] [/caption]
New best friend right here -> @tazerwp
Which ones are your favorites? Let me know in the comments below!
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Iv ran out of space again.Urgh.If anyone would be so nice to as willing to buy me a pro id love you forever and give you all my rares free untagged.
ANYWAY!
new account for more very rare tradeable miley rares:
This is a photograph from the finish of second annual running of the Renault Mullingar Half Marathon which was held on Thursday 17th March 2016 St. Patrick's Day Lá Fhéile Pádraig in Mullingar, Co. Westmeath, Ireland at 10:30. This photograph was taken in Mullingar Town Park at the 21KM mark approaching the finish. Following on from the incredible success of the inagural year of the race this year the total numbers participating rose from just under 600 in 2015 to over 900 this year. As was the case last year the nominated charity was Childline. The roots of the success of the event last year was the perfect running weather, excellent organisation and a very flat and fast route. All of these characteristics were repeated this year. Incredibly the weather was almost a carbon copy of last year - cool, clear, still fresh Spring weather presenting runners with little or no wind. Participants traveled from all over Ireland with a very large participation from runners around Mullingar and the midlands. The race has an AAI permit. The race's early start time was to facilitate the annual St. Patrick's Day parade which brings a large number of local visitors to the town on an annual basis. Parking is free in Mullingar town for the entire day.
The race began on Pearse Street/Austin Friar's Street in the town and proceeds North East out of the town to the N52 Delvin/Dundalk road towards Lough Sheever. The course then follows beautiful rural country roads out to The Downs at the M4. The only hill or rise on the course occurs here at about 7 miles when runners cross the M4 at Junction 14 Thomas Flynn and Sons. The race then joins the now local access route of the old N4 road and then joins the Royal Canal at Great Down. The remainder of the race follows the Royal Canal back westward to Mullingar town. The towpath on the Canal is perfectly flat and in excellent condition. Runners will notice how the level of the canal changes dramatically along the route - at points the canal is level with the towpath. In other places the canal is at least 3 meters lower than the canal path. However the path is perfectly flat and firm the whole way. The course then leaves the Royal Canal at the Ardmore Road/Millmount area of the town and finishes in the Mullingar Town Park on Austin Friar's Street beside the Annebrook Hotel which is the Race Headquarters. The park provides a very nice setting for the finish of the race and runners and their families can mix and congregate around the finish area and the hotel.
Timing and event organisation was provided by Irish company MyRunResults. You can find all of the results of the race on their website at www.myrunresults.com
Useful Links:
Our Flickr Photo Album from the 2015 Mullingar Half Marathon www.flickr.com/photos/peterm7/sets/72157651394365962
The Annebrook House Hotel (Race HQ) www.annebrook.ie/
iRadio the official media partner www.iradio.ie/
Offical Race Facebook Page www.facebook.com/mullingarhalfmarathon/
Google Maps Location of the Start/Finish www.google.ie/maps/@53.5253133,-7.3369538,18z
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets