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We’ve been very very pleased to portrait on our armchair paintress Maura Jasoni during her personal exihibition inside Camec Museum (Center of Modern and Contremporary Art) in La Spezia.
Maura played with us and the result was this soft and funny portrait inside one of her works exposed.
General Info
Model: Artist Maura Jasoni
Date: April, 30th, 2010
Location: Camec Museum – La Spezia – Italy
Strobist Info
SB900 inside a squared softbox overhead and straight inside Maura’s work in order to avoid light spill on the ground
SB900 camera left shot through umbrella to light Maura’a right side and armchair too
Both the units were activated via Pocket Wizard Tranceiver
Camera mode: Manual
Flash mode: Manual
In SPACE at Eldon Building, University of Portsmouth.
The SPACE gallery will be host to the international artist Pete Codling who will be creating a giant charcoal drawing directly on the gallery wall. The building, which will be demolished this November along with this final artwork, was actually Codling’s old studio space when he was a student at Portsmouth College of Art in the late 1980s.
This ‘charcoal epitaph’ is a personal way for the artist to say good bye to the building but also to celebrate the creativity of many artists, designers and musicians who have used this space over the last fifty years.
Codling, who has been travelling in Europe for last two months in search of inspiration, returns to his home town to start on the artwork on the 16th June. He will be working in the SPACE gallery on Winston Churchill Avenue until November where people can see him at work through the window or pop in to meet the artist in person.
Sitting beside the trail, not seeming to notice the crowds going past. this artist was totally into her work.
Signorelli studied firsthand from the living model to create his marvelous drawings, which are often specific preparatory efforts for his frescoes. The only artist whose skill as a draftsman could equal that of Signorelli was the young Florentine sculptor who was required to paint a vast cycle in Rome a few years later, namely Michelangelo. It comes as no surprise that Michelangelo was not only acquainted with the painter from Cortona, but even lent him money.
"700 Snowballs" sculpture (2001)
by artist Not Vital (CH)
Abbazia di San Giorgio Maggiore
Island of San Giorgio Maggiore 2
sestiere Dorsoduro
30133 Venice
Italy
© picture by Mark Larmuseau
One of the many artists selling their work along the Otaru Canal. Every one of them happily posed for photos. It's just incredible. (小樽市 北海道 日本国)
ISO 100 | F/7.1 | 1/40 sec | 31mm | eval.metering | AWB | raw
Only three months since my last upload!
This was shot with a borrowed Pentax k-5 and the 100mm 2.8 macro wr.
Photo Series 1621 - WOMAN ARTIST - J Rebecca Trueblood Part 47
About J Rebecca Trueblood
www.facebook.com/TruebloodSuperfineArt
www.facebook.com/BOSTONAREAARTISTS
www.facebook.com/MissTallulahsJunkintheTrunk
I create pieces that acknowledge and respond to the physical presence of the person viewing them. This comes from an uncertainty about my own place in the world; the urge to have a unique identity with clearly marked personal space conflicts with a longing for real intimacy and a feeling of being part of a community.
In some pieces, there are details that will not read from across the room: you must get close to see them, much closer than you would to the face of a stranger.
Colors may cozy up together or push violently. Spaces between shapes create varying degrees of tension.
I take inspiration from everyday objects, anthropological images, microscopic life, and the surface of our planet, utilizing patterning and repetition that makes creation a meditative and obsessive act.
Abstract Series 1441 - WOMAN ARTIST - J Rebecca Trueblood Part 42
About J Rebecca Trueblood
www.facebook.com/TruebloodSuperfineArt
www.facebook.com/BOSTONAREAARTISTS
www.facebook.com/MissTallulahsJunkintheTrunk
I create pieces that acknowledge and respond to the physical presence of the person viewing them. This comes from an uncertainty about my own place in the world; the urge to have a unique identity with clearly marked personal space conflicts with a longing for real intimacy and a feeling of being part of a community.
In some pieces, there are details that will not read from across the room: you must get close to see them, much closer than you would to the face of a stranger.
Colors may cozy up together or push violently. Spaces between shapes create varying degrees of tension.
I take inspiration from everyday objects, anthropological images, microscopic life, and the surface of our planet, utilizing patterning and repetition that makes creation a meditative and obsessive act.
For Artist in Residence, Stephanie Barenz's second gallery night on Friday, July 26th, 2013, she choose to put on a collaborative effort with her and current Pfister Narrator, Molly Snyder. While Stephanie had some of her newest works on display for the evening, Molly was stationed in her studio with an antique typewriter writing Spontaneous Haikus on demand for visitors. Additionally, Astashia, a student from Stephanie and her husband's Our Story Arts mentoring program was on hand to tell visitors about her experiences in the program.
During the post-gallery night reception, Stephanie displayed a piece she'd been commissioned to make for Pfister employee and our lobby lounge bartender, Joe, and Molly read two of her posts from The Pfister Blog (blog.thepfisterhotel.com/) one detailing the piece that Joe had commissioned, and one regarding her visit to the late Guido Pfister's grave.
Graffiti artists tend to get a bad rep. Labeled as vandals, thugs, and criminals. But a graffiti artist is jus that.. AN ARTIST! Just because they choose a different medium and style than all others should not label theyre art as destruction. Its Beauty all in its own way. Love it or Hate it, these artists are the ones responsible for decorating your streets, maybe not in the favored way of decoration; however its these artists who can spice up your day with beautiful colors arangements, styles, and sometimes actual figural drawings all while enroute to your pathetic, blank cubical. Just stop for a moment and picture youre city blocks, buildings, and abandonment without the help of these straving artists. Its a world untouched and boring, unimaginable and art-less.