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Trannie Stevens is a singer/ songwriter from Waco, Texas. She has one CD already on iTunes and is working on her 2nd right now!
"An OG told me..stay true, and keep making the music the people relate to" #ImOnIt #89Til🌎 #TimeToKill
Scattered places. Florence, Italy
This is a small colelction of pictures I took of artists throughout Italy. The one on the top left was always right below my apartment window (photo shot from my window) paining the Ponte Vecchio, and we ended up purchasing one of his pieces. The one on the top right is an artist selling his work, the one on the bottom left, I assume is a student or just common artsit sketching a statue, and the one on the bottom right is from the outside portion of the Uffizi.
Again, not sure how to share these types of photos, but I think I like this four pannel type way to tell the story. Maybe I'll try a two or three pannel story set up a different way next time.
Enjoy.
Café Landtmann
(further pictures you can see by clicking on the link at the end of page!)
Café Landtmann at the Palais Lieben-Auspitz, left the University Ring
The Café Landtmann, photographed from the roof of the Burgtheater
Winter garden and summer beer garden, behind the Town Hall
Great Hall at Café Landtmann
Schanigarten
(Wikipedia: Schanigarten is the Austro-Bavarian term for tables and chairs set up on the sidewalk in front of eating and drinking places. Unlike normal beer gardens (Gastgärten), the customers actually sit on public property. Originally, Schanigärten (pl.) referred only to Viennese coffee houses, but now the expression is used in other parts of Austria and for other types of establishments like restaurants and taverns)
Projection on the façade
Winter Garden, looking towards Universitätsring
The Zuckerkandl room in Landtmann's Bel-Etage
The Café Landtmann in Vienna is a typical Viennese coffee house in the Ringstrasse style. It is located in the first District at the University Ring 4, corner Löwelstraße 22, and is known throughout the city.
Location
The cafe is located on the ground floor of the Palais Lieben-Auspitz called Mietwohnhauses (apartment building), in the immediate vicinity of the Burgtheater, the University of Vienna and the party headquarters of the Social Democrats and close to the Vienna City Hall with the City Hall Park, the Federal Chancellery and three ministries. The café is therefore frequented by, among other actors, politicians, civil servants and journalists and is the venue for press conferences.
History
The coffee was on 1 October 1873 of the Cafétier (café owner) Landtmann as "Vienna 's most elegant and largest café-localities" in a prominent, 1872 built corner house at the at the time also new Franzensring (so to 1919 the address of this part of Vienna's Ringstrasse) opened. The ring road was indeed opened by emperor Franz Joseph I in 1865, but still long not completed in the area of the coffee house: The city hall was under construction since 1872, but was only opened in 1883. The university main building was built 1877-1884, the Burgtheater from 1874 to 1888. The coffee was thus in his early years surrounded mainly by large construction sites.
1881 sold Landtmann his coffeehouse to the brothers Wilhelm and Rudolf Kerrl who continued it under the name Landtmann and extended it in the direction of Oppolzergasse. Rudolf soon retired from active business life, Wilhelm Kerrl led on the café alone until 1916 and then sold it, worn down by the economy of scarcity of the First World War, to Karl Anton Kraus, previously a butcher and innkeeper. He led the coffee for only five years, because in 1921 it was operated by a Hokare Ges.mbH (unlimited company) (the name stands for hotel, coffee and restoration companies). This company had to be liquidated 1925/1926.
The Café Landtmann was now bought in the fall of 1926 by Mr. and Mrs. Conrad and Angela Zauner. The new owners had it in 1929 after a design by Ernst Meller, experienced in the establishment of coffee houses, fully restored: with the preserved to this day interior which is under preservation order. Particularly striking are four wooden pillars at the entrance, which were created by Hans Scheibner and their decoration representing premiere scenes of the Burgtheater. With this elaborate interior design Landtmann consolidated its position as the most elegant café in town. In 1949, Konrad Zauner's son Erwin took the management of the café and led it on with great success.
In 1974 the company received the National Award and since then it is allowed to use the Federal coat of arms in commercial transactions. In 1976, the present owner family took the local and renovated it in 1980 again.
In the café was Robert Böck, on duty only called Mr. Robert, working for 28 years, many years as head waiter in a tuxedo, and he knew all the important guests personally. On his last working day, on 23 December 2003, many celebrities came to his departure from the cafe. Mayor Michael Häupl served Mr. Robert, who had so often served him a "little brown". To this end, he handed him the "Golden Rathausmann" "for the most famous, most discreet and most accommodating waiter of Vienna".
de.wikipedia.org/wiki/Goldener_Rathausmann_(Wien)
Details
Small stage
In the basement below the coffee was after Czeike already 1936-1938 the Cabaret 'Merry Landtmann" for the dancer Cilli Wang set up by her husband. 1953 in the basement the small stage "The Tribune" was established (since 2002: "The new stand", directed by Karl Heinz Wukow). It is one of the numerous small Viennese theaters that operate with modest public support and which offer authors, actors and directors fields of application.
Winter Garden
2007 was built a conservatory on the facade towards the castle theater, designed by Manfred Wehdorn by 1.5 million euros (Bernd Querfeld). With 87 square meters and 29 tables, the conservatory is almost as spacious as the great hall of the café; thus the capacity of the premises has been extended by a quarter.
Landtmann's Bel-Etage
2012 were opened above the café three function rooms, which are referred to as "Landtmann's Bel-Etage". One of the rooms is named after Berta Zuckerkandl, which in the house (entrance Oppolzergasse 6) from 1917 to 1938 run her famous salon, meeting place of artists, scientists and politicians.
Price of water
2013 got the coffee into media because guests who instead of ordering other beverages only want drink tap water this service no longer receive free. The scheme has been criticized partly violently. The glass of water for ordered coffee, as it corresponds to the Viennese coffee house tradition, still is served free.
Miscellaneous
In the Café Landtmann are according to indications of the owner family on average held 2.8 press conferences per day.
Since 2003, the café is every summer venue of the coffee house theater ink & coffee.
In March 2009, was opened in Tokyo in the central district of Minato-ku, in fact, in the district Kitaaoyama in the Aoyama Street, a "Café Landtmann" called local opened.
Guests
The coffee house was according to Czeike visited, among others, by the artists Attila Hörbiger, Paul Hörbiger, Oskar Kokoschka, Hans Moser, Max Reinhardt, Oskar Werner and Paula Wessely. Among the politicians he names Julius German, Robert Dannenberg and Karl Seitz, who were part of the "Red Vienna", and in the postwar period the then very popular Chancellor Julius Raab. Gustav Mahler was encountering here with Karl Goldmark, Gary Cooper and Marlene Dietrich were among the "by-trotting" guests, the authors Jura Soyfer, Felix Salten, Thomas Mann and John Boynton Priestley also frequented the Landtmann. The owners themselves mention over and above Peter Altenberg, Sigmund Freud, Emmerich Kálmán, Curd Jürgens, Otto Preminger and Romy Schneider as regulars.
This artist uses an air brush to apply the paint to his mural in Carleton Place Ontario. He will use the Sky Jack to reach the hiher parts of the mural.
'Thomas Luny House' (maritime artist 1759 - 1837) in Teignmouth captured on the evening of 31 July 2014.
The property is now a guest house.
Camera: Canon Power Shot A4000IS.
Travelling artist on a funfair in a french (?) city.
Seems he is performing some kind of a rope (or whip) trick. His woman is standing at the right side with some musical instruments.
I love that the photographer is aiming in the direction of the audience.
An amateur glass stereoview, probably taken in France ca. 1910 by an unidentified photographer.
Know more about our featured artist of the month, Kariyappa Hanchinamani
Our ‘Artist of the Month’ Kariyappa Hanchinamani presents his skills with acrylic paints on canvas media. He feels extreme pride in being one of those who are following the path laid by the masters of art.
His paintings are primarily made with an intent to save and rejuvenate the rural culture and traditions of India. Thus, in order to attain the same, he paints the canvases with scenes of daily life, customs, traditions and cultures of rural Indian folks with a focus on Karnataka as the artist has been born and raised up there.
Educational Qualification:
Art Master Diploma, Fine Art College, Rattihalli.
Diploma in Fine Art, Fine Art College, Rattihalli.
Solo Shows:
•2002 - Govt Art Gallery, Dharwd.
•2003 - Manibhai Lodaya Sabha Bhavan, Haveri.
•2004 - Kannada Sahitya Sammelana, Guttala.
•2006 - Vishwa Kannada Sahitya Sammelana, Shivamogga.
Group shows:
•1995-98 - Annual Art Exibihition Fine Art College, Rattihalli.
•2004 - Manibayi Lodaya Sabhabhavana, Haveri.
•2007 - Academy of Fine Art Kolkata.
•State Gallery of Fine Art Hyderabad.
Participations:
•1995 - 200feet Canvas Painting, “Komusouharda”, Glass House Hubli.
•1996 - State Level Painting Exhibition about “AIDS”, University College of Fine Art, Davanagere.
•1995-1999 - Watercolour Landscape Competition, Hampi.
•2004, 09 - Mysore Dasara Painting Exhibition.
•2004-2010 - “Chitrasante”, CKP Bangalore.
•2006:
oSree Kalika Painting Award & Exhibition, Sirasangi.
oPainting Exhibition Computation “Gadinadu Vutsava”, Belagavi.
oVishwa Karma Samaj Seva Sansthe, Shirsangi.
•2008 - Portrait Demonstration in Art Teacher Painting Competition, Haveri.
•2010:
oAlvas Varna Jagruti Sibira, Mudabidari.
o“Chitrasante” Gangubayi Hanagal Trust, Hubli.
Awards and Recognitions:
•1997 - Student in the Year.
•2005 - Vishwa Karma Samaj Seva Sansthe, Shirsangi.
•2006 - Dhrusthi Kalavedike, Bagalakot.
•2009 - Mysore Dasara Merit Certificate Award.
Collections:
•Haveri, Hubli, Mumbai, Bangalore, Goa, Hyderabad, Chicago (USA), Germany.
Artworks for Sale:
www.indianartideas.in/artist-artwork/kariyappa-hanchinama...
This week we are looking at the great art of Anahata Katkin. Image and flowers from Graphics Fairy. Background by Lorie Davison.
November 7, 2018 at 7:00pmtil 9:00pm at George Orwell Pub
A curated series of national and international artists’ shorts reflecting the festival theme of Lifespans including future of visions of AR, the start of a revolution, and the future of dance.
Featuring Gina Czarnecki, Jeremy Bailey, Floris Kaayk, Francois Knoetze, Mike Pelletier, Benny Nemerofsky Ramsay, Liat Berdugo and Emily Martinez, Keiichi Matsuda, Bex Ilsley, Mary Maggic Tsang.
Full screening notes:
Gina Czarnecki, Infected (2001) 8 mins.
Infected is a film about the nature of the physical body in the context of future technological possibilities, seen through dance and digitally manipulated imagery. The new bio-engineered body is still an sexual, organic, stark, brutal, pounding system. It is beautiful, repulsive, indulgent, curious, emotional, un/controlled, breeding, changing… Is this a futuristic vision of the human body infiltrated and changed, ‘infected’ by biotechnology? Or is the reverse happening? Is the human body, the warm-blooded body of sinews and emotions, corrupting the ‘pure light’ of technology? Infected features Scottish dance artist, Iona Kewney, and a specially commissioned score by Fennesz.
Floris Kaayk, The Order Electrus (2005) 7 mins. 35 sec.
The Order Electrus is a fictional documentary which shows Floris Kaayk’s imaginary world of industrialised nature, situated in a derelict area of the Ruhr in Germany. Due to overcapacity in production systems, many factories in Germany were forced to close down. Over the course of many years these derelict industrial areas became a breeding ground for an electrical insects species, also called the Order Electrus. These insects evolved through the merging of nature and technology.
Mike Pelletier, Still Life (2017) 4 mins. 7 sec.
“This animation combines my interest of contemporary technological forms with the more classical form of still life painting. What attracts me to still life paintings is how the paintings can study the form of their subject but also reveal much about how they are made. The quality and materiality of paint exist on equal footing with the study of light, color and form. I took inspiration from the term “still life” itself, by focusing on the idea of stillness. I also took inspiration from how the term is expressed in French as “Nature Morte,” which can be literally translated to dead nature. In this animation the stillness, unnaturalness and deadness of these virtual objects becomes the focus of the piece.”
Liat Berdugo and Emily Martinez, Making You (2016) 7 mins. 32 sec.
“Anxious to Make is the collaborative practice of Liat Berdugo and Emily Martinez, two commissioning bodies. Our focus is on the so-called “sharing economy” and the contemporary artists “anxiety to make” in the accelerationist, neoliberal economic landscape. While Anxious to Make’s physical existence takes many shifting forms, it often manifests as a series of video commissions, downloads, online generators, workshops, net art interventions, and sweepstakes. Anxious to Make believes in absurdist extremes as way to examine contemporary realities. Our work has appeared recently in The Wrong Biennale, Transmediale (Berlin, DE), Yerba Buena Center for the Arts, MoMA PS1, V2_ Institute for the Unstable Media, WRO Media Art Biennale and The Luminary (St. Louis, MO).”
Keiichi Matsuda, Hyper-Reality (2016) 6 mins. 15 sec.
Our physical and virtual realities are becoming increasingly intertwined. Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and experience, offering amazing possibilities, while also controlling the way we understand the world. Hyper-Reality attempts to explore this exciting but dangerous trajectory. It was crowdfunded, and shot on location in Medellín, Colombia, and presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. It is the latest work in an ongoing research-by-design project by Keiichi Matsuda.
Francois Knoetze, Core Dump (2018) 11 mins. 45 sec.
Core Dump explores the place of screens in global and localised politics and history, looking specifically at the contradiction of Silicon Valley’s techno-utopianism and its impact on the low-tech manufacturing bases of Africa. The project comprises a series of performances, projection-mapping video installations, and interviews that draw from audiovisual archives, early African cinema and the daily life of the cities of Dakar and Kinshasa. These two cities represent both the origin points of mineral extraction for materials used in the production of technology, and the end points at which certain African countries become dumping grounds for electronic waste from Europe and the USA which is then often repaired, re-purposed and reused. In contrast to the spectacle of technological singularity and the Western myth of progress, Core Dump considers the connections, disruptions and contradictions inherent in these ideas, through conflicting designations of value and waste.
Bex Ilsley, Codex (2016) 3 mins. 30 sec.
Bex Ilsley is an artist based in Coventry. Her practice explores the nature of body and personality in virtual, physical, and psychological spaces. Fantasy, performativity, objecthood and paradox are used as a lens through which to examine the authenticity of these structures. Codex was filmed in April 2016 in Grand Rapids, Michigan, USA, on The Moon, a multidisciplinary arts space. It was produced In collaboration with Los Angeles based videographer Bokeh Monster and INTERSPACE, a student arts organisation from Kendall College of Art and Design. The film is a re-interpretation of a specific illustration from Luigi Serafini’s 1981 book Codex Seraphinianus, updated as a music video for the social media age. Music: King Gizzard & The Lizard Wizard – ‘Work This Time’
Jeremy Bailey, Transhuman Dance Recital (2007) 6 mins. 29 sec.
“From this point forward I dedicate myself to finding better ways for humans to dance.” – Famous New Media Artist Jeremy Bailey
Mary Maggic Tsang, Egstrogen Farms (2015) 1 min.
Egstrogen Farms is a tactical media project that addresses the domestication of women’s reproductive abilities by the biotech industry, including hormonal therapies in the assisted reproductive technology (ART) sector. Presented as a fictional company, a parodic diversion of exchanges between species, Egstrogen Farms markets genetically modified eggs that produce a “cocktail of gonadotropins” to allow women to ovulate as frequently as chickens do. Inspired by the work of collectives such as subRosa or Critical Art Ensemble, Egstrogen Farms delivers a critique on the current commercialization of reproduction and expands the symbol of the egg as a therapeutic, nutritional and reproductive matrix.
Benny Nemerofsky Ramsay, A Short History of My Art Practice (2016) 15 mins. 17 sec.
In answer to the question, what is it that you do? – perennially asked of contemporary artists – Nemerofsky summarises fifteen years of professional practice in fifteen minutes, describing and re-embodying key artworks in his sound- and video-centric work.
Image Credit: Kathryn Rattray Photography
A native holds up his most recent work, he still going to put in a dream catcher for the final touches.
Bijbels museum, Amsterdam.
(built 1879, see tags for further known data). Op dit werk is een Creative Commons Licentie van toepassing.