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- www.kevin-palmer.com - Artists's Drive passes through a colorful part of the Black Mountains just above Badwater Basin. I was fortunate to be able to drive it last week since it is now closed for improvements until March.
Day 61 of 365
This is a shot I've been wanting to create for some time, but like most things a lot depends on being in the right place at the right time
The young woman creating this water colour was quite engrossed in what she was doing, but I introduced myself and asked if she's mind if I shot her whilst she worked ... not a problem ;-)
As soon as I started shooting, I knew it was going to be a B&W image :-)
35 Artists / 35 HOURS - Acceleration features work by past, present and future exhibition artists of the Dallas Contemporary.
ACCELERATION ARTISTS:
Morehshin Allahyari, Jesse Morgan Barnett, Dru Bias, Andrew Blanton, Bradly Brown, Will Card, Frank Darko,* Alexander DiJulio,* Cassandra Emswiler, Vernon Fisher, James Gilbert, Sally Glass, Nathan Green, Timothy Harding, Judy Hearst, Nevada Hill, Lucy Kirkman,* Kelly Kroener,* Quin Mathews, Samantha McCurdy,* Margaret Meehan, Francisco Moreno, Michael A. Morris,* Lisa Nersesova, Arthur Peña, Morton Rachofsky, Brittany Ransom, Michelle Rawlings, Trent Straughn, George Tobolowsky, Joshua von Ammon,* Eli Walker,* Jason Willaford, Chesley Williams, Trey Wright
* = S.C.A.B.
Photos by Kevin Todora. Courtesy of Dallas Contemporary.
Durante la mañana del sábado 13 de noviembre se llevó a cabo, en la multicancha de patinaje, la segunda evaluación técnica a las deportistas de la Rama de Patinaje Artístico de Estadio Español y de patinadoras de otros clubes.
Artist's Drive & Artist's Palette! Death Valley National Park Fine Art Storm Clouds Landscape Photography! High Resolution California Desert Landscape Photos! Dr. Elliot McGucken High Res American West Landscape & Nature Fine Art!
Wikipedia reports: "Artist's Drive rises up to the top of an alluvial fan fed by a deep canyon cut into the Black Mountains. Artist's Palette is an area on the face of the Black Mountains noted for a variety of rock colors. These colors are caused by the oxidation of different metals (iron compounds produce red, pink and yellow, decomposition of tuff-derived mica produces green, and manganese produces purple)."
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Ralph Waldo Emerson. “The happiest man is he who learns from nature the lesson of worship”
Lucius Annaeus Seneca: "On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!"
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
Artist's Conk, a shelf mushroom favoring a wood host.
Gardner Canyon, Cienega Creek Preserve, Tucson, Pima County, Arizona, USA.
©bryanjsmith.
Creatures of Light, which opens March 31, will introduce you to the astonishing variety of bioluminescent organisms on Earth.
(c) AMNH/R. Mickens
November 7, 2018 at 7:00pmtil 9:00pm at George Orwell Pub
A curated series of national and international artists’ shorts reflecting the festival theme of Lifespans including future of visions of AR, the start of a revolution, and the future of dance.
Featuring Gina Czarnecki, Jeremy Bailey, Floris Kaayk, Francois Knoetze, Mike Pelletier, Benny Nemerofsky Ramsay, Liat Berdugo and Emily Martinez, Keiichi Matsuda, Bex Ilsley, Mary Maggic Tsang.
Full screening notes:
Gina Czarnecki, Infected (2001) 8 mins.
Infected is a film about the nature of the physical body in the context of future technological possibilities, seen through dance and digitally manipulated imagery. The new bio-engineered body is still an sexual, organic, stark, brutal, pounding system. It is beautiful, repulsive, indulgent, curious, emotional, un/controlled, breeding, changing… Is this a futuristic vision of the human body infiltrated and changed, ‘infected’ by biotechnology? Or is the reverse happening? Is the human body, the warm-blooded body of sinews and emotions, corrupting the ‘pure light’ of technology? Infected features Scottish dance artist, Iona Kewney, and a specially commissioned score by Fennesz.
Floris Kaayk, The Order Electrus (2005) 7 mins. 35 sec.
The Order Electrus is a fictional documentary which shows Floris Kaayk’s imaginary world of industrialised nature, situated in a derelict area of the Ruhr in Germany. Due to overcapacity in production systems, many factories in Germany were forced to close down. Over the course of many years these derelict industrial areas became a breeding ground for an electrical insects species, also called the Order Electrus. These insects evolved through the merging of nature and technology.
Mike Pelletier, Still Life (2017) 4 mins. 7 sec.
“This animation combines my interest of contemporary technological forms with the more classical form of still life painting. What attracts me to still life paintings is how the paintings can study the form of their subject but also reveal much about how they are made. The quality and materiality of paint exist on equal footing with the study of light, color and form. I took inspiration from the term “still life” itself, by focusing on the idea of stillness. I also took inspiration from how the term is expressed in French as “Nature Morte,” which can be literally translated to dead nature. In this animation the stillness, unnaturalness and deadness of these virtual objects becomes the focus of the piece.”
Liat Berdugo and Emily Martinez, Making You (2016) 7 mins. 32 sec.
“Anxious to Make is the collaborative practice of Liat Berdugo and Emily Martinez, two commissioning bodies. Our focus is on the so-called “sharing economy” and the contemporary artists “anxiety to make” in the accelerationist, neoliberal economic landscape. While Anxious to Make’s physical existence takes many shifting forms, it often manifests as a series of video commissions, downloads, online generators, workshops, net art interventions, and sweepstakes. Anxious to Make believes in absurdist extremes as way to examine contemporary realities. Our work has appeared recently in The Wrong Biennale, Transmediale (Berlin, DE), Yerba Buena Center for the Arts, MoMA PS1, V2_ Institute for the Unstable Media, WRO Media Art Biennale and The Luminary (St. Louis, MO).”
Keiichi Matsuda, Hyper-Reality (2016) 6 mins. 15 sec.
Our physical and virtual realities are becoming increasingly intertwined. Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and experience, offering amazing possibilities, while also controlling the way we understand the world. Hyper-Reality attempts to explore this exciting but dangerous trajectory. It was crowdfunded, and shot on location in Medellín, Colombia, and presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. It is the latest work in an ongoing research-by-design project by Keiichi Matsuda.
Francois Knoetze, Core Dump (2018) 11 mins. 45 sec.
Core Dump explores the place of screens in global and localised politics and history, looking specifically at the contradiction of Silicon Valley’s techno-utopianism and its impact on the low-tech manufacturing bases of Africa. The project comprises a series of performances, projection-mapping video installations, and interviews that draw from audiovisual archives, early African cinema and the daily life of the cities of Dakar and Kinshasa. These two cities represent both the origin points of mineral extraction for materials used in the production of technology, and the end points at which certain African countries become dumping grounds for electronic waste from Europe and the USA which is then often repaired, re-purposed and reused. In contrast to the spectacle of technological singularity and the Western myth of progress, Core Dump considers the connections, disruptions and contradictions inherent in these ideas, through conflicting designations of value and waste.
Bex Ilsley, Codex (2016) 3 mins. 30 sec.
Bex Ilsley is an artist based in Coventry. Her practice explores the nature of body and personality in virtual, physical, and psychological spaces. Fantasy, performativity, objecthood and paradox are used as a lens through which to examine the authenticity of these structures. Codex was filmed in April 2016 in Grand Rapids, Michigan, USA, on The Moon, a multidisciplinary arts space. It was produced In collaboration with Los Angeles based videographer Bokeh Monster and INTERSPACE, a student arts organisation from Kendall College of Art and Design. The film is a re-interpretation of a specific illustration from Luigi Serafini’s 1981 book Codex Seraphinianus, updated as a music video for the social media age. Music: King Gizzard & The Lizard Wizard – ‘Work This Time’
Jeremy Bailey, Transhuman Dance Recital (2007) 6 mins. 29 sec.
“From this point forward I dedicate myself to finding better ways for humans to dance.” – Famous New Media Artist Jeremy Bailey
Mary Maggic Tsang, Egstrogen Farms (2015) 1 min.
Egstrogen Farms is a tactical media project that addresses the domestication of women’s reproductive abilities by the biotech industry, including hormonal therapies in the assisted reproductive technology (ART) sector. Presented as a fictional company, a parodic diversion of exchanges between species, Egstrogen Farms markets genetically modified eggs that produce a “cocktail of gonadotropins” to allow women to ovulate as frequently as chickens do. Inspired by the work of collectives such as subRosa or Critical Art Ensemble, Egstrogen Farms delivers a critique on the current commercialization of reproduction and expands the symbol of the egg as a therapeutic, nutritional and reproductive matrix.
Benny Nemerofsky Ramsay, A Short History of My Art Practice (2016) 15 mins. 17 sec.
In answer to the question, what is it that you do? – perennially asked of contemporary artists – Nemerofsky summarises fifteen years of professional practice in fifteen minutes, describing and re-embodying key artworks in his sound- and video-centric work.
Image Credit: Kathryn Rattray Photography
Abstract Series 1442 - WOMAN ARTIST - J Rebecca Trueblood Part 43
About J Rebecca Trueblood
www.facebook.com/TruebloodSuperfineArt
www.facebook.com/BOSTONAREAARTISTS
www.facebook.com/MissTallulahsJunkintheTrunk
I create pieces that acknowledge and respond to the physical presence of the person viewing them. This comes from an uncertainty about my own place in the world; the urge to have a unique identity with clearly marked personal space conflicts with a longing for real intimacy and a feeling of being part of a community.
In some pieces, there are details that will not read from across the room: you must get close to see them, much closer than you would to the face of a stranger.
Colors may cozy up together or push violently. Spaces between shapes create varying degrees of tension.
I take inspiration from everyday objects, anthropological images, microscopic life, and the surface of our planet, utilizing patterning and repetition that makes creation a meditative and obsessive act.
Day 6 of summer road trip west to Yellowstone National Park.
Artists Paint Pots area.
Three RAW images tonemapped in Photomatix.
Esta enorme producción nacional, que reúne a casi 200 artistas en escena, revivirá los mejores momentos musicales de todo el camino recorrido por Fermata a través de sus conciertos Música a través del tiempo; HITS; Celebration y Unforgettable realizados durante estas 10 temporadas de actividad ininterrumpida en el Uruguay.
A 25 años de la muerte de Freddie Mercury, Fermata rendirá homenaje a uno delos exponentes más emblemáticos del rock de las últimas décadas junto con la que ha sido calificada internacionalmente como "la mejor banda tributo a QUEEN", “DIOS SALVE A LA REINA”, por la prestigiosa revista "Rolling Stone".
Ref: www.sodre.gub.uy/espectaculos/espectaculo/1293
Fermata Music es una agrupación sin fines de lucro creada en el año 2007 por el maestro Guillermo Freijido con el objetivo de brindar un espacio diferente en el Uruguay enfocado a la enseñanza y la difusión de la cultura través de la música, la danza y otras disciplinas que son llevadas a cabo honorariamente por más de 100 niños, jóvenes y adultos de nuestro país.
Si bien Fermata comenzó como un coro, su innovación y actividad artística en estos años ha traspasado lo estrictamente coral y le ha permitido un crecimiento tal que actualmente bajo el nombre de “Fermata Music” reúne dentro de su formación al Coro Fermata (40 jóvenes y adultos), el Coro Fermata Niños (75 niños y jóvenes), el grupo Fermaltos (11 varones entre 10 y 15 años), Fermata Band Orquesta de cuerdas y vientos, solistas y bailarines.
Ref: www.ciudadelasalto.com/fermata-music-presenta-su-nuevo-es...
Auditorio Nacional del Sodre, Montevideo, Uruguay
Camera: Canon EOS 5D Mark IV
Lens: Zeiss Makro-Planar T* 2/100 ZE
Focal Length: 100 mm
Exposure: ¹⁄₃₅₀ sec at f/2.0
ISO: 800
En 1856 en una bahía del Lago Llanquihue bañada por aguas azules y frente a inmensos volcanes, el presidente Manuel Montt funda la Villa de Frutillar. Ocupada principalmente por colonos alemanes quienes dieron el sello característico al poblado rivereño que se conserva hasta hoy día. Sede de la afamadas "Semanas Musicales de Frutillar" que atrae a miles de turistas y artistas de todo el orbe, ahora cuenta con un nuevo teatro para las expresiones artisticas, el mayor y mas moderno centro de este tipo, en esta parte del Cono Sur, el Teatro del Lago.
Entre otros atractivos se puede encontrar tambien el "Museo de la Colonizacion Alemana" mantenido por la Universidad Austral.
Para mas informacion visitar : www.frutillar.com/
The ability to create a picture just by thinking about how it looks and then sketching it is beyond me. Thankfully, it is not beyond artists like this craftsman at Silver Dollar City. Another study in the hands that I love.
Artist Richard Ahnert at the 2012 Riverdale Art Walk
Click here to see a slideshow of Riverdale Art Walk participants.
"I am an artist
and like it or not,
your soul is my canvas--
not some paper I bought.
Every stroke of my brush
and every key on my chords,
will make you sing ode to joy--
what a wonderful world..."
I have A LOT of various sketches around my house as well as art materials. So I thought, why not use them for one of my photos;) As much as I miss having to draw weekly for my drawing class, I don't really miss much about college. This photo is particularly nostalgic, because it brings back the best memories about the past 7 years. Some of the acrylic paint on the floor is all dried, because I had it since high school...