View allAll Photos Tagged 100macro

Elegant Blister Beetle - Eupompha elegans on a California Tickseed - Coreopsis californica taken along Henderson Canyon Road, Anza Borrego, California

Eos 350D + 100Macro

f/7,1

1/15

 

View On Black and large

Desert Sunflower

Geraea canescens

 

Casa Dos Palmas

Death Valley National Park.

Blue Coral barnacle

Pyrgoma sp

Barnacle size 5mm (micro)

Found: Maeda, Okinawa

Ryukyu Islands

Depth:20feet

Identification photograph

okinawanaturephotography.com/

 

Canon 70d 100macro

Ikelite underwater housing

x 2 strobes

1 light & Motion sola 600

Use this image without my permission is illegal. All Rights Reserved ste.t.©

 

Oggi parliamo bene di un uomo che non viene considerato molto, ma che a un certo punto della sua vita NON ha preso una decisione e ha fatto comunque un figlio, o magari meglio per lui, una figlia, ed è a questa ragazza che vorrei parlare...

 

Quando parliamo di quest'uomo che ci conosce un po' meglio solo da grandi dobbiamo considerare sempre il fatto che parliamo di un bambino che diventa ragazzo e poi uomo suo malgrado, ma non diventa mai adulto e tutte le cose della vita gli cadono addosso anche se lui non vorrebbe, perché sa di doverle affrontare senza sapere come.

 

È quell'uomo che a volte non ha un posto dove stare a casa, perché torna sempre per ultimo, e solo da vecchio lo trovi sempre sulla poltrona con un giornale e ti farà finalmente tenerezza: perché tuo padre è quell'uomo che ti ha insegnato ad andare in bicicletta tenendoti il sellino da dietro per non farti cadere.

È quell'uomo del quale ti ricordi solo all'ultimo momento di farti una foto con lui ai tuoi compleanni e se invece al suo ti scordi di fargli gli auguri non ci rimarrà male perché lui lo sa che non l'hai fatto apposta.

 

Sappi che quell'uomo, quando uscirai per la prima volta con un ragazzo, non dormirà tutta la notte aspettando il tuo ritorno, e il giorno dopo non ti chiederà come è andata non perché non gli interessa ma perché ha paura che tu ti sia trovata bene con un ragazzo che con te non c'entra niente.

È quell'uomo che quando trovi una sua foto da giovane, ti sembra sempre fichissimo e ti dispiace di non averlo conosciuto allora quando faceva lo scemo con tua madre.

È un uomo che ogni volta che esce con la macchina spera che piova per incontrarti e darti un passaggio.

Tuo padre è quell'uomo che quando tornavi troppo tardi ti sgridava ma dentro ti voleva solo abbracciare.

 

È quell'uomo che può litigare con chiunque per tutta la vita ma con te vorrà sempre fare pace in un attimo perché è quell'uomo che ti amerà come non ha mai amato niente nella sua vita.

Tuo padre è quell'uomo che quando ti sposerai compierà l'ultimo sacrificio che la vita gli chiede: portarti all'altare e guardarti da dietro mentre ti lascia la mano...

 

E ricordati, cara figlia mia, che se una volta, quando sarai una donna, dovessi attraversare un momento difficile in cui ti sentirai sola come mai ti è successo e non troverai nessuno accanto, dovrai girare la testa per guardare dietro di te. E troverai un uomo solo. Tuo padre.

 

Riccardo Rossi - Lettera di un padre alla propria figlia

Studio work, showing a Clytus arcuatus (Cerambycidae, 17mm long) from south of France.

Focus stack based on 76 images, assembled using Zerene Stacker (Pmax & Dmap). Post production using Adobe Photoshop CS6. Canon 600D. Canon EF 100mm USM, ISO-100, F/4, 1/160 sec. 1 Flash, diffused with a polystyrene lightbox.

Alpes de Haute Provence, South East of France.

100 macro @ f/8

 

1 flash shot through an umbrella from camera right

yongnuo YN560TX transmitter

Pour la fete des meres

2016-04-09-4429-1-135541

Taken with my Canon SD 880 IS. I also have a couple of Canon SLR film camera floating around somewhere.

Use this image without my permission is illegal. All Rights Reserved ste.t.©

 

Risin' up, back on the streets

Did my time, took my chances

Went the distance, now I'm back on my feet

Just a man and his will to survive

So many times, it happend too fast

You change you passion for glory

Don't lose your grip on the dreams of the past

You must fight just to keep them alive

It's the eyes of the tiger, it's the cream of the fight

Risin' up to the challenge of our rival

And the last known survivor

stalks his prey in the night

And he's watchin' us all in the eyes of the tiger

Face to face, out in the heat

Hangin' tough, stayin' hungry

They stack the odds till we take to the street

For we kill with the skill to survive

It's the eye of the tiger, it's the cream of the fight

Risin' up to the challenge of our rival

And the last known survivor

stalks his prey in the night

And he's watchin' us all in the eyes of the tiger

Risin' up, straight to the top

Have the guts, got the glory

Went the distance, now I'm not gonna stop

Just a man and his will to survive

It's the eye of the tiger, it's the cream of the fight

Risin' up to the challenge of our rival

And the last known survivor

stalks his prey in the night

And he's watchin' us all in the eyes of the tiger

The eyes of the tiger

The eyes of the tiger

The eyes of the tiger

The eyes of the tiger

The eyes of the tiger

 

the survivors

The eyes of the tiger

© copyrighted image; all rights reserved.

 

A double espresso served in an Arabia Ego espresso cup, design by Stefan Lindfors 1998 for Arabia Finland (part of the Iittala group). Would you believe me if I said that this shot is straight out of the camera (sort of, it was shot in raw). All hail to light meters.

 

Now I know a white espresso cup on a pure white background isn't all that exciting. But it's good practice :)

 

Strobist info:

I put a sheet of glass on two drinking glasses, to get the "cup floating in air" effect. One 540EZ in a shoot through umbrella camera right and high, and a 430EX on the floor under the sheet of glass pointing up onto the background. Everything was triggered with the Elinchrom Skyport system, metered with Sekonic L-358. The background came out pure white directly out of the camera, only changed the crop (actually made it bigger) and added the text.

 

Setup shot.

 

Highest flickr explore / interestingness position: #212

 

tiny white blossoms and some little green berries will lead to some delicious and nutritious blueberries in July..uploading a few from the archives

Photo of big green caterpillar found in Windsor great park / Virginia water, can you help with ID

Canon EOS 5D+EF2,8/100macro

Three shots of the Common Blue Butterfly, and there were a few of them flying around. Was pleased to get an open wing shot too to show off the lovely colours.

Eos 350D + 100 Macro

f/6.3

1/15

 

View On Black and large

© copyrighted image; all rights reserved.

 

Having seen a quite a few shots like this on Flickr, I got inspired to try it out myself. This was shot wide open (f/2.8) with the 100mm macro lens.

It is a small deciduous tree growing to 10–15 m tall with a trunk up to 40 cm in diameter, though usually smaller and often with multiple trunks, and a spreading crown of long, arching branches. The bark is smooth, olive-green with regular narrow pale vertical stripes on young trees, eventually becoming dull grey-brown at the base of old trees. The leaves are 6–18 cm long and 4–9 cm broad, with a petiole 3–6 cm long; they are dark green above, paler below, ovate, unlobed or weakly three-lobed, with a serrated margin. They turn to bright yellow, orange or red in the autumn. The flowers are small, yellow, with five sepals and petals about 4 mm long; they are produced on arching to pendulous 7–12 cm racemes in late spring, with male and female flowers on different racemes. The samara nutlets are 7–10 mm long and 4–6 mm broad, with a wing 2–3 cm long and 5 mm broad.

the yellow magnolia "Lois" Windsor great park

© copyrighted image; all rights reserved.

 

Kokeshi dolls - Ame Agari, Yuzuru & Hohoemi

 

My wife has recently taken up a lifelong dream – collecting Japanese Kokeshi dolls. As I had taken out the lighting stuff to take a photo of Yuzuru (the middle doll), I thought it would be fun to have a "group portrait" as well.

 

Strobist information:

Two Lasteolite EzyBox (Hotshoe) with Speedlites 430EX. One camera left, slightly in front of the dolls, the second camera light slightly behind the dolls. A round black reflector acted as a background. Behind the reflector was a window with a white roller blind, letting through a lot of light around the reflector. This helped in giving a "hair light" from above. Everything triggered with Elinchrom Skyports, initial metering done with Sekonic L-358.

 

Setup shot is here.

Vanessa cardui - Vanessa cardui

Starry Night Octopus (Octopus luteus)-

Found: Maeda, Okinawa

Depth:100 feet at night

Size: head was golf ball size

 

Are you using my flickr photos as a reference guide to help identify your finds? If so please consider making a contribution. Help Me Make The Difference

www.patreon.com/MakeTheSwitch4Nature

Mission: To Protect & Preserve The Wildlife of The Ryukyu Islands for Further Generations

 

okinawanaturephotography.com/

 

Canon 70d 100macro

Ikelite underwater housing

x 2 strobes

1 light & Motion sola 600

   

It is a small deciduous tree growing to 10–15 m tall with a trunk up to 40 cm in diameter, though usually smaller and often with multiple trunks, and a spreading crown of long, arching branches. The bark is smooth, olive-green with regular narrow pale vertical stripes on young trees, eventually becoming dull grey-brown at the base of old trees. The leaves are 6–18 cm long and 4–9 cm broad, with a petiole 3–6 cm long; they are dark green above, paler below, ovate, unlobed or weakly three-lobed, with a serrated margin. They turn to bright yellow, orange or red in the autumn. The flowers are small, yellow, with five sepals and petals about 4 mm long; they are produced on arching to pendulous 7–12 cm racemes in late spring, with male and female flowers on different racemes. The samara nutlets are 7–10 mm long and 4–6 mm broad, with a wing 2–3 cm long and 5 mm broad.

Lego city police

2016-08-21-9252-1-192035

Even though I will be getting my 100Macro in a week - This is a very good way to have a make-shift macro. Just unmount the lens and reverse it and you can focus at about an inch from the subject.

 

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