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2019 The 911 Memorial Beams of Light seen from Hell's Kitchen Manhattan NYC - 18 years - Fountain World Trade Center - WTC Ground Zero - September 11 2001 - Lower Manhattan 9/11 - NYC - New York City 2011 FDNY - public monument art Fountains 09/11/2019 night lite lites search lights
On June 3, 2014, supporters of Sanctuary for Families gathered at Chelsea Piers to celebrate our work and take a stand against gender violence.
Shot on the right by Cnbrow with a Zero Image 6x9 pinhole camera. Shot on left taken by me with a holga 120N.
The fun thing about this "zero outcome" shot is that I happened to take the initial shot with a holga instead of one of my SLRs like normal. I like how it turned out, maybe I'll try it again in the future.
"The Architecture of Survival" (#10)
The "Zero Balance" advertised works as a metaphor for the mismatched designs and textures in the surfaces captured in 2D by the camera. Notice another advert to the right.
All shot in film, all black and white, HP5+, processed in Ilfosol 3. Cropped and modified moderately in Lightroom.
The Mitsubishi A6M "Zero" was a long-range carrier-based fighter aircraft formerly manufactured by Mitsubishi Aircraft Company, a part of Mitsubishi Heavy Industries, and operated by the Imperial Japanese Navy from 1940 to 1945. The A6M was designated as the Mitsubishi Navy Type 0 carrier fighter (零式艦上戦闘機, rei-shiki-kanjō-sentōki), or the Mitsubishi A6M Rei-sen. The A6M was usually referred to by its pilots as the Reisen (零戦, zero fighter), "0" being the last digit of the imperial year 2600 (1940) when it entered service with the Imperial Navy. The official Allied reporting name was "Zeke", although the name "Zero" (from Type 0) was used colloquially by the Allies as well.
The Zero is considered to have been the most capable carrier-based fighter in the world when it was introduced early in World War II, combining excellent maneuverability and very long range. The Imperial Japanese Navy Air Service (IJNAS) also frequently used it as a land-based fighter.
In early combat operations, the Zero gained a reputation as a dogfighter, achieving an outstanding kill ratio of 12 to 1, but by mid-1942 a combination of new tactics and the introduction of better equipment enabled Allied pilots to engage the Zero on generally equal terms. By 1943, the Zero was less effective against newer Allied fighters due to design limitations. It lacked hydraulic boosting for its ailerons and rudder, rendering it extremely difficult to maneuver at high speeds, and it could not be equipped with a more powerful aircraft engine. By 1944, with Allied fighters approaching the A6M levels of maneuverability and consistently exceeding its firepower, armor, and speed, the A6M had largely become outdated as a fighter aircraft. However, as design delays and production difficulties hampered the introduction of newer Japanese aircraft models, the Zero continued to serve in a front-line role until the end of the war in the Pacific. During the final phases, it was also adapted for use in kamikaze operations. Japan produced more Zeros than any other model of combat aircraft during the war.
From Wikipedia:
en.wikipedia.org/wiki/Mitsubishi_A6M_Zero#United_States
Photo by Eric Friedebach
Photo shoot with Zero G (producer), MC Sye (MC), and Shakira (manager), at Hook Studio, 29th April 2009.
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A as the nice gentle rabbit, but without carrot. Another old shot, rescued from the virtual skip.
Zero Image 6x9 MF loaded with Ilford Pan F (ISO 50). Developed in Rodinal 1:50. This was exposed for some time, which was not recorded.
Tertulia literaria sobre la novela "Cero K" (Zero K) de Don DeLillo, organizada en la Residencia de Estudiantes de Madrid por el club del libro Ciervo Blanco.
Gonflé et impertinent... Une démarche publicitaire qui colle parfaitement à cette boisson au délicieux goût d'enfance ! Enfin, j'ai pas encore testé la version zéro. Et vous ?
The live finals of the 2016 Zero Robotics High School Tournament took place on the International Space Station on 27 January 2017. More than 100 students aged between 14 and 20 years old from across Europe met at ESA’s Space Research and Technology Centre (ESTEC) in the Netherlands. From there, students connected to the ISS, as well as to parallel events taking place in the USA and Australia. This is the fifth time that the ISS has been turned into a gaming platform for the ultimate game of robotics.
Documentary : Zero
Procuction Studio : CGS
Production Manager : Riad guerieni
3D Artist : Saifeddine Jabbes
Rendered with 3dsMax & Mental Ray
Post Production in After Effects
Procuction Studio : CGS
Production Manager : Riad guerieni
3D Artist : Saifeddine Jabbes
Rendered with 3dsMax & Mudbox &Mental Ray
Post Production in After Effects
Zero no Tsukaima (ゼロの使い魔, The Zero’s Familiar)
Sinopsis:
Louise de la Vallière, o también conocida como “Louise la zero” es una estudiante de magia que nunca ha conseguido hacer ningún hechizo a derechas. Es más, todos sus hechizos terminan siempre explotando…
Todo mago, tiene que invocar un “familiar” que le apoyará para toda la vida, ella quiere invocar algo poderoso y majestuoso para que todos dejen de despreciarla…
Pero invoca un plebeyo (una persona sin poderes mágicos), algo tremendamente vergonzoso, pero… algo raro pasa, el plebeyo no es normal. Saito, el plebeyo, parece desconcertado, no entiende la lengua de los que le rodean (Normal, él es de la tierra ^^).