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The front door of a long-abandoned house in Howth, county Dublin. I wonder what tidings of joy or sorrow passed through this letterbox...
Framed picture in B&MRRHS Hardware Collection. Wayne Gagnon writes, “Of special note on the 3689 picture, just barely visible under smokebox and headlight, is the nameplate 'Flying Yankee' and painted on cab sides is 'Flying Yankee.' Nos. 3689 and 3686 came out of Billerica Shops in June 1930 with special paint job and detailing and also had a larger, extended tender than her sister P-2s for additional water and coal. It would be five years before another 'Flying Yankee' arrived on scene (B&M#6000)."
Submitted by Richard Nichols. Edited by Carl Byron. Learn more about the B&MRRHS at www.bmrrhs.org. Photo758
LEAH GARCHIK writes in the San Francisco Chronicle: 'I am informed by ADDA DADA , who never misses a party, that the winner of the Hunky Jesus Contest was TWERKING JESUS. And "Why carry your cross when you can ride it?" is what REBECCA ZITO when she spotted a cyclist so accessorized.'
In Wednesday's Leah Garchik column in the San Francisco Chronicle.
www.sfgate.com/entertainment/garchik/article/Dancing-in-t... ............................................................................................SISTER's of PERPETUAL INDULGENCE's 35th Annual HUNKY JESUS & FOXY MARY fun....The best thing about the Sister's show were the Marijuana 4/20 folks who incorrectly wandered into the Sister's party space...They were like "OMG, This is like , OZ, man."
Yes, it was.
Probably because it was the Sister's 35th Anniversary and it was an homage to the Wizard of Oz. The lawn in front of the stage was filled with red-paper poppies. There were several 'Cowardly Lions", many "Glenda the Good Witch", a couple of 'Bad Witches" including one on a bike...a very young 6-year old Judy Garland passing out Giradelli Chocolate, an awesome Scarecrow of indeterminate sex, a few Tin Men (and one obviously Tin Woman), and even a couple of 'munchkins'...yes, real little people. Though, ADDA DADA is happy to report that there were no Flying Monkeys.
THANK YOU to all the beautiful adults who let ADDA take their photos! (Everyone was properly asked & everyone consented.)
(These photos carry copyright protection. Do NOT post them elsewhere! )
============================
THE 'NUDES' ARE PROPERLY MARKED EITHER RESTRICTED OR MODERATE ON ADDA'S SITE! (EVERYONE PHOTOGRAPHED IS OVER 18-YEARS-ONLY!) There is NO stolen PORN on my site!
============================
NOTE: MY photos are NOT to be used or reproduced, COPIED, BLOGGED, USED in any way shape or form. Understand clearly these are my photographs and use of them by anyone is an infringement of my copyrights and personal artistic property!
© All rights reserved. Use without permission is illegal
*************************************** ***********
NOTE:
Viewers should be aware that these photos are viewed by a wide variety of folks and inappropriate X & R rated & RUDE comments shall be removed forthwith
--- PLEASE WRITE SOME THOUGHTS ABOUT THE PICTURE - comments with group stamps will be deleted, thanks for understanding ---
model: Nyussz
makeup: Márti Folmeg
hair: Attila Kárpáti
assistant: _Nec
clothes: CSF
gear: Canon EOS 40D, Canon EF 70-200mm f2.8 L IS II USM lens
lights-setup: _Nec
stylist, photo, post-processing: me
strobist: from left-top - canon 580exII as key light, from left-bottom - LP120 as fill, and from the right - 2 yongnuo flashes with a 50" westcott large fill
--- do not use my work without written permission, thank you ---
therainbowfashionista.blogspot.com/2013/01/i-write-sins-n...
Skin: cStar Limited - Evoke 2010 - Pale
Hair: .ploom. - Dawn - Dipped 2 Color Set
Antlers: +Half-Deer+ - Fawn Antlers - Licorice
Ears: :Zombie Suicide: - Mesh Gauged Ear Base - Size 1
Ear Piercings: :Zombie Suicide: - Piercing Set #1 add-on For Size 1
Ear Plugs: :Zombie Suicide: - Day of Dead plugs ADD-ON For Size 1
Lashes: .ploom. - Lashes 1
Eyes: .::Kre-ations::. - Eclypse Eyes - Pluto
Choker: The Red Queen - Black Metal Chameleon (Well the choker ripped out of it, I think... Cipher did it and threw it at me so blame her)
Necklace: Maxi Gossamer - Necklace - Erzulie's Love Charm - Short - SILVER (Available at Collabor88)
Corset: Sn@tch - Selena Corset - Black
Nails: Izzie's - Long Metallic Nails - Frostbite Color Pack
Bracelets: Maxi Gossamer - Bangles - Damasc - SILVER (Available at Collabor88)
Tattoo: +Half-Deer+ - Antler Hipbone Tattoo
Pants: [AUX] Belted Flairs - Black Skull (Available at The Dressing Room Fusion)
Pose: Apple Spice - Red Carpet Pose 013
Edmund Rubbra (/ˈrʌbrə/; 23 May 1901 – 14 February 1986) was a British composer. He composed both instrumental and vocal works for soloists, chamber groups and full choruses and orchestras. He was greatly esteemed by fellow musicians and was at the peak of his fame in the mid-20th century. The most famous of his pieces are his eleven symphonies. Although he was active at a time when many people wrote twelve-tone music, he decided not to write in this idiom himself. Instead he devised his own distinctive style. His later works were not as popular with the concert-going public as his previous ones had been, although he never lost the respect of his colleagues. Therefore, his output as a whole is less celebrated today than would have been expected from its sheer merit and from his early popularity. He was the brother of the engineer Arthur Rubbra.
Rubbra started composing while he was still at school. One of his masters, Mr. Grant, asked him to compose a school hymn. He would have been very familiar with hymn tunes, as he attended a Congregational church and played the piano for the Sunday School. He also worked as an errand boy whilst he was still at school, giving some of his earnings to his parents to help with their finances.
At the age of 14, he left school and started work in the office of Crockett and Jones, one of Northampton's many boot and shoe manufacturers. Edmund was delighted to be able to accrue a number of stamps from parcels and letters sent to this factory, as stamp-collecting was one of his hobbies. Later, he was invited by an uncle, who owned another boot and shoe factory, to come and work for him. The idea was that he would work his way up from the bottom of the company, with a view to ownership when his uncle, who had no sons of his own, died. Edmund, influenced by his mother's lack of enthusiasm for the idea, decided to decline. Instead, he took a job as a correspondence clerk in a railway station. In his last year at school he had learned shorthand, which was an ideal qualification for this post. He also continued to study harmony, counterpoint, piano and organ, working at these things daily, before and after his clerk's job.
Rubbra's early forays into chamber music composition included a violin and piano sonata for himself and his friend, Bertram Ablethorpe, and a piece for an excellent local string quartet. He used to meet with the keen, young composer, William Alwyn, who was also from Northampton, to compare notes.
Rubbra was deeply affected by a sermon he heard given by a Chinese Christian missionary, Kuanglin Pao. He was inspired to write Chinese Impressions – a set of piano pieces, which he dedicated to the preacher. This was the beginning of a lifelong interest in things eastern.
At the age of 17, Rubbra decided to organise a concert devoted entirely to Cyril Scott's music, with a singer, violinist, cellist and himself on the piano, at the Carnegie Hall, in Northampton Library. This proved to be a very important decision, which would change his life. The minister from Rubbra's church attended the concert, and secretly sent a copy of the programme to Cyril Scott. The result of this was that Scott took Rubbra on as a pupil. Rubbra was able to obtain cheap rail travel because of his job with the railway, so he was able to get to Scott's house by train, paying only a quarter of the usual fare. After a year or so, Rubbra gained a scholarship to University College, Reading. Gustav Holst became one of his teachers there. Both Scott and Holst had an interest in eastern philosophy and religion, inspiring Rubbra to have further interest in the subject.
Holst also taught at the Royal College of Music and advised Rubbra to apply for an open scholarship there. His advice was followed and the place was secured. Before Rubbra's last term at the Royal College, he was unexpectedly invited to play the piano for the Arts League of Service Travelling Theatre on a six-week tour of Yorkshire, since their usual pianist had been taken ill. He accepted this offer despite its meaning he missed his last term. This provided him with invaluable experience in playing and composing theatre music, that he never regretted and which stood him in good stead for his later dramatic work. In the mid-1920s Rubbra used to earn money playing for dancers from the Diaghilev Ballet. At around this time he became firm friends with Gerald Finzi.
In 1941, Rubbra was called up for army service. After 18 months he was given an office post, again because of his knowledge of shorthand and typing. While he was there, he ran a small orchestra assisted by a double-bass player from the BBC orchestra. The War Office asked him to form a piano trio to play classical chamber music to the troops. Rubbra was happy to oblige, and the trio, with William Pleeth the cellist, Joshua Glazier violinist and himself on the piano took six months acquiring a repertoire of chamber music. "The Army Classical Music Group", was formed and later expanded to seven people. On one occasion an overzealous entertainment officer thought there would be a better audience by advertising with big posters for "Ed Rub & his seven piece Band". They travelled all over England and Scotland and then to Germany, with their own grand piano which, with its legs removed for transport, became a seat for them in the back of the transport lorry.
After the war, on 4 August 1947 (the Feast of St Dominic), Rubbra became a Roman Catholic, writing a special mass in celebration. Also at this time, the University of Oxford was forming a faculty of music. They invited Rubbra to be a lecturer there. After much thought, he accepted the post. From 1947 to 1968 Rubbra was a lecturer at the Music Faculty and a Fellow of Worcester College, Oxford. The army trio kept meeting, playing at clubs and broadcasting, for a number of years, but eventually Rubbra was too busy to continue with it.
It is a measure of the high esteem in which Rubbra was held in the 1940s, that his Sinfonia Concertante and his song Morning Watch were played alongside such works as Elgar's The Dream of Gerontius, Kodály's Missa Brevis and Vaughan Williams's Job, at the 1948 Three Choirs Festival.
When Vaughan Williams heard that the University of Durham was going to confer an Honorary D.Mus on Rubbra in 1949, he wrote him a very short letter: "I am delighted to hear of the honour which Durham University is conferring on itself."
Rubbra received a request from the BBC to write a piece for the coronation of Queen Elizabeth II. The result was Ode to the Queen, for voice and orchestra, to Elizabethan words. In connection with the same celebration, he was invited by Benjamin Britten to contribute to a collaborative work, a set of Variations on an Elizabethan Theme. He initially accepted, but later withdrew; Britten then asked Arthur Oldham and Humphrey Searle to take his place.
On Rubbra's retirement from Oxford, in 1968, he did not stop working; he merely took up more teaching at the Guildhall School of Music and Drama where his students included Michael Garrett and Christopher Gunning. Neither did he stop composing. Indeed, he kept up this activity right until the end of his life. He had, in fact, started a 12th Symphony in March 1985, less than a year before his death. He died in Gerrards Cross on 14 February 1986.
Ronald Stevenson summed up the style of Rubbra's work rather succinctly when he wrote, "In an age of fragmentation, Rubbra stands (with a few others) as a composer of a music of oneness".
Sir Adrian Boult commended Rubbra's work by saying that he "has never made any effort to popularize anything he has done, but he goes on creating masterpieces".
LEAH GARCHIK writes in the San Francisco Chronicle: 'I am informed by ADDA DADA , who never misses a party, that the winner of the Hunky Jesus Contest was TWERKING JESUS. And "Why carry your cross when you can ride it?" is what REBECCA ZITO when she spotted a cyclist so accessorized.'
In Wednesday's Leah Garchik column in the San Francisco Chronicle.
www.sfgate.com/entertainment/garchik/article/Dancing-in-t... ............................................................................................SISTER's of PERPETUAL INDULGENCE's 35th Annual HUNKY JESUS & FOXY MARY fun....The best thing about the Sister's show were the Marijuana 4/20 folks who incorrectly wandered into the Sister's party space...They were like "OMG, This is like , OZ, man."
Yes, it was.
Probably because it was the Sister's 35th Anniversary and it was an homage to the Wizard of Oz. The lawn in front of the stage was filled with red-paper poppies. There were several 'Cowardly Lions", many "Glenda the Good Witch", a couple of 'Bad Witches" including one on a bike...a very young 6-year old Judy Garland passing out Giradelli Chocolate, an awesome Scarecrow of indeterminate sex, a few Tin Men (and one obviously Tin Woman), and even a couple of 'munchkins'...yes, real little people. Though, ADDA DADA is happy to report that there were no Flying Monkeys.
THANK YOU to all the beautiful adults who let ADDA take their photos! (Everyone was properly asked & everyone consented.)
(These photos carry copyright protection. Do NOT post them elsewhere! )
============================
THE 'NUDES' ARE PROPERLY MARKED EITHER RESTRICTED OR MODERATE ON ADDA'S SITE! (EVERYONE PHOTOGRAPHED IS OVER 18-YEARS-ONLY!) There is NO stolen PORN on my site!
============================
NOTE: MY photos are NOT to be used or reproduced, COPIED, BLOGGED, USED in any way shape or form. Understand clearly these are my photographs and use of them by anyone is an infringement of my copyrights and personal artistic property!
© All rights reserved. Use without permission is illegal
*************************************** ***********
NOTE:
Viewers should be aware that these photos are viewed by a wide variety of folks and inappropriate X & R rated & RUDE comments shall be removed forthwith
LEAH GARCHIK writes in the San Francisco Chronicle: 'I am informed by ADDA DADA , who never misses a party, that the winner of the Hunky Jesus Contest was TWERKING JESUS. And "Why carry your cross when you can ride it?" is what REBECCA ZITO when she spotted a cyclist so accessorized.'
In Wednesday's Leah Garchik column in the San Francisco Chronicle.
www.sfgate.com/entertainment/garchik/article/Dancing-in-t... ............................................................................................SISTER's of PERPETUAL INDULGENCE's 35th Annual HUNKY JESUS & FOXY MARY fun....The best thing about the Sister's show were the Marijuana 4/20 folks who incorrectly wandered into the Sister's party space...They were like "OMG, This is like , OZ, man."
Yes, it was.
Probably because it was the Sister's 35th Anniversary and it was an homage to the Wizard of Oz. The lawn in front of the stage was filled with red-paper poppies. There were several 'Cowardly Lions", many "Glenda the Good Witch", a couple of 'Bad Witches" including one on a bike...a very young 6-year old Judy Garland passing out Giradelli Chocolate, an awesome Scarecrow of indeterminate sex, a few Tin Men (and one obviously Tin Woman), and even a couple of 'munchkins'...yes, real little people. Though, ADDA DADA is happy to report that there were no Flying Monkeys.
THANK YOU to all the beautiful adults who let ADDA take their photos! (Everyone was properly asked & everyone consented.)
(These photos carry copyright protection. Do NOT post them elsewhere! )
============================
THE 'NUDES' ARE PROPERLY MARKED EITHER RESTRICTED OR MODERATE ON ADDA'S SITE! (EVERYONE PHOTOGRAPHED IS OVER 18-YEARS-ONLY!) There is NO stolen PORN on my site!
============================
NOTE: MY photos are NOT to be used or reproduced, COPIED, BLOGGED, USED in any way shape or form. Understand clearly these are my photographs and use of them by anyone is an infringement of my copyrights and personal artistic property!
© All rights reserved. Use without permission is illegal
*************************************** ***********
NOTE:
Viewers should be aware that these photos are viewed by a wide variety of folks and inappropriate X & R rated & RUDE comments shall be removed forthwith