View allAll Photos Tagged worktable
my husband made the magnetic strips on the wall and I have all kinds of small pieces stored in tins with magnets on back. A ribbon holder will go over that. THe worktable hasa surge protector ran the length of it and extra spot lighting accesible.
New GreenHouse series by [CIRCA]Living.
Full greenhouse packages available along with smaller sets or single pieces. Many of the furnishings and planters come in 5 colours to mix and match - Nut, Plum, Teal, Beech, & Rhubarb.
You'll find lots of unique animations added to the series, including 8 garden types with props (to wear) to go with the anim cycles.
Find the packages for purchase here:
Nature Hill - GreenHouse Packages
Find the Nature Hill - Greenhouse Demo here:
Please support on Lego Ideas:
ideas.lego.com/projects/1f708a5b-4f0e-4431-b4ba-8a1a66e9c4c8
“In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.”
J.R.R Tolkien, The Hobbit, Chapter I: AN UNEXPECTED PARTY
Welcome to the Shire. The starting and ending point of the famous books and films “The Hobbit” and “The Lord of the Rings”.
It is a perfect place to relax, read and fill your hobbit stomach with plenty of delicious food.
The Hobbit hole consists of 5 different rooms. A nice kitchen with a big table, a full storage chamber, a cosy living room with a fireplace and a worktable, an entrance room to welcome invited and uninvited guests and like all hobbit holes it has a round tunnel that connects the rooms.
I would suggest that it would include the minifigures: Frodo, Sam, Bilbo, the 13 dwarves and of course Gandalf.
Please support this creation and help it to become an official Lego Set.
Remember, it doesn’t cost you anything and you would do me a big favour.
aspen, colorado
late 1975
inside nick's "mad lab"
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.
If you caught any of my Instagram pictures today, you know I did some claying this morning (and this afternoon, but I haven't shared those images yet). In the past, I've used the dining room table for clay work, but I have a new table I don't want to destroy, and so I moved to the built-in cabinet behind the table. I love the light streaming in here, but that's about the only advantage of this odd little spot. Zero leg room, and darkness by 4pm are big drawbacks. I might need to come up with something else.
A work in progress: My handmade polymer artifacts, beads, and buttons, with vintage fabrics and antique buttons.
mystic, connecticut
1974
seaport village
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
Please support on Lego Ideas:
ideas.lego.com/projects/1f708a5b-4f0e-4431-b4ba-8a1a66e9c4c8
“In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.”
J.R.R Tolkien, The Hobbit, Chapter I: AN UNEXPECTED PARTY
Welcome to the Shire. The starting and ending point of the famous books and films “The Hobbit” and “The Lord of the Rings”.
It is a perfect place to relax, read and fill your hobbit stomach with plenty of delicious food.
The Hobbit hole consists of 5 different rooms. A nice kitchen with a big table, a full storage chamber, a cosy living room with a fireplace and a worktable, an entrance room to welcome invited and uninvited guests and like all hobbit holes it has a round tunnel that connects the rooms.
I would suggest that it would include the minifigures: Frodo, Sam, Bilbo, the 13 dwarves and of course Gandalf.
Please support this creation and help it to become an official Lego Set.
Remember, it doesn’t cost you anything and you would do me a big favour.
*Fantastic Christmas Celebration Pictures *
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A Horde of SantasAbout 1,000 volunteers wait before the beginning of a
charity campaign in Seoul.
Lots of (Fake) SnowEvery year the Babbacombe Model Village in Torquay,
England, creates a winter wonderland in miniature.
OrnamentsA painted figurine of the Pope sits on a worktable at the Richard
Glaesser wooden toy manufacturer in Seiffen, Germany.
Non $top Entertainment only at Funzug! Click to Join 4
Free!
Santa's Helpers?Central European folklore holds that Buttenmandl and
Krampusse, above, follow St. Nicholas from house to house during the holiday
season to either bring luck to the hardworking or punish the
idle.
Santa WannabesThese young men work as waiters on a pub street in Nanjing,
China.
PromotionModels dressed like Dorothy from The Wizard of Oz pose in front of
the London superstore Harrods as part of a promotion kicking off the famed
emporium's shopping season.
WetA diver welcomes visitors to the Osaka Kaiyukan Aquarium in
Japan.
Non $top Entertainment only at Funzug! Click to Join 4
Free!
Letters to the North PoleLaplandUK, an interactive theater experience in
Lambenhurst, England, re-creates Father Christmas' mythical Arctic homeland
and offers guests a chance to cavort with real huskies and
reindeer.
ImmodestFestive lights adorn a house in Melksham, England. The display
requires more than 115,000 bulbs and an uprated supply of electricity.
Homeowner Alex Goodwind uses the attention he draws to raise money for a
local hospice. Last year, he raised £3,000.
A Christmas tree made from recycled plastic bottles stands on a street in
Paris.
Run, Santa, Run!Runners dressed as Santa Claus take part in the London Santa
Run in Battersea Park.
Non $top Entertainment only at Funzug! Click to Join 4
Free!
Ho, Ho, HoAn illuminated giant Santa greets Christmas revelers in
Berlin.
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.
Got a Nice Stack of these Post cards in the Mail today.... for these cards will be handed out at the October Toys Booth at this Year`s San Diego Comic Com !
"My real name, noone knows... I will remain a mystery for generations to come"
----------------------
This is a project that I had on my mind (and worktable) for quite a long time! Thanks to Dal Lee, who encouraged me to show my Havoc, I finally got myself together to cut her hair and take the photos ; ).
For those who don't know, the original Havoc is a fashion doll from the Seventies and is closely related (not by blood but by manufacturing ; )) to Mary Quant's "Daisy". There are some great sites out there where you can find more info on the original doll.
I stumbled across the original Havoc many years ago and remembered her when Poppy Parker got into the "Lotta Danger" and "Girl from INTEGRITY" storyline. Since Lotta's arch enemy Sebina and her brother Sebastian are the Havoc siblings, it's pretty safe to think that David B. had Havoc in mind when her worked on Lotta.
To make it short: Havoc is a secret agent whose real name is not known and she works as a journalist (at least sometimes) while her true job is kicking the evil a**es all over the world. The backside of the doll packaging had some cool comics that showed Havoc in action and wow, this girl means business! She's great!
My own girl got a midnight blue lycra bodysuit with working zipper (completely sewn by hand, I went crazy with this outfit *lol*) and white boots. That's her standard battle suit. I made a 1/6 scale version of her pink shirt (from the motorcycle set), too, but haven't made the rest of the items yet (jeans, leather jacket and so on).
I'm not quite sure, if I want to make her more outfits based on her original ones, or not. The trehcncoat with red hat is iconic!
Big thanks go to my brother, who recreated the Havoc logo so I could complete the suit and to Dal Lee for giving me the needed push towards completing the project.
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.
New GreenHouse series by [CIRCA]Living.
Full greenhouse packages available along with smaller sets or single pieces. Many of the furnishings and planters come in 5 colours to mix and match - Nut, Plum, Teal, Beech, & Rhubarb.
You'll find lots of unique animations added to the series, including 8 garden types with props (to wear) to go with the anim cycles.
Find the packages for purchase here:
Nature Hill - GreenHouse Packages
Find the Nature Hill - Greenhouse Demo here:
www.deedmachinetool.com/products/
CNC milling machine is automatic processing equipment developed on the basis of a general milling machine. Their processing technology is basically the same and their structure is somewhat similar. CNC milling machines are divided into two categories: without magazines and with a magazine. The CNC milling machine with tool magazine is also called the machining center.
Products are widely used in the manufacturing industry, military industry, aerospace industry, medical equipment industry, information, and other industries.
TYPES OF CNC MACHINING CENTER
Vertical Machining Center
Our Vertical machining centers mainly include VMC and VL two series, VMC series include VMC50B, VMC50C, VMC60B, VMC60C, VMC70B, VMC70C.
VMC-series Vertical Machining Center
VMC-series Vertical Machining Center is a highly automatic multi-functional NC machine tool with a tool magazine and automatic tool change device. It is mainly suitable for processing complex parts such as plates, discs, molds, and small shells. The vertical machining center can complete the processes of milling, boring, drilling, tapping, and thread cutting.
VL-series Vertical Machining Center
VL series vertical machining center is mainly for automotive aluminum wheel milling processing, complete drilling, complex surface processing, and other processes. This product can also be applied to the processing of various parts such as plate, plate, shell, and mold.
Gantry Machining Center
We introduce German mineral casting material for our base and column. It has better shake absorption and Low thermal expansion. Worktable, sliding seat, and headstock are supported by heavy-duty roller linear rails to ensure high rigidity and reduce the weight of moving parts.
GMC-series Gantry Machining Center
High-performance gantry machining center. GMC series is designed for mold production, with 3 axes linear guideway and high-speed motorized spindle, the machines can be widely used in precise molds manufacture industries.
GL-series Gantry Machining Center
GL series is our economic gantry machine series and is widely used in different areas. GL series has an Excellent high-rigidity structure and a Cost-effective full-stroke machining tool.
Horizontal Machining Center
Single-pallet Horizontal Machining Center
Single-pallets Horizontal machining center is suitable for mass production of products with complex shapes and high precision requirements, especially the machining of boxes and complex structural parts. It is widely used for precision and efficient machining of complex parts in automotive, aerospace, shipbuilding, and power generation industries.
Double-pallet Horizontal Machining Center
Excellent cost performance can be widely used in various production sites.
5-axis Machining Center
A Five-axis machining center is a machining center with high scientific and technological content and high precision, which is specially used for machining complex curved surfaces. This machining center system has a decisive impact on a country's aviation, aerospace, military, scientific research, precision instruments, high-precision medical equipment, and other industries. Five-axis CNC machining center system is the only means to solve the machining of the impeller, blade, marine propeller, heavy generator rotor, steam turbine rotor, large diesel engine crankshaft, and so on.
5 Axis Vertical Machining Center
Vertical type 5-Axis Machining Center is a high-end 5-axis linkage machine tool that developed after taking in the German advanced technology.
5 Axis Gantry Machining Center
The structure of our 5-axis machining centers is gantry type, which is high steady, high rigidity. The design of our 5-axis machining centers is that the fixed parts are made from mineral casting and the traveling parts are made of high strength alloy steel which makes our machining centers have excellent precise retention, fast responsibility, and rapid traveling speed.
CNC Milling and Boring Machine
HB Series Horizontal Milling and Boring Machine
HB series horizontal milling and boring machine is our boring machine series and widely used in different areas. HB series has an Excellent high-rigidity structure and a Cost-effective full-stroke machining tool.
PBC Series Planer Type Milliling and Boring Machine
The whole machine adopts a movable column structure. It is suitable for machining medium and large parts. During machining, it is capable of tool feeding and workpiece feeding.
Buy PBC Series Planer Type Milliling and Boring Machine
CNC Lathe
CNC lathe is one of the widely used CNC machine tools. It is mainly used for cutting the internal and external cylindrical surfaces of shaft parts or disk parts, internal and external conical surfaces with arbitrary cone angle, complex rotating internal and external curved surfaces, cylinders, and conical threads, and can carry out grooving, drilling, reaming, reaming and boring.
Horizontal Turning Center Special For Wheel Hub
DEED HP800-WC Horizontal Turning Center is specially designed for wheel hub machining production. The machine tool adopts a slant bed structure which is popular widely used in Europe, America, and Japan. The sheet metal adopts a fully enclosed design, with excellent performance on-chip removal, drainage, and leak proof.
Vertical Turning Center Special For Wheel Hub
The machine tool adopts a slant bed structure which is popular widely used in Europe, America, and Japan. The sheet metal adopts a fully enclosed design, with excellent performance on-chip removal, drainage, and leakproof. The machine tool bed adopts "mineral casting" material and the technology of Germany, which guarantee DEED CNC machine tool with better performance on accuracy maintenance and stability for a longer time. DEED CNC model HP800-WC is mainly used for turning machines.
Universal Horizontal Lathe
The ultimate ingenuity design brings a more convenient operation and clamping experience.
CNC Tapping Machine
CNC intelligent tapping machine is applicable to all machinery manufacturing industries, such as machine tools, mold (factory) machinery, plastic machinery, printing machinery, packaging machinery manufacturers, engineering machinery, automobile and motorcycle parts, aero-engines, rolling stock, tobacco machinery, and general machinery.
ADVANTAGES OF CNC MACHINING CENTER
WHY CHOOSE DEED FOR CNC MACHINING?
Strong technical force
Advanced manufacturing foundation
Rigorous testing process
Mineral casting technology
The company currently has more than one hundred R&D engineers in the machine tool industry at home and abroad and has established a mechanical and electrical R&D department. Through strategic cooperation with internationally renowned key component manufacturers, all products can be exported to the production system after three-dimensional optimization design and finite element analysis. Provide customers with production and processing equipment with better performance.
CNC MACHINING EQUIPMENT PARTS
Steel Welding Workbench
Using advanced welding technology and secondary quenching technology, the platform has higher hardness and lighter weight, which effectively improves the processing accuracy.
Automatic Chip Conveyor
Automatic chip removal and timely discharge of metal chips effectively ensure the cleanliness of the processing environment and prevent the chips from causing damage to the equipment.
Automatic Tool Change System
It is equipped with 24 cutter heads as standard, which can be adapted to complete different working procedures, which is convenient and quick.
Oil Cooler
Cool the cutter head to prevent the end-to-end damage of the long-term high-temperature work team.
CNC MACHINING PROCESS
1
CNC Machining Process
CNC intelligent tapping machine is applicable to all machinery manufacturing industries, such as machine tools, mold (factory) machinery, plastic machinery.
2
CNC Control System Process
CNC allows for extremely close control of these elements. The computerized systems read design information directly from an engineer's drawings or models, eliminating possibilities for error between design and production.
3
CNC Milling Process
The CNC milling process takes directions in customized software codes such as NC code, G-code, and ISO code, all converted straight from a project’s CAM or CAD designs. The codes are then translated into the machine’s controls, which run along at least two axes (X and Y), in addition to the tool spindle running in the depth, or Z, axis. Some machining centers allow for controls on up to five unique axes.
CNC MACHINING FAQS
What are the main categories of the company's CNC machining center?
Vertical machining center, horizontal machining center, gantry machining center, CNC lathe, CNC tapping machine.
boston, massachusetts
december 1972
holiday auction/fundraiser
hill house, beacon hill
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
I have been reorganizing my office. This is what I have come up with. I sit behind the monitors and in front of the printer. The printer etc. sit on a pair of cabinets. There is a home-brew worktable off to the left and my soldering station/build area is behind the curtain. Not everyone in the Gai-koku-go-gaku-bu (Department of Foreign Languages) has this much hardware. The bookcases are along the walls to the left, out of the picture.
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
WHEE!!! it's unopened, of course i kept staring and hugging the box the whole time we were out, but i'm now pooped so i think i'll just head to bed first.....
isn't that dollcena just so cute? she's a "dandy pumpkin great" which i guess is jack skellington's other name? her hair is no longer held together by the rubberbands that came with her, that came off while i was trying to put on her facemask....
i'll be attempting to customize her and give her a faceup maybe tomorrow....my room and worktable needs packing!
Bedrooms: 4
Baths: 1.5
Approx Square Footage: 2600
Condition: Restored Exterior and Interior
Year Built: Circa 1904
This historic, Victorian home has been restored. Panoramic 180-degree views of the Verde Valley and the red rocks. Huge light filled rooms with high ceilings, vintage lighting, custom cabinetry. Did I mention the original Victorian claw foot tub, and pedestal sink? Spacious, kitchen featuring historic counter cabinet, commercial stainless sink, new gas stove and refrigerator. The master bedroom is on the main level with view bay window, designer vintage wallpaper, wainscot walls and ceilings. Two bedroom guest suite downstairs with half bath or use it as your home office. Large studio/darkroom with double sink, worktable, closets and shelving. Hugh shop area has access to the exterior. Space saver washer dryer. Enclosed private, lush, low mainatance landscape patio. New roof with architectural shingles and new clapboard siding recommeded by the National Trust for Historic Preservation. You have to see this home to really understand all the beauty!
List Price: $447,500
Desert Arrow Real Estate, LLC.
MLS #:110816
Contact: Katy O'Batey
Phone: 800.472.6914
Mobile: 928.300.0927
Fax: 928.639.3080
Email: Katy O'Batey
*Fantastic Christmas Celebration Pictures *
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A Horde of SantasAbout 1,000 volunteers wait before the beginning of a
charity campaign in Seoul.
Lots of (Fake) SnowEvery year the Babbacombe Model Village in Torquay,
England, creates a winter wonderland in miniature.
OrnamentsA painted figurine of the Pope sits on a worktable at the Richard
Glaesser wooden toy manufacturer in Seiffen, Germany.
Non $top Entertainment only at Funzug! Click to Join 4
Free!
Santa's Helpers?Central European folklore holds that Buttenmandl and
Krampusse, above, follow St. Nicholas from house to house during the holiday
season to either bring luck to the hardworking or punish the
idle.
Santa WannabesThese young men work as waiters on a pub street in Nanjing,
China.
PromotionModels dressed like Dorothy from The Wizard of Oz pose in front of
the London superstore Harrods as part of a promotion kicking off the famed
emporium's shopping season.
WetA diver welcomes visitors to the Osaka Kaiyukan Aquarium in
Japan.
Non $top Entertainment only at Funzug! Click to Join 4
Free!
Letters to the North PoleLaplandUK, an interactive theater experience in
Lambenhurst, England, re-creates Father Christmas' mythical Arctic homeland
and offers guests a chance to cavort with real huskies and
reindeer.
ImmodestFestive lights adorn a house in Melksham, England. The display
requires more than 115,000 bulbs and an uprated supply of electricity.
Homeowner Alex Goodwind uses the attention he draws to raise money for a
local hospice. Last year, he raised £3,000.
A Christmas tree made from recycled plastic bottles stands on a street in
Paris.
Run, Santa, Run!Runners dressed as Santa Claus take part in the London Santa
Run in Battersea Park.
Non $top Entertainment only at Funzug! Click to Join 4
Free!
Ho, Ho, HoAn illuminated giant Santa greets Christmas revelers in
Berlin.
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
New GreenHouse series by [CIRCA]Living.
Full greenhouse packages available along with smaller sets or single pieces. Many of the furnishings and planters come in 5 colours to mix and match - Nut, Plum, Teal, Beech, & Rhubarb.
You'll find lots of unique animations added to the series, including 8 garden types with props (to wear) to go with the anim cycles.
Find the packages for purchase here:
Nature Hill - GreenHouse Packages
Find the Nature Hill - Greenhouse Demo here:
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.