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I wrote a blog post about how I use my iPad to process my scanned film images. I cover from scanning to processing and sharing on the social webs.
Click here for the post:http://digitalchemicals.blogspot.com/2015/02/ipad-film-photography-workflow.html
Model Mayhem #1716116 Felicia Nichole
Photographed By: Brian Crouch aka shollowend
Photoshopped By: Ed Perez
Original File is located on this link: [http://www.flickr.com/photos/shallowend24401/]
This images is of the Duke University Libraries Verne and Tanya Roberts Conservation Lab. The lab was opened in August 2008.
For more information see library.duke.edu/about/depts/preservation/conservation/in...
Located in the heart of the glamorous city of Cannes —close to the Palais du Festival and famous Croisette walk— the Vieux Port de Cannes has been a long time favourite port of call for boats of all sizes. A wooden quay in front of the Capitainerie can accommodate yachts up to 40m there (50m upon request)
[yachtinsidersguide.com]
...bei der Sichtung und Auswahl von besonders guten und sonderlich schlechten Bildern kommt es im üblichen Gebrauch von Lightroom fast täglich zur Zensur. Die Frage ist immer, was ist ein "P" und was ist ein "X"
Workflow:
1. Non destructive
2. Preparing custom brushes
3. Selection & masking
4. Adjustment and Filters
5. Texturising
6. Lighting effects
7. Fine tuning
8. Adobe Lightroom tuning
Used technique: layers, adjustment, smart object styles, masking, clipping masking, Adobe Lightroom, Adobe Photoshop CC 2017, several Stock Photos, plugins.
A snapshot of one nights shooting.
Very little to tweak or dick about with. I shoot RAW and downsave to jpg for the web, left the white balance alone. Tone curved and set the dynamic range a little... so not far from vanilla and straight out of the camera. The shot above was ISO 160, f8/22mm/ and a 30th of a second. Shot on a tripod.
I wanted to show my work creating process. Really, I believe, that for each painting need to be born a completely new process. This is dark variation of this process. Enjoy :) Yours truly, Yuliya.
This is a rough workflow sketch.
This is part of a set of early ideas we explored in Notable. Many of the ideas have stood the test of time.
ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).
Was working on updating our JIRA workflow for projects using Feature Cards. Tinderbox maps work well for this - along with pretty much everything else.
I'm trying something new! I took a screencap of my workflow and it's sped up, so, if you want to watch it, you can!
Youtube Link: youtu.be/8Uf8-33m7pE
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I feel like I really look like the french dude on a pack of Zig Zags... It's the hat and the beard.
Anyway, I just wanted to take a portrait to say hello! Since, well, it's been a little while again since I've taken one. I really need to step up my game! Not many days left.
Strobist:
Sigma 530 Super: Camera left through 3x3 softbox @ 1/32nd power.
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Back up your work. My workflow includes:
* Back up my month or big projects to a USB stick. I don't trust external hard drives any more, and don't want to shell out for a solid state drive.
* I then back everything up to a DropBox folder. With an app on my phone I can access DropBox, too.
* All my phone photos automatically get backed up here, on Flicker. But if I edit them in Snapseed, I then upload the final here, download it to the stick, then upload to Dropbox.
I've had external hard drives fail, and internal hard drives crash. I've had to spend $$$ to get a couple of hard drives rescued. This is a very pedantic work flow system for me, but I haven't lost anything in the two years of running it.
© Mark V. Krajnak | JerseyStyle Photography | All Rights Reserved 2020
Sometimes with difficult curves I revert to pencil and paper. The ampersand is a rather complicated shape and I usually end up with the head flopping over one way or another, and the diagonal stroke too prominent.
1 With similar glyphs on the page, sketch a rough outline. The similar glyphs will give the stroke weight and proportions. Here I started with a numeral 8.
2 Repeat, this time tracing a better sketch with result of the previous step on the page behind. Here I made the whole thing rather wider and made all the curves smoother.
3 Scan, straighten and convert to monochrome.
4 Paste into FontLab and push the control points around a bit.
5 Hey presto! The outline looks smooth.
(6 Test in text, repeat step 4 until fully harmonised)