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一張真正的照片無須說明,亦無法被文字語言所框限。
A true photograph need not be explained, nor can it be contained in words.
~Ansel Adams
The sea meets the coast of Bonaire with force and the plastic detritus can be seen clearly. Within the volcanic surface are thousands of tiny plastic beads. A dramatic coastline with a warning about the environment.
Waving goodbye to the old guard - the last time a Class 90 and Mk3s/Mk2s will operate the Caledonian Sleeper Down Highlander (1S25).
Freightliner Class 90, 90044 - on-hire to GB Railfreight - races through Hartford with 1S25 at 80 mph.
Consist: 10650 - 10600 - 10543 - 10675 - 10565 - 10648 - 6704 - 9807 - 10504 - 10598 - 10693 - 10501 - 10614 - 10714 - 1210 - 9810
(Please also see video here: youtu.be/cPsV-d4rBBo)
City Beach, Western Australia 2013
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Something about the waves is highly relatable to us. When we are happy, they reflect hope and the promises of the future; when we are sad, they echo an even deeper sadness and relentless melancholy. They speak to us about longing, hopelessness, and the pettiness of our joy and pain in the face of the Universe.
© All Rights Reserved - No Usage Allowed in Any Form Without the Written Consent of Sharon C Johnson/MyRidgebacks - metadata embedded
Recently, it's occurred to me that I wanted to try something a little different and step outside of my comfort zone... just a little. I've always had a love of the sea, and a fascination for waves (and indeed most things in nature which exhibit such complex behaviour), so I thought I'd give it a go. Instead of the classic landscapes, can I turn my hand (or rather eye) to shifting the focus towards waves as the main element in a scene, rather than a mountain, say. Their constant motion, which is typically so difficult to predict, forces a whole new way of looking at a scene. So this is the start of a short series of photographs taken either of waves directly, or where the wave is the key element in a scene. This first set, which I'll upload in relatively quick succession, was all taken in Cornwall, and all on a Mamiya 645 Super and a manual focus 105-210mm F/4.5 lens. The films used are Ektar 100, Portra 160, Portra 400 and Provia 100F.
This is the first of eight in this initial set.
Continuing my ongoing Wave Art series.
It's been a while, Flickr. Been busy. I'm much more active and current on Instagram. You can follow me there if you'd like, @matthaddaway.
Near Playa Palmilla, in San José del Cabo on the southern tip of Mexico's Baja Peninsula.
We walked further down the beach to a spot where some rocks were sitting defiantly in the constant waves. I did have the tripod with me this time, and I tried to take a few pictures as the waves crashed and swirled in between the rocks along the shore.