View allAll Photos Tagged warmtones

Portrait on 4x5" harman direct positive paper, using a Carl Zeiss Jena Tessar 165/3,5 wide open.

A regular floor lamp was used and the paper rated as iso 1.2.

Developed in Ilford warmtone developer.

Loney desolate view of Valley of the Gods State Park Utah

Ribersborg, sunset over Copenhagen

Fomabrom Variant 111 paper in Adox Warmtone developer, toned with Foma Sepia Toner.

Somewhere on the coast in the West Fjords area of Iceland

Hasselblad 50mm, Acros film, printed on Ilford warmtone with selenium toning

Divided we fall. Wake up, America!

Colorado

Equipment Used: Hasselblad 501CM - 60 mm Distagon

Film & Developer: TMY 400 - Xtol

Paper & Developer: Ilford Warmtone - Dektol - Selenium

© Aaron Lehoux - All Rights Reserved

 

Rolleiflex MX-EVS with Rollei-gelb-mittel filter, Kodak Plus-X in Kentmere K110 dil. B, printed on Slavich Bromportrait Grade 2 Glossy Double Weight Silk Embossed in Harman Ilford Warmtone 1+9, Kentmere Rapid Selenium Toner 1+19

 

Exposure 7sec??? metered with Gossen Luna Pro S, shot with tripod and cable release. Printed with an Automega B7 enlarger and Wollensak Rapter 90mm lens.

1st roll of panf+ in pyro

© Aaron Lehoux - All Rights Reserved

 

Rolleiflex MX-EVS with Rollei-gelb-mittel filter, Kodak Plus-X in Kentmere K110 dil. B, printed on Slavich Bromportrait Grade 2 Glossy Double Weight Silk Embossed in Harman Ilford Warmtone 1+9, Kentmere Rapid Selenium Toner 1+19

 

Exposure 12sec and metered with Gossen Luna Pro S, shot with tripod and cable release. Printed with an Automega B7 enlarger and Wollensak Rapter 90mm lens.

Scan from a contact print on Ilford MG warmtone paper at grade 1.

 

More often than not, I make two identical exposures of any scene I deem worthy, so that I get a second chance if processing goes wrong on the first negative.

 

In this case, the first one came out ok (way back when), so the duplicate was kept aside to be used for testing.

 

The negative that made this print was developed last week, more than two years after exposure, which speaks volumes for the stability of the latent image on exposed xray films (or at the very least on this particular film, Agfa CPG+).

 

18x24cm negative (double sided, green sensitive), developed in Ilford MG paper developer (1+50) in a Jobo 2830 drum for 8'min.

 

Aufnahme am 31. Januar / captutred January 31th

 

printed on Tuesday

Kentmere VC Warmtone

SE5 Lith 1+15 matured developer 12 mins

Profite

Si aujourd'hui

Tu peux voir,

Tu peux sentir,

Tu peux marcher,

Tu peux aimer,

Profite

Car après

Il y a la mort.

 

JM. G.

 

Etre grand

J'ai appris à mes dépends

Qu'il faut toujours prendre son temps

Surtout ne pas se ronger les sangs,

Ce que font beaucoup de gens.

 

Je ne sais pas ce que je ressens

Moi qui était un être aimant

Je déambule comme un enfant

Qui a perdu tous ses parents.

 

Je pense qu'il faut être vivant

Pour profiter des bons moments.

Ne pas attendre trop longtemps

Pour aménager des bons instants.

 

Alors éviter tous les tourments,

Accepter sans être dépendant

Tout le passé et le présent,

 

Et là tu deviendras grand.

 

JM. G. 6/10/2006

  

BESSA R2M+35/1.2+ROLLEI RETRO 400S 增感至ISO800拍攝

HC-110 B TYPE 7分鐘 +LEICA 1C+ILFORD WARMTONE RC

Sinar X 4x5 large Format Ilford HP5 Multigrade Warmtone toned with FOMA sepia Print 30x40

München, Juli 2019

 

Rolleiflex 2,8/80F, Ilford HP5+, in Moersch efd entwickelt

 

printed on Ilford MG FB Warmtone

Moersch SE4 Neutral (1+10),

3 min

Selentonung Moersch ST1 (1+10), 1 min

Lobostab, 1 min

 

3294_9_I_WEB_Yuli_Forever

at the golden hour, as the sun dips behind the horizon, a lone figure sits atop the painted steps, silhouetted against the fading light. the beams of the setting sun filter through, casting long shadows and creating an ethereal glow. the palms stand tall, silent witnesses to a moment of solitude, reflection, and peace. the diagonal lines of the steps lead the eye upward, capturing the harmony between man, nature, and the urban landscape, all converging in a singular, serene moment.

GXR M & 50/1.2 AI @ f/4

Holga 120N, SFX (filter 715 6ASA) in efd,

printneg: reversal development onto Arista APHS

 

platinum/palladium, Arches Platine, hot warmtone developer

 

Blog :: Twitter :: Tumblr

 

5x7 Print 2013

 

Beseler 23C II

Omnicon EL 75mm

Ilford MultiGrade FB Warmtone Semi-Matt

Coffee Stained

Epson V600

darkroom print

ilford warmtone fiber 8x10

seogwipo, jeju, south korea

Zeiss Ikon Maximar, 105mm Dominar lens, Ilford FP4. Developed Xtol 1:2, printed on Oriental Warmtone FB.

A wooden Baptist church in a small Virginia town that was the site of a Civil War battle. Shot in digital infrared.

Darkroom print on Ilford Warmtone FB MGIV (with neutral tone dev.) - Film Ilford Pan F 50 in ID11

Two live oaks on the levee around pond #3 in the Lake Woodruff National Wildlife Refuge in Volusia County, Florida. Shot in digital infrared and warm-toned.

Hellooo Flickr, I'm still alive! ;P Sorry I haven't been very active on here lately, I've just been doing a lot of client work and life stuff. I shot this of my cousin Brittany last month, right after this photo was taken: (www.flickr.com/photos/jake179/7390982706/in/photostream) I really want to take more close-up and personal portraits like this though. Sometimes it's nice to just see a pretty face every once in awhile, you know? Minimal editing on this honestly, and the eyes are alllll her's! ;)

 

Pleaseee "Like" Jake Hegel Photography for updates and random/extra portraits! :)

 

Deviantart

Tumblr

Formspring

Wohoo, first week down! I spent so much of today editing another picture... I loved the concept, and knew exactly how I wanted it to look. Unfortunately, where and when I decided to shoot it were definitely not the right choices. I couldn't make it work, so after 6 complete re-edits, I decided to move on. I edited this in about 15 minutes. All I needed to do was expand, everything else is straight out of the camera. This was the last shot I took at the mini flickr meet up we had in Half Moon Bay. The light was disappearing so quickly, but it was so beautiful

 

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Please don't use this image without my explicit permission.

© All rights reserved Luca Tabarrini.

 

Sandra.

Canon Ae1

Ilford Delta 3200

Ilford Warmtone.

Che bella la Warmtone.

Ilford Delta 100 in Rolleicord Ia (build 1936/1937), developed with Rollei High Speed (RHS) 1+15, printed on Forte Polygrade V.RC in Ilford warmtone developer

Nikon FM2, Acros 100 in Moersch EFD, printed on Ilford MGWT in Moersch Blue, Selen toned

Chemigramm auf Ilford MG WT RC,

mit Moersch ECO 4812

As a change from street photography, a view of St Pauls Cathedral and the Millenium Bridge, from the Tate Modern.

The kids were out last night with their boyscouts. So we could finally enjoy what they don't: sushi. And I have to say you really start to value romantic dinners for two if you can't have them anymore whenever you want...

Take a closer look.

München, Dezember 2017

 

Rolleiflex 2,8/80F, Ilford HP5+, 800 ASA, in ID-11 entwickelt

 

printed on Ilford MG FB Warmtone

Moersch SE6 Blue (1+10) mit 5ml Finisher Blue

3 min 00 sec

Bleiche 1:100, 60 sec

Carbontoner 1+30, 45 sec

Lobostab, 1 min

 

3023_8_II_Betrachtungsweisen

Green Floral - Just a Glance: A playful yet sophisticated composition that balances feminine softness with a daring, knowing expression.

Deteriorated street art in downtown Melbourne, AU, shot with a Fuji GA645Zi on Tmax 400 dev in Rodinal. Lith printed on Ilford MGWT. The developer is a homemade brew.

darkroom print

Ilford warmtone fiber 8x10

nara, japan

Fireplace is all that's left....on the way to St. Elmo, hasselblad, 120mm lens, Acros, Ilford Multigrade

Maker:0x4c,Date:2017-10-2,Ver:4,Lens:Kan03,Act:Lar01,E-ve

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Tumblr

 

Canon EOS 5D MK III

Sigma 35mm f/1.4 ART

 

TV 1/400

AV 1.4

ISO 200

 

Post - Production with Photoshop

A lone plant stands silhouetted against a blazing sunset, its details etched in contrast as the last light fades behind it. This quiet moment—captured in rural Colorado—highlights nature’s stark beauty when shadows and light collide.

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