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I FEEL SO DAMN VOID.
MASSIVE ATTACK
"Live with me"
Sings: Terry Callier
[Whooooooo hoooh]
It don't matter, when you turn
Gonna Survive, you live and learn
I've been thinking about you, baby
By the light of dawn,
A midnight blue ... day and night ... I've been missing you.
I've been thinking about you, baby.
Almost makes me crazy,
Come and live with me.
Either way, Win or Lose,
When you're born into trouble,
You live the blues,
I've been thinking about you, baby.
See it almost makes me crazy
Times, Nothing's right, if you ain't here
I'll give all that I have, just to keep you near
I wrote you a letter, I tried to, make it clear
You just don't believe that i'm sincere
I've been thinking about you, baby.
(woohoooo hoooo)
Plans and schemes, hopes and fears
Dreams that deny, for all these years
I, I've been thinking about you, baby
Living with me, wow
I've been thinking about you, baby
Makes me wanna [hoooo, hoooo]
Yeah, yeah, yeah
Times, Nothing's right, if you ain't here
I'll give all that I have, just to keep you near
I wrote you a letter, darling, tried to make it clear,
But you just don't believe that I'm sincere
I've been thinking about you, baby
I want you to live with me, wow
I've been thinking about you, baby
I want you to live with me
If I could put my woods in song,
And tell what's there enjoyed,
All men would to my gardens throng,
And leave the cities void.
Ralph Waldo Emerson
it's been almost a year since i started 'ampulets'. some concerned friends always ask me how is the company doing. some even have a suggestion or two about how I should move ahead. my mind always draw a near blank when I think how the future will be. me and Y are both pretty extremely un-ambitious people. we are even thinking of having the two of us for the rest of our lives - yes, no kids - though I really like kids, esp. the cute ones. I have friends who already know what they want to be, what they want to do, how they gona do it when they reach 30, 50 - when they were still in their teens. I envy them sometimes. I am bad at seeing futures. Sometimes, we cant even decide on what and where to eat. when you cant see the future, I think you can either live happily day by day, or be worried, very worried - and that's me.
Spoopy day for spoopy MOCs. The body was heavily inspired by General Grievous.
“I’ve got your life in my hands and every debt will be paid when I’m calling”
Name: Unknown, calls himself “The Void”
Species: Cosmic entity in a physical form
Occupation: Destroying and consuming all of creation
Titles: The Void, The Elder God
Alignment: None
Personality:
Element: None
Side Powers: Omniscience, power to destroy and consume all of creation, myriad of other abilities
Kanohi: None, face takes form of Ignika
Weapons: None
Backstory:
Matoran and Toa alike no very little of this elder entity, most of his history has been lost to legend. When Aeon acquired the power of the Vault, he ascended to godhood. When he achieved this god like status, he created life on Aeos-magna, a planet once covered in ash and dust. What Aeon didn’t expect when he reached godhood, is that he would be joined by another god like being. After his creation of Aeos, he heard a small, faint voice call out to him. This voice brought him to the brim of the known universe, Aeos being the heart of it. Once he reached the edge, he found a chasm of nothingness in front of him, filled with nothing but darkness. In this chasm, Aeon found a purple like miasma. This miasma was the voice that beckoned him. Aeon asked for its name, but only got one response, “Void”. The miasma formed into a being, a being looking much like a twisted, darker version of Aeon.
The Void had little to say to Aeon, simply explaining Aeon’s place in this world. When Aeon was created, The Void was created consecutively. It explained how the universe has an uncanny need for balance, for control over what it makes, and that it was the answer to Aeon. Aeon could not create recklessly without consequence, and The Void was that consequence. Whatever Aeon created needed to eventually die, decay, and rot away into nothingness, and The Void was the being to bring his creation into nothing. The Void also explained that Aeon, too, would be taken by him. Obviously, Aeon refuted this, how could his paradise be taken away from him?
He left The Void in his abyss and returned to his creation, to Aeos. He tried to block that abomination from his mind, but he couldn’t ignore it. Not long after he became hands off in his world, he confronted The Void again in his little pocket of darkness. Aeon set aside his arrogance and came to terms with The Void on how the universe would run. Obviously, creation must die, Aeon saw this happen without permission, and he was willing to accept this. As long as The Void did not take his habits too far, Aeon would not either.
However, after this final meeting, both beings kept secrets to help further their agendas. The Void, in his spare time, created the Apocalypse Triggers and let their seeds sow into the myths of Aeos-Magna. Aeon, in his spare time, has created unknown way to combat the destructive force of The Void. Only the future holds what will become of the universe in a war between this gods, but for now, they do what they must, together.
David Yow (ex-Jesus Lizard) with The Melvins live at All Tomorrow's Parties festival. Pontins, Camber Sands, E. Sussex. February 25, 2005.
Credit to shot2bits.net
Touching The Void // Rehearsals Rehearsals
What happens when you look death squarely in the face, and how do you find the strength to crawl back towards life?
Joe Simpson's memoir Touching the Void, an international bestseller and BAFTA-winning film sensation, charts his struggle for survival on the perilous Siula Grande mountain in the Peruvian Andes in 1985.
The Lyceum’s Artistic Director David Greig brings his award-winning writing skills to the first stage adaptation of this nail-biting adventure, rich in psychodrama and suspense. Artistic Director of Bristol Old Vic, Tom Morris (The Grinning Man, War Horse, Swallows & Amazons), lends his visionary directing style to the show.
A Royal Lyceum Theatre Edinburgh, Bristol Old Vic, Royal & Derngate, Northampton & Fuel co-production.
CAST
Fiona Hampton Sarah
Edward Hayter Simon
Patrick McNamee Richard
Josh Williams Joe
CREATIVE TEAM
Writer/adaptor David Greig
Director Tom Morris
Designer Ti Green
Lighting Designer Chris Davey
Composer & Sound Designer Jon Nicholls
Movement Director Sasha Milavic Davies
Casting Director Jill Green CDG/Amy Beadel
Assistant Costume Designer & Costume Supervisor Emma Cains
Assistant Director Evan Lordan
Photography: Geraint Lewis
Images taken at Bristol Old Vic
After I had put it off for ages, a good friend showed me this spot the other week, and holy crap it is wicked-awesome! It's very hard to describe without illustration, but basically it is under the S. Genesee bridge and in front of the building that houses Dandelion Gallery (which is built into an embankment). There are no floors--from this window it's a 20'+ foot drop to ground level, and it stretches at least the length of the entire block. Hell yes I have plans here!
9 min. exposure; during which I moved the flashlight to a few different areas.
Weekend Selection: Void // Art Featured Weekend Selection item from Bersav. Teleport: maps.secondlife.com/secondlife/Abode/123/103/21 #WeekendSelection #MediaSL
Check it out: media-sl.com/void-art/
Published on Media-SL.com