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Prototype Void, done for Wizkids during the Topps era. Not released. 2007. Wasn't as happy with her as I was with Grifter.
First version of “Into the Void”, a series of audiovisual installations exploring physical structures creating light and shadows with immersive audiovisual spaces.
Project Page: visiophone-lab.com/wp/?portfolio=into-the-void
A array of triangles is placed on the floor, each one has a LED strip on the back which are connected to an Arduino. On MAX, series of random numbers generators and different probabilities trigger a signal to each triangle, making it turn on or off. Max communicates with the Arduino through Maxuino.
At the same time that a triangle is triggered a MIDI message is sent to Ableton Live and plays notes on a MIDI Instrument and an OSC message is sent to Processing for the Visual output.
Following versions will explore new possibilities as different shapes and materials, and interactions with the visitors through sensors.
Credits:
Rodrigo Carvalho (concept, electronics, code and visuals);
Ana Duarte (build and production); André Sousa (Background sounds);
Daniel Correia (filming and photography).
The Void
Vast Emptiness
the void my heart
Utterly stark
the beauty that lies
Deep sorrow
the waste of years
Sadness bared
the loss of care
James Heckt
12/24/2011
Grand Canyon South Rim
3 exposures HDR
Spoopy day for spoopy MOCs. The body was heavily inspired by General Grievous.
“I’ve got your life in my hands and every debt will be paid when I’m calling”
Name: Unknown, calls himself “The Void”
Species: Cosmic entity in a physical form
Occupation: Destroying and consuming all of creation
Titles: The Void, The Elder God
Alignment: None
Personality:
Element: None
Side Powers: Omniscience, power to destroy and consume all of creation, myriad of other abilities
Kanohi: None, face takes form of Ignika
Weapons: None
Backstory:
Matoran and Toa alike no very little of this elder entity, most of his history has been lost to legend. When Aeon acquired the power of the Vault, he ascended to godhood. When he achieved this god like status, he created life on Aeos-magna, a planet once covered in ash and dust. What Aeon didn’t expect when he reached godhood, is that he would be joined by another god like being. After his creation of Aeos, he heard a small, faint voice call out to him. This voice brought him to the brim of the known universe, Aeos being the heart of it. Once he reached the edge, he found a chasm of nothingness in front of him, filled with nothing but darkness. In this chasm, Aeon found a purple like miasma. This miasma was the voice that beckoned him. Aeon asked for its name, but only got one response, “Void”. The miasma formed into a being, a being looking much like a twisted, darker version of Aeon.
The Void had little to say to Aeon, simply explaining Aeon’s place in this world. When Aeon was created, The Void was created consecutively. It explained how the universe has an uncanny need for balance, for control over what it makes, and that it was the answer to Aeon. Aeon could not create recklessly without consequence, and The Void was that consequence. Whatever Aeon created needed to eventually die, decay, and rot away into nothingness, and The Void was the being to bring his creation into nothing. The Void also explained that Aeon, too, would be taken by him. Obviously, Aeon refuted this, how could his paradise be taken away from him?
He left The Void in his abyss and returned to his creation, to Aeos. He tried to block that abomination from his mind, but he couldn’t ignore it. Not long after he became hands off in his world, he confronted The Void again in his little pocket of darkness. Aeon set aside his arrogance and came to terms with The Void on how the universe would run. Obviously, creation must die, Aeon saw this happen without permission, and he was willing to accept this. As long as The Void did not take his habits too far, Aeon would not either.
However, after this final meeting, both beings kept secrets to help further their agendas. The Void, in his spare time, created the Apocalypse Triggers and let their seeds sow into the myths of Aeos-Magna. Aeon, in his spare time, has created unknown way to combat the destructive force of The Void. Only the future holds what will become of the universe in a war between this gods, but for now, they do what they must, together.
Voigtlander Bessa R4m
Nokton Classic 35mm f1.4
Ilford HP+5 developed with D76
Ilford MGIV Multigrade IV RC De Luxe paper
So this is pic number 2, at first i wanted to introduce to you members of my family, but i'll do that another time. Starting this project is little stressful, i don't know what to choose or to do. Do i have to create a scene? Pay a model, take picture of myself, i hate taking picture of myself.
So today i'm walking down the street looking at everything and thinking that people must think that i'm crazy. am i?
I've pass that sign and figure it's must be urban art. Void void void. I didn't touch the fence just in case lol!
Mc Knoell
A digital design, derived from nature, realised in lightweight fabric, using the lastest digital fabrication and engineering techniques, creating more with less.
3,000 cubic metres of space are connected with a minimal surface of 300 square metres and only 40 kilograms of material.......[LAVA laboratory for Visionary Architecture]
Green Void, Customs House Library, Circular Quay, Sydney (Friday 19 Dec 2008 @ 12:59pm).
Liz Joyce, ’17 (Vienna: Human Rights)
HONORABLE MENTION
This photo was taken of Menashe Kadishman’s installation called “Shalechet (Fallen Leaves)” at the Jewish Museum in Berlin, Germany. The museum as a whole is centered around the theme of voids (Shalechet is in the official “Memory Void” portion of the museum), hence the title of the photograph.
I did this drawing a little while ago.
The scribble represents different layers of anxiety I feel on a day to day basis.
The result of my anxiety is feeling empty which is the void between the circles.
The Eternals live @ All Tomorrow's Parties festival, Pontins, Camber Sands. December 2005.
Credit to shot2bits.net