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Time for the archives.

 

The poet. 1989.

Chameleons are absolutely fascinating animals. They are able to watch in two different directions at the same time.

Each of these, in its own way is like a visual haiku to me.

mannequin eye and building reflection

haha. We totally look like we're in a visual kei band. I'm the lead guitarist and Severine is the dark, tortured singer.

Day 24 of 365

 

I took this photograph couple of days ago while we were heading to library with Aura. In my mind this picture compares very closely to Day 19. Not only is it taken almost from the same spot, but the light is a bit similar and again the whole picture is based on a very well known visual motif of silhouette figure. I hope the guy is at least someone else this time! When I took that earlier picture, I wrote about feeling mixed about it because pictures which are too much based on known visual motifs become clichés easily. Looking it now, I feel I need to lighten my stance and focus it a bit.

 

I don't want to be against visual motifs. If you look at the history of photography, it quickly becomes clear that it isn't reasonable stance to take. As a matter of fact, many classic photographs can be considered, if not only to be based on visual motifs, but also something which have created them in the first place. Like someone who commented my earlier picture said, there are only a finite number of different visual motifs, maybe just a few hundred. And being 'language of photography' they can be put to use in different ways, which means that the motifs don't control photography as much as one would think. So, yes I'm lightening my stance here, but here comes the focus part. I think that if photography is solely based on repeating these visual motifs, it is reduced, I think, to be repeated for didactic purposes. To me, some genres of photography are close to this, but I can understand there are different approaches to this. In my mind I would like to think that good photography also needs a context, a story or some other 'interpretative dimension' to make them something more than just 'pictures of the world'. I know it's a challenging claim to make, but it is also very much something that I need to learn myself too.

 

Year of the Alpha – 365 Days of Sony Alpha Photography: www.yearofthealpha.com

Wood Pile in Shadows: Leon, Virginia

My bro working with wood, his tools, his table.

S Exposure | B&W Fine Art

My better half Jerri is the Big Cheese of Orchids here... This was taken in her Orchid House. Thanks for the Visit and have a Large Tuesday.

Each Monday and Friday we present to you an artwork from one of our originals member. Come and visit our site on theoriginals.net.au

Did you know you can purchase this artwork online…..

Proudly sponsored by Visual Images Online and TheOriginals

 

  

v-i-o.com/blog2/theoriginals-net-au-artist-week-wendy-sin...

Bishopsgate, City Of London

1932-36

by Guiseppe Terragni (1904-1943)

 

photographed by

Frank Dinger

 

BECOMING - office for visual communication

www.becoming.de

www.instagram.com/frank.dinger

This is the single original image came out of my camera. Total visual contradiction. More you look at it, more it contradicts itself.

I'd like to share this panorama today to try and have a small break from some haunting images of Syrian refugees that I cannot get out of my head. The sunrise in this little village of Jamnik, Slovenia was mesmeraising and I hope it can provide a little rest to your thoughts.

 

Hoy me gustaria compartir este panorama para darle un breve descanso a mi mente que no deja de traerme imágenes desgarradoras de los refugiados sirios. El amanecer en la pequeña aldea de Jamnik, Eslovenia, fue cautivador y espero que os pueda dar un pequeño respiro visual y emocional.

  

Prints, workshops and more

Website ⎢Facebook ⎢Bēhance

Jökulsárlón is a visual dream if you like landscapes or even if you don't....:) The sunset was extremely spectacular that evening and although the wind was too fierce for cool sunset reflection shots, it was still a real nice photographic moment...

Created on a Digital Art Application called “Mandala”

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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.

 

© VanveenJF Photography

Woordfoto: zichtbaar

Polaroid week - Spring 2026 - Day 2 / Photo 1

At the Monet exhibition in the Städel.

 

Thank you everyone for your visits, faves and comments, they are always appreciated :)

Effectué depuis mes photos par ordinateur.

Nanzenji Suirokaku, Kyoto

Peñoñ de los enamorados ( Sierra de las Nieves , Málaga )

I convey my poetry visually because I'm so poor at in a written form. This was sunset from week ago which was truly epic. More to come from this outing.

UPFEST 2013 - Bristol - Wall visual

I often don't show my visuals for my walls, but here's the visual I created for the main wall at Upfest this year. It's my new Furnace Feeder character, with Flame Babies, emerging from the molten streams of magma, the steam God, sitting up high on his mountain top! Adapted it slightly on the wall, but still retains the original flow of the visual I think!

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