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Original Sources of the images:
1. Olmec head: based on picture in class textbook, p. 12.
2. Maya Worker
3. Aztec Warrior from the Florentine Codex
4. Inca — Emperor Pachacuti and Wiracocha
Buenos Aires, 5 de diciembre de 2013 - La Secretaría de Cultura de la Presidencia de la Nación, a través de la dirección nacional de Política Cultural y Cooperación Internacional, organizó el 1º Encuentro de Responsables de Artes Visuales de UNASUR. Esta iniciativa esta enmarcada dentro del Eje de Artes del plan de acción 2013-2014, del Consejo Suramericano de Cultura UNASUR.
El encuentro tuvo lugar en Buenos Aires, los días 4 y 5 de diciembre, en la Casa Nacional del Bicentenario y estuvo encabezado por la directora nacional de Política Cultural y Cooperación Internacional, Mónica Guariglio.
Los responsables de Artes Visuales participantes del encuentro son Andrés Duprat (Argentina); Fernando Cocchiaranle (Brasil); Felipe Mujica (Chile); Jaime Cerón Silva (Colombia); Juan Rodriguez (Ecuador); Julio César Vega Guanilo (Perú); FélixToranzos (Paraguay); Lalita Adhin (Suriname); Enrique Aguerre (Uruguay) y Reynaldo Landaeta (Venezuela).
Fotos: Mauro Rico / Secretaría de cultura de la Presidencia de la Nación.
This first brief requires you to play on the idea of gender reversal and visual puns. The brief is set to challenge and enhance work that you have created within your vintage-themed personal ‘style’ in the past. Themes of irony should run through a series of four images which are displayed collectively on one final piece to be submitted. You should interpret the brief in relation and response to recent practitioner’s work of a similar style.
Amongst other practisioners, I looked at the work of YBA's; Tracy Emin and Sarah Lucas for inspiration.
Each of the four images I created is based on or around a visual pun and/or gender reversal.
VIVID SYDNEY 2017 - Lighting The Sails Opera House.
Sydney Only - Directed by Ash Bolland. Music by Amon Tobin. Visual content + animation by Spinfex.
Tableaux that evoke colourful sea creatures, vibrant plant life and a sleek, organic/mechanistic chrome future projected onto the Sydney Opera House will be the number one way to deep dive into the beautiful world of colour and light this Vivid LIVE.
Breath-takingly imaginative Sydney creative Ash Bolland presents Creatures, paired with tailor-made soundscapes by Brazil’s foremost sound designer Amon Tobin. Bolland initially honed his skills in detailed, precise 3D art and striking graphic design before working as a writer and director for Nintendo and more of the world’s biggest ad campaigns. Amon Tobin’s career in electronic music and audio manipulation spans over 20 years, most famously through his spikey, propulsive, uncompromising work for Ninja Tune and on the Cannes Palme d'Or nominated film, Divine Intervention.
This year, the pair will collaborate on a visceral, visionary work to transport onlookers of Jorn Utzon’s famous sails to a parallel universe beneath the harbour line and beyond the jungle walls.
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This is a favorite area for students to sit at a table. You can reach out and take a look at oddities or clip art or figure reference.
A festive shop of gorgeous books in a mid-century Førest, dreamed up by Sabrina Lee Hammon.
If Visual Editions grew trees, they would be covered in fluorescent wool, with books falling from the trees like ripe fruits ripe for giving.
A festive December shop of great looking stories, where the Førest fairies never bite.
Førest London
115 Clerkenwell Road
EC1R 5BY
Photography by the very talented Andrew Corrigan.
2012 © Visual Editions
Edward Tufte is coming to Minneapolis for a conference that Mrs. Mamluke will be attending so I'm hoping to get this bad boy autographed :-)
Sunday, September 9, 2019
IRM - Illinois Railway Museum
Union, Illinois
Olympus EM1X
Olympus 40-150mm f/4-5.6 zoom
CI-TRN-2019-09-08-EM1X-129
The Railroad Museum Series
Tony Seiniger believes in simplicity. At its base, his poster for Jaws is an advertisement to entice audiences to see Steven Spielberg’s movie. Jaws is a horror film and the poster uses the genre’s greatest trope of creating intrigue and suspense through suggestion. An inductive analysis shows that the singular focus of the shark and the unawareness of the swimmer signals an alarm in the viewer. There is no attack, but the dagger-like teeth are a code for danger and the thick, red lettering signifies blood. Both the size of the shark and the depth of the ocean make the slight swimmer insignificant, creating tension through spatial orientation. Ultimately, the poster wants you to fear this shark, but it also wants to interest you enough to buy a ticket to see Jaws in action. But he film, and the poster, also became a part of the myth of the dreaded great white shark.
Sources
“Jaws Poster.” Movieposter.com. Movieposter.com, n.d. Web. 13 Sep 2011.
“Interview with Tony Seiniger.” cnn.com. CNN, 25 Jul 2003. Web. 13 Sep 2011.
The central 30 to 40 degrees of the visual field occupies 83% of the striate cortex.
Published in: Community Eye Health Journal Vol. 25 No. 79.80 2012 (Online only) www.cehjournal.org
Photo Series 1681 - The Bentmen at ONCE Ballroom - Part 2
BENTMEN TO REUNITE IN FEBRUARY FOR FIRST FULL PERFORMANCE IN 11 YEARS
The Bentmen -- the legendary Boston ensemble known for apocalyptic live shows that unleash a sonic and visual mashup of tribal alt-rock and theatrical performance art -- reunite for their first full performance in 11 years at Somerville’s Once Ballroom on Feb. 9.
Co-founded by frontman William “Des” Desmond in 1984, the enigmatic group wreaked havoc across the local music scene into the ’90s and ’00s, playing venues from Chet’s Last Call to the Institute of Contemporary Art -- and leaving tens of thousands at the Mass-Cann Freedom Rally on Boston Common dazed and confused by the band’s provocative presentation.
Every Bentmen show is a one-of-a-kind event incorporating new stage designs, props and costuming, and the Once show will incorporate a broader group of alumni/guests. The band also plans a Bandcamp re-release of PATIENT ZERO -- which includes guitars from former band member Reeves Gabrels (David Bowie, The Cure) and guests Adrian Belew (King Crimson, Talking Heads) and David Tronzo (Lounge Lizards, Club d’Elf) -- to mark the recent 20th anniversary of that album, which includes such classics as “Swanee” and “Bloody Benders.”
The group last appeared onstage for a stripped-down 2014 set at the Brighton Music Hall, joining such other reuniting bands as the Flies, Men & Volts and Anastasia Screamed in one of several shows that celebrated college radio station WMBR’s Pipeline! At 25: 50 Years of Boston Rock.
Bentmen progeny Casey Desmond will open the Once show, sharing the stage with her parents for the first time. Casey has recorded with bassist Tony Levin (Peter Gabriel, King Crimson) and performed for 14 million viewers on the inaugural season of NBC's “The Voice.” Her newest project, CMB, explores the darker side of electronica with a wall of lush grooves and hypnotic vocals.
“Long before Blue Man Group, there was Bentmen!” -- The Boston Globe
“One of the most outrageous rock shows in the country!” -- The Village Voice
“Excellent musicianship… supremely weird stage show!” -- The Boston Herald
“Even I wouldn’t wear what those f***ers were wearing!” -- Steven Tyler
#Bentmen #TheReturnOfBentmen #CMB #CaseyDesmond #Rock#Experimental #pop #singersongwriter #electronic #ONCESomerville#SomervilleMA #Boston #ThingstoDo #Performance #Art #dadaist#psychedelia #performanceArt
Este material faz parte do projeto de identidade corporativa da Clínica Médica Prevenção. Florianópolis - SC - Brasil.
Projeto desenvolvido por Edmauro Andretti
Exploring the theme of 'Conflicting Characters' I created these letters based on the words "chunky" and "delicate".
Exploratory Project, October 2008.
The 18th Annual Visual Effects Society Awards (VES Awards) at the Beverly Hilton on Wednesday, Jan. 29, 2020 in Beverly Hills, CA. Photo by Danny Moloshok/Moloshok Photography, Inc.
Students from TC's Deaf Education program wave their hands to applaud the masters ceremony's student speaker, who was deaf.
One of the first interesting things I came across in Japan after landing
was the vending machines. Most vending machines in America usually either
have buttons representing the different drinks or show all the drinks in
the machine. Here it's a bit different. The drinks are shown visually, but
they are seen as plastic replicas, just to show what kind of drinks they
are, while the reals ones are hidden inside. They also show each drink
price labeled instead of having to push a button to find out the price.
Some of the drinks in Japan are rather interesting and are far from their
normal, American counterpart. Some of their American-based drinks even seem
to have a higher quality in taste as well. One of the coffee vending
machines even got to show a live video feed of your drink being made. It's
the little things that make this place pretty cool.
[image: Inline image 1]