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This is a visual journal I'm making as I work through the book "Your Heart's Desire" by Sonia Choquette. I've decided to work differently than I usually do--I'm "prepping" the pages before I do the journaling instead of doing it all at the same time.
Pages done for Decorated Page Workshop, Lesson 6 Lists & Collections/Organic Shapes. I didn't paste down the one we actually chose, because it's in my husband's pocket so he can pick up the paint.
The need to facilitate orientation and communication through visual organization principles, was the starting point for the design of the uniforms of official personnel during the Olympic Games.
A contest judge had to look different from a ticket controller, a health worker from a technician. All told 88 groups of persons needed special uniforms. To make this multitude clearly understandable the personnel was categorized in superordinate groups under the aspect of related functions:
Personnel of the Organizing Committee
Contest judges
Technical services
Hostesses
Doctors and health personnel
Security guards
Sport site personnel
Cleaning personnel
About one hundred invited guests and media attended the official opening of the Visual Voltage exhibition at Miraikan in Tokyo in the evening of October 20. The exhibition was inaugurated by Mr. Mamoru Mohri, Chief Executive Director of The National Museum of Emerging Science and Innovation (Miraikan), and Mr. Stefan Noreén, Ambassador of Sweden in Tokyo. Interactive Institute’s Magnus Jonsson and Sara Backlund gave a talk entitled ”Swedish Frontiers – design trends and innovation” at Mirakan in connection to the inauguration.
Photo: Interactive Institute.
Essa foi a identidade visual criada para a Carla do Ateliê Mãos Magia do Rio de Janeiro...... a Carla adorou o resultado e passamos vários minutos no telefne tricotanto sobre trabalho =D
Orçamentos e informações:
contato@danysabadini.com.br
(11) 27713823 - 87876866
Twitter: @DanySabadini
At the end of my "Beyond the Five-Page Paper" workshop at the University of Iowa, I asked the facuty participants to brainstorm ways they might use visual assignments in their classes--and to do so visually.
Visual observation is a very important part of the preliminary findings report.
8-14 September 2012, Bruckneudorf, Austria.
Preppin' visuals for the China tour in october. Controlling a patch I made in Quartz Composer from Ableton Live via MIDI.
Congratulations to the 2023 Scholastic Art Award winners Lulu Calame ’23, Bailey Koo ’23, Ethan Lin ’23, Everett Liu ’24, Jessi Shin ’24, Alex Tse ’24, Anissa Yu ’24, Annabelle Zhang ’23, and Claude Zhang ’24.
I gave a workshop on geomancy at a retreat this past weekend. Increasingly I'm trying to make use of visual note-taking and presentation, so these were my diagrams and materials. I hung them on the wall, gave the workshop, and encouraged the attendees to photograph them for later study.
Visual Diplomacy means the use of images in public diplomacy. With the advent of social media, every public diplomatist can be a photographer or videographer. The U.S. Department of State carries out an aggressive training program for public diplomacy staffers around the world. Video trainer Georg Steinbeck holds a video camera at center in this picture, taken in Amman in 2013. Photo courtesy of Brigitte Pressler.
Todays notes come from an online workshop from VizthinkU on visual notetaking, featuring Austin Kleon, Mike Rohde, and Sunni Brown.
Facing of the John Labatt Visual Arts Building at The University of Western Ontario.
September 16, 2011
Photo: Douglas Keddy
San Francisco Cloud Tech Conference. San Francisco Venue Space. Audio Visual by Madrone Studio www.madronestudios.com
Photos by Stefan Drobel
Test Card 8.5x11 for a black & white photocopy machine / 1998 / SML Graphic Design
Assignment
Art 366a Visual Studies
Fall Semester 1998
T-TH 1:30-3:20, 215 Park Street
Paul Elliman, Instructor
paul.elliman [at] yale.edu
1. Testcard
(Week 1-2) Devise a testcard, 8.5x11, for a black & white photocopy machine
The card is basically a set of questions or exercises - point, type specimen, line, pattern, half-tone, grey-scale spectrum, moire - designed to test the machine's effectiveness or value.
The testcard should explore not only the effective (proper?) function of the photocopier, but also any other qualities (Test the limits of its language/your language)
Investigate both the history and teh working mechanics of thsi machine, then (week 3-4) extend the scope of the testcard to include this kind of informaion.
Process (42 pages)
+ 2: Research: The Atlantic Monthly: 2006-02: pp.64: Copies in Seconds by David Owen
+ 3: Research: The Atlantic Monthly: 2006-02: pp.65: Copies in Seconds by David Owen
+ 4: Research: The Atlantic Monthly: 2006-02: pp.66: Copies in Seconds by David Owen
+ 5: Research: The Atlantic Monthly: 2006-02: pp.67: Copies in Seconds by David Owen
+ 6: Research: The Atlantic Monthly: 2006-02: pp.68: Copies in Seconds by David Owen
+ 7: Research: The Atlantic Monthly: 2006-02: pp.69: Copies in Seconds by David Owen
+ 8: Research: The Atlantic Monthly: 2006-02: pp.70: Copies in Seconds by David Owen
+ 9: Research: The Atlantic Monthly: 2006-02: pp.71: Copies in Seconds by David Owen
+ 10: Research: The Atlantic Monthly: 2006-02: pp.72: Copies in Seconds by David Owen
+ 11: Research: The Atlantic Monthly: 2006-02: pp.73: Copies in Seconds by David Owen
+ 12: Research: Anatomy of a Xerox test card
+ 13: Research: Anatomy of a Xerox test card
+ 18: Xerox: Historial Highlights: 1
+ 19: Xerox: Historial Highlights: 2
+ 20: Xerox: Historial Highlights: 3
+ 21: Xerox: Historial Highlights: 4
+ 22: Xerox: Historial Highlights: 5
+ 23: Xerox: Historial Highlights: 6
+ 24: Xerox: Historial Highlights: 7
+ 25: Xerox: Historial Highlights: 8
+ 28: Research: Basic Copier Operation: 1
+ 29: Research: Basic Copier Operation: 2
+ 30: Design: The working of a xerox machine: 1
+ 31: Design: The working of a xerox machine: 2
+ 34: Research: Basic Copier Model: 1
+ 35: Research: Basic Copier Model: 2
+ 36: Design: Anatomy of a Basic Copier
+ 37: Design: The Basic Copy Process
+ 38: Design: Anatomy of a basic copier
+ 39: Design: Anatomy of a basic copier
+ 40: Design: The Basic Copy Process
+ 41: Design: The Basic Copy Process
+ 42: Design: The Basic Copy Process
SML Copyright Notice
Copyright 1998 See-ming Lee / SML Flickr / SML Universe. All rights reserved.
Buenos Aires, 10 de Junio de 2014
El Salón Nacional de Artes Visuales es un destacado acontecimiento en la vida cultural argentina. Se trata del único concurso artístico organizado por el Estado Nacional que, desde 1911, se realiza de manera ininterrumpida.
En esta 103ª edición, 33 obras de Nuevos Soportes e Instalaciones y 33 trabajos de fotografía fueron seleccionadas para su exhibición en las salas del Palais de Glace, con entrada libre y gratuita, entre el 11 de junio y el 9 de julio.
En la categoría Fotografía, el jurado estuvo compuesto por Ananké Asseff, Dino Bruzzone, Valeria González, Silvia Mangialardi y Eduardo Grossman.
En cuanto Nuevos Soportes e Instalaciones, el jurado estuvo compuesto por Rodigo Alonso, Elba Bairon, Anahí Cáceres, Mónica Van Asperen y María José Herrera.
Fotos: Silvina Frydlewsky / Ministerio de Cultura de la Nación
Photo Title: Visual Acuity
Submitted by: Erick Mhando
Category: Professional
Country: Tanzania
Organisation: KCMC Eye Department Outreach program
COVID-19 Photo: No
Photo Caption: Visual Acuity taking on albinism
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Photo uploaded from the #HopeInSight Photo Competition on photocomp.iapb.org held for World Sight Day 2020.