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Magnus Jonsson and Sara Backlund from the Interactive Institute also held a seminar at the Swedish Embassy the day after the opening, with invited guests from Japanese industry and academy. The seminar was entitled: ”Finding the Frontiers - open up for new Innovations using Design, Art and Storytelling in ICT Research”.
Photo: Interactive Institute.
Giant Productions present
The Songbird
a tone poem
Director: Katrina Caldwell
Composer: David Paul Jones
Designer: Brian Hartley
Lighting Designer: Sergey Jakovsky
Performers: Judith Williams, Rachel Hynes, David Paul Jones, Robin Mason
touring Scotland Autumn 2009
www.heraldscotland.com/arts-ents/stage-visual-arts/sweet-...
Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2019SDPB
Figure 8.1 - The Triple Analogy. Illustration by Alfred Gell (1999), “The Language of the Forest,” reprinted in The Art of Anthropology.
Great Diagrams in the History of Anthropology: Iconism, Ecologism, and the Wild Man (Savage Minds)
Great Diagrams in Anthropology, Linguistics, and Social Theory
..From Gell’s essay, “The Language of the Forest,” which relates phonological iconism to the ‘auditory culture’ and sylvan mode of being of Umeda people in New Guinea. I quote at length:
Phonological iconism [...] depends on tracing connections between the sound-substance of individual words and morphemes and their meanings. As a culturally elaborated expressive mode it is probably quite rare, if only because the regular processes of sound-shift which all languages undergo would ensure, other things being equal, that phonologically iconic forms evolved into non-iconic ones after a lapse of time. Only where things are not equal, that is, where there are specific cultural vectors tending to preserve, generalize and intensify expressivity against the countervailing forces of morphological change, should one expect to encounter elaborate phonological iconism as opposed to sporadic onomatopoeia.
From Gell's original text (Gell 1999 at 242):
“One can indeed imagine the Umeda world/landscape as a series of articulatory gestures, syllabic shapes moulded within the oral tract (microcosm) and the macrocosm consisting of the body, social relationships mediated through the body, and other natural forms, particularly trees, and the encompassing physical ambiance” (242).
“In the New Guinea forest habitat [dense, unbroken jungle]… hearing is relatively dominant (over vision) as the sensory modality for coding the environment as a whole… Umeda, and languages like Umeda, are phonologically iconic, because they evoke a reality which is itself ‘heard’ and imagined in the auditory code, whereas languages like English are non-iconic because they evoke a reality which is ‘seen’ and imagined in the visual code” (247-8).
“Even vicarious participation in alterity is subversive of the conceptual restrictions which motivate our own sense of the real, and, by derivation, our conceptions of the poetic” (257).
Incrível a saudade que eu estava de usar francesinha nos pés!!!
Fazia tempos que não usava porque fazia tempos que não fazia os pés com a manicure, pois eu não consigo fazer em mim francesinha tão perfeita.
Não me canso de olhar pros meus pés!
It's all about perspective this week. Be it visual perspective, perspective based on your age and life experience or even your perspective that comes from that place in your head you don't like to talk about. It's all perspective and how you see the world.
1. land of milk & honey, 2. Fade out., 3. New meetings, 4. Star Studded, 5. doomed, 6. COLOUR!, 7. Minny Mäuse und Ganimed, 8. into the eye of the storm, 9. Upper East Side......, 10. #171 Bunnies in lavender fields, 11. deny the limitations, 12. transpose, or stop your lies., 13. Every long journey start with a first step!
Todays notes come from an online workshop from VizthinkU on visual notetaking, featuring Austin Kleon, Mike Rohde, and Sunni Brown.
Baahubali (English: The One With Strong Arms) is an upcoming two part Indian film, written and directed by S. S. Rajamouli. Produced by Shobu Yarlagadda and Prasad Devineni, the film is simultaneously being made in Telugu and Tamil languages. There will be dubbed versions in Hindi and Malayalam. Baahubali features an ensemble cast of Prabhas Raju, Rana Daggubati, Anushka Shetty and Tamannaah in the lead roles, and Ramya Krishnan, Sathyaraj, Nassar, Adivi Sesh, Tanikella Bharani and Sudeep in crucial roles.[6][7][8]
The film is presented by K. Raghavendra Rao, while K.E. Gnanavel Raja and UV Creations presenting the Tamil theatrical version, Karan Johar is presenting the Hindi theatrical version, and Global United Media is presenting the Malayalam theatrical version. The soundtrack and background score for the film is composed by National Award winner M. M. Keeravani, National Award winner Sabu Cyril designed art for the film.[9] while National Award winner V. Srinivas Mohan is the Visual effects supervisor.[10]
The project is touted to be the most expensive production in the history of Indian cinema.[11][12] Baahubali also one of the few films featured in BBC's documentary on 100 Years of Indian cinema directed by Sanjeev Bhaskar.[13][14][15] The film was shot using Arri Alexa XT camera marking Rajamouli's first film using digital camera and the principal photography began at Rock Gardens in Kurnool on 6 July 2013.[16][17] Before the film proceed to its audio release, a small 20 second teaser of the movie has been released on 30 May 2015.[18] The first part of film is scheduled to release worldwide on 10 July 2015Cast
Prabhas as Amarendra Baahubali and Shivudu
Rana Daggubati as Bhallala Deva in Telugu and Palvaalthevan in Tamil
Anushka Shetty as Devasena
Tamannaah as Avantika
Sathyaraj as Kattappa
Nassar as Bijjala Deva in Telugu and Pingala Devan in Tamil
Ramya Krishnan as Sivagami
Sudeep as Aslam Khan in cameo
Adivi Sesh as Bhadrudu
Tanikella Bharani
Rohini
Prabhakar as Kalakeya
Rakesh Varre
Charandeep
Meka Ramakrishna
Characters and looks
Anushka's character's name was revealed as Devasena.[50] Rana Daggubati was said to be playing the role of Prabhas' brother and He too underwent a lot of physical transformation for the role he was assigned to play in the film.[37] He also underwent training in Martial arts under the supervision of a Vietnamese trainer Tuan.[51] Sathyaraj sported a Tonsured look for his role in the film.[52] Sudeep said that he would play the role of a weapons trader Aslam Khan in this film.[53] In the end of October 2013, Rana appeared at a fashion show with a beefed up body which, according to him, was a part of his look in the film.[54] In mid-May 2014, reports emerged that Anushka would be seen as a pregnant woman for a few sequences in the second part of the film.[55]
At the same time, Prabhas posted in his Facebook page that he underwent a minor shoulder surgery a month ago and would join the film's sets in a span of a month which was also confirmed by Rajamouli.[56] In the end of May 2014, Prabhas attended a movie launch ceremony which dispelled the rumors which stated that he was in ICU battling several health issues and injuries.[57] On 1 June 2014, Prabhas and Rana's trainer Lakshman Reddy, who was the winner of 13 titles in India and abroad in bodybuilding, spoke to the media about the secrets behind the looks of Prabhas and Rana. According to him, Prabhas started his training 8 months before the commencement of shooting and after two years, both of them weighed nearly 100 kilos each. He also added that Prabhas would be seen in two attires with a heavy, bulky body for Baahubali's role and a lean physique for the second role. About the food intake, he said "Their daily diet consisted of six to eight meals – all non-vegetarian. No rice was given at all. Meals were eaten every two hours. The total calorie intake would range between 2000 to 4000 calories a day." For reduction of their weight, Reddy said "The process will be the same but you have to limit the food intake, depending on the person’s requirements. It takes four to five months to reduce".[58] For his look, Prabhas met WWE superstars in February 2014 and interacted with them about their daily regimen and workouts.[59]
Impressed with the infrastructure there, Prabhas got the equipment costing ₹1.5 crore shipped to his home, where he built a personal gym. His breakfast included 40 half boiled egg whites blended and added with protein powder everyday.[59] In mid-June 2014, regarding her role in the film, Tamannaah said that she would be playing the role of a warrior princess named Avanthika and her appearance in the film is completely different when compared to her past films.[60][61] Before joining the film's shoot, Tamannaah did costume trials for the film which she confirmed in her micro-blogging page stating "I am very excited to get on to the set of Baahubali. I did some dress trials today and my look in this movie will be totally new. I have never been seen in such sort of a look till now. It will be a new role for me."[62] Rajamouli called Tamannaah and her characterization as a "value addition" to the movie.[63] She later revealed "I play Avanthika, a character from an unspecified era. A lot of thought went into the costume and jewelry to get the look right. Director Rajamouli asked me to lose 5-6 kilos to look the part, so I followed a stringent workout and diet regimen to get the look right" in an interview to Hemanth Kumar of The Times of India.[64]
Our first ever Visual Editions shop is open for business. It's not ours entirely of course, but a corner of Vitsoe’s London store opened this month as “Visual Editions at Vitsoe”, part of our month long December collaboration.
Find out more: www.visual-editions.com/articles/first-ever-visual-editio...
2011 © Visual Editions
.Fotos CRISTIANO BORGES @cristianoborgesphoto Fixo: (62) 3536-3392
Celular: (62) 9682-8281
E-mail: cristianoborgesgyn@gmail.com
fotonoticiagyn@yahoo.com.br
WWW.CRISTIANOBORGESCOM.BR Ousadia e criatividade são as qualidades mais notórias deste fotojornalista. Premiado ao longo de seus 20 anos de experiência profissional, ganhou prêmios como duas edições do Prêmio New Holland de fotojornalismo, menção honrosa do Wladmir Herzog, Top Etanol Nacional de Fotojornalismo e Prêmio Celg de Artes Visuaise outros . www.facebook.com/CRISTIANOBORGESFOTOGRAFIA
Por causa de sua visão única, já contribuiu com as mais importantes agências de fotografia do Brasil e do mundo, como a Agência Estado e Folha de São Paulo, Reuters e Associated Press (AP), com fotos publicadas em veículos como Época, Globo Rural e Los Angeles Times.
Boldness and creativity are the most notable qualities of this photojournalist. Awarded throughout his 16 years of professional experience, he has won awards like two editions of the New Holland prize for photojournalism, honorable mention of the Wladmir Herzog, Top Ethanol Photojournalism Award and Celg for Visual Arts
Perfomance with Oregon Painting Society on December 12th, 2008 at Rotture
watch the video!
Visual is a dance troupe that consists of (not exclusively)
Morgan Alexandra Ritter
Dana Dart-McLean
Kersti Jan Werdal
Brenna Murphy
Barbara Kinzle
Lynn Dunham
Asia Wong
Molly Pringle
Programación para artistas visuales con Processing en CAMON Madrid Obra Social CAM
Processing es uno de los lenguajes de programación más utilizados en las artes visuales. En los últimos años se ha convertido en la herramienta de referencia para crear instalaciones interactivas. Permite integrar imágenes, vídeos, sonidos, cámaras, sensores, motores de física y partículas, elementos 3D... Su potencia y flexibilidad se combina con la facilidad de aprendizaje, y lo mejor de todo es que el curso no precisa de conocimientos previos.
Programa
En el transcurso del curso se cubrirán los siguientes temas: geometría básica, color, imagen, vídeo, tipografía, captura web, visión artificial básica, interactividad básica con ratón y teclado. Librerías básicas de sonido y física.
A quién va dirigido
Está destinado a todos aquellos artistas visuales, creadores de instalaciones, diseñadores, escenógrafos, etc... que quieran introducirse en el mundo de la programación interactiva paso a paso.
Ponentes
Miguel Espada y Carlos Gregorio
Bouillet, Duval, Mertens, Vos.
"Betronic" visual identity workshop, Haute École Albert Jacquard, Namur (B), 2014.
Content description: A drawing of the Memorial Drive highway from 1965. There are cars driving on the highway in both directions on different lanes. There is also an image of the lake to the left of the highway. There is also a sign above the highway that says "Harvard SQ - 2nd Right and Mass. Ave 1st Right."
Local identifier: 049_ff_01_002
Type of resource: still image
Genre/form: Drawings (visual works)
Date: 1965
Physical description: 1 photograph : print, color ; 28 x 22 cm
Digital origin: reformatted digital
General notes: Original print was digitized in 2017 as a JPG image.
Date notes: Date from item
Creator: von Henneberg, Jacek
Acquisition notes: Donated by Ellen, Amey, and Alex Moot in March 2013
Description standard: dcrmg
Subject headings:
Cambridge (Mass.)
Memorial Drive
Host collection: John and Ellen Moot Papers, 1903-1982
Physical location: Cambridge Public Library
Rights: Copyright Jacek von Henneberg
License: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Questions concerning copyright and permission to publish should be directed to the Cambridge Room, Cambridge Public Library Archives and Special Collections.
Please use the following format when citing materials from this collection: [Identification of item], John and Ellen Moot Papers, circa 1903 - circa 1982, 049 [Box#, Folder title], Cambridge Room, Cambridge Public Library Archives and Special Collections.
For more from this collection: archivespace.dlconsulting.com:8081/repositories/2/resourc...
Diana doesn't think she's photogenic. So please leave a comment and help me persuade her that she is just plain wrong on this point.
Buenos Aires, 25septiembre de 2015.-
Se inauguró la 104º muestra del Salón Nacional de Artes Visuales 2015, en el Palais de Glace, con la muestra de pintura, escultura, y dibujo. Estuvieron presentes, el director nacional de artes del Ministerio de Cultura de la Nación, Ricardo García; el director del Palais de Glace, Oscar Smoje, y el presidente del Fondo Nacional de Artes, Virgilio Tedín Uriburu, y entregaron premios y menciones.
Foto: Margarita Solé / Ministerio de Cultura de la Nación.
FREE ADMISSION
‘The Third Place: an Exhibition of Contemporary Art from Donegal’
An Grianán Theatre/Artworks Picture Framing/The Cottage Bar, Letterkenny.
11th July- 27th July 2014
Following on from last year’s very successful ‘Fresh Cuts’ group exhibition at An Grianán Theatre, Seamus Quinn from Artworks Picture Framing has this year curated a further and more expanded overview of Donegal’s rich and varied Fine Art community for Earagail Arts Festival 2014.
A large collection of works in all styles and media fill the foyer and upstairs Gallery of An Grianán Theatre, as well as across the street in the shop space of Artworks Framing. There will also be a series of site specific works created for the unique décor of The Cottage Bar on the Main St, Letterkenny.
The title of the show refers to the sociological idea that communities thrive when they are offered places beyond home and work in which to gather and communicate. Third Places such as Theatres, Art Spaces and indeed Public Houses.
‘The Third Place’ will remain on show at all three venues throughout this years Earagail Arts Festival. Many thanks to all the staff at An Grianán Theatre, the Regional Cultural Centre, Earagail Arts Festival offices and The Cottage Bar.
Kia Ora, my name is Jorja and I'm a Year 8 student at Pt.England School. As you can see I've drawn a couple of images that represent me. Enjoy!
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
For Further Details: claire.sambrook@port.ac.uk