View allAll Photos Tagged visuals
Bouillet, Duval, Mertens, Vos.
"Betronic" visual identity workshop, Haute École Albert Jacquard, Namur (B), 2014.
Programación para artistas visuales con Processing en CAMON Madrid Obra Social CAM
Processing es uno de los lenguajes de programación más utilizados en las artes visuales. En los últimos años se ha convertido en la herramienta de referencia para crear instalaciones interactivas. Permite integrar imágenes, vÃdeos, sonidos, cámaras, sensores, motores de fÃsica y partÃculas, elementos 3D... Su potencia y flexibilidad se combina con la facilidad de aprendizaje, y lo mejor de todo es que el curso no precisa de conocimientos previos.
Programa
En el transcurso del curso se cubrirán los siguientes temas: geometrÃa básica, color, imagen, vÃdeo, tipografÃa, captura web, visión artificial básica, interactividad básica con ratón y teclado. LibrerÃas básicas de sonido y fÃsica.
A quién va dirigido
Está destinado a todos aquellos artistas visuales, creadores de instalaciones, diseñadores, escenógrafos, etc... que quieran introducirse en el mundo de la programación interactiva paso a paso.
Ponentes
Miguel Espada y Carlos Gregorio
Diana doesn't think she's photogenic. So please leave a comment and help me persuade her that she is just plain wrong on this point.
Content description: A drawing of the Memorial Drive highway from 1965. There are cars driving on the highway in both directions on different lanes. There is also an image of the lake to the left of the highway. There is also a sign above the highway that says "Harvard SQ - 2nd Right and Mass. Ave 1st Right."
Local identifier: 049_ff_01_002
Type of resource: still image
Genre/form: Drawings (visual works)
Date: 1965
Physical description: 1 photograph : print, color ; 28 x 22 cm
Digital origin: reformatted digital
General notes: Original print was digitized in 2017 as a JPG image.
Date notes: Date from item
Creator: von Henneberg, Jacek
Acquisition notes: Donated by Ellen, Amey, and Alex Moot in March 2013
Description standard: dcrmg
Subject headings:
Cambridge (Mass.)
Memorial Drive
Host collection: John and Ellen Moot Papers, 1903-1982
Physical location: Cambridge Public Library
Rights: Copyright Jacek von Henneberg
License: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Questions concerning copyright and permission to publish should be directed to the Cambridge Room, Cambridge Public Library Archives and Special Collections.
Please use the following format when citing materials from this collection: [Identification of item], John and Ellen Moot Papers, circa 1903 - circa 1982, 049 [Box#, Folder title], Cambridge Room, Cambridge Public Library Archives and Special Collections.
For more from this collection: archivespace.dlconsulting.com:8081/repositories/2/resourc...
Assinatura desenvolvida para unificar visualmente os eventos da praia de Farol de Sao Tomé, em Campos, não só no verão, mas acontecem o ano interio.
Kia Ora, my name is Jorja and I'm a Year 8 student at Pt.England School. As you can see I've drawn a couple of images that represent me. Enjoy!
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
For Further Details: claire.sambrook@port.ac.uk
Diana displays Richard Scarry illustrations, which form the foundation for this week's visual thinking school.
En las oficinas de Visual Travel, con Carlos( un fenómeno en el tema VÃdeo), y Alfredo Medina, propietario de la empresa.
Lichtkunst an der Frontfassade der Landesbibliothek Glarus, als Aktionskunst eine Nacht die Wikipedia, das Geburtstagskind in den hellen Schein gestellt by bennoH.
Live visual at Kazantip Festival in Ukraine played live with my homemade software CloneMixer 3.0
100% realtime and 100% generated graphics.
Video here : vimeo.com/48329794
A couple of thistle blossoms from late summer. I know they are a pain the nether regions and at least used to be illegal (unless of course they were in a government park) but they are pretty. And butterflies love them.
Images from the generative visual I've created for the 2012 edition of Shapeshifters.
Render of the generative visual I've created for Shapeshifters 2012.
Shapeshifters 2012: six lectures on designing information.
8 February: Brendan Dawes and Mark Porter
7 March: Andrew Vande Moere and Morag Myerscough
27 April: Joost Grootens + Tim Fendley
More info can be found on www.shapeshifters.be
The application was created with Processing.
Libraries used: Toxiclibs, ControlP5, ijeomamotion, OpenGL, Minim.
Video can be found on Vimeo: vorm.pl/us/8l
Programación para artistas visuales con Processing en CAMON Madrid Obra Social CAM
Processing es uno de los lenguajes de programación más utilizados en las artes visuales. En los últimos años se ha convertido en la herramienta de referencia para crear instalaciones interactivas. Permite integrar imágenes, vÃdeos, sonidos, cámaras, sensores, motores de fÃsica y partÃculas, elementos 3D... Su potencia y flexibilidad se combina con la facilidad de aprendizaje, y lo mejor de todo es que el curso no precisa de conocimientos previos.
Programa
En el transcurso del curso se cubrirán los siguientes temas: geometrÃa básica, color, imagen, vÃdeo, tipografÃa, captura web, visión artificial básica, interactividad básica con ratón y teclado. LibrerÃas básicas de sonido y fÃsica.
A quién va dirigido
Está destinado a todos aquellos artistas visuales, creadores de instalaciones, diseñadores, escenógrafos, etc... que quieran introducirse en el mundo de la programación interactiva paso a paso.
Ponentes
Miguel Espada y Carlos Gregorio
Visual acuity chart with hand wash dispenser alongside
Credit: Paddy Ricard
Published in RSOC Vol. 12 No. 15 2015. www.revuesoc.com
Live visual at Kazantip Festival in Ukraine played live with my homemade software CloneMixer 3.0
100% realtime and 100% generated graphics.
Video here : vimeo.com/48329794
Kia Ora! My name is Kaycee and I am a year 8 student from Pt England School. I have drawn a few graphics that represent me and who I am.