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The National Disabled Veterans TEE Tournament is the brainchild of several employees of the Iowa City VA Medical Center, along with two visually impaired Iowa Veterans. These visionaries created the TEE Tournament, an acronym standing for TRAINING, EXPOSURE and EXPERIENCE. In 2008, it became one of six VA national rehabilitation programs for Veterans. The event expanded to include not only blind Veterans, but amputees, wheelchairbound Veterans, and those with other life changing disabilities. It takes place each year in Iowa City.
CHELTENHAM ART GALLERY AND MUSEUM COMPETITION REPORT September 07
Invitation: An inviting, open, accessible and visually engaging intervention in the streetscape
Journey: Creating a clear, logical and inspiring circulation route
Flexibility: Clear organisational strategy allowing for the flexible use of the building
Urban Strategy/Architectural form/ Invitation:
The new extension respects the general scale of Clarence Street and at the same time gives an expression of the functions contained at the various levels of the building.
The facade is open at the base to draw passers by into the folds of the building and experience glimpses of the exhibition objects signifying the nature of the building. The public facilities including the café and shop are also at this level. The café can spill out onto the street and to the covered loggia. The loggia is contained by the activity of the education suite on the ground floor and the more protected archive and study area on the first floor. These activities benefit from protected glazed walls looking onto the street.
A double height cut into the new facade, in conjunction with a projecting glass display, signifies the location of the main entrance. This entrance route connects through the building from Clarence Street to Chester Walk creating an important link though the site to the centre of town, extending the public domain.
The façade at the second floor level is generally solid as this contains the main exhibition galleries. The façade steps up above the entrance to reflect the location of a double height gallery space.
Roof terraces at the third floor level allow staff and visitors to the meeting room/hospitality area, a view over the city. This articulation of the façade allows for controlled daylighting into the upper level of the gallery.
Journey:
The secondary space of circulation is the event of the building, as important to the overall experience of the building as the primary gallery spaces. This journey gives a sense of the unfolding experience and order of the building. The journey starts on Clarence Street with the signal and invitation proffered by the projecting glass display and continues through to the main reception in the full height foyer.
To aid orientation the vertical circulation revolves around this foyer with an open stair running parallel to the through route and a series of bridge crossings into the small galleries behind no. 51. The visual invitation to these various levels of gallery space is received in the entrance foyer.
Organisation/flexibility:
The activity of the education suite, located on the ground floor, is visible from the protected loggia. This function can be relocated to allow for public access to the ground floor of the existing library when this becomes available in the future.
The publicly accessible archive and storage area is located on the first floor. Further storage is located on the ground floor and in a basement area.
The temporary gallery, including the existing Arts and Crafts Gallery, occupies the whole of the second floor of both the new extension and the existing and revamped 1989 building. This allows for maximum flexibility in the use of the gallery and facilitates a natural connection in to the existing galleries in the library building.
Whilst not part of the competition site, the ground floor of No. 51 is ideal for use as the café and this has been included in the proposals. It is noted that No. 51 is to be used for artist’s studios. In this context it has been considered a possibility, while providing a new staircase for the new gallery that this could also double up as the stair for the artist’s studios. This would allow for the removal of the rather haphazard existing stair to create more useful studio space. This is, of course, subject to listed building approval.
Materials/services/sustainability:
It is important that the whole design contributes to the sustainable agenda. This includes:
street spaces (loggia) to encourage a range of informal activities
an efficient building form to reduce the amount of heat loss from the envelope
controlled daylighting to appropriate areas to reduce energy requirements
solar shading to south facing glazing
use of natural and renewable materials
habitable roof and rainwater harvesting
The façade is to be constructed of Bath stone laid in random ashlar courses. This stone façade turns into the building and forms one wall of the main public staircase culminating in the lift tower. This together with the stone flooring gives the appropriate signals to the public route through the building and up into the gallery. The internal walls will be a natural lime render in the circulation routes. Painted timber panels will be utilised in the exhibition spaces to allow for flexibility of hanging artworks.
To achieve a sustainable design to meet BREEAM excellent rating, it is proposed to use both natural and renewable materials. Prefabricated, cross laminated timber panels are proposed for floors walls and roof structure. These are from a renewable resource, eliminate site wastage and allow for ease of fixing for art works.
An accessible green roof is proposed for part of the new roofscape in conjunction with rainwater harvesting.
Due to the deep plan and the nature of the exhibits, the gallery will require constant artificial illumination. It is proposed to use a combined heat and power plant to replace the existing gas boilers in the roof space of the 1989 building. This will supply the electricity for the lighting system and the waste heat will be used for warm air space heating.
Accommodation:
From our interpretation of the brief and the answers to questions the following accommodation has been provided:
Gallery space (ground, 1st and 2nd floor)
Picture gallery (1st floor)100 m2
Arts and crafts Gallery200 m2
Temporary gallery300 m2
display (ground and 1st) 30 m2
display existing building (gf)35 m2
Education (ground floor)
Education suite69 m2
Education store50 m2
Museum take-away collection45 m2
Education toilets
Open archive/study (1st floor)150 m2
Storage
Basement240 m2
1st floor160 m2
Temporary exhibition store (gf)40 m2
Offices/workshops
Workshop/office (ground floor)50 m2
Conservation workshop(1st floor) 30 m2
Additional offices (3rd floor)2 x 25 m2
Reception (ground floor)
Café (ground floor no 51)70 m2
Shop (ground floor)46 m2
Toilets (ground floor)
Meeting room (3rd or 4th floor)60 m2
Corporate hospitality (3rd or 4th floor)60 m2
Visually distilling what a family get-together can look like, for me.
Canon 5D Classic + Canon EF 50mm F1.8 v1
This work in progress visually explores the rural spaces of the east-west railroad corridor traversing the northern part of Montana called the Hi-Line. I travel these roads during the spring months and am always impressed by the vast open spaces and the small details that show how people live and what they value.
These photographs are inspired by the New Topographics photography that recorded the changing Western United States landscape in the early 1970s due to human intervention. People alter the land with a design and purpose in mind—the everyday structures they build and let decay through time reflect changing cultural values and economic necessities.
Photographing present-day life can help define it for future generations because what is “factual” now becomes more revealing of human values through the lens of time. What will these images tell us about the changing rural American landscape and culture twenty or forty years from now? That is for future generations to decide.
See more on my website
www.jimkushmanphotography.com/GalleryMain.asp?GalleryID=1...
The National Disabled Veterans TEE Tournament is the brainchild of several employees of the Iowa City VA Medical Center, along with two visually impaired Iowa Veterans. These visionaries created the TEE Tournament, an acronym standing for TRAINING, EXPOSURE and EXPERIENCE. In 2008, it became one of six VA national rehabilitation programs for Veterans. The event expanded to include not only blind Veterans, but amputees, wheelchairbound Veterans, and those with other life changing disabilities. It takes place each year in Iowa City.
Blind and low-vision high school students were joined by parents and educators while touring the University of Michigan’s 3D Lab in the Duderstadt Center in Ann Arbor, MI on November 1, 2018.
The tour was part of the program, “21st Century Transportation, Careers for Students Blind and Visually Impaired,” which covered emerging careers in autonomous transportation and what skills and education students would need for a future job in that field. The event was led by Clive D’Souza, an assistant professor of industrial and operations engineering, and also included talks by industry professionals.
Photo: Evan Dougherty/Michigan Engineering
A visually striking plate, and Duffy’s third dish which paired a 118°poached-then-chilled-then-carmelized only on one side sea scallop with variations of tapioca (puffed and dusted with hibiscus salt, hibiscus-soaked tapioca chip and licorice-y Sambuca soaked tapioca balls), hibiscus (salt and beet-red hibiscus syrup) with toasted goats milk puree and licorice-flavoured elements (shaved fennel bulb, stalk, fronds and hoja santa leaves). Duffy explained that his use of the chewy tapioca balls (the type found in bubble tea) was not just for texture, but utilizing the unique component as a carrier of licorice-y Sambuca in a chilled scallop plate.
Wimpy wanted to let visually impaired people know that they offered braille menus in all of their restaurants. To spread the word we built braille burgers that blind people could actually read. With the help of skilled chefs we took sesame seeds and meticulously placed them on burger buns so that the seeds formed braille.
Winner: Ad of the Month November
Creative Director: Wes Phelan
Art Director: Dale Mullany
Copywriter: Keith Manning
Director: Will Collinson
D.O.P.: Will Collinson
Editor: Will Collinson
Agency Producer: Simone Bosman
Music: Loyiso Madinga
Photographer: Mike & Nick
Retoucher: Darren Bell
Watch this video on Vimeo. Video created by wes.
In one of the more visually stimulating acts of either the Opening or Closing ceremonies, Sochi presents itself to the World, as host city of the 2014 Olympic Winter Games.
Well, here we are. 16 magnificent days after the Opening Ceremony, the 2010 Olympic Winter Games in Vancouver, BC will draw to a close. It has been an absolutely unbelievable experience, I have had the best time of my life, and shared it with people that I know, and hundreds of thousands of people in the city from all around the World, and billions watching at home on TV. These Olympics have brought the World together, and beautifully showcased Vancouver, and Canada, to the World. I truly believe they have changed the Canadian identity, I have never seen the Canadian people so fiercely patriotic, and proud. This is an experience that we all, as Canadians, will never forget, and I feel truly lucky to have been a part of it from the very beginning, to the final moment.
Visually attractive little bar in the Feast Village dining area at Starhill Gallery in Kuala Lumpur.
The guided tour shows visually impaired and blind people the manifold connections between art and technology.
Credit: Florian Voggeneder
Visually challenged students singing and doing thabela @ Rakum Blind school, Indira nagar, Bangalore, India.
This event was organised by a group of like minded people have decided to get together and make a difference to a set of visually impaired children.
It was a fun evening with children of Rakum school. More Photos
Please make a differnce! Donate today! We live on what you give
Music building on LEFT, Art building on RIGHT - Art gallery is 2 stories, and located directly across the walkway of Art building. Norton Auditorium is visually behind the viewer's perspective, adjacent the Music building.
The National Disabled Veterans TEE Tournament is the brainchild of several employees of the Iowa City VA Medical Center, along with two visually impaired Iowa Veterans. These visionaries created the TEE Tournament, an acronym standing for TRAINING, EXPOSURE and EXPERIENCE. In 2008, it became one of six VA national rehabilitation programs for Veterans. The event expanded to include not only blind Veterans, but amputees, wheelchairbound Veterans, and those with other life changing disabilities. It takes place each year in Iowa City.
Prominent footballers, coaches, international experts and representatives from sport organisations and clubs came together for the launch of ‘A Ball for All’ – a project to promote access to the practice of football for blind and visually impaired people.
The launch event, which was organised by Save the Dream, took place at Aspire Zone on the occasion of National Sport Day.
Run in collaboration with the Qatar Financial Centre (QFC), Sasol, under its Definitely Able initiative, Qatar Social & Cultural Centre for the Blind (QSCCB) and Aspire Zone Foundation (AZF), the event featured French ambassador to Qatar Eric Chevallier, Qatar Sports Club and former Inter Milan player Luis Jimenez and legendary international coach Bora Milutinovic.
This visually impaired young man was don in bright red windbreaker and crossing the street with confidence to his own road-side stall selling small items. In Quanzhou, i see a strong sense of independence and entrepreneurship in almost everyone, very different from the people in the northern China.
The National Disabled Veterans TEE Tournament is the brainchild of several employees of the Iowa City VA Medical Center, along with two visually impaired Iowa Veterans. These visionaries created the TEE Tournament, an acronym standing for TRAINING, EXPOSURE and EXPERIENCE. In 2008, it became one of six VA national rehabilitation programs for Veterans. The event expanded to include not only blind Veterans, but amputees, wheelchairbound Veterans, and those with other life changing disabilities. It takes place each year in Iowa City.
Bangkok's most unmissable attraction is of course the Grand Palace, and most specifically the temple complex of Wat Phra Kaew (Temple of the Emerald Buddha), famed for it's riot of coloured and gilded ornament, paintings and sculptures; quite simply, so visually stunning there is nothing quite like it anywhere else!
The Palace and Temple complex were begun in 1782, the year the capital was moved to Bangkok, and parts of the palace buildings betray 18th century European influence combined with traditional Thai style, such as the breathtaking gilt spires on the roof. Most of the interiors of the Palace itself are off limits to visitors since, although no longer the main residence of the Thai monarchy, it is frequently used for state functions and ceremonies.
The Wat Phra Kaew complex however is the greatest draw, famed for it's stunning architecture and the famous 'Yaksha' guardian figures that flank all the main entrances to the complex. These towering figures, with their rich colours and tapering crowns, represent demonic characters from the mythological epic the 'Ramakien', and are identifiable as distinct individuals, all here serving a benign, protective role.
The Ramakien is also the subject for a stunning sequence of wall paintings within the cloister that encirlces the entire site, illustrating in minute detail the battles of the heroic monkey warriors, led by the monkey god Hanuman, against the demonic armies and kingdoms of Tosakan.
The Temple of the Emerald Buddha itself forms the largest structure and contains the venerated (though small) Buddha image. The complex contains several other iconic buildings clad in sumptuous decor, most notably the library or 'mondop' with it's gilt spire along with the great golden stupa.
The temple complex is technically a royal chapel rather than a working monastery like most Thai temples as it has no resident monks (the sheer volume of visitors leaves little room for anyone else anyway!).
We made two visits here on separate days; our first was with a group and far too rushed, we missed elements we'd wanted to see and the light was poor for photography, so we returned 2 days later with as much time and sunlight as we could want, which was well worth the effort!
Prominent footballers, coaches, international experts and representatives from sport organisations and clubs came together for the launch of ‘A Ball for All’ – a project to promote access to the practice of football for blind and visually impaired people.
The launch event, which was organised by Save the Dream, took place at Aspire Zone on the occasion of National Sport Day.
Run in collaboration with the Qatar Financial Centre (QFC), Sasol, under its Definitely Able initiative, Qatar Social & Cultural Centre for the Blind (QSCCB) and Aspire Zone Foundation (AZF), the event featured French ambassador to Qatar Eric Chevallier, Qatar Sports Club and former Inter Milan player Luis Jimenez and legendary international coach Bora Milutinovic.
Photo: POH
Portraits of Hope's massive public art and civic project – involving more than 20,000 kids, adults and volunteers – that visually transformed Manhattan. By recruiting and utilizing more than 5,400 fully operational NYC taxis to participate in the unprecedented 4-month exhibition, the cabs and city streets of New York were transformed into a giant mobile canvas. The unprecedented event integrated two key characteristics that define the City: the saturation of the iconic taxis; and the vertical physicality of Manhattan. www.portraitsofhope.org
Garden in Transit -- A Portraits of Hope Project
Portraits of Hope's NYC Public Art and Civic Project -- NYC Taxis
Conceived and Developed by Ed Massey and Bernie Massey, Founders of Portraits of Hope
5,400+ New York City Taxis
23,000 Children and Adults
200+ Participating Schools, Hospitals, and NYC institutions
700,000 Sq. ft. of paintings
Youth and Program Sessions in NY, CA, NJ, OH, GA, PA
Project-based learning: interdisciplinary contemporary issues and civic education and leadership sessions for schools, grades 2 -12
Creative therapy sessions for hospitalized children and persons with disabilities; including cancer, orthopedic ailments, burn trauma, brain and neck injuries, and other serious conditions
10-month program and collaborative phase
4-month New York City public art exhibition
Youth sessions and exhibition in Brooklyn, Bronx, Manhattan, Queens, Staten Island
Portraits of Hope rings NASDAQ opening bell
Special thank you to Helen Bing and Peter Bing, Vornado Realty, Hotel Pennsylvania, MACtac, Empire Blue Cross/Blue Shield
Port Authority of New York and New Jersey
Cordelia Corporation, Veriflora, Wooster Paint Company, Jenner & Block, Purdy-Bessemer Holdings, FedEx, Hudson River Park Trust, Susan Kohlmann, Debbie and Hal Jacobs, Nazdar, Abbot & Abbot Box Corp. AAA Flag & Banner, Bruce and Nancy Newberg Family Fund, Pillsbury Sutro Shaw Pittman, Davidow Charitable Fund, Joleen and Mitch Julis, Armstrong Nickoll Family Foundation, Polo Ralph Lauren Foundation, Ore Hill Partners LLC, Time Warner, Building Maintenance Services LLC, PTG Event Services, FedEx, NASDAQ
Our visually abusive trip to Karim Rashid's POS, Kurve, led us to find greener pastures... back on an a real architects turf at Morimoto (and Ando was never even formally trianed).
Photo Title: Digital Literacy for visually impaired
Submitted by: Pampana Venkata Sunder Rao
Category: Professional
Country: India
Organisation: I am a professional freelance photographer
COVID-19 Photo: No
Photo Caption: Digital Literacy Lab for visually impaired is an initiative of \'EnAble india\', NGO (Non-governmental organization). It helps visually impaired people to get employability training and employment. Here, visually impaired students are trying to operate a laptop during a training session.
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Photo uploaded from the #HopeInSight Photo Competition on photocomp.iapb.org held for World Sight Day 2020.
"與立法會議員暢談"—立法會綜合大樓午間音樂表演（表演學校：心光盲人院暨學校）
"与立法会议员畅谈"—立法会综合大楼午间音乐表演（表演学校：心光盲人院暨学校）
"Meeting with Members"—music performance at the Legislative Council Complex (Performing school: Ebenezer School and Home for the Visually Impaired) (2017.10.20)
Location: Selfridges (inside)
Sponsor: Selfridges Birmingham
Artist: Slobodan Topalovi
This bear is a celebration of the most visually arresting and instantly identifiable parts of Birmingham's architecture and visual identity over the years. It features the wonderful old architecture of the church of St Martin in the Bull Ring, the brutalist 1960Õs concrete structures such as the Rotunda and the unique silver roundels that cover the Selfridge's building. You can view the Selfridge's building in all its glory by going out on the pedestrian bridge on level 3.
Repeating The Big Hoot’s multi-award-winning formula, Birmingham Children’s Hospital Charity and Wild in Art have teamed up once again to present The Big Sleuth!
To most people, the word ‘sleuth’ means a private detective, but it’s also the collective noun for a group of bears! Bizarre but true. Birmingham has brought both definitions together this summer by bringing the sun bear, the world’s smallest species of bear (now threatened with extinction), to the region for the second free, public-art trail!
The trail, which culminates on Sunday 17th September, is hoping to attract thousands of families, tourists and residents to the region. Hoping they discover places they’ve never visited before, as well as appreciate the beautiful pieces of art!
Each striking sculpture on the trail tells a different story, whether it is raising awareness of the children’s hospital, the plight of the sun bear, celebrating a community, the city’s industrial heritage or a famous film character or artist.
At the end of the trail, the large bears together with the special celebrity bear cubs will be auctioned off in October to raise vital funds for Birmingham Children’s Hospital Charity. The Big Sleuth’s predecessor, The Big Hoot, raised over £500,000 for the charity at auction, and The Big Sleuth aims to do the same.
The Big Sleuth bear has been created specifically for Birmingham.
Created by Guy McKinley and developed by Wild in Art, our bear sculpture has been designed to act as a canvas for artists, schools and communities to showcase the creativity and uniqueness of Birmingham. The world’s smallest species of bear, the Sun Bear is also known as the Honey Bear as it likes to eat vast quantities of it - using its trademark incredibly long tongue to scoop it all up. The Sun Bear originates from South Asia and will bring out the explorer and traveller in all of us to ensure we all get more active to walk, jog, run or cycle the trail.
The Nystagmus Network Open Day was held in Reading on the 7th May 2016. Over 170 people attended the event to hear about the work at the charity and latest research into the condition.
Not my most visually engaging poster, but given the subject matter it really called for a data dump more than anything else.
The interesting stuff is all in the rightmost two columns of graphs. Those are the materials that have less than 10% total integrated scatter from 250nm to 2500nm. If you're looking for materials for stray light control, or that aren't an utter disaster to use around an optical beam, that's your list.
Keep in mind that these are the materials we tested, not a comprehensive list of all of the materials in the world. Some glaring omissions are surface treatments like anodizing, black electroless nickel plating, and exotic blacks like those from Martin Marietta. The first two are covered in another paper that this was a follow-up to, and the reason for omitting the exotics like the latter are explained in the paper.
The four materials that really caught my attention were:
The hook side of Industrial Strength Velcro, which is incredibly black across the entire range. Not the cheapest thing in the world, but the hardware store in town carries it.
Krylon Ultra Flat Black Camo Paint, which has been a mainstay of mine for stray light control for years.
JH Rhodes Uni-Nap 1SF, which is a polishing compound sold for the purpose of polishing silicon wafers. That stuff beats every black flock I've ever seen. A little pricey at $65 a square foot, but unless you're doing large instruments a square foot goes a long way.
City Theatrical Black Tak foil and foil tape. Think aluminum tape, but flat black. It's not quite as cheap as the aluminum tape you can get for duct work at most hardware stores, but it's pretty darned inexpensive for what you can do with it. It's my new favorite thang to keep on the shelf in the lab. Love this stuff.
There are other goodies in there. I had a lot of fun doing this science fair project, writing the paper, and making the poster.
The guided tour shows visually impaired and blind people the manifold connections between art and technology.
Credit: Florian Voggeneder
Photo: POH
Portraits of Hope's massive public art and civic project – involving more than 20,000 kids, adults and volunteers – that visually transformed Manhattan. By recruiting and utilizing more than 5,400 fully operational NYC taxis to participate in the unprecedented 4-month exhibition, the cabs and city streets of New York were transformed into a giant mobile canvas. The unprecedented event integrated two key characteristics that define the City: the saturation of the iconic taxis; and the vertical physicality of Manhattan. www.portraitsofhope.org
Garden in Transit -- A Portraits of Hope Project
Portraits of Hope's NYC Public Art and Civic Project -- NYC Taxis
Conceived and Developed by Ed Massey and Bernie Massey, Founders of Portraits of Hope
5,400+ New York City Taxis
23,000 Children and Adults
200+ Participating Schools, Hospitals, and NYC institutions
700,000 Sq. ft. of paintings
Youth and Program Sessions in NY, CA, NJ, OH, GA, PA
Project-based learning: interdisciplinary contemporary issues and civic education and leadership sessions for schools, grades 2 -12
Creative therapy sessions for hospitalized children and persons with disabilities; including cancer, orthopedic ailments, burn trauma, brain and neck injuries, and other serious conditions
10-month program and collaborative phase
4-month New York City public art exhibition
Youth sessions and exhibition in Brooklyn, Bronx, Manhattan, Queens, Staten Island
Portraits of Hope rings NASDAQ opening bell
Special thank you to Helen Bing and Peter Bing, Vornado Realty, Hotel Pennsylvania, MACtac, Empire Blue Cross/Blue Shield
Port Authority of New York and New Jersey
Cordelia Corporation, Veriflora, Wooster Paint Company, Jenner & Block, Purdy-Bessemer Holdings, FedEx, Hudson River Park Trust, Susan Kohlmann, Debbie and Hal Jacobs, Nazdar, Abbot & Abbot Box Corp. AAA Flag & Banner, Bruce and Nancy Newberg Family Fund, Pillsbury Sutro Shaw Pittman, Davidow Charitable Fund, Joleen and Mitch Julis, Armstrong Nickoll Family Foundation, Polo Ralph Lauren Foundation, Ore Hill Partners LLC, Time Warner, Building Maintenance Services LLC, PTG Event Services, FedEx, NASDAQ
Visually impaired competitors react after completing a close 200m race during the Athletics competition of the 2017 Invictus Games at the York Lions Stadium in Toronto, Canada, Sept. 24, 2017. More than 550 wounded, ill and injured servicemen and women from 17 allied nations are expected to compete. (DoD Photo by U.S. Army Sgt. James K. McCann)
Jaclyn Tollas, MI Bureau of Services for Blind Persons; Paul Hemmersbaugh, chief counsel and policy director, Transportation as a Service, General Motors; Lindsey Teel, policy advisor, U.S. Department of Labor; Shannon McVoy, regional manager, MI Bureau of Services for Blind Persons; Fred Wurtzel, 2nd vice president, National Federation of the Blind of Michigan; Mark Riccobono, president, National Federation of the Blind; Sheryl Ulin, ergonomics research program officer and director of continuing education in the Department of Industrial and Operations Engineering at the University of Michigan; and Clive D'Souza, assistant professor of industrial and operations engineering at U-M pose in the 3D Lab of the Duderstadt Center in Ann Arbor, MI on November 1, 2018.
A tour of the 3D Lab was part of the program, â21st Century Transportation, Careers for Students Blind and Visually Impaired,â which covered emerging careers in autonomous transportation and what skills and education students would need for a future job in that field. The event was led by DâSouza and included talks by Riccobono and industry professionals.
Photo: Evan Dougherty/Michigan Engineering
The guided tour shows visually impaired and blind people the manifold connections between art and technology.
Credit: Florian Voggeneder
© World Blind Union
Published in: Community Eye Health Journal Vol. 26 No. 81 2013 www.cehjournal.org
The guided tour shows visually impaired and blind people the manifold connections between art and technology.
Credit: Florian Voggeneder
Photo: POH
Portraits of Hope's massive public art and civic project – involving more than 20,000 kids, adults and volunteers – that visually transformed Manhattan. By recruiting and utilizing more than 5,400 fully operational NYC taxis to participate in the unprecedented 4-month exhibition, the cabs and city streets of New York were transformed into a giant mobile canvas. The unprecedented event integrated two key characteristics that define the City: the saturation of the iconic taxis; and the vertical physicality of Manhattan. www.portraitsofhope.org
Garden in Transit -- A Portraits of Hope Project
Portraits of Hope's NYC Public Art and Civic Project -- NYC Taxis
Conceived and Developed by Ed Massey and Bernie Massey, Founders of Portraits of Hope
5,400+ New York City Taxis
23,000 Children and Adults
200+ Participating Schools, Hospitals, and NYC institutions
700,000 Sq. ft. of paintings
Youth and Program Sessions in NY, CA, NJ, OH, GA, PA
Project-based learning: interdisciplinary contemporary issues and civic education and leadership sessions for schools, grades 2 -12
Creative therapy sessions for hospitalized children and persons with disabilities; including cancer, orthopedic ailments, burn trauma, brain and neck injuries, and other serious conditions
10-month program and collaborative phase
4-month New York City public art exhibition
Youth sessions and exhibition in Brooklyn, Bronx, Manhattan, Queens, Staten Island
Portraits of Hope rings NASDAQ opening bell
Special thank you to Helen Bing and Peter Bing, Vornado Realty, Hotel Pennsylvania, MACtac, Empire Blue Cross/Blue Shield
Port Authority of New York and New Jersey
Cordelia Corporation, Veriflora, Wooster Paint Company, Jenner & Block, Purdy-Bessemer Holdings, FedEx, Hudson River Park Trust, Susan Kohlmann, Debbie and Hal Jacobs, Nazdar, Abbot & Abbot Box Corp. AAA Flag & Banner, Bruce and Nancy Newberg Family Fund, Pillsbury Sutro Shaw Pittman, Davidow Charitable Fund, Joleen and Mitch Julis, Armstrong Nickoll Family Foundation, Polo Ralph Lauren Foundation, Ore Hill Partners LLC, Time Warner, Building Maintenance Services LLC, PTG Event Services, FedEx, NASDAQ
This painting is an attempt to visually describe the problem the we (adult humans) experience when we realise that the doctrines and social teachings that have dictated our lives are nothing but a candles in the dark. The light they emit gives a warped illusionary view of reality, faint and shadowy with misconceptions, while they shift around with blurred edges. The painting reflects the fear of extinguishing the flame and facing the dark like a child and allowing our eyes to adjust to the natural light which shows the awesomeness of life without any prejudice or preconceptions. Here in this painting, the child removes the mask (the mould is actually the same as the dolls face, so the mask is meant to mould the shape of the child) that society had moulded onto her face and SEES the wonder of the world for the first time since her first months of birth. It is a follow on the idea that when one stops trying to look at ones eyes, or hold ones own hands, or hear ones own ears, one can finally experience by seeing, touching and hearing reality without the conflict of symbolic duality, and with the harmony of accepting ones own nature. It also touches upon addressing some of the problems of mans errors of definition in organised religion.
Like I said....it is an attempt.
Visually sampled album cover depicting me and my association with black American country blues music. soundcloud.com/dav-is
Mexican card, nr. 320.
Voluptuous, visually stunning Italian film actress Eleonora Rossi Drago (1925–2007) played princesses and temptresses throughout Italian cinema of the 1950´s and 1960´s. She never found the international cross-over fame destined for Sophia Loren and Gina Lollobrigida, but she earned respect as a fine actress playing leading roles in films by famous directors like Michelangelo Antonioni, Luigi Comencini and Valerio Zurlini.
For more postcards, a bio and clips check out our blog European Film Star Postcards.
Marilyn Rushton, a well-known Burnaby citizen, is awarded with the province’s newest honour, the Medal of Good Citizenship.
Rushton is honoured for her for inspirational life of service to the visually impaired community, her contributions to families with blind and visually impaired children, and her energetic support for the musical community.
Learn more: news.gov.bc.ca/releases/2016IGR0025-001407
Every summer Ocean Beach Surf and Skate, Ocean Experience Surf School and Indo Board partner with the San Diego Chapter of the Braille Institute to give visually impaired youth the chance to learn to surf. We are stoked that the Indo Board plays a crucial role in helping these visually impaired kids understand the basics of balance and prepares them for an experience that they will never forget.
The National Disabled Veterans TEE Tournament is the brainchild of several employees of the Iowa City VA Medical Center, along with two visually impaired Iowa Veterans. These visionaries created the TEE Tournament, an acronym standing for TRAINING, EXPOSURE and EXPERIENCE. In 2008, it became one of six VA national rehabilitation programs for Veterans. The event expanded to include not only blind Veterans, but amputees, wheelchairbound Veterans, and those with other life changing disabilities. It takes place each year in Iowa City.
The National Disabled Veterans TEE Tournament is the brainchild of several employees of the Iowa City VA Medical Center, along with two visually impaired Iowa Veterans. These visionaries created the TEE Tournament, an acronym standing for TRAINING, EXPOSURE and EXPERIENCE. In 2008, it became one of six VA national rehabilitation programs for Veterans. The event expanded to include not only blind Veterans, but amputees, wheelchairbound Veterans, and those with other life changing disabilities. It takes place each year in Iowa City.
Visually appealing…
I can’t stress this enough… I do not own any rights to the song or images here. I didn’t realize editing videos like this could be so fun… ok, my first one was not amusing at all, but it had to be done. Again, I hope you enjoy sexy Acchan! Some images do repeat randomly… this was done intentionally.
Music- “Vampire Heart” by H.I.M.
Credits to the many photographers of these beautiful images!
The National Disabled Veterans TEE Tournament is the brainchild of several employees of the Iowa City VA Medical Center, along with two visually impaired Iowa Veterans. These visionaries created the TEE Tournament, an acronym standing for TRAINING, EXPOSURE and EXPERIENCE. In 2008, it became one of six VA national rehabilitation programs for Veterans. The event expanded to include not only blind Veterans, but amputees, wheelchairbound Veterans, and those with other life changing disabilities. It takes place each year in Iowa City.