Visually-impaired photographers in the UK
View allAll Photos Tagged visually
to deal with the universal experience of Life, to provide insights into life. Actually, those are lofty goals which I seldom achieve :-)
Chris Johns
HGGT! Justice Matters! Indict Trump!
sarah p duke gardens, duke university, durham, north carolina
Inspired by the structure of human DNA, The double Helix Bridge is one of Singapore's most visually striking landmarks. Opened in 2010, it is a pedestrian only bridge linking the Marina Centre with Marina South in the Bay area. Designed and engineered by a team of architects from both Australia and Singapore.
Garden Liles 2..
There is something so visually pleasing about a lily, it is the mixture of complimentary colours that draw you in. the contrast of yellow and red. I am sure this is as intoxicating to humans as it is to bees and other pollen gatherers.
I am sure there is a solid science behind the reasoning for the many varied colours of lilies; but suffice to say they make my garden look amazing while they are in bloom and i thank God for eyes to see them with.
Please do not copy my image or use it on websites, blogs or other media without my express permission.
© NICK MUNROE (MUNROE PHOTOGRAPHY)
You can contact me
by email @
karenick23@yahoo.ca
munroephotographic@gmail.com
munroedesignsphotography@gmail.com
or on Facebook @
www.facebook.com/MunroePhotography/
On Instagram
Garden Lily..
There is something so visually pleasing about a lily, it is the mixture of complimentary colours that draw you in. the contrast of yellow and red. I am sure this is as intoxicating to humans as it is to bees and other pollen gatherers.
I am sure there is a solid science behind the reasoning for the many varied colours of lilies; but suffice to say they make my garden look amazing while they are in bloom and i thank God for eyes to see them with.
Please do not copy my image or use it on websites, blogs or other media without my express permission.
© NICK MUNROE (MUNROE PHOTOGRAPHY)
You can contact me
by email @
karenick23@yahoo.ca
munroephotographic@gmail.com
munroedesignsphotography@gmail.com
or on Facebook @
www.facebook.com/MunroePhotography/
On Instagram
Open star cluster NGC 6939 (bottom center) is visually located close to the star Eta Cephei inside our galaxy, but in reality it lies more than 4,000 light-years away from us (this value is a bit uncertain). Its apparent magnitude is 7.8, meaning it can only be seen with binoculars or with a telescope.
By pure coincidence, less than one degree away lies the face-on galaxy NGC 6946 (center of image), an entirely separate galactic system outside our own Milky Way, at an estimated distance of about 25 million light-years (according to recent measurements). Because many supernova explosions were recorded at the last 100 years in this galaxy, it got the nickname of "Fireworks galaxy".
Both objects were discovered by William Herschel in 1798.
Thanks to everyone and clear skies!
Details:
Telescope: Orion EON 80ED
Camera: Canon EOS 20Da
Mount: Vixen Sphinx
Filter: Astronomik CLS
Guiding: Skywatcher 80/400 refractor - SkyWatcher SynGuider
Light frames: 12 x 5 mins (total: 60 mins), ISO 3200, Custom WB, calibrated with darks
Date: 25 October 2019
Processing: DSS 4.2.3, Adobe Photoshop 2020 with Astronomy Tools Actions set (spikes added to the brightest stars)
lines and stripes
as far as the eye can see
tunnel vision with shadows
is how it appears to be
the sun was shining
casting her special spell
choices to be made . . .
to run away and hide
outside or inside :-)
think carefully lächelndes gesicht mit lachenden augen
before you decide
From my dear English friend Bev www.flickr.com/photos/beverleyplaya/
Metal railings that visually create a sense of flow…
Observing the dense railings from the outside seems to be safe and sturdy. Standing in the building, so many iron railings, the vision should be very different. You know…XD
Many buildings in Taiwan,
Must rely on metal railings,
Let the residents feel safe.
金屬的欄桿，在視覺上產生流動感…
從外面觀察密集的欄杆，似乎是安全堅固。站在建築物裡面，這麼多鐵欄杆，視覺應該很不一樣。你知道的…XD
台灣許多建築物，
必須依賴金屬欄杆，
讓住戶得到安全感。
Tringa flavipes. All over North and South America, a medium-large shorebird. The sexes are similar both in plumage and in overall size. Compared to the Greater Yellowlegs, the bill is shorter (visually about the same length as the head), slim, straight, and uniformly dark. Leonabelle Turnbull Birding Center, Port Aransas, Texas.
A visually striking landscape capturing the scale and texture of a desert environment.
The inclusion of the tiny human figures on the ridgeline provides a critical sense of immense scale, making the dunes feel vast and imposing.
The diagonal slope of the main dune creates a natural leading line that directs the viewer's eye from the bottom right up toward the rocky crest where the figures are standing.
The warm, low-angled light beautifully highlights the ripples and footprints in the sand, giving the foreground a tactile, three-dimensional quality.
There is a nice contrast between the soft, organic curves of the sand dunes and the jagged, dark textures of the rocky outcropping. The long shadows cast by the rocks add depth to the mid-ground.
The complementary color scheme warm oranges/yellows against the cool blue sky is classically pleasing and creates a "clean" feel.
The numerous footprints in the foreground tell a story of human presence. Sand dunes are not static "hills" but living forms reshaped by the wind. Metaphorically, they represent the constant flux of life and the need for adaptability; to survive, one must yield to the "winds of change" rather than resisting them.
Lophornis chalybeus - Male - at Sítio Espinheiro Negro.
Tiny and visually striking hummingbird. Its mostly dark green upper parts are bisected by a pale rump band. Note the gray belly and rufous tail. Males are dazzling with a ruff of green feathers with pale tips on neck. Females are plainer with a dark face and pale throat. Usually found in humid forest, including second growth. Near threatened species.
A beauty to enlighten the week! Happy Wednesday! HMBT!
Thanks a lot for your visits, comments, faves, invites, etc. Very much appreciated!
© All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission. All rights reserved. Please contact me at thelma.gatuzzo@gmail.com if you intend to buy or use any of my images.
A visually striking vibrant market display of artificially dyed, dried Rose of Jericho plants (Anastatica hierochuntica), also known widely in Arabic as Kaf Maryam (Hand of Mary).
By eliminating any surrounding environmental context such as the storefront, floor, or sky, the image turns a real-world object into a semi-abstract pattern of texture and color.
The composition is split roughly in half by a subtle, horizontal shelf structure. The top half features a neatly stacked, uniform wall of vertical lines, while the bottom half introduces a slightly more chaotic, organic, and loose arrangement. This creates a compelling internal contrast within the frame.
The primary strength of the image lies in its rich, saturated color palette. The juxtaposition of complementary color clusters - like the bright oranges placed tightly against deep blues and purples - makes the image incredibly punchy and dynamic.
The shadows nestled deep within the curly crevices of the dried plants prevent the image from looking flat. The natural variation between the bright highlights on the outer edges and the deep pockets of shade creates a strong three-dimensional form for each individual plant ball.
Every individual plant ball mimics a miniature brain or a tightly coiled coral reef. The deep shadows hiding within the brittle, fibrous crevices provide a striking contrast to the highlighted outer edges, giving the entire flat frame a powerful, three-dimensional depth.
The photograph excels at tactile translation. The crisp sharpness across the frame highlights the brittle, rough, and fibrous details of the dried branches. As a viewer, you can almost feel the dry texture of the plant simply by looking at the image.
The true artistry of the image lies in its beautiful contradictions. It captures a clash between the natural and the artificial: the ancient, weathered, and dead desert wood is completely resurrected by an explosion of synthetic, electric dye.
Vibrant clusters of fiery orange dance directly against deep oceanic blues, while soft magentas melt into earthy yellows. The viewer can almost feel the dry, crisp, and brittle crunch of the branches just by looking at them. It is a stunning visual metaphor for the desert itself seemingly dead and dry, yet bursting with hidden, explosive vitality.
In arid desert conditions, the plant sheds its leaves and curls tightly into a dry, brown, protective ball. Once placed in a shallow bowl of water, its capillaries saturate, causing the branches to dramatically unroll and "bloom" open within hours.
Naturally, the dried balls are a plain gray-brown color. Local market vendors colorfully paint or dye them in shades of blue, pink, green, orange, and purple specifically to catch the eye of tourists looking for vibrant decor items.
A celebration of vibrant maximalism and organic geometry, transforming a simple market stall into a complex, living tapestry.
It feels less like a documentary photo of souvenirs and more like a rich, abstract canvas painted with nature's own textures.
The "new" St. Lawrence Church of 1778 in Ayot St. Lawrence. I have begun to reflect on this marvellous building in previous images. The two wings of the structure, left and right, are blatantly useless. They serve no purpose whatsoever. Visually, however, they are great, impressive and attractive. Think of a peacock!
Captured made of this iconic view there not long after sunrise. Quite the breeze kicked up by this time in the morning. The view there with the clouds over the peaks beyond was quite amazing to take in visually though.
A visually striking, technically accomplished architectural study that successfully conveys a sense of grandeur and spiritual weight.
The extreme low-angle upward tilt creates a forced perspective that accentuates the height, volume, and overwhelming scale of the interior space.
The framing captures the symmetrical interplay of intersecting ribbed arches. The balance is slightly skewed to the left, which introduces a dynamic, immersive quality rather than a rigid, static archival view.
The concentric stone arches act as powerful leading lines. They draw the viewer’s eye naturally inward and upward toward the circular central dome.
The image relies heavily on high contrast to create drama. Strong highlights pour in from high, obscured windows, cutting sharply against deep, shadowy recesses.
The raking light raisesthe texture of the stone blocks and individual bricks. It transforms the flat architectural planes into tactile surfaces.
The color temperature creates a compelling tension. The cool, ambient daylight on the stone arches contrasts beautifully with the warm, fiery-orange brick dome and the glowing, low-hanging brass pendants.
The short focal length introduces a noticeable wide-angle barrel distortion, causing the vertical stone pillars to lean outward. While this warps the true physical geometry, it amplifies the psychological feeling of being enclosed within a massive cavern.
The transition from the square or rectangular earthly realm (the heavy, rectangular pillars below) to the circular celestial realm (the brick dome above). By placing the viewer directly beneath this transition, the photograph positions them as a small observer looking up into a cosmic order.
The repeating, stepped concentric arches create a powerful visual rhythm. It mimics the cadence of a chant or a prayer. The structural arches layer over one another like waves, giving the heavy stone an almost fluid, kinetic energy. The pattern of the brickwork in the dome contrasts with the linear stone blocks below, creating a texture that feels organic, like a woven basket or a celestial vortex.
Talking about the Pentacon 3.5/30 vintage lens. It may be half a century old, but optically it is a true 'generalist'. You can use it for any situation as long as the light is good. I prefer this lens to be wide open, as here. But that is a personal choice.
Both visually and audibly, the action of a swan rising from the water and stretching out those 2m wings is a sight to behold.
Evening sunlight dappling through street trees onto a bright yellow wall. An outdoor spotlight connects it visually to the intersecting cream painted brick wall.
For some reason I just absolutely love the pictures of my flowerbed this time of year especially after the snow added just a touch of winter to the mix. I don't know if it is the textures or the colors or what, I just really love the way they look together!
Have a great Tuesday everyone!
Please be sure to view large if you have the time because it is truly better in large:
farm3.static.flickr.com/2339/2326661828_b8e83f7dd9_b.jpg
Explore - March 11, 2008
The highlight of our long walk on Aldeburgh beach: Maggie Hambling's monumental steel sculpture - Scallop. Rising out of the shingle, brushed by sea breezes and radiant in sunshine. Two shells, the upper one pierced with the words: "I hear the voices of those who will not be drowned".
Maggi wants it to be enjoyed visually and tactilely, so visitors are encouraged to sit on it and gaze out to sea. If you're ever in the area, go see it.
A view from underneath the Sibelius Monument in Sibelius Park, Helsinki, Finland. The image is an HDR merge using Lightroom with a slight increase in saturation to the blue, yellow and orange tones. The monument is exiting visually, but the view from below took my breath away, and made me feel like the message of the monument was about music of Sibelius reaching far up into the heavens.
A close-up of tactile paving seen next to a zebra crossing in Kingston.
More than 140 years after Louis Braille invented the Braille reading system, Seiichi Miyake came up with a different system based on touch that allows visually impaired people to navigate public spaces. Today, tactile paving is used by major cities and transportation services around the world.
Pavement with round bumps was meant to signal nearby danger, such as a street crossing or the edge of a train platform, while a stretch of pavement with straight bars was meant to guide them to safe areas. The tactile design allowed pedestrians to detect the features with canes, guide dogs, or their feet.
One of the most beautiful of its genre. The green jay is a conspicuous and visually-striking species occupying two disjunct geographic ranges in the western hemisphere. Its expanding northern population occurs from southern Texas down through eastern Mexico to Belize, Guatemala, and Honduras, and in a second, narrower band along the Pacific Slope of Mexico. Its South American population extends from northeastern Venezuela west and then south along the Andes Mountains of Venezuela, Colombia, Ecuador, Peru, and northwest Bolivia. This is an adult I photographed at La Minga, Colombia.
Have a Peaceful Weekend!
Thanks a lot for your visits, comments, faves, invites, etc. Very much appreciated!
© All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated by any means without my written explicit permission, including the use on websites and similar medias. All rights reserved. Please contact me at thelma.gatuzzo@gmail.com if you intend to buy or use any of my images.
My instagram if you like: @thelmag, @thelma_and_cats and @teg_photo_arts
Member of Nature’s Spirit
Good Stewards of Nature
Italy, Puglia, Porto Cesareo
Puglia, with its 784km of coastline, has always been a frontier land, a landing point but also a territory of conquest by invaders and pirates from Dalmatia, Albania, or the Greek islands. The coastal towers were built, for the most part, by the Spaniards in 1500 to create a real sighting system on the sea to protect the Kingdom of Naples. Often, these sighting points were positioned in such a way as to be visually connected or to other towers scattered inland, to transmit any danger alerts. In practice, a real communication line was created along the entire coast to quickly transmit information on invasions. The communications took place by means of smoke signals, during the day, or with fire, at night, or again, bells were used.
Visually she has strong traits of the Italian, her mix of Carniolan would be a darker honey bee. Some of her sisters show the Carniolan traits. She has a different personality, the Italian Queen is graceful and confident. This hybrid queen is a runner, maybe she will be more confident as time goes by. R.O. premium stock bred. This is the time I'm supposed to leave her alone and let her make brood. They must have let her out of her queen cage quickly. With 60% colony loss worldwide this year, this is a God send.
Sunsets are visually pleasing with their blend of warm and vibrant colors that emerge as the sun dips below the horizon.
A source of inspiration and spiritual insight for people around the world. These daily events offer more than just visual beauty; they provide a gateway to deeper understanding and connection.
Passionate photographers, artists, poets, and philosophers have long been inspired by the hues of a sunset, capturing its essence in their works.
Shot from a riverside of the Nile with a Canon EOS700D
Warbling Vireos can be distinguished visually from Red-eyed Vireos by the lack of a dark border between the crown and supercilium, which is a prominent mark of the Red-eyed Vireo.
They also lack the dark lores between the eye and the base of the bill. This feature gives their face a pale and washed out look. They are more gray on the cape and wing coverts than the bright olive of the Red-eyed Vireo. Warbling Vireos have a dark iris compared to the red iris of the Red-eyed Vireo. The red iris of the Red-eyed Vireo doesn't always show in a photo though.
A bright Warbling Vireo can look similar to a drab Philadelphia Vireo due to a pale yellow wash along the breast, throat, and flanks. The bill of a Philadelphia Vireo is obviously shorter in comparison. The Philadelphia Vireo has a dark lore area compared to the pale lore of the Warbling Vireo.
The songs of the Vireo species are very distinct, but they are not singing much at this time of year.
St. Albert, Alberta.
Garden Lily 2..
There is something so visually pleasing about a lily, it is the mixture of complimentary colours that draw you in. the contrast of yellow and red. I am sure this is as intoxicating to humans as it is to bees and other pollen gatherers.
I am sure there is a solid science behind the reasoning for the many varied colours of lilies; but suffice to say they make my garden look amazing while they are in bloom and i thank God for eyes to see them with.
Please do not copy my image or use it on websites, blogs or other media without my express permission.
© NICK MUNROE (MUNROE PHOTOGRAPHY)
You can contact me
by email @
karenick23@yahoo.ca
munroephotographic@gmail.com
munroedesignsphotography@gmail.com
or on Facebook @
www.facebook.com/MunroePhotography/
On Instagram
Visually (in terms of shape, size, and color) one of my favorite vegetables. Those pictured are of the honeynut variety.
visually speaks of the thunders we experience up here in our highlands: a vast inland plateau averaged at 1,200m above sea level. the mountainous relief seen here is what they term a gold slag dump, 'waste piles left over from the smelting and refining process of gold ore' - my friend now living in England, Gregory, says he misses our loud storms here, that he never finds them there.
Britannia needs no bulwarks,
No towers along the steep;
Her march is o'er the mountain waves,
Her home is on the deep.
With thunders from her native oak
She quells the floods below--
As they roar on the shore,
When the stormy winds do blow;
T. Campbell
let me tell you about Rory Dean.Most people look at me like I am insane.The normal people that is.But Rory gets my thought patterns and words and visions.That is why he is making motion pictures and writing books and making words in poetry and also a great photographer. That is why we shall work together in the future and make wonderful statements visually.Along with Melissa of course.She is the balance...Three artists working to make the world a more intelligent and vivid place on a positive note..
Since it's supposed to be very hot today, I'll at least cool things off visually.
And so I'll take you again to the Erawan Waterfall in Thailand.
A bit of effort is still necessary to get to this wonderfully beautiful place. After all, as you may remember, this is Stage Three.
But after about 30 minutes of sweating we arrived here. In a place that, at least for me, seems truly paradisiacal.
We can sit in the shade of the forest and listen to the sound of the waterfall, accompanied by the songs of many exotic birds, or take off our shoes and wade through the shallow water and let small silver-gray fish care for our feet. But be careful, the rocks are quite slippery in some places. And I don't want anyone to hurt themselves.
Or, if that's not enough to cool you down, just dive into the lagoon right in front of the waterfall. Because here, at almost 2 meters, the water is deep enough to completely submerge.
Yes, that's really bearable, isn't it?
Da es heute sehr heiß werden soll, sorge ich wenigstens optisch für etwas Abkühlung.
Und so nehme ich Euch noch einmal mit zum Erawan Wasserfall nach Thailand.
Ein bisschen Anstrengung ist noch nötig, um bis zu diesem traumhaft schönen Ort zu kommen. Schließlich ist das, vielleicht erinnert Ihr Euch noch, die Stufe Drei.
Doch nach etwa 30 Minuten Schwitzen sind wir dann hier angekommen. An einem, zumindest für mich, wahrlich paradiesisch wirkenden Ort.
Wir können im Schatten des Waldes sitzen und dem Rauschen des Wasserfalls lauschen, welches vom Gesang vieler exotischer Vögel untermalt ist, oder die Schuhe ausziehen und durch das flache Wasser waten und uns von kleinen silbergrauen Fischen die Füße pflegen lassen. Doch vorsicht, die Felsen sind an einigen Stellen ziemlich rutschig. Und ich will ja nicht, dass sich jemand weh tut.
Oder, wenn das als Abkühlung alles noch nicht reicht, dann taucht doch einfach in die Lagune direkt vor dem Wasserfall ein. Denn hier ist mit nahezu 2 Metern das Wasser tief genug um komplett unter zu tauchen.
Ja, so lässt es sich echt aushalten oder ?
more of this on my website at: www.shoot-to-catch.de
When you visually understand that the moon and the sun won't meet today. They just crossed their lights on the Mont Giusalet (3312m) for a short moment.
Col du Mont Cenis (73) - France
Gear: Canon EOS7D / Canon EF-S 60mm F/2,8 Macro
Settings: F/8 - Focal Length: 60mm - ISO100 - 27x1/160s
Original = 6904x4315 px
Stack of 27 different photos
Also on my website, Flickr, Facebook, Instagram (Check also 500px and Youpic)
This 180 degree view of the sunrise over Southern California's Inland Empire was stitched together from 11 horizontal photos. Although visually small in the picture, eight major mountains including four over 10,000 feet can be seen. Following is a list (left to right) of the mountains that span the four Southern California counties of Los Angeles, San Bernardino, Riverside and Orange:
Mt. San Antonio/Mt. Baldy - 10,064; Sunset Peak - 5,796; Ontario Peak - 8,696; Cucamonga Peak - 8,862; San Bernardino Peak - 10,649; San Gorgonio Mtn/Old Greyback - 11,498; Mount San Jacinto - 10,834; Santiago Peak - 5,689.
Photo taken from Bonelli Regional Park. Best when viewed on a large screen.
The visually spectacular red-crested cardinal is hard to miss. Also known as the Brazilian cardinal, this South American species was introduced to Hawaii in the 1930s and has become naturalized and abundant. This one is enjoying the tropical sunrise. Despite the resemblance and common name, the red-crested cardinal is a tanager and not taxonomically classified as a cardinal. This beauty is commonly observed in monomorphic pairs in urban areas of Oahu, Kauai, and Maui.
Die Rakotzbrücke, auch Teufelsbrücke, im Azaleen- und Rhododendronpark Kromlau am Rakotzsee ist ein Landschaftselement der romantischen Gartenarchitektur des 19. Jahrhunderts.
Rakotzbrücke mit Spiegelung auf dem See und der Basaltorgel im Hintergrun
Erbaut wurde die 19,80 m freispannende Bogenbrücke zwischen 1866 und 1875 vom Rittergutsbesitzer Herrmann Friedrich Roetschke. Ihr Halbkreis spiegelt sich im See und bildet so optisch einen vollständigen Kreis. Die im See angeordneten Basaltsäulen werden Orgel genannt.
The Rakotz Bridge, also known as the Devil's Bridge, in the Azalea and Rhododendron Park Kromlau on Rakotzsee is a landscape element of romantic garden architecture of the 19th century.
Rakotz Bridge with reflection on the lake and the basalt organ in the background
The 19.80 m free-span arched bridge was built between 1866 and 1875 by the manor owner Herrmann Friedrich Roetschke. Their semicircle is reflected in the lake and visually forms a complete circle. The basalt columns arranged in the lake are called organs.
Standing guard at Syntagma Square, in front of the Hellenic Parliament, the Evzones are among the most visually arresting figures in modern Greece — and among the most misread. What many visitors register as elaborate pageantry is, in fact, one of the most symbolically layered institutions in the country: a living monument in which every stitch, every gesture, and every deliberate step carries meaning accumulated over two centuries of national history.
The word Evzone (Εύζωνας) derives from the ancient Greek eúzōnos — meaning "well-girt" or "lightly equipped" — a term used in classical Greek literature to describe agile, light-armed warriors. The modern unit traces its institutional roots to December 12, 1868, when a royal decree formally established four battalions to guard the Greco-Ottoman frontier. But their deeper origins lie with the klephts and armatoloi — the mountain guerrillas who fought against Ottoman rule during the Greek War of Independence beginning in 1821. These irregular fighters, agile, fiercely independent, and recognizable by their distinctive dress, became the founding myth of Greek military identity. Their uniform was eventually formalized, adopted as official national dress after independence, and survives today in the last remaining Evzone unit of the Hellenic Army. Before assuming their exclusively ceremonial role after the Second World War, Evzone units served as active combat formations through the Balkan Wars, the First World War, and the Asia Minor campaign — conflicts whose weight is part of what gives the guard its particular gravity.
Selection is rigorous and voluntary. All Evzones are volunteers drawn from the Infantry, Artillery, and Armoured Corps of the regular army, identified during basic training and required to complete at least six months of active military service before beginning Evzone training. The minimum height is 1.87 meters — candidates are also expected to be able to raise their legs to shoulder height, fully extended, during the march. Training lasts approximately one month and concentrates on physical conditioning, mental endurance, ceremonial precision, and the ability to stand completely motionless. The attrition rate is widely reported to be significant.
Their primary post is the Tomb of the Unknown Soldier — a cenotaph honoring all unidentified Greek soldiers fallen in every conflict of the modern era. Two Evzones stand guard around the clock, every hour of every day of the year. Every Sunday at 11am, an entire platoon marches from the barracks behind Parliament down Vasilissis Sofias Avenue, accompanied by a military band, for the Grand Changing of the Guard — the most elaborate version of the ceremony, drawing large crowds. They also raise and lower the Greek flag at the Acropolis every Sunday, accompany the President on official visits abroad, and represent Greece in state ceremonies worldwide.
The uniform is a work of sustained craft. Each piece is entirely handmade by a small tailoring workshop within the Presidential Guard compound, and the full ensemble can take more than eighty days to assemble. The foustanella — the white pleated kilt that defines the silhouette — is made from thirty meters of white fabric and carries four hundred pleats, each one officially associated with a year of Ottoman rule over Greece (1453–1821). Historians note that the garment itself predates Greek independence and was common across the Balkans; the numerical symbolism appears to have been assigned after independence, most famously associated with revolutionary leader Theodoros Kolokotronis, who wore a kilt with nearly four hundred pleats. The attribution may be part retrospective, part national construction — but it is now inseparable from the uniform's meaning. The white of the foustanella and the undershirt is understood to represent the purity of the independence struggle. The krossia, the braided fringes across the chest, are blue and white — the colors of the Greek flag.
The pharion, the red cap with its long black tassel, concentrates two layers of mourning: the red stands for the blood of the fallen, the black tassel for the grief of those left behind. The fermeli, the embroidered vest, is the most labor-intensive piece in the ensemble — hand-stitched in gold and white thread with patterns drawn from Orthodox iconography and folk tradition, and estimated to take over a month to complete. Beneath the foustanella: a white cotton undershirt, two layers of white woolen stockings on each leg, and black silk garters at the knee.
The tsarouchia — the heavy red leather shoes with their conspicuous black pompom — are perhaps the element that most surprises first-time observers. Each pair weighs approximately three kilograms and has between sixty and one hundred twenty nails hammered into the sole, a feature originally designed to provide traction on rocky mountain terrain and which produces the sharp, resonant sound heard with every step. The pompom on the pointed toe has been explained variously as insulation, decoration, and — in popular tradition — a hiding place for a small blade in close combat. The blade theory has no firm historical documentation, but it persists as part of the folklore surrounding the unit.
Every element of the ceremonial movement is deliberate. The guards stand motionless for an entire hour — an exercise in physical discipline that most people could not sustain for ten minutes under any conditions — and then perform their relief in pronounced slow motion. The pace is practical: it allows circulation to resume gradually after prolonged stillness. The sharp, heavy stamp of the tsarouchia against the stone pavement, audible across the square, carries a tradition that is widely shared among Greeks and members of the Guard themselves: it is a signal to the dead — to all the unnamed soldiers commemorated below — that Greece endures. Some guides and popular accounts describe the full choreography as tracing the Greek word Όχι ("No") — the same word spoken by Prime Minister Metaxas to Mussolini's ultimatum in 1940 — through the positions of arms, legs, and rifle. This reading is patriotically resonant and deeply embedded in Greek popular culture, though it represents an interpretation of the movements rather than their documented choreographic origin.
What emerged from the memory and traditions of mountain guerrillas fighting for the survival of a people has become, over two centuries, one of the most recognizable ceremonial institutions in the world: soldiers who carry the weight of an entire national memory, one deliberate step at a time.
Syntagma, Athens, Greece
I could visually see the pinkish nitrogen fringe moving west to east. From Spaceweather.com "Pink is hard to make because it requires particles from the sun to penetrate unusually deep into Earth's atmosphere. Most auroras are green, a color that comes from electrons hitting oxygen atoms 100 km to 300 km above Earth's surface. Pink requires those electrons to burrow even deeper, below 100 km, where they can find molecular nitrogen. N2 produces the pink. This "nitrogen fringe" appears only during strong storms with extra-penetrating particles from space."
Pinhão Railway Station is one of the most iconic and visually striking stops along Portugal’s Douro Valley railway, celebrated for its historic role in the wine trade and its extraordinary azulejo tile panels.
Located in the parish of Pinhão in northern Portugal’s Vila Real District, the station sits along the Douro Line, which opened to Pinhão in 1880 as part of the railway connection between Porto and the Douro wine‑producing region
The station is world‑renowned for its 24–25 hand‑painted azulejo panels (sources vary slightly), installed in 1937. These blue‑and‑white tiles depict:
Grape harvesting
Wine treading
Transport of Port wine in rabelo boats
Terraced Douro vineyards
Scenes of rural life that have since disappeared
They were designed by João Marques Oliveira and Lourenço Rodrigues Limas, produced at the Aleluia Factory in Aveiro, and donated by the Port Wine Institute to promote the region as the “heart of the Douro.”
In my face...
Two visually identical species have been introduced into the north-west Atlantic Ocean, Caribbean Sea and the Gulf of Mexico. Although identification information is given below, this was derived for specimens from the native range. Lionfishes in the invaded range may differ significantly from native range specimens. At this time, positive identification can only be achieved through genetic analysis.
Pterois volitans Red Lionfish
The Red Lionfish has greatly elongated dorsal-fin spines. The membranes of all fins are often spotted. The body is white or cream coloured red to reddish-brown vertical stripes. The vertical stripes alternate from wide to very thin (with the thin stripes being more numerous) and sometimes merge along the flank to form a V-shape.
Pterois miles Devil Firefish
A closely-related species, the Devil Firefish (Pterois miles), is similar to the Red Lionfish. The Devil Firefish is found primarily in Indian Ocean and Red Sea (as opposed to the Red Lionfish, which is predominantly a Pacific species); however, its range extends to Sumatra where the two species co-occur. Although it appears very similar to the Red Lionfish, the Devil Firefish has fewer dorsal- and anal-fin rays. The Devil Firefish generally has 10 dorsal-fin rays and 6 anal-fin rays; the Red Lionfish usually has 11 dorsal-fin rays and 7 anal-fin rays. (USGS.gov)
Nuweiba, Gulf of Aqaba, Egypt
Talking about the Pentacon 3.5/30 vintage lens. It may be half a century old, but optically it is a true 'generalist'. You can use it for any situation as long as the light is good. I prefer this lens to be wide open, as here. But that is a personal choice.