View allAll Photos Tagged vignette
Vignette inspired by the Coruscant scenes in Andor and brutalist architecture.
Also a further experiment with brick built shadows using flat silver & dark bluish grey
Built for @JakobKaiserMOCs custom works contest, intended for Dedra Meero
Thanks to Brock's bricks for all the flat silver parts.
I dislike brutalist architecture from a idealogical and beauty standpoint, but it can look cool :P
To God be all the Glory
by R.D.Hanson.
Toronto, Curvd H&z, october 1979. 3o copies issued as Curvd H&z 7.
8 pp/6 printed, rubberstamp. 4-1/4 x 7, leaflet.
poetry.
27.5o
Recently visited Rangamati to shoot some new dresses of Sozpodor Indigenous Textile, designed by Tenzing Chakma. It was a great experience to work with the team.
All photographs are copyrighted by the photographer and designer, must not be used without written permission.
Le pare brise du Berliet GBK blanc est à proximité et en parfait état, proprement démonté. Il subsiste sur celui ci une vignette de 1986 soit certainement la date de son abandon.
A U.S. Ranger is about to silently take out a Spetsnaz soldier on the outskirts of a destroyed town.
Just a little 12x12 vignette I made. I mainly made this just to post on the Brickarms Files because I have never put one of my pictures on there. Hope you like it!
I wanted to use the skiing minifig for a vig... so I did. Got two lego sets plus three target giftcards. (including the lego one =)) Pics will be uploaded in a couple of days. 278
Les Fleurs animées / album des dessins originaux de Grandville (1846-1847). Dessin extrait de l'album (cote BmN : Rés. 4289). Voir l'exposition virtuelle : grandville.nancy.fr/
Blogged at ellamadethat.wordpress.com/2012/10/09/fo-sweater-9-vignette/.
On Ravelry at www.ravelry.com/projects/ellabobella/vignette.
This coming week is EVIL!!!!! I probably won't be able to post Monday or Tuesday. Also my sigfig got a haircut. I got tagged a day or so ago and I'll do a tag thing later at some point. 344
I decided to do one loop at the lake before I headed to the pool. I know, I know, I have a tough life. 26/365
Small vignette I built for the opening scene of the episode „Trial & Terror“ of „Full Steam 2“. It is a fairly simple build which is meant to highlight the detailed old-timey street lamp in the middle. (I actually finished this MOC long before the paper boy minifig was released, otherwise I’d loved to put this kid in here…)
The invisible glass box is no defense for the baseball bat.
Please comment and fave. And remember a mime is a terrible thing to lose ;-) 52
One of my favorite school time activities. Got a couple new pieces of poster board so no more unsightly rip. =) 329
So i just mashed it all up but if you check my photo stream youll se a vignette of a x wing escorting a ship a crashed wing of the x wing and a stormtrooper encounter
Taken/edited/uploaded with new Photoshop Mobile app for the iPhone. Nice!
My main complaint now is that after you edit the Photo in the Photoshop Mobile app, it blows away all of your EXIF data for the photo. Not cool - and something that Flickr already fixed in the Flickr mobile app.
Allison, Samuel B., Ltd were joiners, builders and "wreckers" based in Glasgow.
Letter dated 24 Mar 1954.
Ref.: BT_004_38
From the Bill Lind Collection.
I rented a Metabones Speedbooster and Sony NEX camera. I wanted to see what would happen with my Tilt-Shift lens. I have already determined that the Sony is waaaay easier to use with the lens tilted. However, I still wasn't sure about shifting. I have already noticed that certain lenses (in my case the 70-200 f4) give crappy results with the Speedbooster, but the TS lens has a very large image circle. How bad could it be? I shot both of these while it was snowing, although about an hour apart. For both photos, the lens is wide open. The Sony claims this is f2.5 and the Canon claims this is f3.5. The lens is a 24mm-TS Mark 2. The Sony also claims the lens is a 16.8 mm lens. The colder photo (on top) is from the Sony. The warmer photo is from a Canon 5d (mk I). The lens is shifted all the way to the right. The first thing you notice is that the 5d is wider (I upsized the 5d image so that the number of pixels width for each image was the same).
The second thing you notice is that the chromatic aberration on the sign directly in front of the camera (on the left of the photo) is hideous on the Sony, but not noticeable on the 5d (I checked the chromatic aberration box in ACR for both images). Then, there is the vignetting. With the lens shifted all the way to the right, if any darkening occurs, it will be on the right (as seen in the 5d photo). On the Sony, the left is noticeably dark. I also took photos with the lens shifted to the left. The Sony is backwards there, too. Well, you can't have everything.
St Chad's Cathedral in Birmingham was built between 1839-41 by the renowned A.W.N.Pugin and remains one of his masterworks. It was also the first Catholic Cathedral to be built in Britain since the Reformation (it's Cathedral status was formally consolidated in 1850 when the Catholic hierarchy for England and Wales was re-established by the Pope).
The setting is unfortunate, being largely seperated from the city centre by busy roads and roundabouts, though at least the space around it allows proper appreciation of the red brick exterior. The style is inspired by that of the medieval churches of Germany and other Baltic countries.
The light and airy interior comes as a surprise after the austerity of the external walls of brick, and still exhibits some of the richness favoured by Pugin, despite the removal of his rood screen and other fittings in the 1960s (the rood itself has since been returned and now hangs alone above the sanctuary). There is a full compliment of stained glass, mostly by Hardman's, Pugin's chief collaborator and protege in this medium, though the apse windows are examples of Pugin's earlier employment of William Warrington.
There are relics of earlier times here in the continental medieval furnishings collected by Pugin including a fine Madonna & Child, a 15th century pulpit from Louvain (carved with the 4 Doctors of the Church) and ancient choir stalls from Cologne.
The cathedral also houses relics of St Chad, spirited away from Lichfield Cathedral during the destruction of the Reformation by devoted followers.
Photograph, carte-de-visite by William H. Curry. Portrait of a man with a waxed mustache and chin strip in military uniform, Col. Thomas A. Smyth, vignetted. PG*3955W.
Thomas Alfred Smyth was a hero in the eyes of his men in the 1st Delaware Volunteers. His story begins in Ballyhooly in County of Cork, Ireland, on December 25, 1832. Raised on his father’s farm, he later immigrated to the United States. Upon settling in his new homeland, Smyth joined William Walker’s 1855 expedition to Nicaragua, and apparently became a skilled woodworker. In 1858, he moved to Wilmington, Delaware, where he remained until the start of the Civil War.
Eager to help his new homeland, Thomas Smyth raised a three-month company to assist in the war. When that service was finished, he enlisted as a major in the 1st Delaware Volunteers. Smyth was at the Battle of Antietam, and was present when Captain Rickards (3955JJ) was killed. By the end of 1862, Smyth had earned the respect of his fellow men and commanding officers. On December 18, 1862, Smyth was promoted to lieutenant colonel. Smyth was wounded during the Battle of Gettysburg but was able to return to service. After Smyth’s performance at Gettysburg, General Hancock recommended Smyth for promotion to brigadier general, although the promotion took a year to become official. Those in combat with him were disgusted by the slowness of his promotion, and Surgeon Reynolds of the Irish Brigade wrote a song with each stanza ending: “There’s not a star for you Tom Smyth. There’s not a star for you.”
Between March and May 1864, Thomas Smyth temporarily took command of the Irish Brigade. Finally on October 4, 1864, Colonel Smyth was promoted to the rank of brigadier general. After his promotion, his officers secretly collected $1,200 and purchased a horse, a saddle, saddle cloth, saddle bags, holsters, bridle and martingale, a belt, a sword, a sash, and shoulder-straps. His men quietly arranged everything in his quarters, and gathered to surprise him. Smyth was greatly moved by the actions of his men, and quite appreciative.
Months later, during a cold and rainy April 7, 1865, Thomas Smyth and his men neared the town of Farmville, Virginia, where they encountered heavy fire from the Confederates. While on his horse, Smyth was hit in the mouth, by a sharpshooter. The conical ball had damaged his neck, which resulted in a fractured cervical vertebra. That in turn caused a small fragment of bone to lodge in his spinal cord, resulting in paralysis. His men caught him and brought him to Surgeon-in-chief D.W. Maull (3955C). The surgeon-in-chief stayed and attended to Smyth, as he was transported to Burkesville Station. Theron Parsons (3955X) was at Smyth’s bedside. When he regained conscious, he was aware of his wounds, but thought only of his men. On April 9, 1865, at 4 a.m., he passed away. His body was embalmed at Burkesville, forwarded to Wilmington for burial, and laid to rest at the Brandywine Cemetery in Wilmington. That same day, the main army of the Confederacy surrendered, making Thomas Smyth the last general officer killed on the Union side. After Smyth’s passing, Maull (3955C) wrote a memoir of Smyth for the Delaware State Historical Society
So i just mashed it all up but if you check my photo stream youll se a vignette of a x wing escorting a ship a crashed wing of the x wing and a stormtrooper encounter
Atlantic, The, Engine Co.(1920) Ltd were making "Atlantic" petrol-paraffin & high speed diesel engines and based in Wishaw.
Letter dated 25 Nov 1937.
Ref.: BT_004_85
From the Bill Lind Collection.
10 high resolution Grungy Vignette textures created completely on the computer. Like previous posts, when it get cold and damp out it becomes necessary to create textures on the fly and so here you go.
Full sized textures are found at www.outsidethefray.com.
Arnott, Wm. & Co. were boilermakers based in Coatbridge.
Letter dated 22 Jun 1922.
Ref.: BT_004_65
From the Bill Lind Collection.