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Shot on a Toyo 4x5 with a Leaf Valeo digital back. 1 Mole Richardson 1K 135Ëš camera left through a 3x3' diffusion panel. 6 fill cards in the foreground around the camera. 3.2 seconds at F/22. A simple photo that was anything but simple to light.
It's missing a lens, but that and film are all I need to use it. Here you can see the front rise and fall adjustment and main focusing knob.
Gelatin-silver photograph on Freestyle Private Reserve VC FB photographic paper, image size 19.3cm X 24.7cm, from a 8x10 Fomapan 200 negative exposed in a Tachihara 810HD field view camera fitted with a Fujinon-W 300mm f5.6 lens.
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.3cm X 21.4cm, from a 4x5 Arista Edu.Ultra 400 negative exposed in a Tachihara 45GF double extension field view camera fitted with a Nikkor-W 210mm f5.6 lens.
Titled and signed recto, stamped verso.
Gelatin-silver photograph on Agfa Classic MCC 111VC FB, image area 19.6cm X 24.7cm, from a 8x10 Tri-X negative exposed in a Tachihara 810HD triple extension field view camera with a 121mm f8 Schneider Super Angulon lens.
Kathedrale basiliek Sint-Jan Evangelist 'S-Hertogenbosch Start building in 1350, became cathedral in 1561; burned in 1584 and was rebuild until 1622
Photographed with view camera Cambo ActusMini and Actar 24mmf/3.5 with Sony 7MII
Latest stray that wandered in the door. Want to use it for portraits at least, perhaps some other things, we'll see. Not the most portable beast in the world, but at least it's not particularly heavy. Have some lenses that ought to cover and it came with a lens board (as seen), but need to pick up an 8x10 film holder. Also came with a 4x5 reducing back, so might get to play with it sooner than that, though...
De Basiliek van de Heilige Johannes de Doper ligt in Laren, Noor-Holland en is een van de 26 basilieken die Nederland kent. 1937 werd deze kerk verheven tot basiliek door paus Pius XI.
The Basilica of Saint John the Baptist is located in Laren, North Holland and is one of the 26 basilicas in the Netherlands. In 1937 this church was elevated to a basilica by Pope Pius XI.
Die Basilika St. Johannes der Täufer befindet sich in Laren, Nordholland und ist eine der 26 Basiliken in den Niederlanden. 1937 wurde diese Kirche von Papst Pius XI. zur Basilika erhoben.
Exposed for the negative so the positive is hot, but Polaroid originals are fun unto themselves. I clearly did not do a good job coating it.
I intended to include more of the keyboard, but the sheet slipped down in its holder. It's always something, isn't it?
Gelatin-silver photograph on Agfa Classic MCC III VC FB photographic paper, image size 21.3cm X 16.3cm, from a 4x5 Kodak Tmax 100 negative exposed in a Tachihara 45GF double extension field view camera fitted with a Schneider Super Angulon 90mm f8 wide angle lens. Titled and signed recto, stamped verso.
Murdering Creek flows into the southern part of Lake Weyba near Noosa. It is the rumoured site of a massacre of aborigines by local squatters. There are no eyewitness records of this so a mystery remains.
Repoussoir is a device in pictorial composition where a foreground feature at the edge of a picture frames a more distant part of the scene and leads the eye into it. The ability of a view camera to swing its front or rear standards provides an oblique focus plane that can carry sharpness from very near to very far to strongly emphasise the repoussoir technique.
Gelatin-silver photograph on Freestyle Private Reserve photographic paper, image size 24.6cm X 19.4cm, from a 8x10 Fomapan 200 negative exposed in a Tachihara 810HD triple extension field view camera fitted with a Schneider Super Angulon 121mm f8 lens.
The 121mm f8 lens barely covers 8x10 and a tiny trace of vignetting is apparent in the upper left corner.
"Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth." --Oscar Wilde
4x5 for 365 Project details: greggobst.photography/4x5-for-365
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Fujinon-W 210mm F5.6 lens in a Copal B shutter. Yellow-Green filter on the lens.
Film: Fuji Super HR-T 30 medium speed green sensitive X-Ray film. Purchased as 8x10" sheets and cut down to 4x5". Film rated at 100 ISO.
Exposure: 20 seconds @ F22 after compensation for filter factor, bellows extension and film reciprocity.
Lighting: Lit from a constant light made up of four 25 watt daylight balanced CFL bulbs in a four socket adapter placed on a light stand and diffused through a home made diffuser made of white bridal satin around a pvc pipe frame positioned to camera right. Above the subject was placed an Alien Bees B800 studio strobe in a 22" white lined beauty dish with diffusion sock with just the modeling light on @ full power.
Development: Self Developed film in Rodinal (Adox Adinol) 1:100 in three reel Paterson Universal Tank using Mod54 six sheet 4x5 insert. 6 1/2 minutes @ 20 degrees Celsius with minimal inversions. Kodak indicator stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass.
L-Shape adapter and wide angle bellows for using all dslr to Linhof Master TL camera
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These were taken last session on the 4x5 for simulated window light. He has such a great face for portraits.
4X5 Delta 100 film
Nikon 240mm lens
f8 with two 300ws studio lights
I attempted to put the eye and horn tip in focus with the nose softened just a little. I also tried to get the left side darkened to the point of silhouetting. Other than a little too much softening at the nose, this worked. I just wish I'd noticed that corner in the background.
Gelatin-silver photograph on Ilford VC FB photographic paper, image size 19.5cm X 24.5cm, from a 8x10 Kodak Tmax 400 negative exposed in a Tachihara 810HD triple extension field view camera fitted with a Fujinon-W 300mm f5.6 lens. Titled, signed, and stamped verso.
ALVANDI New Helical focus mount for 24 to 210 mm medium and large format lenses.
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This was taken as part of my "Night Shift" show, but was not used. If I had it to do over again. I would have used Semi-stand development at N-1 to keep the highlights in check.
One of the things I really like about the Cooke lens is the way it distorts perspective slightly in the Bokeh.
I was still brand new to 8x10 cameras, and to ancient optics. The camera I took this image with weighed about 25 pounds not including the lens. On a rainy night in December, 2008, I stood under an awning across the street from the Bagdad theater, and shot through the rain--a very Portland thing to do.
Camera: Calumet C-1 with modified Packard Shutter.
Lens: 13" Cooke Series II Portrait lens.
Film: Ilford HP5+ developed in Kodak HC110.
Contact Printed on Ilford MGIV, developed in Ansco 130.
Uploaded sharper version 10/22/20. It turns out that the out of focus areas were partly due to the negative not laying completely flat when I contact printed it. In this version, the closest shops are in focus. The distance is slightly out of focus, which is fine.
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Carrying case for the 5x7 Agfa. It holds the 5x7 view camera and the 4x5 reducing back, plus it has extra room for various accessories; dark cloth, meter, level, cable release, grey card, misc. small tools, and other sundry items you always end up needing on an extended photo journey.
I will be using this camera in week 471 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
For the first full week in 2019 of my 52 cameras in 52 weeks project, I decided to use my dad's Lizars Challenge folding plate camera. This dates from around 1905 and is in very good condition. I will be using a roll film back as I don't have any glass plates. I expect to take most of the 8 exposures indoors using a tripod, bit I hope to try a couple outside. I've loaded it with Rollei Pan ISO 25 black and white negative film.
I just got the latest issue of the View Camera magazine. It consists solely of a portfolio of Paul Caponigro. Outstanding b&w photography, well worth seeking out.
One of the old documents found in the family archive, possibly a promissory note.
Camera: Toyo-View 45GII, Fuji Fujinon NW 125mm f5.6. Film: Rollei Ortho 25, developed in Rollei RLC Low Contrast.
Geeking out during rainy Saturday taking shots of my newest old camera with my newest new camera. Graflex Graphic View I meet Canon 7D.