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Joseph's mom (my soon to be mother-in-law), probably one of my favorite models. More to come once i develop and scan the negatives.
4x5 View camera, 180mm, Ilford FP4
I took these over spring break on a Calumet 4x5 view camera, and decided they weren't worth sharing (my fault). But I've changed my mind, so here they are. Shot on TMAX 100 ISO film.
This was shot at an old pioneer cemetery. The depth in the scene with the foreground tree, tree in the middle and the headstone in the background, posed a real challenge due to the high dynamic range of the scene.
I took a meter reading at the base of the foreground tree as I really wanted to retain the detail in this tree.To manage the highlights in the background, I reduced my development time.
Looks like this film holder may have a bit of a light leak, will have to test it again.
Shot at f64 @ 8 Seconds
ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 50 iso + D-76 1:1 @ 8 min (Tray developed, 1 min initial agitation followed by every minute)
St Mary's Cemetery began with the first burial in 1856.
St Mary's Cemetery is associated with the area's earliest pioneers. The land was donated by George K. Chisholm, the first mayor of the Town of Oakville. The cemetery contains many prominent Chisholm family members, the most prominent of which is Colonel William Chisholm, the founder of Oakville.
I finally got around to doing some 8x10 proofs yesterday. This one was hard to print. The negative was very dark. I think made a mistake in exposure. The print took 2 minutes under the enlarger. I split graded it. 1 minute at grade 3, and 1 minute white light. Still, I would like to burn in the top right corner a bit. Or... Maybe not.
Camera: Kodak Commercial Studio 8x10.
Lens: 760mm SK Grimes.
Film: Ilford Ortho + developed in Kodak HC-110.
Printed on Ilford MGIV developed in Ilford Bromophen.
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My Web Site and Blog: Gary L. Quay Photography
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The other day I had a young girl in my office and she was looking at a 35mm slide that was sitting on my scanner. She asked me how I made the small image inside the cardboard frame...I looked at her and realized, that with digital, she had never seen slide film. I decided to go out and shoot a 4x5, before I forget how to do it.
Click L for more detail
Rescanned and uploaded better version 5/9/20. The description below is from 2009.
I love trains. Someday, I hope to take a good picture of one.
My parents were in town from Pennsylvania, and we took a trip to the Oregon Coast. We passed this train on the way and decided to park the Volvo and get out for a stretch. I snapped a couple pictures. I was new to large format photography, and didn't have a clue how to keep all of the dust off on the film while loading it into the holders. This negative is unprintable in the darkroom, but I was able to clean it up for Flickr.
Camera: Linhof Technica
Lens: 135mm Linhof (Schneider)
Film: Maco 820 Infrared developed in PMK Pyro.
The data sheet on Maco IR said that a 25 red filter could be used with this film to get the signature infrared look, but, as you can see, this looks like conventional film.
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My Web Site and Blog: Gary L. Quay Photography
My portfolio on Shutterstock
My portfolio on iStock
My portfolio on Adobe
Feel free to join my Flickr groups
and Flickr Today 2
Now this is a first:
- my first large format shot ever
- my first shot on black and white film
- my first time developing film myself
I am so happy that this turned out this well. Clearly I need to improve my handling of the film - I had to do quite a bit of dust removal on many of the shots in PS - this one was surprisingly intact.
I am very happy that I spent the cash and time on acquiring the equipment and learning how to do this. I think I have just fallen in love with film and large format. Not going to give up digital, but definitely going to shoot film on the side.
Calumet 4x5 view camera
Fujinon 180mm 5.6
f/5.6, 1/250s
Fomapan 100
Ilford ID-11
Lighting: Godox Witstro @ 1/32 with the standard reflector, placed behind the subject and to the camera left.
Camera: Toyo 45 GII, Schneider Super Angulon 90mm f8.0. Film: Ilford FP4+, developed in Rodinal 1+50, 15:30 @19.0°C.
Camera: Toyo-View 45GII, Schneider-Kreuznach Super-Angulon 90mm f/8. Film: Rollei Ortho 25, developed in Rollei RLC Low Contrast.
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 19.3cm X 24.7cm, from a 8x10 Kodak Tmax 400 negative exposed in a Tachihara 810HD field view camera fitted with a Fujinon-W 300mm f5.6 lens.
Arca Swiss large format camera with polaroid film back
Fuji Fp-100c instant film
model: Luciana Cáceres
In addition to the standard view camera lenses I have for the Linhof, the 90, 135, and 210mm lenses, thanks to the used lens board box at my local camera store I was able to mount these two shutters that have been sitting in the closet for far too long.
The empty vintage Kodak Kodet shutter on the left will have a brass pinhole installed in it. The 10.5cm f:4.5 Kodak Anastigmat on the right was removed from an old Kodak folding camera years ago. I was thinking it might make an interesting lens to use with the 6x6 and 6x9 roll film backs.
Bring Your Kid to the Museum.... "In the Public Eye" & "Double Exposure" Exhibits at the www.Nelson-Atkins.org Galleries Kansas City, Missouri USA
Lots of detail here ... too much in my opinion. I was hoping to get some separation between the bush in the foreground and the tree and foliage in the background. Clearly, I did not achieve this as the image looks too two-dimensional.
I also used an orange filter to darken the blue sky and to get a little more contrast in the image which was shot on a very bright sunny day, there was a huge dynamic range from shadows to highlights in this scene.
f45-64 @ 1 second + Orange Filter
ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 50 iso + HC-110 (9mL syrup + 600mL water) @ 8 min (Tray developed, 1 min initial agitation followed by every 30 seconds)
"The Ship and the Choir” by Pieter Saenredam (1597-1665). painted on the wall by DeStrakkeHand in april 2020
CamTech:
Cambo ActusGFX Fujifilm GFX50s CarlZeiss Contax645 35mmf/3.5
This is an advance copy of my first published book (one made by someone other than myself). The book will be released by www.charleslanepress.com in September 2011. Charles Lane Press was started by Richard Renaldi and Seth Boyd and they are becoming known for their immaculate attention to detail in the production of their books. Mine will be the 4th book they have produced.
The icy grip of Winter. Ice clings to a tree branch. I think I've had just about all the Winter I can take already.
4x5 for 365 Project details: greggobst.com/4x5-for-365/
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Fujinon-W 210mm F5.6 lens in a Copal B shutter.
Film: Arista EDU 100 Ultra 100 ISO Negative sheet Film, shot at 64 ISO.
Exposure: 1/15th second @ F22.
Development: Self Developed film in Kodak Xtol 1+2 dilution in Paterson Universal Tank using the Taco Method. 13 minutes @ 20 degrees Celsius. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass.
This image is a part of six image series from 1998, shot on large format film with a view camera and then made into photopolymer gravures.
Van Nuys, CA 2013
Toyo/Omega 45F
Nikon Nikkor-W 210mm (82A filter)
T5.6
1/60 shutter
Arista EDU Ultra 100 (rated 50ASA)
LegacyPro L76 1:1 10 minutes
Scanned: Epson 4490
16 Mile Creek
The sun was traveling straight down the creek right at me ... had to capture it.
f45-64 @ 1/2 second + Orange Filter
ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 80 iso + HC-110 (9mL syrup + 600mL water) @ 7 min (Tray developed, 1 min initial agitation followed by every 30 seconds)
I am loving how this orange filter accentuates the highlights and separates the tones amongst the fall coloured leaves. It also offered up a little more contrast in the stream to make the highlights pop as well as enhancing the separation of tones in the clouds.
I accidently mixed only 6 mL of HC-110 instead of my normal 9mL, on top of that, I reduced my development time. I thought the negative would be completely underdeveloped. Could have used a bit more development in the shadow areas but turned out OK despite my mistake.
Gelatin-silver photograph on Fomabrom Variant III VC FB photographic paper, image size 24.4cm X 19.6cm, from a 8x10 Fomapan 200 negative exposed in a Tachihara 810HD triple extension field view camera fitted with a Fujinon-W 300mm f5.6 lens. Signed, titled, and stamped verso.
croton reservoir dam
omega 45d monorail 4x5
efke 50
schneider 210 symmar
one of the first five 4x5 images i have shot. A big change from small or medium format. Still have to sort out some technical issues (light leaks from improperly loaded film, and i can't decide wether it is worth it to get a polaroid back...