View allAll Photos Tagged viewcamera

Museum of arts, Gothenburg.

 

This is the single most elaborate shot I've ever done. It's made with a View camera (large format camera) and it took about 30 minutes to set up. You are not allowed to take pictures inside the museum but Christoffer (a friend from the gothenburg school of photography) and me were able to get a permit after some persistent arguing with the supervisor.

 

The View camera enables the user to change the position of the focal plane, thus creating a tilt-shift effect. It's very tricky though. The camera is loaded with a single sheet of film prepared in a darkroom. There are no aids in form of measuring light and virtually no help with exposure times either. It's as manual as it gets. By my god it's fun.

 

This shot has an altered focal plane and somewhat of a tilt-shift effect.

 

View large on white is essential.

I was heading back to the car from the forested area on the left of the frame and I have always admired the rolling hill at the back of the field. Believe it or not, that hill is actually a land fill.

 

I had packed the ShenHao away and was in a rush but I knew i would kick myself if i didn't capture those wisp like clouds flowing over the hill.

 

I used an orange filter on this shot to get a little more contrast between the blue sky and clouds.

 

f32-45 @ 1 second + orange filter

 

ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 50 iso + D-76 1:1 @ 9 min (Tray developed, 1 min initial agitation followed by every minute)

“Look in a mirror and one thing's sure; what we see is not who we are.”

-Richard Bach

Cambo Actus / Zeiss 21mm Distagon / Sony A7II

Scheimplfug focussing front tilt down, swing left

 

Copyright 2018 by Zip Zipsen Photografy .

All Rights Reserved.

Do not copy, reproduce or use in any way without permission.

 

If you want to licence this photo in high resolution, please contact me: zip.zipsen@gmail.com

Camera: Toyo 45 GII, Fuji Fujinon W 125mm f5.6. Film: Kodak Biomax MR, exp. 01/2003, exposed ISO 25, developed in Rodinal 1+50.

4"x5" Negative Film Still Life

Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.3cm X 21.3cm, from a 4x5 Arista Edu Ultra 400 large format negative exposed in a Tachihara 45GF double extension field view camera fitted with a Schneider Super Angulon 75mm f5.6 lens and #25 red filter.

Titled and signed recto, stamped verso.

The loneliness of a January walk. Made this shot at Lockridge Furnace Park in Alburtis, Pennsylvania.

 

4x5 for 365 Project details: greggobst.com/4x5-for-365/

Camera: Calumet 45NX 4x5 large format monorail view camera.

 

Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter. Yellow filter on the lens to improve contrast.

 

Film: Ilford HP5+ 400 ISO Negative Film, shot at 200 ISO.

 

Exposure: 2 seconds @ F22.

 

Development: Self Developed in Kodak Xtol 1+2 dilution in Paterson Universal Tank using the Taco Method. 13 minutes @ 20 degrees Celsius. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo rinse.

 

Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass.

This small grist mill was built in 1888 in Bally, Washington Township within Berks County Pennsylvania. It was moved to the Berks Heritage Center location in Bern Township in the late 1970's. The mill was water-powered and initially served the Nicholas Melcher farm on which it was located. It has a footprint of 25' x 25'.

 

Camera: Calumet 45NX 4x5 large format monorail view camera.

Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter.

Film: Ilford HP5+ 400 ISO B&W sheet film

Settings: Shot at F22, 1/30th second shutter speed. Metered with a Pentax 1 degree spot meter.

Development: Self Developed film in Kodak Xtol 1:2 in Paterson Universal Tank using the Taco Method. 15.5 minutes @ 20 degrees Celsius. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips. .

Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass.

 

For more of my work, please visit GreggObst.com.

Sint Gerlach kerk in Zuid Limburg - rich of paintings

This one didn't work but it was worth a try:

Put an Instax 100 card in a 4x5I Packfilm sleeve. The envelope acts as a dark slide and it can be loaded in daylight.

Develop it by pulling it through the rollers of the 545 sheet film holder.

Scan of a contact print on Ilford MGWT from an 18x24 xray negative.

 

Fujifilm AD-M developed in 11x14" trays in Adox RO9 (10+1000) @ 24C for 8'min with intermittent agitation.

 

Shot with an 8x10" viewcamera and a Fujinon W 180 @ f/22 and t1/4"s

 

Taken with a 4x5 view camera

 

Large format Portraits

Busch Pressman D, Foma 100, stand dev

Blog: www.limagerit.fr

Facebook: www.denisg.fr

500px: 500px.denisg.fr

The Freyberger one-room schoolhouse was built by Jacob Stein for $300 in the 1830's, though some reports list its build date as circa 1870. It was originally called both the Center School and the Stein School. Classes ceased at the school in 1955 when school district consolidation took over in Pennsylvania. The school was moved to the Kutztown University campus on October 30th-31st 1991 and is now part of the Pennsylvania German Cultural Center which includes examples of a German Bank Barn, Farm House, Cabins and this one room brick schoolhouse. The original location of the school was on Klinesville Road in Greenwich township about 3 1/2 miles from its present location. It was gifted to the college by Archie Follweiler Jr. of Kutztown. Kutztown University Alumnus and retired school teacher Dr. Ruth Freyberger paid for the move, renovations and maintenance of the schoolhouse as a tribute to her Sister Grace Arline Freyberger, also a Kutztown University graduate and a retired schoolteacher who attended a one-room schoolhouse in her youth. Present day school children sometimes take field trips to the school to learn about what it was like to be educated in one during the 1800s/early 1900s.

 

This was shot on a completely overcast day bordering on rain so we had a featureless sky. That's pretty much how my March went on this project.

 

4x5 for 365 Project details: greggobst.com/4x5-for-365/

 

Camera: Calumet 45NX 4x5 large format monorail view camera.

 

Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter.

 

Film: Arista EDU 200 Ultra B&W Negative Film, shot at box speed.

 

Exposure: 1/4 second @ F45.

 

Development: Self Developed in Kodak Xtol 1+2 dilution in Paterson Universal Tank using the Taco Method. 12 minutes @ 20 degrees Celsius. Kodak indicator stop bath. Ilford Rapid Fixer. Photo-Flo rinse.

 

Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass.

Sinar P / Schneider Symmar 150mm / Agfa MCP paper negative

 

Even though, not half a jewel than a Leica M3/M2 was

8x10 Deardorff w/ Kodak lens Polaroid 809 transfer print

I have never a couple more meant for eachother then them. I'll be shooting their wedding in August so look out!!!

 

More to come from Georgia.

 

4x5 view camera, 180mm, Ilford FP4

Gelatin-silver photograph on Agfa Classic VC FB photographic paper, image size 19,3cm X 24.7cm, from a 8X10 KODAK Tmax 400 negative exposed in a Tachihara 810HD field view camera fitted with a Fujinon-W 300mm f5.6 lens.

 

There had been a violent overnight wind storm which spit the tree and left the wound of bright wood glowing in the grey morning light.

I went looking for textures and abstraction in our refrigerator the other day and and found Broccoli.

 

4x5 for 365 Project details: greggobst.com/4x5-for-365/

 

Camera: Calumet 45NX 4x5 large format monorail view camera.

 

Lens: Fujinon-W 210mm F5.6 lens in a Copal B shutter. Yellow-Green filter on the lens.

 

Film: Fuji Super HR-T 30 medium speed green sensitive X-Ray film. Purchased as 8x10" sheets and cut down to 4x5". Film rated at 100 ISO.

 

Exposure: 35 seconds @ F45 after compensation for filter factor, bellows extension and film reciprocity.

 

Lighting: Lit from a constant light made up of four 25 watt daylight balanced CFL bulbs in a four socket adapter placed on a light stand and diffused through a home made diffuser made of white bridal satin around a pvc pipe frame positioned to camera right. Above the subject was placed an Alien Bees B800 studio strobe in a 22" white lined beauty dish with diffusion sock with just the modeling light on @ full power. The reflection of the black background causes the mirror surface to reflect as black.

 

Development: Self Developed film in Rodinal (Adox Adinol) 1:100 in three reel Paterson Universal Tank using Mod54 six sheet 4x5 insert. 6 1/2 minutes @ 20 degrees Celsius with minimal inversions. Kodak indicator stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film.

 

Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass. Cropped to taste in Lightroom 4.

Film isn't wine - it doesn't age well. Still, I thought it went reasonably well with the gritty subject matter.

ancient 11x14 view camera setup in RCC's "2nd year" studio

This is the renovated school house in the tiny village of Stillwater Pennsylvania located along route 487 in Columbia County. The school is located right next to the Stillwater Covered Bridge. According to the year 2000 census, the population of Stillwater was 194 people in 85 households. The building was extensively renovated during the last decade and a photo exists showing its deteriorated prior condition in 2005 here: en.wikipedia.org/wiki/File:Church_in_Stillwater.jpg

 

4x5 for 365 Project details: greggobst.com/4x5-for-365/

 

Camera: Calumet 45NX 4x5 large format monorail view camera.

 

Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter.

 

Film: Kodak Ektascan BR/A single-sided X-Ray film. Purchased from zzmedical.com as 8x10" sheets and cut down to 4x5". Film rated at 80 ISO.

 

Exposure: 1/8 @ F45.

 

Development: Rodinal 1:100 in three reel Paterson Universal Tank using Mod54 six sheet 4x5 insert. Semi-Stand for 15 minutes with an initial minute of inversions then 10 seconds of inversion on minutes one and two then let it sit until minute 14 when I do a final ten seconds of inversions. Kodak indicator stop bath. Ilford Rapid Fixer. Photo-Flo. Hung to dry.

 

Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass. Cropped to square in Lightroom.

Camera: Toyo-View 45GII, Fuji Fujinon NW 125mm f5.6. Exposure: f32, 1 sec. Film: Fujichrome Velvia 50 exp 10/2013, home-developed with the Tetenal Colortec E-6 3-bath kit.

A photo I took of Grant Park for use in my Cyanotype printing tests. Needless to say, I'm not too excited about how my cyanotype turned out, but I knew this would make a terrific straight-forward b&w image.

 

Although the weather was a bit rough this day, I was happy to see so many wonderful clouds with enough separation to allow light through. This allowed me to record the awesome definition of both their shape and form. Even if the wind was dangerously close to tipping over my tripod with the camera attached (on numerous occasions), I'm glad I toughed it out. Do enjoy :)

 

November 2012

Grant Park

South Milwaukee, WI

 

Horseman 45L View Camera

210 mm Nikkor f/ 5.6

Ilford FP4 125 B&W Negative Film

Cokin P001 Yellow Contrast Filter

 

Exp: 1/4 sec @ f/ 45

 

D76 Developer

N+1.5 Development

Wet Mount Scanned on Epson v750 Pro

Architecture. Camera conversion. Large format analogue photography. Porsche.

This image was made with a Polaroid 110A that I converted to shoot 4×5 sheet film using a DIY "Lo-Fi" back. Exposed on Ilford Delta 100, the camera itself is as much a part of the story as the subject—a blend of restoration, engineering, and experimentation.

From rebuilding the camera to composing the photograph, every step reflects an appreciation for thoughtful design, craftsmanship, and taking the slow route to a single negative.

Lower Purgatory Falls, Milford, NH. 24 second exposure on Ilford Delta 100, developed in DDX.

Brand Camera Co 4x5 view camera

Ilford FP4+

HC110 dilution G, 18 minutes.

Red filter.

Symmar 180mm Convertible f45

 

This image is a part of six image series from 1998, shot on large format film with a view camera and then made into photopolymer gravures.

8x10 Deardorff w/ Kodak lens Polaroid 809 transfer print

With Fujinon f/1:5.6 - f150mm lens

Another photo of Stefan, made with the 4x5 Crown Graphic, instead of an Instagram. Made on an outing with the Ann Arbor Area Crappy Camera Club.

Is zealand close enough to G.R.? Taken with 4x5 view camera. check out large. Mucho detail.

A miniature sized view camera in the 3 1/4" x 4 1/4" format. Made by Agfa Ansco Corp., Binghamton, NY

The lens is an early B&L Protar of approx. 135mm focal length that was remounted into a Rapax shutter

Busch Pressman D + Foma 100 + rodinal , stand dev

Linhof Kardan Standard / hacked Polaroid 104 plastic lens / Forte Bromofort direct paper negative

Basiliek nearby Roermond (Limburg) Netherlands

croton reservoir dam

omega 45d monorail 4x5

efke 50

schneider 210 symmar

 

one of the first five 4x5 images i have shot. A big change from small or medium format. Still have to sort out some technical issues (light leaks from improperly loaded film, and i can't decide wether it is worth it to get a polaroid back...

This image has a mysterious line of greater exposure across the top 1/4. I have no idea what caused this.

4x5 view camera

 

5D2

35L

Linhof Kardan Standard / Schneider Symmar / Agfa MCP direct paper shot

8x10 Deardorff w/ Kodak lens Polaroid 809 transfer print

Taken with a Linhof Kardan Master TL, Schneider-Kreuznach Symmar-S150/5,6 MC on Delta 100.

1 2 ••• 60 61 63 65 66 ••• 79 80