View allAll Photos Tagged viewcamera
A precursor to my Interstate 80 project, Space Available explores the various spaces left unutilized on the Midwestern roadside. Space Available is also the name of my daily photography blog:
Negatives #3 & #4, shot about 8 frames today with the Shen Hao.
At the moment I am tray developing Arista EDU 100 shot at 50 iso in D-76 1:1 for 9 minutes with agitation on every minute. My first negative came out nice and these ones looked pretty good when I first hung them to dry. Will be interested to see if I was able to attain consistent results with the tray developing.
This is an image from a seven picture series (1998) which I printed as gum bichromates using tritone separation and halftone negatives.
My first shots with the Malefic 4x5 on Fomapan 100. Although slightly too grainy for my taste Fomapan is a good film to start with large format photography. Its quite affordable.
Gelatin-silver photograph on Agfa Classic MCC 111 VC FB, image area 24.6cm X 19.6cm, from a Kodak Plus-X negative exposed in a Nagaoka double extension 8x10 field view camera with a Commercial Congo 360mm f6.3 lens.
here he was, Iowa county, WI. the real photographer. To my delight. There are few left that know how to operate a view camera, use swings and tilts and how to focus it. That's what photography is all about, choosing a right lens, composing a photo on ground glass, making all corrections, checking focus, and exposing that large sheet of film, wow.
Pentax K10d , Vega 12b 90mm f:2,8 at f:16 , Tilted with homemade device . More info about the gear here bluescargo.gr/geometry/
My Arca-Swiss 4x5 photographing a waterfall in Fort Worth, Texas
See more on my blog
thelargeformatcamera.blogspot.com/2012/12/west-fork-falls...
Taken under the Roosevelt Bridge on TR Island.
Image was scanned using an Epson V750 at max resolution. The original image took over half an hour to scan, was 1.2gb in size and measured 96 inches on the long side at 300ppi.
Linhof Technika 4x5, 210mm Nikkor-W
f/22@ 1/2 sec
Kodak Tri-X 320 at ISO 320
Developed Kodak Xtol 1:1 by dip and dunk method.
Geeking out during rainy Saturday taking shots of my newest old camera with my newest new camera. Graflex Graphic View I meet Canon 7D.
Camera: Toyo-View 45GII, Fuji Fujinon NW 125mm f5.6. Film: Adox CHS 100 II, developed in Rodinal 1+100, 27min @ 20°C.
Arca Swiss Discovery 4x5 view camera set up overlooking Santa Elena Canyon in Big Bend National Park.
See more about this location and the final image I made on my blog
thelargeformatcamera.blogspot.com/2012/05/santa-elena-can...
See more images from Big Bend on my website
www.wildernessphotographer.net/Texas/Big-Bend-National-Pa...
Second shot with Instax film in a 9x12 glass plate holder.
Schneider Symmar 150mm F/64
small handheld flash, LZ22 (metric)@100ASA
This time exposure is about right.
The white shlark on the right side is some sticky tape that stuck to the rear of the photo while it was going through the rollers.
I have never a couple more meant for eachother then them. I'll be shooting their wedding in August so look out!!!
More to come from Georgia.
4x5 view camera, 180mm, Ilford FP4
Pentax K10d , Vega 12b 90mm f:2,8 at f:16 , Tilted with homemade device . More info about the gear used here bluescargo.gr/geometry/
Improved Seneca View Camera, Carl Zeiss f4.5 210mm DRP Tessar, Thornton Pickard wooden shutter, 5x7, Fomapan 200 film, D-76 Developer
Linhof Kardan Standard / Meopta Belar 4,5 75mm enlarger lens / Agfa MCP direct paper negative
I will be paying for it a looooong time, but I think it's worth every pence. Geez, when I first mounted it in my studio and started playing with it, it felt like I was doing 4x5 for the first time. We are going to be friends, you know?
Gelatin-silver photograph on Freestyle Private Reserve VC FB photographic paper, image size 24.7cm X 19.5cm, from a 8x10 Fomapan 200 negative exposed in a Tachihara 810HD triple extension field view camera fitted with a Schneider Super Angulon 121mm f8 lens.
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.4cm X 21.3cm, from a 4x5 Tri-X Pan Professional negative exposed in a Tachihara 45GF double extension field view camera fitted with a 150mm f4 Wollaston Meniscus soft-focus lens and a #25 red filter.
My photographer friend died after a long long illness and some of his equipment passed into my hands. There were many film holders that he had loaded with Tri-X fifteen years previously but could not expose. The film had corroded through the passage of years but I took it to those places we had walked with our cameras in times past. These Past Imperfect exposures are of a style he'd appreciate and may offer a quiet memorial to his vision.
Now that's a Camera!!! Deardorff still being made in the USA, started in 1916 in Chicago. Now based out of Athens, TN.
Gelatin-silver photograph on Ilford VC FB photographic paper, image size 15cm diameter, from a 4x5 Kodak Tri-X Pan Professional negative exposed in a Tachihara 45GF field view camera fitted with a Mamiya-Sekor C 37mm f4.5 fisheye lens.
4x5 Ilford FP4
I love my view camera.
Time to make more developer and develop about 20 more images over the next 2 days.
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 24.7cm X 19.3cm, from a 8x10 Fomapan 200 negative exposed in a Tachihara 810HD field view camera fitted with a Fujinon-W 300mm f5.6 lens.
Gelatin-silver photograph on Agfa VC FB photographic paper, image size 19.3cm X 24.7cm, from a 8x10 Kodak Tmax 400 negative exposed in a Tachihara 810HD field view camera fitted with a Fujinon-W 300mm f5.6 lens.
Say good morning to Alice, our "new" 100+ year old 8x10 camera. She's due for a makeover but I still think she's beautiful. She's marked a Seroco View...but we're certain she's a mutt of dubious origin.
Taken with my iPhone 4s and Instagram.
A shed that most likely any capable flat bed lorry can load in a matter of minutes, stranded in the woods not far from my cabin.
From the first pack of film through my Polaview DIY camera. Not entirely successful. A number of issues need addressing, first and foremost the bellows are not up to the summer midday sun. Ah well, not to worry, I will get there sooner or later.
Used a modicum of tilt to get front to shed in focus.
Polaview DIY camera, FP100C
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Location: Taken in Cypress, Texas
Date Taken: Spring 2015
Camera: Chamonix 045N-2
Film: Ilford Delta 100 (expired 2006)
Format: 4x5 (large format)
Lens: Schneider Symmar-S 210mm (Copal 1)
Shutter Speed: 2s
Aperture: f8
Notes: Artificial light using a lamp with pillowcase over it.
Development: Self developed in Microphen Stock for 10mins. Additional time given due to pushing 2 stops. I failed to take both reciprocity and bellows extension into factor.
Scanning: Scanned via drymount on betterscanning holders using an Epson v700 and Vuescan software.
Editing: Curves, levels, spot healing dust, and other minor adjustments were made in Lightroom.
Large format Portraits
Busch Pressman D, Foma 100, stand dev
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