View allAll Photos Tagged viewcamera
This Photograph that I took in September 1991 shows Madison Photo Plus in Madison, New Jersey, where I bought most of my Photography Equipment before 1996, when I still lived in New Jersey. Next door is Rocco's Pizza, where I often ate lunch when I worked in nearby Florham Park.
Disclaimer: I took these photos in September 1991 with my Minolta Maxxim 5000 SLR using Color Print Film, when I was just learning photograph; so they are very soft & grainy. I scanned the Color Negatives and used Photoshop Elements to correct the exposure and to generate these Digital Images.
Large format Portraits
Busch Pressman D, Foma 100, stand dev
Blog: www.limagerit.fr
Facebook: www.denisg.fr
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the custom bail being used to pull the ground glass back for a frictionless insert/removal of the film holder
Another entry for the 4x5 for 365 project featuring items from my vintage analog photography collection. This is my Minolta Hi-Matic 7s 35mm rangefinder. It features a fixed Rokkor 45mm F1.8 lens, shutter speeds from 1/4 seconds to 1/500th plus bulb mode. It can use either aperture priority or full manual exposure modes. It has a coupled rangefinder with coupled parallax correction. The meter is the CDS CLC type with a viewfinder needle indicator. The ASA range of the camera if 25-800. It has both a hotshoe and a PC sync socket and can sync at all speeds on X setting. It's not the best rangefinder I've ever shot in terms of quality but it's still a fun walk-around camera to take along on trips.
4x5 for 365 Project details: greggobst.photography/4x5-for-365
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter. Hoya Yellow-Green filter on the lens.
Film: Ilford Delta 100 B&W Negative Film, shot at box speed.
Exposure: 1/60th @ F32.
Lighting: Subject placed in light tent and lit from above with one Alien Bees B800 studio strobe in a 22" white lined beauty dish with diffusion sock @ full power. Strobe triggered with PocketWizard Plus II radio triggers.
Development: Self Developed in Kodak Xtol 1+2 dilution in Paterson Universal Tank using the Taco Method. 12 minutes @ 20 degrees Celsius. Kodak indicator stop bath. Ilford Rapid Fixer. Photo-Flo rinse.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass. Cropped in Lightroom 4.
For Advanced Commercial Photography class. Final 10 image.
Ring pops - selective focus
4x5 view camera shoot
Shot on Fuji Velvia chrome film
Assistant: Aleksandr Romanovich Kats
Town Beach at Port Macquarie. Lack lustre sunrise but still comes out kinda nice on the Velvia.
Taken on a Cambo SC 5x7 studio view camera with a Shen Hao 6x17 roll film adapter for 5x7 and using a 120 mm Super Angulon.
Took an image on the Canon 7D to get exposure. Image not as good as this Velvia shot:
"There ain't no devil, there's just god when he's drunk."
-Tom Waits
"It seemed the world was divided into good and bad people. The good ones slept better... while the bad ones seemed to enjoy the waking hours much more."
-Woody Allen
Kathedrale basiliek Sint-Jan Evangelist 'S-Hertogenbosch Start building in 1350, became cathedral in 1561; burned in 1584 and was rebuild until 1622
Photographed with view camera Cambo ActusMini and Actar 24mmf/3.5 with Sony 7MII
Shot with " Geometry " ,
Self made Shift&tilt SLR Conversion . ( see the DIY Geometry set )
Camera : Ricoh KR5 super II
Lens : Mamiya 35/3,5 for 645
Scanned from print .
Note : the specific camera's screen is not ideal for fine focusing , especially ,
at the borders , but it's the only 35mm
K mount I have .
Arca Swiss 69 F-Line View Camera, 100mm Rodenstock Sironar-N lens
Fuji Acros Film at ISO 100
f/32 at 1/8 seconds
Developed in Ilford DD-X using a Jobo processor
Digitized using a Fuji GFX with 105mm Micro Nikkor lens
I often say "flickr made me do it" when I make a post. In this case it was paws22 who was the vehicle for a four image addition to my photostream.
Looking through paws22's set of photographer's marks, I noticed a well know mark for S.A. Wolfe of Sacramento, California. I could not resist pulling out one of our Wolfe cabinet cards and scanning the front and back. I found that I had not erased the price we paid for the card, 50¢! Ah the good old days! We bought the card because of the Wolf logo on the back but it is also a very nice image. A well dressed little girl stands by a brocade upholstered and fringed chair with a fur throw. The background is an outdoor scene with a bridge and water. I have always wondered why photographers mixed outdoor backdrops with indoor sets and vise versa. (Note to self... maybe that should be a set)
The next step was to photograph our French metal photographer figure that, without doubt, is the original basis for this drawing.
Thanks paws22 for the nudge to do it.
The Freyberger one-room schoolhouse was built by Jacob Stein for $300 in the 1830s, though some reports list its build date as circa 1870. It was originally called both the Center School and the Stein School. Classes ceased at the school in 1955 when school district consolidation took over in Pennsylvania. The school was moved to the Kutztown University campus on October 30th-31st 1991 and is now part of the Pennsylvania German Cultural Center which includes examples of a German Bank Barn, Farm House, Cabins and this one-room brick schoolhouse.
The original location of the school was on Klinesville Road in Greenwich Township about 3 1/2 miles from its present location. It was gifted to the college by Archie Follweiler Jr. of Kutztown. Kutztown University Alumnus and retired school teacher Dr. Ruth Freyberger paid for the move, renovations and maintenance of the schoolhouse as a tribute to her Sister Grace Arline Freyberger, also a Kutztown University graduate and a retired schoolteacher who attended a one-room schoolhouse in her youth. Present-day school children sometimes take field trips to the school to learn about what it was like to be educated in one during the 1800s/early 1900s.
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Fujinon-W 210 F5.6 lens in a Copal B shutter. Tiffen # 25 red filter on the lens to improve the sky contrast.
Film: Arista EDU 100 Ultra B&W 100 ISO Negative Film (re-branded Foma), shot at 64 ISO.
Exposure: 1/8th second @ F45. Metered with Pentax 1 degree spot meter.
Development: Self Developed film in Kodak Xtol 1+2 in Paterson Universal Tank using the Taco Method. 13 minutes @ 20 degrees Celsius. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass.
Check out this blog post by photographer David Hayden about his experience using our 4x5 Stitching Adapter: www.davidhaydenphoto.com/post/large-format-from-a-full-fr...
Reminiscing of Summers gone by. It was -3.5 degrees with a wind chill of -24 on Tuesday morning and I miss the flowers. I broke off this dried up branch in our backyard from what is usually a very nicely flowered plant in the Spring and Summer months.
4x5 for 365 Project details: greggobst.photography/4x5-for-365
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Fujinon-W 210mm F5.6 lens in a Copal B shutter.
Film: Fuji Super HR-T 30 medium speed green sensitive X-Ray film. Purchased as 8x10" sheets and cut down to 4x5" using a rotary trimmer under 11w red bulb safelight.
Exposure: The original metered exposure was for 1/2 second @ F64 but after adding compensation time for bellows extension and reciprocity, the final exposure was 6 seconds @ F64. Lots more exposure experimenting to be done with this X-Ray film.
Lighting: Alien Bees B800 studio strobe using only the modeling light as a constant light source @ full power in 22" soft white beauty dish with diffusion sock, positioned above and slightly in front of camera position. A 30" silver reflector on reflector stand positioned to camera left to bounce some light back onto the subject.
Development: Self Developed film in Rodinal (Adox Adinol) 1:100 in three reel Paterson Universal Tank using Mod54 six sheet 4x5 insert. 6 minutes @ 20 degrees Celsius. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass.
When two project collide -- The Maddy Project and the Mr. Innerman Project. This was created, in camera, on film and is not a collage. The magic of light.
I introduced a couple of changes into my 4x5 photography ...
1. Introduced a new subject. I thought that a focus on industry as a topic may be interesting and lend itself well to the 4x5 format.
2. I have gone back to tray developing is I feel it offers way more control. For the first time, I tried stand development with a tray. For this negative, I used HC-110 @ 1:200 with agitation for the first minute and then at the 2nd & third minute, followed by slight agitation at 30 minutes. Total stand time was 60 minutes.
Considering this shot was taken directly into strong light, with the sun hiding behind the clouds, I though that the stand development managed the highlights quite well.
Although this is an unmanipulated scan of the negative, if I were to print this negative, the final result would likely look much different with the clouds selectively burned in as well as the right and left corners of the lake to enhance the sun on the water in the middle of the frame.
f32-45 @ 1 second + Orange Filter
ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 50 iso + HC-110 1:200 (4mL syrup + 800mL water) @ 60 min (Tray developed)
TASMANIAN WARATAH (Telopea truncata),CRADLE MOUNTAIN – LAKE ST CLAIR NATIONAL PARK, Tasmanian Wilderness World Heritage Area, TASMANIA, Australia, 2001
Tachihara 4x5, Rodenstock APO Sironar N 150mm, Fujichrome Veliva RVP 50 4x5
16x20” Print on Canson Platine Fibre Rag
18 March - 15 November 2020
Cradle Mountain Wildness Gallery
www.wildernessgallery.com.au/relicts-exploring-the-flora-...
Camera: Toyo 45 GII, Schneider Super Angulon 90mm f8.0, 394mm bellows extension, f32, 3min 30s exposure. Film: Ilford FP4+, developed in Rodinal 1+50, 15:30 @19.0°C.
Shot with "Geometry" , the SLR to View Camera Conversion I have designed and constructed , using a Pentax K10d and a Mir 26B at f/16 with tilt at both front and rear standard . Here is some more info about the gear used bluescargo.gr/geometry/
What a lovely little gem of an camera. Weigh 1,369 Kg and very portable. Condition is great and in fully working order. Folded it measures just 6 3/4" x 6 3/4" x 2 3/4".
Today's 4x5 for 365 project entry continues on with shots of items from my vintage analog photography collection. This is my Minolta SR-T 202 35mm film camera. These were made around 1975. It features all manual exposure with a TTL option if you have the battery for it. It has a fully mechanical cloth focal plane shutter with speeds from 1-1/1000 sec plus bulb mode for long exposures. The shutter makes this amazing "PLACK !!!" sound that is very metallic and satisfying in a tactile kind of way. There is a self timer mode as well. The camera can flash X-sync up to 1/60th of a second and has a built in pc-sync port as well as a standard hot shoe. This particular SR-T 202 came with a Rokkor 50mm F1.7 lens which was the standard lens that usually came with this model and also a Minolta 70-210 F4 telephoto lens.
4x5 for 365 Project details: greggobst.photography/4x5-for-365
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter.
Film: Fuji Super HR-T 30 medium speed green sensitive X-Ray film. Purchased as 8x10" sheets and cut down to 4x5". Film rated at 100 ISO.
Exposure: 1/60th @ F32.
Lighting: Subject placed in light tent and lit from above with one Alien Bees B800 studio strobe in a 22" white lined beauty dish with diffusion sock @ full power. Strobe triggered with PocketWizard Plus II radio triggers.
Development: Self Developed film in Rodinal (Adox Adinol) 1:100 in three reel Paterson Universal Tank using Mod54 six sheet 4x5 insert. 7 1/2 minutes @ 20 degrees Celsius with minimal inversions. Kodak indicator stop bath. Ilford Rapid Fixer. Photo-Flo. Hung to dry.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass.
The negative turned out a little thin, and it didn't have the contrast range that I was hoping for. So, I decided to print it darker to make it look like it was taken in moonlight.
Camera: Deardorff 8x10 with a 5x7 back.
Lens: 19" Goerz APO Artar.
Film: Ilford HP5+ developed in PMK Pyro.
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"God may not play dice but he enjoys a good round of Trivial Pursuit every now and again." --Federico Fellini
4x5 for 365 Project details: greggobst.photography/4x5-for-365
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Fujinon-W 210mm F5.6 lens in a Copal B shutter. Yellow-Green filter on the lens to improve contrast.
Film: Ilford HP5+ 400 ISO Negative Film, shot at 200 ISO.
Exposure: 1/60th second @ F22.
Lighting: Alien Bees B800 studio strobe @ 3/4 power in 22" soft white beauty dish with diffusion sock, positioned above and slightly in front of camera position. A 45" white reflector on reflector stand positioned to camera left to bounce some light back onto the subject. A second B800 strobe @ 1/32 power in a 12X48" gridded strip box positioned horizontal to the table at camera right. Strobes triggered with PocketWizard Plus II radio triggers.
Development: Self Developed in Kodak Xtol 1+2 dilution in Paterson Universal Tank using the Taco Method. 13 minutes @ 20 degrees Celsius. Kodak indicator stop bath. Ilford Rapid Fixer. Photo-Flo rinse.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass. Cropped to desired size in Lightroom 4.