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Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
Shanghai GP3 @ iso 100. Adolux APH09 (Rodinal). Dilution 1:100, (4ml in 400ml), 19c, 90 minutes. Agitation - 4 inversions at the start and 2 inversions at 30 minutes. . Two water baths (stop). Alkaline fix for three minutes.
Hasselblad 503 CW
Zeiss Distagon CFT* 60mm ƒ/3.5
Hasselblad CFV-39 Digital Back with the incorrect setting configured
Street Photography
Crouch End, London, UK
Helicopter at the Centralia Veterans Museum in Chehalis, Washington.
Camera: Zeiss Ikon Maximar 207/7 9X12cm
Lens: Carl Zeiss Jena Tessar, 13.5cm, f/4.5
Film: Fomapan 100
Developer: HC110 Dilution B
Contact print from 8’x10’ Foma film
printed on Bergger cot 320 paper with salt paper process
Gold toned, beeswax and lavender coated
Exposure and development:
Enstone, Oxfordshire
1st August 2020, 6:55pm
Chamonix 810V, Rodenstock Apo-Sironar S 240mm f/5.6
Ilford FP4+ 10x8 (EI 64)
1½” f/8, N-1
10mm front rise
Stearman SP810, Pyrocat HD 2:2:100, 22ºC, 6’13”, 5' Prewash, Acetic Acid Stop, TF4 Fix, Hypoclear, Wash, Ilfotol
Print:
13th March 2021
21ºC / 44% relative humidity
14x11 Bergger Cot320, Fotospeed sensitiser
Paper dried 2hr55mins, no prehumidification
3:20pm, 25mins daylight exposure in sun with cloud
2½mins wash in 1.5l rainwater with squeeze of lemon juice
2½mins wash in 1.5l distilled water
3mins fix in hypo (4 and a bit teaspoons crystals in 1.5l tap water)
1hr final soak in 3l tap water (30mins each side)
Dried Flat
Digitized with 2-frame stitch, D800E and 85mm tilt-shift
Garden portrait of this very plastic camera, overall it is quite amusing to use it :-)
More info about this Plastic TLR camera: HERE
Original shot taken with a Graflex 4x5' View camera, Graphex Optar 90mm F6,8 lens, Polaroid Back loaded with Fujfilm FP-100c 45 instant film, almost no post processing, just scanned.
The western terminus of the Guelph & Goderich Line, the CPR station for Goderich is a grand example of historic railway architecture. Constructed of brick and featuring an asymmetrical footprint along with a hip-roof and a witch's hat the station is a striking building. With multiple waiting rooms, inside washrooms a large office along with baggage and express rooms. The station also maintained a large yard with a six-stall roundhouse and turntable. While passenger service ceased in 1956, freight operations continued until 1988 and the rails torn up by 1989. The station was sold to the town in 1992 and some efforts were made to preserve the location, although these efforts never saved the building. That wouldn't happen until 2010 when a private owner purchased the building, had it moved in 2013. Then in 2015 after two years of restoration and renovations it reopened as the Beach Street Station, a beach-side restaurant.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
*I am posting four cabinet cards that are new to the photostream and one that I am bringing to the top. I am calling them "Arts & Letters". The group includes cards related to photography, sculpture, painting, music, and books. Since this is one of my favorite cabinet cards related to photography I decided to bring it to the top of my stream as part of the group.
This cabinet card shows a mustached man with a folding camera in a studio setting. My impression is that he brought his prized, and perhaps new, camera and tripod to the studio to be recorded.
I will continue to upload selections of our photographs of photographers with cameras. Please check back in a few days. Until then you can see more of our photographs of photographers at:
I took a picture of the 4x5 negative and inverted it. this is from a film negative, please ignore the EXIF, it was instead of a scanner.
This was a Darlot Petzval 5 1/2" f/3 that came out of a Magic Lantern Projector and placed on a Wisner Technical Field Camera.
Camera: Toyo 45 GII, Fuji Fujinon NW 125mm f5.6, 345mm bellows extension, f64, 8min 45s exposure. Film: Ilford FP4+, developed in Ars-Imago R9 1+50, 15:40 @ 21.6°C.
Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
Shanghai GP3 @ iso 100. Adolux APH09 (Rodinal). Dilution 1:100, (4ml in 400ml), 19c, 90 minutes. Agitation - 4 inversions at the start and 2 inversions at 30 minutes. . Two water baths (stop). Alkaline fix for three minutes.
Linhof Technikardan, 210mm Nikkor
Fuji FP-3000b Instant Print Film
ISO 3000, f/32 at 1/125 sec
Scan was from the paper negative, not the positive print
Blog Post with More Pictures Missing the rear standard locking knob, but otherwise in good condition. This will make a wonderful portrait camera and I'll also get a 4x5 reducing back on it for landscape, street stuff. The bellows are not original, but they are much more functional than what the original red bellows would probably be. The lens is a Wollensak Versar lens with a non-working shutter. I'm going to get a modern (1970s-ish) Schneider Symmar 300mm lens as a replacement.
The great thing about this camera is that is has the front and rear extension rails and a sliding tripod block.
Taken on Rialto Beach at Mora Washington, near La Push and Forks.
Galvin 6x9 Pocket View Camera, 135mm Xenotar lens.
Kodak Tri-X film, ISO 320, f/16 at 1/250 second.
Developed in Edwall Super 111
Scanned using a Minolta Scan-Multi Pro.
March 8, 1997
Ikeda Wood View, 150mm Symmar S
Kodak TMax 100 in XTOL 1:1 16:00
Scanned 4 x 5 negative December, 2016 w/ Epson V800, Silverfast
Post Process PS Elements, Silver Efex Pro
In looking through photos with lith print potential, I found this one that I scanned awhile back but had never posted to Flickr, so here it is.
Oakville's position as a port of entry made it a valuable haven for those seeking freedom from the harsh slave laws in the United States. The earliest recorded arrival took place in 1823. Many became residents of the growing town of Oakville, and the Turner Memorial Chapel is proof of that. Built between 1890 and 1, the chapel was an African Methodist Episcopal Church branch. Through the 20th Century, the congregation dwindled, and the church found a new use as a home for a small Anglican community. It was the Anglicans who raised the needed funds to restore the church. In 2002 the church was purchased by Jed Gardner and is an Antique shop today.
Graflex Crown Graphic - Fuji Fujinon-W S 1:5.6/150 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
IG: @vladyurkov
Kodak E100 4x5
Chamonix 45f2
135mm f35 2s
Tiffen 812 filter
I wasn't entirely sure what was going on with this thin layer of pond ice, but I knew I liked it. I was initially planning on shooting a tighter more abstract scene, but eventually decided including the frost bitten shoreline gave some context and grounded the composition.
The scene was in full shade so I used an 812 warming filter. There was a mild glare from the sky near the top of the scene that was approaching +2EV, but I had confidence Kodak Ektachrome could handle it with ease.
Camera: Toyo-View 45GII, Fuji Fujinon NW 125mm f5.6. Film: Fujichrome Velvia 50 exp 10/2013, home-developed with the Tetenal Colortec E-6 3-bath kit.
I honestly was hoping for more than one working image out of my first group of four. But here we are, I assumed I had a little more forgiveness, but my assumption was for negative, not positive films. Either way, pretty happy how this frame turned out.
Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Kodak Fine Grain Positive Film 7302 @ ASA-6
Kodak D-76 (Stock) 8:00 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC
Death Valley National Park
California, USA
Tachihara 4x5
Nikkor-W 150mm f/5.6
Rollei Infrared 400
Developed at Northcoast Photographic Services, Carlsbad, CA
Zeiss Distagon 15 mm f/2.8 on Cambo ActusMini view camera with Sony A7II (f/2.8 1/4 sec ISO 400)
Dieses Objectiv hat eine feste Sonnenblende, die das Bild vignettiert durch Bewegungen der technischen Kamera. Doch erreicht das Schiften einen angenehmeren Blickwinkel. (Siehe hierzu im Gegensatz das voherige Photo)
Zeiss Distagon 15mm f/2.8 on Cambo ActusMini viewcamera with Sony A7II (f/2.8 1/4sec ISO 400)
This lens has a fixed suncap which causes vignetting by the movements of the technical camera. But shifting is much more successful than without.
The most recent Sheridan logo and branding, this interesting S, the font is one created specifically for the College. These are outside all three campuses.
Graflex Pacemaker Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Ilford HP5+ @ ASA-200
Adox Atomal 49 (Stock) 6:45 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC
Sinar P / Industar 51 /Agfa MCP paper negative
For all of you who still don't know, I've a blog about cameras, and camera history, and camera porn and all things camera.
This issue: the Lomography Belair, Vladimir Putin and how two Austrian students never went to the Czech Republic and discovered the LC but found their way to the highest personalities of the Soviet Un... oooops, the New Russia.
Or so my ghost writer told me.
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www.camerastorebarcelona.com/2015/06/its-not-a-review-i-h...
Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
weight: 1.7kg
Out train spotting in and around Hood River, Oregon.
Camera: Nikon D300
Lens: 24-120mm Nikon VR
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In 1976 we created a large exhibition of vintage stereo views of Maryland pared with Wheatstone viewers with color prints of the same locations in the 1970s. We adapted a 5X7 view camera with a new lens board holding the lens assembly from a Kodak folding stereo camera and a septum. Jack was focusing the camera at a group picnic and put his hat on the top of the camera while he was under the dark cloth. Someone took this picture but did not sign the print. The bellows were a bit chancy so we always wrapped them in a dark cloth. A fold under the lens board makes a perfect smile.
Thanks to the unknown photographer for this fun remembrance of the day.
Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
Fomapan 100 @ iso 100. Adolux APH09 (Rodinal). Dilution 1:100, (4ml in 400ml), 19c, 90 minutes. Agitation - 4 inversions 30 minutes. Two water baths (stop). Alkaline fix for three minutes.
These are the first copies of " Geometry " the mini View Camera I've been developing for almost three years now . More info here bluescargo.gr/geometry/
And so begins the 4x5 journey.
The main reason I got the Shen-Hao 4x5 was to use it to shoot along the creeks where I live. I am sure i will find more uses as I get more comfortable using large format.
This is a scan of my first negative. I didn't even scan this in really high rez but when I pulled the file up in photoshop to see if there was any dust I needed to address, I was blow away at the detail throughout the negative.
The file was 40 MB and I didn't even scan in a very detailed mode, that's a lot of info in one negative !!!!
The day was foggy, drizzly and slightly windy so I picked a pretty tough day to take my first shot but I have to say, the results came out way better than I expected. Actually, I am just happy I loaded the film correctly.
ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 50 iso + D-76 1:1 @ 9 min (Tray developed, 1 min initial agitation followed by every minute)
A large format image of Little Mud Lake (located in the Kettle Moraine State Park) this past Spring.
May 2014
Little Mud Lake
Kettle Moraine State Forest (northern unit), WI
4x5 Omega View Camera
150 mm Rodenstock Sironar f/5.6 MC
FujiChrome Provia 100F RDP III Color Transparency Sheet Film.
Cokin Polarizing Filter
Cokin P120 Grad. ND Filter.
Wet-mount scanned on Epson v750 Pro