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Create stitched large format digital images with our Canon EF to 4x5 View Camera adapter! Learn more: fotodioxpro.com/products/4x5-ef-p
20190513 photographed with Cambo ActusMini & Zeiss Contax35 f35
This church originally was build of wood in 1123 while crossridders went to Jerusalem, After 1603 catholicism was forbidden by reformers until 1891 when the church became to narrow and a stonen neogotic cathedral was build and in 1892 reconsaced by the archbishop of Utrecht. In 1974 a beautiful carillon was installed.
Contact print from 8’x10’ Foma film
printed on Bergger cot 320 paper with salt paper process
Gold toned, beeswax and lavender coated
Shot of our backyard pond and waterfall after a rain storm back on 9-1-2013. I use this subject as a testing ground for new cameras, lenses and techniques so when I started shooting 4x5 Large Format film cameras, I had to get a shot of the pond.
For more of my work, please visit GreggObst.com.
Camera: Calumet CC-401 4x5 large format monorail view camera
Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter
Film: Arista EDU 100 Ultra 4x5 B&W sheet film which I shot at 64 ISO
Settings: Shot at F32, Metered with a Pentax 1 degree spot meter.
Development: Self Developed film in Rodinal 1:100 using semi-stand development in Paterson Universal Tank using the Taco Method. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips.
Scanning: Negative scanned with Epson V600 in two parts and merged in Photoshop CS5 since the V600 doesn't natively support scanning 4x5 sheet film and I haven't stepped up to the V700 yet.
Exposure and development:
Enstone, Oxfordshire
1st August 2020, 6:55pm
Chamonix 810V, Rodenstock Apo-Sironar S 240mm f/5.6
Ilford FP4+ 10x8 (EI 64)
1½” f/8, N-1
10mm front rise
Stearman SP810, Pyrocat HD 2:2:100, 22ºC, 6’13”, 5' Prewash, Acetic Acid Stop, TF4 Fix, Hypoclear, Wash, Ilfotol
Print:
13th March 2021
21ºC / 44% relative humidity
14x11 Bergger Cot320, Fotospeed sensitiser
Paper dried 2hr55mins, no prehumidification
3:20pm, 25mins daylight exposure in sun with cloud
2½mins wash in 1.5l rainwater with squeeze of lemon juice
2½mins wash in 1.5l distilled water
3mins fix in hypo (4 and a bit teaspoons crystals in 1.5l tap water)
1hr final soak in 3l tap water (30mins each side)
Dried Flat
Digitized with 2-frame stitch, D800E and 85mm tilt-shift
April 2014
Forest Lake Loop Trail
Kettle Moraine State Forest (northern unit), WI
A spring melt-pond sits inside a Kettle Moraine State Forest kame; carved by glacial movement during the Ice Age
4x5 View Camera
FujiChrome Velvia 50 Color Transparency Film
Hasselblad 503 CW
Zeiss Distagon CFT* 60mm ƒ/3.5
Hasselblad CFV-39 Digital Back with the incorrect setting configured
Street Photography
Crouch End, London, UK
Columbia-Wrightsville Bridge
This is the Columbia-Wrightsville Bridge, officially known as the Veterans Memorial Bridge. It spans the Susquehanna River between Columbia in Lancaster County and Wrightsville in York County, Pennsylvania. It carries PA-Route 462 a total of 6,657 feet across the river. When the bridge first opened on September 30, 1930, there was a $.25 toll charge per car. Tolls are no longer collected on the bridge today. The bridge carries an average of 10,350 cars per day. The bridge was designed by James B. Long and built by Glen Wiley and Glenway Maxon (Wiley-Maxon Construction Company) at a cost of $2,484,000 (equal to $32,679,504 today) plus $56,400 (equal to $741,998 today) paid as an early completion bonus.
Camera: Calumet 45NX 4x5 large format monorail view camera. Bag bellows mounted on the camera to accommodate the wide-angle lens.
Lens: Schneider 90mm f/5.6 Super-Angulon lens in a Copal 0 shutter mounted on recessed lens board. B+W brand Orange filter on lens to add a touch of contrast to the water and bridge.
Exposure: 1 second @ F45 with film rated at box speed of 100. Metered with a Pentax 1 degree spot meter.
Film: Ilford Delta 100 B&W 100 ISO Negative Film.
Development: Self Developed film in Kodak Xtol 1+2 in Paterson Universal Tank using the Taco Method. 13 minutes @ 20 degrees Celsius. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass. Cropped to 6x12 size in Lightroom 4.
We are photographing and researching items in our collection for the upcoming book and I do love the internet! We have had this woodcut of a Japanese woman being photographed for many years. Today I learned that it is by Yukawa Shodo from the series "Occupations for the Daughters of Merchants" c.1900.
The western terminus of the Guelph & Goderich Line, the CPR station for Goderich is a grand example of historic railway architecture. Constructed of brick and featuring an asymmetrical footprint along with a hip-roof and a witch's hat the station is a striking building. With multiple waiting rooms, inside washrooms a large office along with baggage and express rooms. The station also maintained a large yard with a six-stall roundhouse and turntable. While passenger service ceased in 1956, freight operations continued until 1988 and the rails torn up by 1989. The station was sold to the town in 1992 and some efforts were made to preserve the location, although these efforts never saved the building. That wouldn't happen until 2010 when a private owner purchased the building, had it moved in 2013. Then in 2015 after two years of restoration and renovations it reopened as the Beach Street Station, a beach-side restaurant.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
Yup, I had to do the cheesy pose with your new camera shot! This is Veronica. My Toyo 45A view camera.
This camera is ridiculously cool. She's kinda huge, too. At 6lbs, this is not really a camera that you hold in your hands and take snapshots with.
There are 2 things I love about this camera: First, It is completely boiled down to the basics of camera technology. Everything is manual. There's no battery. There's no meter. There's no auto-focus. The film comes in sheets.
Second, the whole process of shooting with it has to be slow and methodical. Setting up the camera takes time. Composing and focusing takes time. Its good to slow down. That's been my motto over these past few months...
Me and Veronica are going to have a lovely time in Glacier National Park in a couple weeks. :-)
While originally not too pleased with the cloud suddenly blocking out a lot of my light, looking at it now I rather like the effect.
Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Agfa APX 100 @ ASA-100
Blazinal (1+50) 10:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
Shanghai GP3 @ iso 100. Adolux APH09 (Rodinal). Dilution 1:100, (4ml in 400ml), 19c, 90 minutes. Agitation - 4 inversions at the start and 2 inversions at 30 minutes. . Two water baths (stop). Alkaline fix for three minutes.
obviously a slew of technical issues here but I like to think of all the dust, light fog and poor exposure as just 1930's instagram.
Camera: Toyo 45 GII, Fuji Fujinon NW 125mm f5.6, 345mm bellows extension, f64, 8min 45s exposure. Film: Ilford FP4+, developed in Ars-Imago R9 1+50, 15:40 @ 21.6°C.
Tonalité et couleurs ne mettent pas la scène bien en évidence. Quoi faire? Le post-traitement n'est pas mon truc.
Garden portrait of this very plastic camera, overall it is quite amusing to use it :-)
More info about this Plastic TLR camera: HERE
Original shot taken with a Graflex 4x5' View camera, Graphex Optar 90mm F6,8 lens, Polaroid Back loaded with Fujfilm FP-100c 45 instant film, almost no post processing, just scanned.
Horseman L45
Fujinon SW 90mm
Ilford Ortho Plus
Rodinal 1+50, 15mins (slightly lower agitation per min)
Epson V850
3rd September 2021
Camera: 1956 Linhof Super Technika III 4x5â.
Lens: Schneider 90mm Angulon f/6.8.
Film: Ilford Delta 100 4x5" black & white negative sheet.
Exposure: Metered 1 min @ f/22, adjusted 3 min; Focused to 1.5 metres.
Development: ID-11 1 + 3 21 min/20C.
More information about Waddamana may be obtained at the following links:
en.wikipedia.org/wiki/Waddamana_Power_Stations
www.hydro.com.au/things-to-do/waddamana-heritage-site
Copyright 2021 Tasmania Film Photography
All Rights Reserved
Again, based on what I saw with my first set, I went with a stronger dilution and was rewarded. These have a bit more contrast than D-76, but nothing too serious. I think that it enhances the film all the more. Thankfully, there is only a slight increase in visible grain, but nothing over the top. I honestly think that anything more dilute might lower the image quality.
You can read the full review online:
www.alexluyckx.com/blog/2023/09/11/film-review-blog-no-99...
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - CatLABS X Film 80 Mk. II @ ASA-80
Ilford Ilfotec HC (1+31) 6:30 @ 20C
Meter: ReveniLabs Spotmeter
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Helicopter at the Centralia Veterans Museum in Chehalis, Washington.
Camera: Zeiss Ikon Maximar 207/7 9X12cm
Lens: Carl Zeiss Jena Tessar, 13.5cm, f/4.5
Film: Fomapan 100
Developer: HC110 Dilution B
Originally built as the Tudor-styled manor home of L-Col W.G. MacKendrick in 1922. The name Gairloch was given by Col. MacKendrick after a small Scottish town of the same name. Following the death of Col. MacKendrick, the estate was purchased by James Gairdner in 1960, who after his death, bequeathed the estate to the town of Oakville which established and still operates a gallery.
Graflex Crown Graphic - Fuji Fujinon-W S 1:5.6/150 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
I honestly was hoping for more than one working image out of my first group of four. But here we are, I assumed I had a little more forgiveness, but my assumption was for negative, not positive films. Either way, pretty happy how this frame turned out.
Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Kodak Fine Grain Positive Film 7302 @ ASA-6
Kodak D-76 (Stock) 8:00 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC
Bridge 13 on the Welland Canal carries Main Street across the old Canal channel in Welland, Ontario. A vertical lift bridge, it saw completion between 1927-1930 by the Dominion Bridge Company with much of the steel work being completed by Mohawk Iron workers. It was also the most expensive of all the bridges, clocking in at just under a million, due to the requirement to have a streetcar track installed. The track was never installed. The bridge was offically decomissioned in 1973 with the motors, cables, and counterweights removed.
Graflex Pacemaker Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-400
Ilford Ilfotec HC (1+31) 6:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
Family photo taken around 1970 by my father using a 1941 Anniversary Speed Graphic 4x5 camera with a Carl Zeiss Jena Tessar 135mm f/4.5 lens and Polaroid 4x5 film.
Boy, you've just gotta love the moody feel here, and the 60/70s hair styles! I sure do wish Polaroid was still making this 4x5 film - I would certainly want to shoot with this stuff!
Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
Shanghai GP3 @ iso 100. Adolux APH09 (Rodinal). Dilution 1:100, (4ml in 400ml), 19c, 90 minutes. Agitation - 4 inversions at the start and 2 inversions at 30 minutes. . Two water baths (stop). Alkaline fix for three minutes.
One of two bridges that connect the B-Wing to the C and E Wings.
Graflex Pacemaker Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Adox Atomal 49 (Stock) 6:45 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Agfa APX 100 @ ASA-100
Rollei Supergrain (1+15) 7:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
*I am posting four cabinet cards that are new to the photostream and one that I am bringing to the top. I am calling them "Arts & Letters". The group includes cards related to photography, sculpture, painting, music, and books. Since this is one of my favorite cabinet cards related to photography I decided to bring it to the top of my stream as part of the group.
This cabinet card shows a mustached man with a folding camera in a studio setting. My impression is that he brought his prized, and perhaps new, camera and tripod to the studio to be recorded.
I will continue to upload selections of our photographs of photographers with cameras. Please check back in a few days. Until then you can see more of our photographs of photographers at:
I took a picture of the 4x5 negative and inverted it. this is from a film negative, please ignore the EXIF, it was instead of a scanner.
This was a Darlot Petzval 5 1/2" f/3 that came out of a Magic Lantern Projector and placed on a Wisner Technical Field Camera.
Blog Post with More Pictures Missing the rear standard locking knob, but otherwise in good condition. This will make a wonderful portrait camera and I'll also get a 4x5 reducing back on it for landscape, street stuff. The bellows are not original, but they are much more functional than what the original red bellows would probably be. The lens is a Wollensak Versar lens with a non-working shutter. I'm going to get a modern (1970s-ish) Schneider Symmar 300mm lens as a replacement.
The great thing about this camera is that is has the front and rear extension rails and a sliding tripod block.