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The Kettle Creek Bridge, or the MCR Bridge is the third railroad bridge constructed over Kettle Creek in the western part of St. Thomas. The original bridge, completed by Canadian Southern in 1872 was a simple single track wooden trestle. When Michigan Central secured a lease of the CASO line in 1883 they constructed a second bridge using metal and featuring a double track. However, the bridge would not be strong enough to support two trains at a time as locomotives got larger and trains got longer. In 1928 the third bridge began construction using concrete pilings and a single metal support in the bridge centre. The new bridge opened for traffic in 1930. The last train travelled the bridge in 1996 after CN & CP wound down operations. Today the bridge is a local landmark, holds several historical designations and is home to the St. Thomas Elevated Park.
Graflex Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
Camera: Chamonix 45n-1
Lens: Rodenstock 180mm f/5.6 Apo-Sironar-S
Film: Ilford FP4+ @ ISO 64
Exposure: 1/8 sec @ f5.6
Date: April 29, 2017
Identifier: lf_2017-04-29_007
Strobist:
1 Profoto D4 w/ 3'X4' Softbox backlit with black card
1 Profoto D4 w/ 5 degree grid lighting the skin
Toyo - 4x5 view camera
Oaks, draped in Spanish Moss at Riverside Park, in Vero Beach, FL
Cambo Camera, 90mm lens, Foma100 film developed in SP76 with SP445 tank. Scanned on Epson V800, finished in Lightroom and exported as 5300 pixel JPG.
Taken with a Lizars "Challenge" camera in week 471 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
For the first full week in 2019 of my 52 cameras in 52 weeks project, I decided to use my dad's Lizars Challenge folding plate camera.
The film is Rollei PAN 25, an ISO 25 black and white negative film, devloped in Rodinal 1:50 for 11 minutes at 20 degrees.
Exposure approx 40 seconds at f22.
Family photo taken around 1970 by my father using a 1941 Anniversary Speed Graphic 4x5 camera with a Carl Zeiss Jena Tessar 135mm f/4.5 lens and Polaroid 4x5 film.
Boy, you've just gotta love the moody feel here, and the 60/70s hair styles! I sure do wish Polaroid was still making this 4x5 film - I would certainly want to shoot with this stuff!
I recently acquired this gem from a friend's neighbor - lucky to be in the right place at the right time I guess. It was all intact but quite filthy when I got it. I cleaned it up and had to glue a couple pieces of loose trim on it, but it's now in clean working condition! This "Ideal" 10"x12" field camera was manufactured by Rochester Optical Company during the mid-1890s. It came with a Carl Zeiss Jena Protarlinse VII lens, and included 4 10x12 glass plate holders. My plan is to shoot 8x10 paper negs by attaching RC paper to 10x12 glass or plexi.
Still looking for that 'excellent' shot of my home church. I'm pretty happy with this one. The current building, constructed in 1890 saw extensive restoration efforts to allow it to continue to serve the Milton community.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Agfa APX 100 @ ASA-100
Rollei Supergrain (1+15) 7:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
Shanghai GP3 @ iso 100. Adolux APH09 (Rodinal). Dilution 1:100, (4ml in 400ml), 19c, 90 minutes. Agitation - 4 inversions at the start and 2 inversions at 30 minutes. . Two water baths (stop). Alkaline fix for three minutes.
Another image from my trip to the Porcupine Mountains this past July. I thought the day was going to be a wash (due to the storm front blowing in heavy cloud cover from the northwest), but I knew if I hung in there a moment would present itself.
I was happy to see the seagulls remain calm throughout the exposure. It was an indication that this image was meant to be.
July 2012
Lake Superior
Porcupine Mountains, MI
4x5 Omega View Camera
150 mm Rockenstock Sironar f/ 5.6 MC
FujiChrome Velvia 50 Color Transparency Sheet Film
Cokin 3-stop Graduated ND filter
Exp: 2 min @ f/ 45
Scanned on Espon v750 Pro
Exposure and development:
Enstone, Oxfordshire
1st August 2020, 6:55pm
Chamonix 810V, Rodenstock Apo-Sironar S 240mm f/5.6
Ilford FP4+ 10x8 (EI 64)
1½” f/8, N-1
10mm front rise
Stearman SP810, Pyrocat HD 2:2:100, 22ºC, 6’13”, 5' Prewash, Acetic Acid Stop, TF4 Fix, Hypoclear, Wash, Ilfotol
Print:
13th March 2021
21ºC / 44% relative humidity
14x11 Bergger Cot320, Fotospeed sensitiser
Paper dried 2hr55mins, no prehumidification
3:20pm, 25mins daylight exposure in sun with cloud
2½mins wash in 1.5l rainwater with squeeze of lemon juice
2½mins wash in 1.5l distilled water
3mins fix in hypo (4 and a bit teaspoons crystals in 1.5l tap water)
1hr final soak in 3l tap water (30mins each side)
Dried Flat
Digitized with 2-frame stitch, D800E and 85mm tilt-shift
Shot of our backyard pond and waterfall after a rain storm back on 9-1-2013. I use this subject as a testing ground for new cameras, lenses and techniques so when I started shooting 4x5 Large Format film cameras, I had to get a shot of the pond.
For more of my work, please visit GreggObst.com.
Camera: Calumet CC-401 4x5 large format monorail view camera
Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter
Film: Arista EDU 100 Ultra 4x5 B&W sheet film which I shot at 64 ISO
Settings: Shot at F32, Metered with a Pentax 1 degree spot meter.
Development: Self Developed film in Rodinal 1:100 using semi-stand development in Paterson Universal Tank using the Taco Method. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips.
Scanning: Negative scanned with Epson V600 in two parts and merged in Photoshop CS5 since the V600 doesn't natively support scanning 4x5 sheet film and I haven't stepped up to the V700 yet.
The western terminus of the Guelph & Goderich Line, the CPR station for Goderich is a grand example of historic railway architecture. Constructed of brick and featuring an asymmetrical footprint along with a hip-roof and a witch's hat the station is a striking building. With multiple waiting rooms, inside washrooms a large office along with baggage and express rooms. The station also maintained a large yard with a six-stall roundhouse and turntable. While passenger service ceased in 1956, freight operations continued until 1988 and the rails torn up by 1989. The station was sold to the town in 1992 and some efforts were made to preserve the location, although these efforts never saved the building. That wouldn't happen until 2010 when a private owner purchased the building, had it moved in 2013. Then in 2015 after two years of restoration and renovations it reopened as the Beach Street Station, a beach-side restaurant.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
It took me years to assemble this kit, and just about the time I got it all together I went digital. –sigh–
3rd September 2021
Camera: 1956 Linhof Super Technika III 4x5â.
Lens: Schneider 90mm Angulon f/6.8.
Film: Ilford Delta 100 4x5" black & white negative sheet.
Exposure: Metered 1 min @ f/22, adjusted 3 min; Focused to 1.5 metres.
Development: ID-11 1 + 3 21 min/20C.
More information about Waddamana may be obtained at the following links:
en.wikipedia.org/wiki/Waddamana_Power_Stations
www.hydro.com.au/things-to-do/waddamana-heritage-site
Copyright 2021 Tasmania Film Photography
All Rights Reserved
This image is about 5 X 7 inches and is mounted on a cut down card. The camera on a tripod is from the dry plate era, late 19th or early 20th century. Two young boys stand with the photographer in a derby in the median of a wide city boulevard lined with large residences. On the right is a carriage with a mounting block and on the left a carriage with a horse. There is a monument in the distance and there appear to be electric light strung across the median. Does anyone recognize the monument since it might still be in place today?
I am posting a detail of the photographer and camera.
*Thanks to a sharp eyed flickr user, Paul Z, I am now sure that this the Confederate monument next to St. James United Methodist Church on Green Street in Augusta, Georgia. I have made an enlarged scan of the large building on the left side of the photograph and the placement and shape of the windows exactly match the photograph of St. James church.
I am moving the image to "The Astonishing Power of Flickr" group and will take it off "What's That Picture?" shortly.
Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
Shanghai GP3 @ iso 100. Adolux APH09 (Rodinal). Dilution 1:100, (4ml in 400ml), 19c, 90 minutes. Agitation - 4 inversions at the start and 2 inversions at 30 minutes. . Two water baths (stop). Alkaline fix for three minutes.
Create stitched large format digital images with our Canon EF to 4x5 View Camera adapter! Learn more: fotodioxpro.com/products/4x5-ef-p
Out train spotting in and around Hood River, Oregon.
Camera: Nikon D300
Lens: 24-120mm Nikon VR
# #pnwexplored #rowena #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #pnwcrew #myoregon #filmphotography #kodak #largeformat #4x5 #viewcamera
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October 2015
Porcupine Mountains Wilderness State Park, MI
4x5 View Camera
FujiChrome Velvia RVP 50 Color Transparency Film
Tonalité et couleurs ne mettent pas la scène bien en évidence. Quoi faire? Le post-traitement n'est pas mon truc.
20190513 photographed with Cambo ActusMini & Zeiss Contax35 f35
This church originally was build of wood in 1123 while crossridders went to Jerusalem, After 1603 catholicism was forbidden by reformers until 1891 when the church became to narrow and a stonen neogotic cathedral was build and in 1892 reconsaced by the archbishop of Utrecht. In 1974 a beautiful carillon was installed.
Columbia-Wrightsville Bridge
This is the Columbia-Wrightsville Bridge, officially known as the Veterans Memorial Bridge. It spans the Susquehanna River between Columbia in Lancaster County and Wrightsville in York County, Pennsylvania. It carries PA-Route 462 a total of 6,657 feet across the river. When the bridge first opened on September 30, 1930, there was a $.25 toll charge per car. Tolls are no longer collected on the bridge today. The bridge carries an average of 10,350 cars per day. The bridge was designed by James B. Long and built by Glen Wiley and Glenway Maxon (Wiley-Maxon Construction Company) at a cost of $2,484,000 (equal to $32,679,504 today) plus $56,400 (equal to $741,998 today) paid as an early completion bonus.
Camera: Calumet 45NX 4x5 large format monorail view camera. Bag bellows mounted on the camera to accommodate the wide-angle lens.
Lens: Schneider 90mm f/5.6 Super-Angulon lens in a Copal 0 shutter mounted on recessed lens board. B+W brand Orange filter on lens to add a touch of contrast to the water and bridge.
Exposure: 1 second @ F45 with film rated at box speed of 100. Metered with a Pentax 1 degree spot meter.
Film: Ilford Delta 100 B&W 100 ISO Negative Film.
Development: Self Developed film in Kodak Xtol 1+2 in Paterson Universal Tank using the Taco Method. 13 minutes @ 20 degrees Celsius. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass. Cropped to 6x12 size in Lightroom 4.
Trying different film types with my 4x5" camera. 2 strobes.
Symmar 180mm
Ilford HP5 plus EXP.10/2018
dev. 7' in TMAX 1+4
11. Dezember 2025
Admiring this super nice Empire State view camera by Rochester Optical while visiting another camera collector in Albuquerque, NM
We are photographing and researching items in our collection for the upcoming book and I do love the internet! We have had this woodcut of a Japanese woman being photographed for many years. Today I learned that it is by Yukawa Shodo from the series "Occupations for the Daughters of Merchants" c.1900.
Originally built as the Tudor-styled manor home of L-Col W.G. MacKendrick in 1922. The name Gairloch was given by Col. MacKendrick after a small Scottish town of the same name. Following the death of Col. MacKendrick, the estate was purchased by James Gairdner in 1960, who after his death, bequeathed the estate to the town of Oakville which established and still operates a gallery.
Graflex Crown Graphic - Fuji Fujinon-W S 1:5.6/150 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Camera: Toyo 45 GII, Fuji Fujinon NW 125mm f5.6, 345mm bellows extension, f64, 8min 45s exposure. Film: Ilford FP4+, developed in Ars-Imago R9 1+50, 15:40 @ 21.6°C.
April 2, 2017
Ikeda Wood View, Schneider 90mm Super Angulon f/8
Kodak Ektar 100 4x5 in SP-445 tank
Unicolor C-41 chemistry
Ektar version of previously posted photo. To be honest, my personal preference is for the b&w.
I honestly was hoping for more than one working image out of my first group of four. But here we are, I assumed I had a little more forgiveness, but my assumption was for negative, not positive films. Either way, pretty happy how this frame turned out.
Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Kodak Fine Grain Positive Film 7302 @ ASA-6
Kodak D-76 (Stock) 8:00 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC
Salamander. Shot on a rail view camera outfitted with pinhole (I think...also did a lensed version). Lit with Tungsten. Salamander is plastic - I had to weight his head with lead pellets to keep the little bugger in place. Stuff at the bottom of the container is egg whites and honey. I sprinkled baking powder all over everything in the stead of dust. Used some retractable diffusion gizmo to blur edges during printing (I just had to use it on something!). Print split-toned in cool-mixed thiourea.