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Camera: Toyo 45 GII, Fuji Fujinon NW 125mm f5.6, 345mm bellows extension, f64, 8min 45s exposure. Film: Ilford FP4+, developed in Ars-Imago R9 1+50, 15:40 @ 21.6°C.
Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
Shanghai GP3 @ iso 100. Adolux APH09 (Rodinal). Dilution 1:100, (4ml in 400ml), 19c, 90 minutes. Agitation - 4 inversions at the start and 2 inversions at 30 minutes. . Two water baths (stop). Alkaline fix for three minutes.
Linhof Technikardan, 210mm Nikkor
Fuji FP-3000b Instant Print Film
ISO 3000, f/32 at 1/125 sec
Scan was from the paper negative, not the positive print
Blog Post with More Pictures Missing the rear standard locking knob, but otherwise in good condition. This will make a wonderful portrait camera and I'll also get a 4x5 reducing back on it for landscape, street stuff. The bellows are not original, but they are much more functional than what the original red bellows would probably be. The lens is a Wollensak Versar lens with a non-working shutter. I'm going to get a modern (1970s-ish) Schneider Symmar 300mm lens as a replacement.
The great thing about this camera is that is has the front and rear extension rails and a sliding tripod block.
Taken on Rialto Beach at Mora Washington, near La Push and Forks.
Galvin 6x9 Pocket View Camera, 135mm Xenotar lens.
Kodak Tri-X film, ISO 320, f/16 at 1/250 second.
Developed in Edwall Super 111
Scanned using a Minolta Scan-Multi Pro.
March 8, 1997
Ikeda Wood View, 150mm Symmar S
Kodak TMax 100 in XTOL 1:1 16:00
Scanned 4 x 5 negative December, 2016 w/ Epson V800, Silverfast
Post Process PS Elements, Silver Efex Pro
In looking through photos with lith print potential, I found this one that I scanned awhile back but had never posted to Flickr, so here it is.
Oakville's position as a port of entry made it a valuable haven for those seeking freedom from the harsh slave laws in the United States. The earliest recorded arrival took place in 1823. Many became residents of the growing town of Oakville, and the Turner Memorial Chapel is proof of that. Built between 1890 and 1, the chapel was an African Methodist Episcopal Church branch. Through the 20th Century, the congregation dwindled, and the church found a new use as a home for a small Anglican community. It was the Anglicans who raised the needed funds to restore the church. In 2002 the church was purchased by Jed Gardner and is an Antique shop today.
Graflex Crown Graphic - Fuji Fujinon-W S 1:5.6/150 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
IG: @vladyurkov
Kodak E100 4x5
Chamonix 45f2
135mm f35 2s
Tiffen 812 filter
I wasn't entirely sure what was going on with this thin layer of pond ice, but I knew I liked it. I was initially planning on shooting a tighter more abstract scene, but eventually decided including the frost bitten shoreline gave some context and grounded the composition.
The scene was in full shade so I used an 812 warming filter. There was a mild glare from the sky near the top of the scene that was approaching +2EV, but I had confidence Kodak Ektachrome could handle it with ease.
Camera: Toyo-View 45GII, Fuji Fujinon NW 125mm f5.6. Film: Fujichrome Velvia 50 exp 10/2013, home-developed with the Tetenal Colortec E-6 3-bath kit.
I honestly was hoping for more than one working image out of my first group of four. But here we are, I assumed I had a little more forgiveness, but my assumption was for negative, not positive films. Either way, pretty happy how this frame turned out.
Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Kodak Fine Grain Positive Film 7302 @ ASA-6
Kodak D-76 (Stock) 8:00 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC
Death Valley National Park
California, USA
Tachihara 4x5
Nikkor-W 150mm f/5.6
Rollei Infrared 400
Developed at Northcoast Photographic Services, Carlsbad, CA
Zeiss Distagon 15 mm f/2.8 on Cambo ActusMini view camera with Sony A7II (f/2.8 1/4 sec ISO 400)
Dieses Objectiv hat eine feste Sonnenblende, die das Bild vignettiert durch Bewegungen der technischen Kamera. Doch erreicht das Schiften einen angenehmeren Blickwinkel. (Siehe hierzu im Gegensatz das voherige Photo)
Zeiss Distagon 15mm f/2.8 on Cambo ActusMini viewcamera with Sony A7II (f/2.8 1/4sec ISO 400)
This lens has a fixed suncap which causes vignetting by the movements of the technical camera. But shifting is much more successful than without.
The most recent Sheridan logo and branding, this interesting S, the font is one created specifically for the College. These are outside all three campuses.
Graflex Pacemaker Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Ilford HP5+ @ ASA-200
Adox Atomal 49 (Stock) 6:45 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC
Sinar P / Industar 51 /Agfa MCP paper negative
For all of you who still don't know, I've a blog about cameras, and camera history, and camera porn and all things camera.
This issue: the Lomography Belair, Vladimir Putin and how two Austrian students never went to the Czech Republic and discovered the LC but found their way to the highest personalities of the Soviet Un... oooops, the New Russia.
Or so my ghost writer told me.
Follow me at:
www.camerastorebarcelona.com/2015/06/its-not-a-review-i-h...
Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
weight: 1.7kg
Out train spotting in and around Hood River, Oregon.
Camera: Nikon D300
Lens: 24-120mm Nikon VR
# #pnwexplored #rowena #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #pnwcrew #myoregon #filmphotography #kodak #largeformat #4x5 #viewcamera
My Website and Blog: Gary L. Quay Photography
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Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
Fomapan 100 @ iso 100. Adolux APH09 (Rodinal). Dilution 1:100, (4ml in 400ml), 19c, 90 minutes. Agitation - 4 inversions 30 minutes. Two water baths (stop). Alkaline fix for three minutes.
Taken with a Lizars "Challenge" camera in week 471 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
For the first full week in 2019 of my 52 cameras in 52 weeks project, I decided to use my dad's Lizars Challenge folding plate camera.
The film is Rollei PAN 25, an ISO 25 black and white negative film, devloped in Rodinal 1:50 for 11 minutes at 20 degrees.
Exposure approx 40 seconds at f22.
And so begins the 4x5 journey.
The main reason I got the Shen-Hao 4x5 was to use it to shoot along the creeks where I live. I am sure i will find more uses as I get more comfortable using large format.
This is a scan of my first negative. I didn't even scan this in really high rez but when I pulled the file up in photoshop to see if there was any dust I needed to address, I was blow away at the detail throughout the negative.
The file was 40 MB and I didn't even scan in a very detailed mode, that's a lot of info in one negative !!!!
The day was foggy, drizzly and slightly windy so I picked a pretty tough day to take my first shot but I have to say, the results came out way better than I expected. Actually, I am just happy I loaded the film correctly.
ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 50 iso + D-76 1:1 @ 9 min (Tray developed, 1 min initial agitation followed by every minute)
A large format image of Little Mud Lake (located in the Kettle Moraine State Park) this past Spring.
May 2014
Little Mud Lake
Kettle Moraine State Forest (northern unit), WI
4x5 Omega View Camera
150 mm Rodenstock Sironar f/5.6 MC
FujiChrome Provia 100F RDP III Color Transparency Sheet Film.
Cokin Polarizing Filter
Cokin P120 Grad. ND Filter.
Wet-mount scanned on Epson v750 Pro
We are in the process of photographing much of our collection for the book that will accompany an exhibition in the fall.
This group is of three German china souvenir pin dishes of the type often called "Pink Pigs" although it includes a white Teddy bear and a devil with a view camera. There is also a small cream and gold knock off of unknown manufacture marked "Souvenir of Baltimore, Md."
This is a Rodenstock 180 mm lens in a Copal shutter mounted in a Wista lens board. In other words, it's a roughly "normal" lens for my 4X5 view camera.
3rd September 2021
Camera: 1956 Linhof Super Technika III 4x5â.
Lens: Schneider 90mm Angulon f/6.8.
Film: Ilford Delta 100 4x5" black & white negative sheet.
Exposure: Metered 1 min @ f/22, adjusted 3 min; Focused to 1.5 metres.
Development: ID-11 1 + 3 21 min/20C.
More information about Waddamana may be obtained at the following links:
en.wikipedia.org/wiki/Waddamana_Power_Stations
www.hydro.com.au/things-to-do/waddamana-heritage-site
Copyright 2021 Tasmania Film Photography
All Rights Reserved
Originally built as the Tudor-styled manor home of L-Col W.G. MacKendrick in 1922. The name Gairloch was given by Col. MacKendrick after a small Scottish town of the same name. Following the death of Col. MacKendrick, the estate was purchased by James Gairdner in 1960, who after his death, bequeathed the estate to the town of Oakville which established and still operates a gallery.
Graflex Crown Graphic - Fuji Fujinon-W S 1:5.6/150 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Camera: Toyo-View 45GII, Fuji Fujinon NW 125mm f5.6. Exposure: f45, 1/2 sec. Film: Fujichrome Velvia 50 exp 10/2013, home-developed with the Tetenal Colortec E-6 3-bath kit.
These are my favorite landscape film cameras.
Calumet 4x5 inch large format view camera with 90mm f/5.6 Fujinon lens
Fuji GSW690 medium format rangefinder with 65mm f/5.6 Fujinon lens
Contax G1 35mm small format rangefinder with 28mm f/2.8 Zeiss lens
©2009 Gary L. Quay
Uploaded a better version 4/6/20. I finally got the color balance right.
Camera: Calumet 45
Lens: 180mm Caltar II
Film: Kodak Portra 160 VC.
# #pnwexplored #cathedralpark #myoregon #oregonexplored #pacificnorthwest #stjohnsbridge #garyquay #cascadiaexplored #portlandoregon #outside #outdoors #oregon #onlyinoregon #viewfromhere #columbiagorge #viewcamera #traveloregon #portland #filmphotography #largeformat #8x10 #kodak
My Web Site and Blog: Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
Feel free to join my Flickr groups
and Flickr Today 2
May 2016
Madison, WI
4x5 View Camera
Fuji Provia RPD III 100 Color Transparency Film
On a side note, I'd like to mention that I've recently learned that I have been selected to be the next large format staff photographer for the Heritage Documentation Programs (National Parks Service); HABS/HAER/HALS. This is an unbelievable opportunity and truly, a dream come true.
All the images I make for the Heritage Documentation Prograpms (National Parks Service) will be done on the 4x5, 5x7, and 8x10 formats and will be on display for you to enjoy and download on the Library of Congress website (www.nps.gov/hdp/coll.htm). I hope you will all take full advantage of this unbelievable national resource and use these images to educate those around you about the architectural, engineering, and natural history surrounding the United States of America.
I'd also like to thank everyone who has viewed my photos through the years (Filckr member since 2009). You've all been unbelievable in helping me edit and refine my vision and I can't say thank you enough.
I look forward to seeing many more of your images and discussing your individual photographic technique and approach in the years to come.
camera: Graflex Graphic View 4x5 / Tessar 135mm in Compur shutter. Polaroid 4x5 film back.
Film: Polaroid Type 55 Positive/Negative
This stereo card, with an 1882 copyright, shows the photographic party of Edward L. Wilson in Egypt.. The title of the card is "Photographing Cephren and Mencheres" from the series "Scenes in the Orient".
Salamander. Shot on a rail view camera outfitted with pinhole (I think...also did a lensed version). Lit with Tungsten. Salamander is plastic - I had to weight his head with lead pellets to keep the little bugger in place. Stuff at the bottom of the container is egg whites and honey. I sprinkled baking powder all over everything in the stead of dust. Used some retractable diffusion gizmo to blur edges during printing (I just had to use it on something!). Print split-toned in cool-mixed thiourea.
Young man seems interested in the workings of a Sinar F 4x5 view camera at Camera Trader's 11th annual swap meet in Market Square in downtown Victoria BC Canada. A camera swap meet seemed like a logical place to go for candid photo's. Swiss photographer Carl Hans Koch invented the Sinar camera in 1947 due to his dissatisfaction with the limited or imprecise nature of wooden view cameras that were being manufactured at the time. An interesting trend that I have noticed is there is a renaissance in the world of analog (film) users and I have noticed many are young people. This observation is backed up in a survey by the British company, Ilford Photo in 2014 that showed over 30% of people using film still are under 35 years of age. FYI
Karlos No.55 6x9 fixed flat bed SLV & Topcor Horseman 105mm f3.5 in a Seiko-SLV shutter. Cloth bellows, with lift, swing and tilt on the front and on the back, rise (giving fall on the front). Reversing back with the baby graflok fit. Horseman 6x9 film back.
Shanghai GP3 @ iso 100. Adolux APH09 (Rodinal). Dilution 1:100, (4ml in 400ml), 19c, 90 minutes. Agitation - 4 inversions at the start and 2 inversions at 30 minutes. . Two water baths (stop). Alkaline fix for three minutes.