View allAll Photos Tagged values

Sign alongside a turnstile at Meadow Lane, home to Birstall United Football Club, who celebrated in 2021 their 60th anniversary.

 

Captured before a 3-0 victory, in the First Division of the United Counties League, over Leicester area neighbours Kirby Muxloe.

 

Three up at half-time, Birstall, during the second period, saw a penalty saved, struck the inside of a post three times and were denied in a one-on-one. Kirby Muxloe squandered three very good chances in the last 10 minutes.

 

Match statistics

 

Birstall United versus Kirby Muxloe

 

United Counties League, Division One (7.45pm kick-off)

 

Admission: £5. Programme: 16 pages (included with admission). Attendance: 102. Birstall United 3 Kirby Muxloe 0 (half-time 3-0). Scoring sequence: 1-0 (6mins, Paul Pallett, penalty); 2-0 (23mins, Corey Bucalossi); 3-0 (39mins, Dre Articolo).

Vineland NJ. Vacant store. Great light...

Gentlepersons:

 

The Kodachrome Pictures:

 

These recently uploaded Kodachrome pictures have no artistic value. They were just uploaded to be representative of consumer Kodachrome picture recording during about 70 of the 75 years that Kodachrome was commercially available to the public. Unlike in today’s digital world it took time, money and effort to make a Kodachrome slide. We took fewer pictures, trying to stretch resources, but some sere still frivolous.

 

I'm 97 (2016). In between health downturns, I fear this will be my last chance to post much. The ratio of today’s digital pictures that are kept for any length of time and/or printed is much less than the film photos taken in days past. History will be lost. Meanwhile you get to be bored by some old Kodachromes, Anscochromes, a Dufaycolor and perhaps an old black&white or so.

 

The Camera:

 

Most of these pictures are not very sharp. They were taken with an Argus AF 35mm miniature Bakelite camera bought in 1938 at the USNA by saving much of my small student stipend for about six months. It had a Cooke style three element lens of marginal quality for its day of laughable quality compared with any of today’s SLR lenses. It had slightly better resolving ability than today’s ever more scarce disposable film cameras. The AF was an Argus upgrade which enabled the camera to focus at different lengths from about 1.5 feet to infinity. Most consumer cameras of that day were what we call medium format today. Most of the cheaper consumer grade cameras were little more than box- cameras with single element non-focusing meniscus lenses. The larger film hid much of the softness. The then newer miniature cameras had to do better because of the smaller film exposure size.

 

Stereotach:

 

Stereotach was a device that used front silvered mirrors to bounce light around within a small Bakelite device which was held in front of or attached to a lens. When used with 35mm cameras it produced a 3D stereo image of two side-by-side views within the standard 24mmx36mm film frames which were mounted in standard 2”x2” slide holders. There was a special slide viewer that also used front silvered mirrors to reverse the effects of the taking unit so you could see the slide in 3D stereo. Prints could also be made from the film frames. If the long dimension was held to 7” on 7x5” printing paper you could put them into those old turn-of-the century Stereopticon card viewers and get the same 3D stereo effect as the original Stereopticon cards. These views are straight on, not “cross eyed” and can be viewed without a viewer if you train your eyes to see them properly. Try viewing the image on your screen at about 3” wide and see if you can do it!

 

There was also a much more commercially successful stereo system in the early 50s. Today it is often referred to as Stereo Realist. Kodak made a nifty, easy to use Kodak Stereo camera and several viewers. This type of camera took two 23mmx23mm exposures on 35mm film, made with two side-by-side lenses separated about the same dimensions as the human eyes. They were mounted into special mounts about twice as wide as a standard 2”x2” mount with space in between the film pieces. Kodak also made a Stereotach type device of high quality to mount to their premium retina line of cameras along with a very nice viewer. Now look at the once mighty Kodak!!??

 

The Film...

 

Kodachrome was my favorite film. My first roll in the late 30s was such a marvel to a young man. I had tried Dufaycolor which did pretty good, but if it had to be projected you had to ignore the lines of color which made up the image. Kodachrome was so much more colorful to boot. It was extremely sharp and almost grainless compared to other color and B&W processes.

 

Kodachrome was unique in American film history. Except for a licensee who used Kodachrome’s older process for a few years, nobody made anything like it. Most color films had all the color in the film. Kodachrome picked up color from the processing baths. Also unlike modern slide films which use chemical energy to reverse the negative image, Kodachrome used filtered lights to re-expose within the processing machine. Kodachrome evolved over the years, and was usually the clearest, sharpest grain free color film one could buy. That is until Kodak made a decision to reduce the budget to improve the product in favor of other products and offerings. Fuji Velvia soon eclipsed it in resolution and could be processed locally in regular E-6 mini-machines.

 

Farmer Anton Roets measures irrigation at Goue Akker Farm, which supplies milk to the Nestlé factory in Mossel Bay, South Africa.

AMMA NANNA CHARITABLE TRUST (ACT)

“INDUVADHANAMMA CHILD WELFARE ORPHAN HOME” (ICWOH)

Registration No 119/2005 under Trust Act of Govt. of A.P. India

License No. 330/1/2011

 

Many people in the society are looking for helping hands. Let’s be a hope to them. Amma Nanna Charitable Trust is one among them.

“LIFE IS A JOURNEY IN SEARCH OF GOD“

“SERVICE TO LIFE IS SERVICE TO GOD“

We are joining more orphan children who have no parent’s age group between 3 to 12 years and also joining Widows, Deceived and Separated Women at free of charges only. Our children have been staying with us up to their life settlement that means they will stand with their own bases.

    

You feel you are also responsible to the society, please, if you come across such people in and around your surroundings, give a hope to them by providing our address and we take care of them with pleasure.

 

Please don’t Drink Alcohol and other intoxicates Live a happily and make Peaceful Society

Everyone should read and write his/her regional language. We don’t try to take any Loans it leads to bitter life. We can live a happily in Kutcha house without loans, and then granite floored building with Loans. Loans make damage peaceful life and leads us misbehavior and corrupt minding nature.

 

Address of our Free of cost orphanage Children Home Aditya Nagar, Desapathrunipalem, and Parawada, Near Steel Plant Quarters Sector-X, Visakhapatnam, Andhra Pradesh, India, and Asia. Cell no. 08886563252

  

For Orphan children we are providing good education, nutritious food, sports and games, cultural activities, meditation and yoga. We are very particular in teaching them good behavior, how to be responsible to the situations, moral, spiritual values and civic senses which in deed helps in providing a healthy citizen to the society in our Orphanage children home.

 

For deceived women or widows, we are providing nutritious food, shelter, healthy and spiritual environment, yoga and meditation. We even accept them as the Volunteers with a service motto as we all know SERVICE TO LIFE IS SERVICE TO GOD

 

Do you know depending upon parents and teacher’s behaviors children learn good or bad activities? For example we choose one regional language in particular state, different areas living people speak different stylish the same regional language because it’s their environment effect. So when parents/teachers create good environments to their children doing good things like social, civic, moral, spiritual, cultural, social response, kind, and humanity etc¦ Then children growing such way if not they will grimy.

 

Now a day’s one in all are thinking about earn billions of billions of rupees whatever job they are doing and give it to their children on heredity properties. Suppose they will give their children billions of billions rupees and, there will be no moral values, civic senescence, social responsibilities, humanity, social behavior, kindness, social moving with others and also no pure air, water, earth and sky. Can they enjoy in that society? and live happily such wrinkle and blight society, we will give them not only money on heredity but also we learn or grow them good behaviors like cultural, spiritual, social, moral, civics, kind, help, social responsibility etc.. . Money is requiring for live but life is not money. Money may not make life happy but service must be making live happily that should be known one in all. Friends we may not giving as light as the sun but we are giving as light as lamp and try to drive way darkness in the society as able as we can then darkness drive way from the society then we will live peacefully and happily in such society

.

Our properties just like water level in the well if we use water purposefully the decreased water level in the well filled later. If we don’t use water the level of water remains the same suppose we add more water into the well it looks raise in the water level in movement but after sometime it comes to the original level. If we use water unnecessarily and dry it then we have no water when we want to drink even though our well water will be raised later. So we take a little amount of water and use it towards real needy people. We eat for living and not live for eating man / woman should working until last his / her breathe. I hope we make such world! We assure you of our ethical zeal of service to the tender generation born to serve our nation as differently able citizens because ability knows no Handicap.

Amma Nanna Charitable Trust (ACT) was started in providing services for noble cause that includes orphanage for children who have no parent’s and also Widows/Separated /Deceived Women at free of cost only. It is a NGO providing non-profit voluntary social services organization orphanage at free charges homes, that includes promoting education to children and counseling for alcohol and other intoxicates. view to serve society, a non-profit and charitable trust, Volunteer NGO’s Services with the name AMMA NANNA CHARITABLE TRUST (ACT)"established in year 2005 and acquired its registration (as per the Trust Act of A.P., India.) and Reg. 119/2005. And also License by Department for Women, Children, Disabled and Senior Citizen & CID-Police Department and License No. 0330/1/2011, under the leadership as Founder & Secretary Sri Gurubelli. Koteswara Rao M.sc., M.Phil, PGDCPA., And as Chairperson and Managing Trustee Smt Gurubelli Venkatalakssmy M.A (Sociology) We are so happy to expedite the meaning of AMMA NANNA "MOTHER FATHER" and the exigency of naming this trust had been arisen in reminiscence of the beloved late parents ( Smt & sri Gurubelli. Ammayamma Ramamurthy) of Sri Gurubelli. Koteswara Rao, founder & secretary of this ministries following on their sympathetic favor, commitment and support launched for the neglected people who were drastically lack of food, clothes and other family problems. We are running this NGO Social Service Volunteer Organization with our own funds without any disparity in caste and creed in INDIA, Asia and Boards.

  

Koteswarara Rao bore to devout, illiterate parents namely Smt. & Sri Gurubelli. Ammayamma & Ramamurthy from a mediocre family in the village Gangadharapeta, Challavanipeta (post), Jalumuru (mandal), Srikakulam district, Hyderabad capital, State of Andhra Pradesh, Southern India, India. His parents were always interested for orphan, very poor, struggle, problem faced public servicing. They did not tolerate any attack or cheat to poor and weak persons in their village and fight for their justice. They never thought for earning themselves, but they spent their amounts for the development of the poor needy villagers so as to bring them from the social Evil viz., poverty. Also they had in mind particularly for providing the minimum welfare amenities like Drinking Water, School Building, Electricity, Temple, Roads, properly usage of pond water for irrigation purpose etc. which were benefited to the general public. Always they tried to make them unity and liability. They used to offer advices to their children if we have sound wealth use it for the needy and poor communities without any disparity in caste, creed and religion for getting happiness and able to lead their lives properly with self respect, self reliance with dignity in the society. In addition to the above the following such as food, clothes, and medicines were provided to the fish sellers, fruit sellers, vegetable sellers, pot sellers etc., nearby our village and have their lunch at their home even though his parents have eight children to eking out their family burdens with great difficulties. His father resolved as a burden, commitment to reconcile the couple disputes, dowry pending cases harassment, suspecting cases, attacks, thefts by way of probing into the facts leniently by giving a good judgment. His parents were illiterates even though they did very good charitable activities which made them great respect and popularity adjoining to their nearby mandal villages. All the above made him inspired to do something for the general public. At this juncture he thought a lot for how to do it and finally decided to establish a volunteer organization in remembrance of his beloved parents.

 

Eventually he selected the name as Amma Nanna Charitable Trust" and the meaning of AMMA NANNA is Mother Father He completed graduation in B.Sc., and started educational coaching Institution from 6th class to Junior College (Intermediate) and closed due to his father was seriously ill and expired and also his mother expired within ten months after his father demised. He felt unconscious and took six months for restoration of normal and four years for better condition. After one year (his mother expired) he secured a good job luckily in Central Government by his parents utmost grace which gave him financial support to lead family with severe obstacles and completed his Post Graduate in M. Sc (Math’s) and GPDCPA. Neither his elder brothers supported him nor could his relatives not help him to lead the family at the critical situation. Only his sister have had come forward to support him in all the ways that she could sacrifice a lot for the family. He has three elder and three younger brothers and one elder sister. He made two younger brothers marriages and helped them in establishment of their individual business by leaving his hereditary properties to them. He married with Venkatalakssmy M.A (Sociology) a spiritual, cooperate and eager to work for the society in the year 2002 and complete his Mater Philosophy M.Phil (math’s). He blessed with two children namely Raghavendra (10yrs) and Ahalya(7 yrs) who are studying primary education at their residential area Desapathrunipalem He has no bad habits even tea or coffee but only bad habit is believe' all. So far he faced number of up and downs on all his downs his sister prepared him mentally strong and push him ups in these hard days to keep up their Oath given for their late parents.

We are meeting this running cost from the profit of Indhu Plaza (Electrical, Hardware, Sanitary and Plywood) at Desapathrunipalem, Near Steel Plant Quarters Sector-X, Visakhapatnam which is maintained by our Chairperson and Managing Trustee Smt Venkatalakssmy

Profile of the organization

Name of the trust

Amma Nanna Charitable Trust (ACT)

Head of the Trustee

The Chairperson and Managing Trustee

Name of the Head Trustee

Venkatalakssmy Gurubelli (alias Suguna)

Address of the Organization

Amma nanna charitable trust (ACT)

Aditya Nagar, Desapathrunipalem,

Parawada, Visakhapatnam, Andhra Pradesh â 531 021

Registration No

119/2205

License No.

0330/01/2011

Contact mobile no.

8886563252 & 9397983812

Name of the Project

Orphan Children Home

Name of the Bank

State Bank of India

Type of account

Saving Bank

Account No.

30030634007

  

CONTACT US

 

Founder: Gurubelli Koteswara Rao M. Sc., M. Phil (Mathematics) PGDCPA.

Address: Amma Nanna Charitable Trust (ACT)

Aditya Nagar, Desapathrunipalem, Parawada

City: Greater Visakhapatnam – 531021

State: Andhra Pradesh

Capital: Hyderabad

Country: India, Asia

Pin Code: 531021

Phone: +91 9397983812, +91 8297388166, +91 8886563252, +91 9390436302

Email: ammanannacharitabletrust@gmail.com, orphanage.vizag@yahoo.com,

childrenhome.vizag@yahoo.com Visit us Blog @ www.ammanannacharitabletrust.blogspot.com

Visakhapatnam District Munchingiputtu, Nathavaram , Pedagantyada , Pedabayalu , Narsipatnam , Paravada , Hukumpetau , Rolugunta , Anakapalli , Dumbriguda , Ravikamatham , Munagapaka , Arakuvalley , Butchayyapeta , Kasimkota , Ananthagiri , Chodavaram , Makavarapalem, Devarapalle , K Kotapadu, Kotauratla , Cheedikada , Sabbavaram , Payakaraopeta , Madugula , Pendurthi , Nakkapalli , Paderu , Anandapuram , S. Rayavaram , Gangaraju Madugula , Padmanabham , Yelamanchili , Chintapalle , Bheemunipatnam , Rambilli , Gudemkothaveedhi , Visakhapatnam , Atchutapuram, Koyyuru , Visakhapatnam urban, rural, Golugonda , Gajuwaka . Munching Puttu, Devarapalli, Gudem Kotha Veedhi. Apalli, gollapalli, telaprolu.

 

Srikakulam District Veeraghattam , Bhamini , Vangara , Kothuru , Regidiamadala Valasa , Hiramandalam , Rajam , Sarubujjili , Ganguvari Singadam , Amadalavalasa , Laveru , Srikakulam , Ranastalam , Gara , Hetcherla , Polaki , Ponduru , Narasannapeta , Santhakaviti , Jalumuru , Burja , Saravakota, Palakonda , Pathapatnam , Seethampeta , Meliaputti, Kotabommali , Santha Bommali , Nandigam , Vajrapu Kothuru , Palasa , Mandasa , Sompeta , Kanchili , Kaviti , Tekkali, Ichchapuram , Regidi amadalaValasa ,Santhabommali.

 

Vizianagaram District Komarada , Ramabhadrapuram , Gummalakshmipuram , Badangi , Kurupam , Therlam , Jiyyammavalasa , Merakamudidam , Garugubilli , Dattirajeru , Parvathipuram , Mentada , Makkuva , Gajapathinagaram , Seethanagaram , Bondapalle , Balajipeta , Gurla , Bobbili , Garividi , Salur , Cheepurupalle , Pachipenta , Nellimarla , Bhoghapuram , Denkada , Vizianagaram , Gantyada , Srungavarapukota , Vepada , Lakkavarapukota , Jami , Kothavalasa, Pusapatirega, Colorado, Thermal Bondapalli.

 

East Godavari District Maredumilli , Pithapuram , Kapileswarapuram , Y Ramavaram , Kothapalle , Alamuru , Addateegala , Kakinada, Atreyapuram , Rajavommangi , Ravula Palem , Kotananduru , Samalkota , Pamarru , Tuni , Rangampeta , Kothapeta , Thondangi , Gandepalle , P Gannavaram , Gollaprolu , Rajanagaram , Ambajipeta , Sankhavaram , Rajahmundry, Ainavilli , Prathipadu , Mummidivaram , Yeleswaram , Kadiam , I.Polavaram , Gangavaram , Mandapeta , Katrenikona, Rampachodavaram , Anaparthy , Uppalaguptam , Devipatnam , Biccavolu , Amalapuram , Seethanagaram , Pedapudi , Allavaram , Korukonda , Karapa , Mamidikuduru , Gokavaram , Thallarevu , Razole , Jaggampeta , Kajuluru , Malikipuram , Kirlampudi , Ramachandrapuram , Sakhinetipalle, Peddapuram , Rayavaram , sankavaram, Samalkot, Kothapet , Gandepalli , Sakhinetipalli, samrlakota.

 

West Godavari District Jeelugumilli , Nidadavole , Undi , Buttayagudem , Tadepalligudem , Akiveedu , Polavaram , Unguturu , Kalla , Thallapudi , Bhimadole , Bheemavaram , Gopalapuram , Pedavegi , Palakoderu , Koyyalagudem , Pedapadu , Veeravasaram , Jangareddigudem , Eluru , Penumantra , T.Narasapuram , Denduluru , Penugonda , Chintalapudi , Nidamarru , Achanta , Lingapalem , Ganapavaram , Poduru , Kamavarapukota , Pentapadu , Palacole , Dwarakatirumala , Tanuku , Yelamanchili , Nallajerla , Undrajavaram , Narasapuram , Devarapalle , Peravali , Mogalthur Chagallu , Iragavaram , Kovvur , Attili . Tallapudi, Bhimavaram, Palakol, chebrolu Dwaraka Tirumala, Devarapalli.

Guntur District Macherla , Veldurthi , Narasaraopeta, Rentacrintala , Bollapalle , Rompicherla, Gurazala , Nakarikallu , Ipur Dachepalle, Muppalla , Savalyapuram , Machavaram , Phirangipuram , Vinukonda , Bellamkonda , Medikonduru , Nuzendla , Achampeta , Guntur , Chilakaluripet , Krosuru , Pedakakani , Pedanandipadu , Amaravathi , Duggirala , Kakumanu, Thullur , Kollipara , Ponnur , Thadepalle , Kollur , Amruthalur , Mangalagiri , Vemuru , Cherukupalle , Tadikonda , Tenali , Bhattiprolu , Pedakurapadu , Tsundur , Repalle , ,Sattenapalle , Chebrole , Nagaram , Rajupalem , Vatticherukuru , Nizampatnam , Piduguralla , Prathipadu , Pittalavanipalem , Karempudi , Edlapadu , Karlapalem , Durgi , Nadendla , Bapatla. Narasaraopet, Rentachintala, Bollapalli, Nekarikallu, Jaipur, Thadepalli, Cherukupalli Chebrolu, Georgia

Krishna District Vijayawada A.Konduru, Agiripalli, Avanigadda, Bantumilli, Bapulapadu, Challapalli, Chandralapadu, Chatrai, Gampalogudem, Gannavaram, G. Konduru, Ghantasala, Guduru, Gudivada, Gudlavalleru, Ibrahimpatnam, Jaggayyapeta, Kaikalur, Kalidindi , Kanchikacherla , Kankipadu, Koduru , Kruthivennu, Mailavaram , Machilipatam, Mandavalli , Movva , Mopidevi , Mudinepalle , Musunuru , Nagayalanka , Nandigama , Nandivada, Nuzvid , Pamidimukkala , Pedana, Pamarru, Pedaparupudi , Penuganchiprolu , Penamaluru , Reddigudem , Tiruvuru , Thotlavalluru , Unguturu, Vatsavai, Vissannapeta, Vuyyuru, Veerullapadu , Chandarlapadu, Gampalagudem, benz circle, ring road, Machilipatnam, gunadala matha , kond

 

Khammam District Cherla , Yellandu , Enkuru , Pinapaka , Singareni , Konijerla , Gundala , Bayyaram , Khammam Urban , Manuguru ,Garla , Khammam Rural , Aswapuram , Kamepalle , Thirumalayapalem , Dummugudem , Julurpad , Kusumanchi , Bhadrachalam , Chandrugonda , Nelakondapalle , Kunavaram , Mulakalapalle ,Mudigonda , Chintur , Aswaraopeta , Chinthakani , Vararamachandrapuram , Dammapeta , Wyra , Velairpad , Sathupalle , Bonakal , Kukunoor , Vemsoor , Madhira , Burgampadu , Penuballi , Yerrupalem, Palawancha, Wazeed , Kothagudem , Kalluru , Venkatapuram , Tekulapalle , Thallada . Cherla, Nakuru, Uganda, Kamepalli, Nelakondapalli , Mulakalapalli Va Ramachandrapuram , Palvancha , Tekulapally.

Prakasam District Yerragondapalem , Martur , Veligandla , Pullalacheruvu , Parchur , Pedacherlopalle , Tripuranthakam , Karamchedu , Ponnaluru , Kurichedu , Chirala , Kondapi , Donakonda , Vetapalem , Santhanuthlapadu , Pedaaraveedu , Inkollu , Ongole , Dornala , Janakavaram, Panguluru , Naguluppalapadu , Ardhaveedu , Korisapadu , Chinaganjam , Markapur , Maddipadu , Kothapatnam , Tarlapadu , Chimakurthi , Tangutur , Konakanamitla , Marripudi , Zarugumilli , Podili , Kanigiri , Kandukur , Darsi , Hanumanthunipadu , Voletivaripalem , Mundlamuru , Bestavaripeta , Pamur , Thallur , Cumbum , Lingasamudram , Addanki , Racherla , Gudluru , Ballikuruva , Giddaluru , Ulavapadu , Santhamaguluru , Komarolu , Singarayakonda , Yeddanapudi , Chadrasekara, Puram . Peda Cherlopalli, Peddaraveedu, Tarlupadu, Chimakurthy, Jarugumilli, Ballikurava, Chandrasekara.

 

Sri Potti Sri Ramulu Nellore District Seetharamapuram, Kodavalur , Sydapuram , Varikuntapadu , Butchireddipalem , Dakkili , Kondapuram , Sangam , Venkatagiri , Jaladanki , Chejerla , Balayapalle , Kavali , Ananthasagaram , Ojili , Bogole , Kaluvoya , Chillakur , Kaligiri , Rapur , Kota , Vinjamur , Podlakur , Vakadu , Duttalur , Nellore , Chittamur , Udayagiri , Kovur , Naidupeta , Marripadu , Indukurpet , Pellakur , Atmakur , Thotapalligudur , Doravarisatram , Anumasamudrampeta , Muthukur , Sullurpeta , Dagadarthi , Venkatachalam , Tada , Allur , Manubolu , Vidavalur , Gudur Buchireddypalem, Balayapalli , Podalakur , Thotapalli Gudur ,Anamasamudrampeta , Allure

.

Dr. Y.S.Rajasekhara Reddy Cuddapah District Muddanur, Vempalle , Kondapuram , Simhadripuram , Chaknayapet , Mylavaram , Lingala , Lakkireddipalle , Peddamudium , Pulivendla , Ramapuram , Raju Palem , Vemula , Veeraballe , Duvvur , Thandur , Rajampet , S Mydukur , Veerapunayunipalle , Nandalur , Brahmamgarimattam , Yerraguntla , Penagaluru , B Kodur , Kamalapuram , Chitvel , Kalasapadu , Vallur , Kodur , Porumamilla , Chennur , Obulavaripalle , Badvel , Atlur , Pullampeta , Gopavaram , Vontimitta , T.Sundupalle , Khajipet , Sidhout , Sambepalle , Chapad , Chinnamandem , Proddutur , Chintha Kommadinne , Rayachoti , Jammalamadugu , Pendlimarri , Galiveedu Vempalli , Chakrayapet , Pulivendula , Tandur , Veerapunayuni Palli , Penagalur , Obulavaripalli , Atlanta , Pullampet , T.Sundupalli , Kazipet, Sambepalli, Proddatur.

 

Chittoor District Peddamandyam , K V P Puram , Nagari , Thamballapalle , Narayanavanam , Karvetinagar , Mulakalacheruvu , Vadamalapeta , Srirangaraja Puram , Peddathippa Samudram , Tirupati Rural , Palasamudram , B.Kothakota , Kammapalle , Gangadhara Nellore , Kurabalakota , Chandragiri , Penumuru , Gurramkonda , Chinnagottigallu , Puthalapattu , Kalakada , Rompicherla , Irala , Kambhamvaripalle , Pileru , Thavanampalle , Yerravaripalem , Kalikiri ,Chittoor , Tirupati Urban , Vayalpad , Gudipala , Renigunta , Nimmanapalle , Yadamari , Yerpedu , Mandopalle , Bangarupalem , Srikalahasti , Ramasamudram , Palamaner , Thottambedu , Punganur , Gangavaram , Buchinaidu Khandriga , Chowdepalle , Pedda Panjani , Varadaiahpalem , Somala , Baireddi Palle , Satyavedu , Sodam , Venkatagiri Kota , Nagalapuram , Pulicherla , Ramakuppam , Pichatur , Pakala , Santhi Puram , Vijaya Puram , Veduru Kuppam , Gudi Palle , Nindra , Puttur , Kuppam K V B Puram , Sri Rangaraja Puram , Pedda Thippa , Kammapalli , Kambham Vari Palli , Piler , Madanapalle , Madanapalle, Bangarupalem , Srikalahasti , Kandireega , Peddapanjani , Somalia , Baireddipalle ,Sathyavedu , Sodom, Santhipuram , Vijayapuram , Vedurukuppam , Gudipalle , Nidra.

 

Ananthapur District D.Hirchal , Kunurpi , Gandlapenta , Bommanahal , Kalyandurg , Kadiri , Vidapanakal , Atmakur , Amadagur , Vajrakarur , Anantapur , Obuladevaracheruvu , Guntakal , Bukkarayasamudram , Nallamada , Gooty , Narpala , Gorantla , Peddavadugur , Putlur , Puttaparthi , Yadiki , Yellanur , Bukkapatnam , Tadpatri , Tadimarri , Kothacheruvu , Peddapappur , Bathalapalle , Penu Konda , Singanamala , Raptadu , Roddam , Pamidi , Kanaganapalle , Somandepalle , Garladinne , Kambadur , Chilamathur , Kudair , Ramagiri , Lepakshi , Uravakonda , Chenne Kothapalle , Hindupur , Beluguppa , Dharmavaram , Parigi , Kanekal , Mudigubba , Madakasira , Rayadurg , Talupula , Gudibanda , Gummagatta , Nambulipulikunta , Amarapuram , Brahmasamudram , Tanakal , Agali , Settur , Nallacheruvu , Rolla D.Hirehal, Kundurpi , Bommanahalli , Bathalapalli , Penukonda , Kanaganapalli , Sattur.

Kurnool District Kowthalam , Kodumur , Rudravaram , Kosigi , Gonegandla , Allagadda , Mantralayam , Yemmiganur , Chagalamarri , Nandavaram , Pedda Kadalur , Uyyalawada , C.Belagal , Adoni , Dornipadu , Gudur , Holagunda , Gospadu , Kurnool , Alur , Koilkuntla , Nandi Kotkur , Aspari , Banaganapalle , Pagidyala , Devanakonda , Sanjamala , Kothapalle , Krishnagiri , Kolimigundla , Atmakur , Veldurthi , Owk , Srisailam , Bethamcherla , Peapally , Velgode , Panyam , Dhone , Pamulapadu , Gadivemula , Tuggali , Jupadu Bungalow , Bandi Atmakur , Pattikanda , Midthur , Nandyal , Maddikera East , Orvakal , Mahanandi , Chippagiri , Kallur , Sirvel , Halaharvi . Nandikotkur, Banaganapalli, Dhoni, Jupadu Bunglow, Silver.

Mahabubnagar District Kodangal , Jadcherla , Amrabad , Bomraspeta , Bhoothpur , Balmoor , Kosgi , Mahbubnagar , Lingal , Doulatabad , Addakal , Peddakothapalle , Damaragidda , Devarkadara , Kodair , Maddur , Dhanwada , Gopalpeta , Koilkonda , Narayanpet , Wanaparthy , Hanwada , Utkoor , Pangal , Nawabpet , Maganoor , Pebbair , Balanagar , Makthal , Gadwal , Kondurg , Narva , Dharur , Farooqnagar , Chinna Chinta Kunta , Maldakal , Kothur , Atmakur , Ghattu , Keshampeta , Kothakota , Aiza , Talakondapalle , Peddamandadi , Waddepalle , Amangal , Ghanpur , Itikyal , Madgul , Bijinapalle , Manopadu , Vangoor , Nagar Kurnool , Alampur , Veldanda , Tadoor , Veepangandla , Kalwakurthy , Telkapalle , Kollapur , Midjil , Uppununthala , Thimmajipeta , Achampeta . Daulatabad, Tandoor, Telkapally, Kolhapur, Thimmajipet.

Rangareddy District Marpalle ,Hayathnagar , Gandeed , Mominpet , Saroornagar , Kulkacharla , Nawabpet , Rajendranagar , Pargi , Shankarpalle , Moinabad , Pudur , Malkajgiri , Chevella , Shabad , Serilingampalle , Vikarabad , Shamshabad , Quthbullapur , Dharur , Maheswaram , Medchal , Bantaram , Ibrahimpatam , Shamirpet ,Peddemul , Manchal , Balanagar , Tandur , Yacharam , Keesara , Basheerabad , Kandukur , Ghatkesar , Yelal , Uppal , Doma . Shankarpalli, puduraya, Serilingampally, Maheshwaram, Yell.

 

Nalgonda District Bommalaramaram , Chityala , Thripuraram , M Turkapalle , Narketpalle , Miryalaguda , Rajapet , Kattangoor , Garide Palle , Yadagirigutta , Nakrekal , Chilkur , Alair , Kethepalle , Kodad , Gundala , Suryapet , Mellachervu , Thirumalagiri , Chivvemla , Huzurnagar , Thunga Thurthi , Mothey , Mattampalle , Nuthankal , Nadigudem , Nered Cherla , Atmakur (S) , Munagala , Dameracherla , Jaji Reddi Gudem , Penpahad , Anumula , Saligouraram , Vemulapalle , Peddavura , Mothkur , Thipparthi , Pedda Adiserlapalle , Atmakur (M) , Nalgonda , Gurrampode , Valigonda , Munugode , Nampalle , Bhuvanagiri , Narayanapur , Chintha Palle , Bibinagar , Marri Guda , Devarakonda , Pochampalle , Chandur , Gundla Palle , Choutuppal , Kangal , Chandam Pet , Ramannapeta , Nidamanur . Tripuraram , M Turkapally , Narketpally , Kethepally , Uganda , Mellacheruvu , Tirumalagiri , Chivemla ,Thoonga , Mattampally, Need Cherla , Damaracherla , Shaligouraram , Vemulapalli ,Peddavura , Narayanpur , Chintapalli , Marriguda , Pochampally , Gundlapalli ,Chandampet , Ramannapet.

 

Medak District Manoor , Siddipet , Kohir , Kangti , Chinna Kodur , Munpalle , Kalher , Nanganur , Pulkal , Narayankhed , Kondapak , Sadasivpet , Regode , Jagdevpur , Kondapur ,Shankarampet (A) , Gajwel , Sangareddy , Alladurg , Doultabad , Patancheru , Tekmal , Chegunta , Ramachandrapuram , Papannapet , Yeldurthy , Jinnaram , Kulcharam , Kowdipalle , Hathnoora , Medak , Andole , Narsapur , Shankarampet (R) , Raikode , Shivampet , Ramayampet , Nyalkal , Tupran , Dubbak , Jharasangam , Wargal , Mirdoddi , Zahirabad , Mulug . Manoor, Munipalle, Nanganallur, Daulatabad, Veldurthy, Kowdipally, Toopran, to Oprah

Warangal District Cheriyal , Thorrur , Duggondi , Maddur , Nellikudur , Geesugonda , Narmetta , Narsimhulapet , Atmakur , Bachannapeta , Maripeda , Shayampet , Jangaon , Dornakal , Parkal , Lingala Ghanpur , Kuravi , Regonda , Raghunatha Palle , Mahabubabad , Mogullapalle , Ghanpur(Stn) , Kesamudram , Chityal , Dharmasagar , Nekkonda , Bhupalpalle , Hasanparthy , Gudur , Ghanapur , Hanamkonda , Kothagudem , Mulug , Wardhannapet , Khanapur , Venkatapur , Zaffergadh , Govindaraopet , Palakurthi , Chennaraopet , Tadvai , Devaruppula , Parvathagiri , Eturnagaram , Kodakandla , Sangam , Mangapet , Raiparthy , Nallabelly , Warangal Cherial, Cheryl, Bachannapet, Kuruvi, Mogullapally, Bhupalpally, Ghanpur.

Karimnagar District Ibrahimpatnam , Jagtial , Vemulawada , Mallapur , Medipalle , Konaraopeta , Raikal , Koratla , Yella Reddi Peta , Sarangapur , Metpalle , Gambhiraopet , Dharmapuri , Kathlapur , Mustabad , Velgatoor , Chandurthi , Sirsilla , Ramagundam , Kodimial , Ellanthakunta , Kamanpur , Gangadhara , Bejjanki , Manthani , Mallial , Thimmapur , Kataram , Pegadapalle , Kesavapatnam , Mahadevpur , Choppadandi , Huzurabad , Mutharam , Mahadevpur , Sultanabad , Kamalapur , Malharrao , Odela , Elkathurthi , Mutharam Manthani , Jammikunta , Saidapur , Srirampur , Veenavanka , Chigurumamidi , Peddapalle , Manakondur , Koheda , Julapalle , Karimnagar , Husnabad , Dharmaram , Ramadugu , Bheemadevarpalle , Gollapalle , Boinpalle Medipally , Konaraopet , Korutla , Yellareddy Peta , Sarangpur , ,Metpally , Kathalapur Pegadapally, Elkathurthy , Shrirampur , Peddapalli , Julapalli, Bheemadevarapally, Bowenpally.

Nizamabad District Ranjal , Yeda Palle , Sadasivanagar , Navipet , Bodhan , Gandhari , Nandipet , Kotgiri , Banswada , Armur , Madnur , Pitlam , Balkonda , Jukkal , Nizamsagar , Mortad , Bichkunda , Yellareddy , Kammar , Palle , Birkoor , Naga Reddipet , Bheemgal , Varni , Lingampet , Velpur , Dichpalle , Tadwai , Jakranpalle , Dhar Palle , Kamareddy , Makloor , Sirkonda , Bhiknur , Nizamabad , Machareddy , Domakonda . Sadashivanagar, Kotagiri, Armour, Pelle, Naga Reddit, Dichpally, Jakranpally, Sirikonda

 

Adilabad District Talamadugu , Lohesra , Tiryani , Tamsi , Dilawarpur , Asifabad , Adilabad , Nirmal , Wankdi , Jainad , Laxmanchanda , Kagaz Nagar , Bela , Mamda , Rebbana , Narnoor , Khanpur , Tandur , Inderavelly , Kaddampeddur , Bellampalle , Gudihatnur , Utnur , Nennal , Ichoda , Jainoor , Bheemini , Bazarhathnoor , Kerameri , Sirpur (T) , Boath , Sirpur (U) , Kouthala , Neradigonda , Jannaram , Bejjur , Sarangapur , Dandepalle , Dahegaon , Kuntala , Luxettipet , Vemanpalle , Kubeer , Mancherial , Kotapalle , Bhainsa , Mandamarri , Chennur , Tanur , Kasipet , Jaipur , Mudhole Lohara, Tampa , Kagaznagar , Bella , Kaddam Peddur , Gudihathnoor , Bheemili, boathouse , Sarangpur , Vempalli , Kazipet.

 

Hyderabad, Secendrabad kukatpally , tank bund , hussain sagar , birla mandir ,himayat nagar , begumpet, shamshabad, charminar, golconda , banjara hills ,stadhampton , khairabadi , yousufguda, patancheru, Musheerabad , Ameerpet , Khairatabad , Bandlaguda, Amberpet , Secunderabad, Charminar , Asifnagar , Himayathnagar ,Tirumalagiri , Golconda , Saidabad , Maredalle,shaikpet ,nampally ,bahadurpura , Maryland .cyderabad, jubili hills, kazipally, bollaram, bachupally, swarnapuri, miyapur, kompally,thumkunta, hakimpet, ramachandra puram, vishwambhar enclave, bala nagar, serilingampally, sri ram nagar, gachibowli, madhapur, secretarial, tolichowki, gandipet, raghuram nagar, bharat nagar, budvel, rajendra nagar, bakaram, kothwalguda, ahmadpur, kavadiguda, asthma, jeedimetla, balaji nagar, alwal, yapral, dammaiguda, sainikpuri, kapra, sakthi nagar, asrao nagar, moulali, bowenpally, ramanthapur, pizza, saroor nagar, falaknuma, vansathi puram, hanuman nagar, brindavan colony, nadergul, indira reddy, rallaguda, gollapally, new hafeezpet, trimulgherry, safilguda, yellareddyguda, musheerabad, taj residency, hill font, apollo hospital, afzalgunj, tadbund, bahadurgarh, sri raghavendra, aradhana, marredpally, zaheerabad, film nagar, mehdipatnam, imperial, esi, kanchanbagh, yeddumailaram, manikonda, chandrayangutta, janwada, chilkur, bakaram, sacoor nagar, deshmukhi, doolapally, amberpet, dilsukhnagar, karwan, gosha mahal, bahadurpura,

 

Inmates are all district and states of India, like , 1 Town, 75 Feet Road, 4th Town Police Station 104 Area, Aanadha Ashramam, Abidnagar, Anatha Asram, Achampet , Achanta, Adarshnagar, Addanki, Addateegala, Addatheegala, Addakula, Addurodu, Adilabad, Adivivaram, Adoni , Air port, Aganampudi, Akividu,Akkayyapalem, Akkireddypalem, , Alair, Alamanda, Alampur, Alamuru, Allagadda, Allipuram, Allure, Alur, Amadalavalasa, Amalapuram, Amaravathi, Ambajeepeta, Amarchinta, Amaravathi, Amarevati, Anandapuram, Ananthagiri, Anaparthi, Annavaram, Anaparthy, Andhra Bhumi, Andhra University, Anantapur, Andole ,ANR Appikonda, Asifabad, Asifnagar, Asilmetta, Asheelmetta junction, Araku valley, Arasavalli, Arilova, , Armoor, Atchutapuram, Atmakur Attili, A U Campus, IN, Out Gate, Auto Nagar, Avanigadda,

Badvel, Bala cheruvu, Balacheruvu Road, Balaji Nagar, Ballajura Balkonda , Bangalore, Banswada, Bapujinagar, Bapatla, Baruva, Bayyavaram, Berhampur, Bhadrachalam, Bheemili, Bheemunipatnam, Bhimadolu Bhimavaram, Bhogapuram, Bhongir, BHPV, Bhubaneswar Bhupesh Nagar, Big Bazaar, Bazar, Birla, Bimavaram, Boath, Bobbili, Bodhan, Bombay, Bowdara, Borra Caves, BRTS, B.S Layout Cheepurupalli, BSI Standard, Buddhavarapu Gardens, Budithi, Buggaram, Burgampahad, Butchirajupalem, Butchi Sundara Rao Street, Burujupeta, , Burugupudi,

Calcutta, CBM Compound, CBI, Chalakurthy, Challavanipeta, Chanakya Towers, Chandragiri, Chandrayangutta, Chapaluppada, Charminar , Chavulamadam, Chavulamadumu, Cheepurupalli, Chennai, Chennur, Cherial, Chevella , Chilakaluripet, Chilakapalem, China musidivada, chinnamusidivada, Chinnor, Chintalapudi, Chintapalli, krishna Chirala, Chittoor, Chodavaram Chollangi village, Choppadandi, CMR center, Collectorate, Collectors Office Convent junction, corromendal, Coromandel gate, CDR Hospital, Cuddapah, Cumbum,

Dabagarden, Dabagardens, Dagguvanipalem, Dasapalla Hills , Darsi, Dayalapuram, Dayal nagar, Delhi, Denduluru, Devarakonda, devipatnam, Dabhagaden, Dharmavaram, Dhavaleswaram, dhayal nagar, Dolphin, Dhondaparthi, Dhone , Dhorathota, , Diamond Park, Dibbalapalem, Dichpalli, Doctors Colony, Dommat, Dondaparthy, Dorakanagar Dorathota, Dornakal , Duggirala, Duvvada, Dwaraka Nagar, Dwaraka Tirupati, Dwarapudi,

East Godavari, East Point Colony, Ecchapuram, Elamanchili, Eluru, ENDADA, Enadu, Eenadu, Etcherla, Etikoppaka, Femur, Fishing Harbour, Harbor Approach Road,

Gadwal, Gajapathinagaram, Gajwel , Ganavaram Port, Gannavaram, Gangulavari, Gannavaram, Gara, Garividi, Ghanpur, Giddalur, Gumma Lakshmipuram, GL Puram, Gunnies Book, Record, Gnanapuram, Gandhigram Gokavaram Golkonda, Gollapalem, Gollavanipalem, Golukonda, Golugonda Gopalapatnam, Gooty, Gopalapuram, Gorantla, Gorllivanipalem, Green Park, Greater Visakhapatnam, , G.S.N. Gullipadu, Gudivada, Gudur, Guntur, Gurazala, Gurudwara, Hanamkonda,

Hanuman Junction, Temple, Hanumanthavaka, Hall Mark, Hanumantuvaka, Harichandrapuram, Harischandrapuram, Harishchandrapur, HB colony, Head Post Office, Heccherla, Himayat Nagar, Hindupur Hiramandalam, HPCL, hukumpeta, Huzurabad, Hyderabad, Ibrahimpatnam, Ichapuram, India, INDIA, Indurthi, Industrial estate, IT, IN, INL Kalinga, Isukathota, iskathota,

Jadcherla,Jagadam, Jagadamba centre, Jagamba Theatre, Jail Road, Jaggampeta, Jagarajupeta, Jaggayyapalem, Jaggayyapet, Jaghadham Jagtial, Jalandhar, Jalumuru, Jammalamadugu, Jangaon, Jangareddygudem, Jodugullapalem, Jukkal,

Kadapa, Kadiri, Kadiyam, Kaikalur, Kaikaluru, Kailashmetta, Kaka Nagar, Kakani Nagar, Kailasagiri, Kailasapuram, Kakinada, Kalaniketan, Kalanikhetan, Kalingapatnam, Kalinganagar, Kalwakurthy Kalyandurg, Kamalapur, Kamalapuram, Kamareddy, Kancharapalem, Kandukur, Kanigiri, Kankipadu, Kapuluppada, , Kapu uppada, Kapuluppada, Kantipudi, Kanithi Road, Karimnagar, Karnal, Karnataka, Karnool, Karunol, Karwan, Kasibugga, Kasimkota, Kattipudi, Kavali, KGH, Khairatabad , Khammam, Khanapur, Kirlampudi, layout, K. Kotapadu, Kobbari Thota, Kodad, Kodangal , Kodumur, Koduru, Koduruand, Koilkuntla , Kolhapur, Kolkata, Kondepi, Koppaka, Korasavada, Kotabommali, Kotananduru, Kotavalasa, Kotaveedhi, Kothagudem, Kothapet, Kotha Road, Kothavalasa, Kothuru, Kotipalli, Koturu, Kovur, Kovvur,Krishna College, Krantinagar, KRM Colony, Kuchinapudi, Kuppam, Kurupam Market, Kurmanpalem, Kurmam, Kummaripalem, Kurmannapalem , Kurnool, Kusalapuram, Lakkireddipalli, Lalitha Nagar, Lankhilapallem, Lakshminagar, Lankelapalem, Lankilapallem, LB Colony, Leela Mahal, Luxettipet,

 

Macherla, Machilipatnam, Madakasira, Madanpalle, Madapamu, Maddilapalem, Madduru, Madivala, Madhira, Madhavadhara, Madhurawada, Madhya Pradesh, Madugula Reddi, Maharanipeta, Mahbubabad , Mahabubnagar, Mahbubnagar, Maharajgunj , Makthal, Malkapuram, Malakpet, Malleswaram, Mandapeta, Mandavaripeta, , Mangalagiri, Manthani, Marikavalasa Maredumilli, Markapur, Marripalem, Martur , Maruteru, Medak, Medchal, Medivada, Metpalli, Meghadripeta, Meghadri gadda, Meghadrigadda, Midilapuri, Mindi, Mindhi, Miryalguda, MMTC Colony, Mud Hole, Mudhole, Mudinepalli, Mulug, Mumbai, Mulagada, Mummidivaram, Muppidi Colony, Mungode, Murali Nagar, Musheerabad,

Nagari , Nagarkurnool , MVP colony, Myadaram, Mydukur, Mylavaram, NAD junction, Nagaram, Naguru, Naiduthota Nakkapalem, Nakkapalli, Nakkavanipalem, Nakrekal, Nalgonda, Nallamada, Nandigama, Nandyal, Narasannapeta, Narasaraopet Narasimha, Narayankhed , Narasapur, narsapur, Narsampet, Narsipatnam, Narisipatnam, Natavalasa, Nathavaram, Nathayyapalem, Naval Dock, Yard Neelamma Vepaqchettu, Naval Dock Yard Neelamma Vepachettu, Nellimarla, Nellore, Nerella, new Gajuwaka, Nidadavole, nidadhavole Nidadhavolu, Nidumolu ,Nimmada, Nirmal, Nivagam, Nizamabad, N.R. I NSTL, NTPC, NTPC-Parawada, Nuzvid, Odessa, Old post office, Ongole, Orissa,

 

Paderu, Palacole, Palair, Palakonda, Palakollu, Palamaner, Palasa, Pallavaram, Panchadarla, Panyam Parawada Parchur, Parkal, Pargi, Parlakimidi, Parvathipuram, Patapatnam, Pata Polavaram, Pathapatnam, Pattikonda , Payakaraopeta, Pedakurapadu, Peda Peddapalli, Peddipalem, Peddapuram, Pendurthi, pendurthy, Penugonda, Penukonda Pillala Ashramam, Piler, Pithapuram, PM Palem, PNT Colony, Pandurangapuram, Polaki, Polavaram, Ponduru, Ponnur, Poondi, Poorna Market, Porur, Prakasam, Prathipadu, Priya, Proddat, Proddatur, Pudimadaka, Pulivendula, Pundi, Pune, Punganur, purna, Purushothapuram, Purusotapuram, puspatera, Puttur , Pydibheemavaram,

 

Rail Way New Colony, Rajahmundry, Rajam, Rajampet, Raj, Raja Nagar, rajavommangi, Rajolu, Ramachandrapuram, Ramagundam, Rama Nagar, Ramnagar Ramannapet, Rama Talkies Center, ramatheertham, Ramtherdham, Neusan Bhag, Ramatheertham, ramavaram, Ramayampet, Rambilli, Ramnagar, Rampachodavaram, Rangapuram, Ranastalam, Rangareddy, Ravulapalem, Rayachoty, Rayadurg, Raya Durg, Rayavaram, , Razole, Reddipalli, RegupaduRepalle, Rapur, Regupalem, Revidi, Revit, RK Beach, Rotherham, Rushikonda,rusu konda, Rushukonda,

Sabbavaram, Sagar Nagar, Sakhsi, Salur, Sampara , Sanath Nagar, Sangareddy, Santhanuthalapadu , Sarasota, Saraswati Park, Saravakota, Sarvepalli, Sathivada, Sathupalli, Sattenapalli Sastry Road, Satyam centre, Satyavedu, Secunderabad, seetampeta, Seethammadhara, Seethampeta, Shadnagar, Shayampet, Sholur, Shopping Mall, Siddhantam, Siddipet, Simhachalam, Sindhiya, Singanamala, Sircilla , Sirpur, Siripuram, S. Kota, Soluru, Sompeta, Sriharipuram, Srikakulam, Sri Kalahasti, Sri Kalahsti, Srikurmam, Srimukalingam, Srimukhalingam, Srungavarapukota, Steel Plant Quarters Sector, Sujathanagar, Sulurpet, Suryabagh, Surya Bhag, Suryapet,

Tadepalligudem, Tadepellegudem, tadepalli gudum, Tadikonda, Tadipatri, Tagarapuvalasa, , Tallapalem, Talarevu, Tallarevu, Tamil nadu, Tandur, Tanuku , Tekkali, Tenali, Thamballapalle, Thatichetlapalem, Therlam, Thotapalli, Tilaru, Tikkavanipalem, Timaru, Tirumala, Tirupati, Tiruvuru, Tuni, Tungaturthi,

 

UDA Park, Udda Udayagiri, Ukkumpeta, Ukkunagaram, Undi, Unguturu, Universal records, Uravakonda, Ushodaya Colony, Uttarahalli, Uttarapalli,

 

Vada cheepurupalli, Vadacheepurapalli, Vaddadi, Vanukuru, Vartha, varthaa, Vayalpad, Vellanki, Vemur, Venkatagiri , Venkojipalem, Velampeta, Vepada, Vepagunta, Vepanjeri , Vijayawada, Vikarabad, Vinukonda, Visakhapatnam, Visakha Valley, Vitanthula ashramam, Vizag, Vizianagaram, Vrudhula ashramam Vuyyuru, Waltair, Wanaparthy, Warangal, Wardhannapet, West Godavari World Record, Yalamanchili, Yakutpura, Yeleswaram, Yellandu, Yellareddy, Yellavaram, Yemmiganur, Yendada, Y junction, Zahirabad, Zoo Park center, and other state of India.

 

Ariyalur, Chennai, Coimbatore, Cuddalore, Dharmapuri, Dindigu, Erode, Kanchipuram, Kanniyakumari, Karur, Krishnagiri, Madurai, Nagapattinam, Namakkal, Nilgiris, Perambular, Pudukkottai, Ramnathapuram, Salem, Sivaganga, Thanjavur, Theni, Thoothukodi, Tiruvarur, Tirunelveli, Tiruchirappalli, Tiruvallur, Tirupur,Tiruvannamalai, Vellore, Villupuram, Virudhnagar

Belgaum, Bagalkot, Bijapur, Bidar, Raichur, Koppal, Gadag, Dharwad, Uttara Kannada, Haveri, Bellary, Chitradurga, Davanagere, Shimoga, Udupi, Chikmagalur, Tumkur, Bangalore Mandya, Hassan, Dakshina Kannada, Kodagu, Mysore, Chamarajanagar, Gulbarga, Yadgir, Kolar, Chikkaballapura, Ramanagara

Alappuzha, Ernakulam, Idukki, Kannur, Kasaragod, Kollam, Kottayam, Kozhikode, Malappuram, Palakkad, Pathanamthitta, Thiruvananthapuram, Thrissur, Wayanad

Alirajpur, Chhindwara, Indore, Neemuch , Singrauli , Anuppur , Damoh , Jabalpur, Panna, Shahdol , Ashoknagar, Datia, Jhabua, Raisen, Shajapur, Balaghat, Dewas , Katni , Rajgarh Sheopur, Barwani, Dhar , Khandwa , Ratlam, Shivpuri, Betul, Dindori, Khargone, Rewa, Sidhi, Bhind, Guna, Mandla, Sagar, Tikamgarh , Bhopal, Gwalior, Mandsaur , Satna, Ujjain, Burhanpur , Harda, Morena, Sehore, Umaria , Chhatarpur, Hoshangabad, Narsinghpur, Seoni, Vidisha

Amritsar, Barnala, Bathinda, Faridkot, Fatehgarh Sahib, Fazilika, Firozpur, Gurdaspur, Hoshiarpur, Jalandhar, Kapurthala, Ludhiana, Mansa, Moga, Mohali, Muktasar, Pathankot, Patiala, Rupnagar, Sangrur, Shahid Bhagat Singh NagarNawanshahr, Tarn, Taran

Ajmer Alwar Banswara Baran Barmer Bharatpur Bhilwara Bikaner Bundi Chittaurgarh Churu Dausa Dhaulpur Dungarpur Ganganagar Hanumangarh Jaipur Jaisalmer Jalor Jhalawar Jhunjhunun Jodhpur Karauli Kota Nagaur Pali Pratapgarh Rajsamand Sawai Madhopur Sikar Sirohi Tonk Udaipur

 

Ahmednagar, Akola, Amravati, Aurangabad, Beed, Bhandara, Buldana, Chandrapur, Dhule, Gadchiroli, Gondia, Hingoli, Jalgaon, Jalna, Kolhapur, Latur, Mumbai, Nagpur, Nanded, Nandurbar, Nashik, Osmanabad, Parbhani, Pune, Raigarh Alibaug, Ratnagiri, Sangli, Satara, 0Sindhudurg , Oras, Solapur , Thane, Wardha, Washim, Yavatmal.

 

Howrah, Darjeeling, Medinipur Murshidabad Coochbehar Malda Birbhum Parganas Bankura Bardhaman Jalpaiguri Hooghly Nadia Dakshin Dinajpur Purulia Uttar Dinajpur Siliguri Allahabad Aligarh Bareilly Gonda Hardoi Kanpur Dehat Ghaziabad Unnav Varanasi Faizabad Gorakpur Jhansi Lucknow Agra Meerut Moradabad Barabanki Mainpuri Etawah Gazipur Etah Muzaffar Nagar Saharanpur Bulandshehar Mathura Firozabad Budaun Shahjahanpur Pilibhit Bijnor Rampur Kanpur(Nagar) Farrukhabad Fatehpur Pratapgarh Jalaun Hamirpur Lalitpur Mirzapur Basti Deoria Raebareili Sitapur Banda Lakhimpur-Khedi Bahraich Sultanpur Mau Azamgarh Jaunpur Balia Bhadoi Padrauna Maharajganj Siddharth Nagar Sunbhadra Mahoba Ambedkarnagar Gautam Bodda Nagar Maha Maya Nagar jyotiba Phoole Nagar Kaushambi Shooji Maharaj Chandauli Balrampur Shravati Bagpat Kanooj Oraiyya Sant Kabir Nagar

Bombay Dilli, Dehli, Kolkata, Kalikata, Kalkutta, Bengaloru, engaluru, Bangalur, Madras, Chennapattanam, Ahmadâbâd, Ahmadabad, Amdabad, Ahmedabad , Haidarabad, Haidarabad, Haiderabad, Hyderabad, Haider-Abad Poona, Pune, Kanpur, Kanpur, Cawnpore, Khanpur, sorat, Surat, Jeypore, Lakhnau Lucknow, Nagpur, Thana, Calcutta, Delhi, Chennai, Bangalore, Pune, Surat, Jaipur, Vadodara, Indore, Patna, Madurai, Bhopal, Ludhiana, Coimbatore, Varanasi, Visakhapatnam, Agra, Mumbai

.

Andhra Pradesh, Arunachal Pradeshm Itangar, Itanagar, Assam, Dispur, Bihar, Chhattisgarh, Raipur, Goa, Panaji, Gujaratm Gandhinagar, Haryana, Chandigarhm Himachal Pradesh, Shimla, Jammu and Kashmir, Srinagar, Jharkhand, Ranchi, Karnataka, Kerala, Thiruvananthapuram, Trivandrum, Madhya Pradesh, Maharashtra, Manipur, Imphal, Meghalaya, Shillong, Mizoram, Aizawi, Nagaland, Kohima, Orissa, Bhubaneswar, Bhubaneshwar, Punjab, Rajasthan, Jaipur, Sikkim, Gangtok, Tamil Nadu, Tripura, Agartala, Uttaranchal, West Bengal, Kolkata, Dehradun, Uttar Pradesh, Dada and Nagar Haveli, Silvassa, Andaman and Nicobar Islands, Port Blair, Daman and Diu, Lakshadeep, Kavaratti, Yanam, Pondicherry. Asia, USA, America, Washington, Belgium, New York, United States of America, United Kingdom, Columbia, Bangkok, Australia, Switzerland, Mexico, France, Sweden, Canada, Germany, Netherlands, Italy, Poland, Denmark, France, London, New Zealand, Spain. Indonesia, Brazil, Nigeria, Russia, Philippines, Ethiopia, Vietnam, Egypt, Turkey, Iran, Thailand, Burma, South Africa, Algeria.

  

The Taj Mahal (/ˌtɑːdʒ məˈhɑːl/, more often /ˈtɑːʒ/; from Persian and Arabic, "crown of palaces", pronounced [ˈt̪aːdʒ mɛˈɦɛl]) is a white marble mausoleum located on the southern bank of Yamuna River in the Indian city of Agra. It was commissioned in 1632 by the Mughal emperor Shah Jahan (reigned 1628–1658) to house the tomb of his favorite wife of three, Mumtaz Mahal.

 

Construction of the mausoleum was essentially completed in 1643 but work continued on other phases of the project for an additional ten years. The Taj Mahal complex is believed to have been completed in its entirety in 1653 at a cost estimated at the time to be around 32 million Indian rupees, which in 2015 would be valued at around 52.8 billion Indian rupees ($827 million US). The construction project employed around 20,000 artisans under the guidance of a board of architects led by Ustad Ahmad Lahauri. The domed marble tomb is part of an integrated complex consisting of gardens and two red-sandstone buildings surrounded by a crenellated wall on three sides.

 

The Taj Mahal is regarded by many as the best example of Mughal architecture and is widely recognized as "the jewel of Muslim art in India". It is one of the world’s most celebrated structures and a symbol of India’s rich history. Designated a UNESCO World Heritage Site in 1983, the Taj Mahal attracts some 3 million visitors a year.

 

INSPIRATION

In 1631, Shah Jahan, emperor during the Mughal empire's period of greatest prosperity, was grief-stricken when his favorite of three wives and beloved companion, Mumtaz Mahal, a Persian princess, died during the birth of their 14th child, Gauhara Begum. Construction of the Taj Mahal began in 1632. The court chronicles of Shah Jahan's grief illustrate the love story traditionally held as an inspiration for Taj Mahal. The principal mausoleum was completed in 1643 and the surrounding buildings and garden were finished about five years later.

 

ARCHITECTURE AND DESIGN

The Taj Mahal incorporates and expands on design traditions of Persian and earlier Mughal architecture. Specific inspiration came from successful Timurid and Mughal buildings including; the Gur-e Amir (the tomb of Timur, progenitor of the Mughal dynasty, in Samarkand), Humayun's Tomb, Itmad-Ud-Daulah's Tomb (sometimes called the Baby Taj), and Shah Jahan's own Jama Masjid in Delhi. While earlier Mughal buildings were primarily constructed of red sandstone, Shah Jahan promoted the use of white marble inlaid with semi-precious stones. Buildings under his patronage reached new levels of refinement.

 

TOMB

The tomb is the central focus of the entire complex of the Taj Mahal. It is a large, white marble structure standing on a square plinth and consists of a symmetrical building with an iwan (an arch-shaped doorway) topped by a large dome and finial. Like most Mughal tombs, the basic elements are Persian in origin.

 

The base structure is a large multi-chambered cube with chamfered corners forming an unequal eight-sided structure that is approximately 55 metres on each of the four long sides. Each side of the iwan is framed with a huge pishtaq or vaulted archway with two similarly shaped arched balconies stacked on either side. This motif of stacked pishtaqs is replicated on the chamfered corner areas, making the design completely symmetrical on all sides of the building. Four minarets frame the tomb, one at each corner of the plinth facing the chamfered corners. The main chamber houses the false sarcophagi of Mumtaz Mahal and Shah Jahan; the actual graves are at a lower level.

 

The most spectacular feature is the marble dome that surmounts the tomb. The dome is nearly 35 metres high which is close in measurement to the length of the base, and accentuated by the cylindrical "drum" it sits on which is approximately 7 metres high. Because of its shape, the dome is often called an onion dome or amrud (guava dome). The top is decorated with a lotus design which also serves to accentuate its height. The shape of the dome is emphasized by four smaller domed chattris (kiosks) placed at its corners, which replicate the onion shape of the main dome. Their columned bases open through the roof of the tomb and provide light to the interior. Tall decorative spires (guldastas) extend from edges of base walls, and provide visual emphasis to the height of the dome. The lotus motif is repeated on both the chattris and guldastas. The dome and chattris are topped by a gilded finial which mixes traditional Persian and Hindustani decorative elements.

 

The main finial was originally made of gold but was replaced by a copy made of gilded bronze in the early 19th century. This feature provides a clear example of integration of traditional Persian and Hindu decorative elements. The finial is topped by a moon, a typical Islamic motif whose horns point heavenward.

 

The minarets, which are each more than 40 metres tall, display the designer's penchant for symmetry. They were designed as working minarets - a traditional element of mosques, used by the muezzin to call the Islamic faithful to prayer. Each minaret is effectively divided into three equal parts by two working balconies that ring the tower. At the top of the tower is a final balcony surmounted by a chattri that mirrors the design of those on the tomb. The chattris all share the same decorative elements of a lotus design topped by a gilded finial. The minarets were constructed slightly outside of the plinth so that in the event of collapse, a typical occurrence with many tall constructions of the period, the material from the towers would tend to fall away from the tomb.

 

EXTERIOR DECORATIONS

The exterior decorations of the Taj Mahal are among the finest in Mughal architecture. As the surface area changes, the decorations are refined proportionally. The decorative elements were created by applying paint, stucco, stone inlays or carvings. In line with the Islamic prohibition against the use of anthropomorphic forms, the decorative elements can be grouped into either calligraphy, abstract forms or vegetative motifs. Throughout the complex are passages from the Qur'an that comprise some of the decorative elements. Recent scholarship suggests that the passages were chosen by Amanat Khan.

 

The calligraphy on the Great Gate reads "O Soul, thou art at rest. Return to the Lord at peace with Him, and He at peace with you." The calligraphy was created in 1609 by a calligrapher named Abdul Haq. Shah Jahan conferred the title of "Amanat Khan" upon him as a reward for his "dazzling virtuosity". Near the lines from the Qur'an at the base of the interior dome is the inscription, "Written by the insignificant being, Amanat Khan Shirazi." Much of the calligraphy is composed of florid thuluth script made of jasper or black marble inlaid in white marble panels. Higher panels are written in slightly larger script to reduce the skewing effect when viewed from below. The calligraphy found on the marble cenotaphs in the tomb is particularly detailed and delicate.

 

Abstract forms are used throughout, especially in the plinth, minarets, gateway, mosque, jawab and, to a lesser extent, on the surfaces of the tomb. The domes and vaults of the sandstone buildings are worked with tracery of incised painting to create elaborate geometric forms. Herringbone inlays define the space between many of the adjoining elements. White inlays are used in sandstone buildings, and dark or black inlays on the white marbles. Mortared areas of the marble buildings have been stained or painted in a contrasting color which creates a complex array of geometric patterns. Floors and walkways use contrasting tiles or blocks in tessellation patterns.

 

On the lower walls of the tomb are white marble dados sculpted with realistic bas relief depictions of flowers and vines. The marble has been polished to emphasise the exquisite detailing of the carvings. The dado frames and archway spandrels have been decorated with pietra dura inlays of highly stylised, almost geometric vines, flowers and fruits. The inlay stones are of yellow marble, jasper and jade, polished and levelled to the surface of the walls.

 

INTERIOR DECORATION

The interior chamber of the Taj Mahal reaches far beyond traditional decorative elements. The inlay work is not pietra dura, but a lapidary of precious and semiprecious gemstones. The inner chamber is an octagon with the design allowing for entry from each face, although only the door facing the garden to the south is used. The interior walls are about 25 metres high and are topped by a "false" interior dome decorated with a sun motif. Eight pishtaq arches define the space at ground level and, as with the exterior, each lower pishtaq is crowned by a second pishtaq about midway up the wall. The four central upper arches form balconies or viewing areas, and each balcony's exterior window has an intricate screen or jali cut from marble. In addition to the light from the balcony screens, light enters through roof openings covered by chattris at the corners. The octagonal marble screen or jali bordering the cenotaphs is made from eight marble panels carved through with intricate pierce work. The remaining surfaces are inlaid in delicate detail with semi-precious stones forming twining vines, fruits and flowers. Each chamber wall is highly decorated with dado bas-relief, intricate lapidary inlay and refined calligraphy panels which reflect, in miniature detail, the design elements seen throughout the exterior of the complex.

 

Muslim tradition forbids elaborate decoration of graves. Hence, the bodies of Mumtaz and Shah Jahan were put in a relatively plain crypt beneath the inner chamber with their faces turned right, towards Mecca. Mumtaz Mahal's cenotaph is placed at the precise centre of the inner chamber on a rectangular marble base of 1.5 by 2.5 metres. Both the base and casket are elaborately inlaid with precious and semiprecious gems. Calligraphic inscriptions on the casket identify and praise Mumtaz. On the lid of the casket is a raised rectangular lozenge meant to suggest a writing tablet. Shah Jahan's cenotaph is beside Mumtaz's to the western side, and is the only visible asymmetric element in the entire complex. His cenotaph is bigger than his wife's, but reflects the same elements: a larger casket on a slightly taller base precisely decorated with lapidary and calligraphy that identifies him. On the lid of the casket is a traditional sculpture of a small pen box.

 

The pen box and writing tablet are traditional Mughal funerary icons decorating the caskets of men and women respectively. The Ninety Nine Names of God are calligraphic inscriptions on the sides of the actual tomb of Mumtaz Mahal. Other inscriptions inside the crypt include, "O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious... ". The tomb of Shah Jahan bears a calligraphic inscription that reads; "He travelled from this world to the banquet-hall of Eternity on the night of the twenty-sixth of the month of Rajab, in the year 1076 Hijri."

 

GARDEN

The complex is set around a large 300-metre square charbagh or Mughal garden. The garden uses raised pathways that divide each of the four quarters of the garden into 16 sunken parterres or flowerbeds. Halfway between the tomb and gateway in the center of the garden is a raised marble water tank with a reflecting pool positioned on a north-south axis to reflect the image of the mausoleum. The raised marble water tank is called al Hawd al-Kawthar in reference to the "Tank of Abundance" promised to Muhammad.

 

Elsewhere, the garden is laid out with avenues of trees and fountains. The charbagh garden, a design inspired by Persian gardens, was introduced to India by Babur, the first Mughal emperor. It symbolises the four flowing rivers of Jannah (Paradise) and reflects the Paradise garden derived from the Persian paridaeza, meaning 'walled garden'. In mystic Islamic texts of the Mughal period, Paradise is described as an ideal garden of abundance with four rivers flowing from a central spring or mountain, separating the garden into north, west, south and east.

 

Most Mughal charbaghs are rectangular with a tomb or pavilion in the center. The Taj Mahal garden is unusual in that the main element, the tomb, is located at the end of the garden. With the discovery of Mahtab Bagh or "Moonlight Garden" on the other side of the Yamuna, the interpretation of the Archaeological Survey of India is that the Yamuna river itself was incorporated into the garden's design and was meant to be seen as one of the rivers of Paradise. Similarities in layout and architectural features with the Shalimar Gardens suggests both gardens may have been designed by the same architect, Ali Mardan. Early accounts of the garden describe its profusion of vegetation, including abundant roses, daffodils, and fruit trees. As the Mughal Empire declined, the Taj Mahal and its gardens also declined. By the end of the 19th century, the British Empire controlled more than three-fifths of India, and assumed management of the Taj Mahal. They changed the landscaping to their liking which more closely resembled the formal lawns of London.

 

OUTLYING BUILDINGS

The Taj Mahal complex is bordered on three sides by crenellated red sandstone walls; the side facing the river is open. Outside the walls are several additional mausoleums, including those of Shah Jahan's other wives, and a larger tomb for Mumtaz's favourite servant.

 

The main gateway (darwaza) is a monumental structure built primarily of marble, and reminiscent of the Mughal architecture of earlier emperors. Its archways mirror the shape of the tomb's archways, and its pishtaq arches incorporate the calligraphy that decorates the tomb. The vaulted ceilings and walls have elaborate geometric designs like those found in the other sandstone buildings in the complex.

 

At the far end of the complex are two grand red sandstone buildings that mirror each other, and face the sides of the tomb. The backs of the buildings parallel the western and eastern walls. The western building is a mosque and the other is the jawab (answer), thought to have been constructed for architectural balance although it may have been used as a guesthouse. Distinctions between the two buildings include the jawab's lack of a mihrab (a niche in a mosque's wall facing Mecca), and its floors of geometric design whereas the floor of the mosque is laid with outlines of 569 prayer rugs in black marble. The mosque's basic design of a long hall surmounted by three domes is similar to others built by Shah Jahan, particularly the Masjid-i Jahān-Numā, or Jama Masjid, Delhi. The Mughal mosques of this period divide the sanctuary hall into three areas comprising a main sanctuary and slightly smaller sanctuaries on either side. At the Taj Mahal, each sanctuary opens onto an expansive vaulting dome. The outlying buildings were completed in 1643.

 

CONSTRUCTION

The Taj Mahal is built on a parcel of land to the south of the walled city of Agra. Shah Jahan presented Maharajah Jai Singh with a large palace in the center of Agra in exchange for the land. An area of roughly three acres was excavated, filled with dirt to reduce seepage, and leveled at 50 metres above riverbank. In the tomb area, wells were dug and filled with stone and rubble to form the footings of the tomb. Instead of lashed bamboo, workmen constructed a colossal brick scaffold that mirrored the tomb. The scaffold was so enormous that foremen estimated it would take years to dismantle.

 

The Taj Mahal was constructed using materials from all over India and Asia. It is believed over 1,000 elephants were used to transport building materials. The translucent white marble was brought from Makrana, Rajasthan, the jasper from Punjab, jade and crystal from China. The turquoise was from Tibet and the Lapis lazuli from Afghanistan, while the sapphire came from Sri Lanka and the carnelian from Arabia. In all, twenty eight types of precious and semi-precious stones were inlaid into the white marble.

 

According to the legend, Shah Jahan decreed that anyone could keep the bricks taken from the scaffold, and thus it was dismantled by peasants overnight. A fifteen kilometer tamped-earth ramp was built to transport marble and materials to the construction site and teams of twenty or thirty oxen pulled the blocks on specially constructed wagons. An elaborate post-and-beam pulley system was used to raise the blocks into desired position. Water was drawn from the river by a series of purs, an animal-powered rope and bucket mechanism, into a large storage tank and raised to a large distribution tank. It was passed into three subsidiary tanks, from which it was piped to the complex.

 

The plinth and tomb took roughly 12 years to complete. The remaining parts of the complex took an additional 10 years and were completed in order of minarets, mosque and jawab, and gateway. Since the complex was built in stages, discrepancies exist in completion dates due to differing opinions on "completion". Construction of the mausoleum itself was essentially completed by 1643 while work continued on the outlying buildings. Estimates of the cost of construction vary due to difficulties in estimating costs across time. The total cost has been estimated to be about 32 million Indian rupees, which is around 52.8 billion Indian rupees ($827 million US) based on 2015 values.

 

LATER DAYS

Abdul Hamid Lahauri in his book Badshahnama refers to Taj Mahal as rauza-i munawwara, meaning the illumined or illustrious tomb. Soon after the Taj Mahal's completion, Shah Jahan was deposed by his son Aurangzeb and put under house arrest at nearby Agra Fort. Upon Shah Jahan's death, Aurangzeb buried him in the mausoleum next to his wife. In the 18th century, the Jat rulers of Bharatpur invaded Agra and attacked the Taj Mahal, the two chandeliers, one of agate and another of silver, which were hung over the main cenotaph, were taken away by them, along with the gold and silver screen. Kanbo, a Mughal historian, said the gold shield which covered the 15-foot high finial at the top of the main dome was also removed during the Jat despoliation.

 

By the late 19th century, parts of the buildings had fallen into disrepair. During the time of the Indian rebellion of 1857, the Taj Mahal was defaced by British soldiers and government officials, who chiselled out precious stones and lapis lazuli from its walls. At the end of the 19th century, British viceroy Lord Curzon ordered a sweeping restoration project, which was completed in 1908. He also commissioned the large lamp in the interior chamber, modelled after one in a Cairo mosque. During this time the garden was remodelled with British-style lawns that are still in place today.

 

THREATS

In 1942, the government erected a scaffolding to disguise the building in anticipation of air attacks by the Japanese Air Force. During the India-Pakistan wars of 1965 and 1971, scaffoldings were again erected to mislead bomber pilots.

 

More recent threats have come from environmental pollution on the banks of Yamuna River including acid rain due to the Mathura Oil Refinery, which was opposed by Supreme Court of India directives. The pollution has been turning the Taj Mahal yellow. To help control the pollution, the Indian government has set up the Taj Trapezium Zone (TTZ), a 10,400-square-kilometre area around the monument where strict emissions standards are in place.

 

Concerns for the tomb's structural integrity have recently been raised because of a decline in the groundwater level in the Yamuna river basin which is falling at a rate of around 5 feet a year. In 2010, cracks appeared in parts of the tomb, and the minarets which surround the monument were showing signs of tilting, as the wooden foundation of the tomb may be rotting due to lack of water. In 2011 it was reported that some predictions indicated that the tomb could collapse within 5 years.

 

TOURISM

The Taj Mahal attracts a large number of tourists. UNESCO documented more than 2 million visitors in 2001, which increased to about 3 million in 2015. A two tier pricing system is in place, with a significantly lower entrance fee for Indian citizens and a more expensive one for foreigners. Most tourists visit in the cooler months of October, November and February. Polluting traffic is not allowed near the complex and tourists must either walk from parking lots or catch an electric bus. The Khawasspuras (northern courtyards) are currently being restored for use as a new visitor center.

 

The small town to the south of the Taj, known as Taj Ganji or Mumtazabad, was originally constructed with caravanserais, bazaars and markets to serve the needs of visitors and workmen. Lists of recommended travel destinations often feature the Taj Mahal, which also appears in several listings of seven wonders of the modern world, including the recently announced New Seven Wonders of the World, a recent poll with 100 million votes.

 

The grounds are open from 06:00 to 19:00 weekdays, except for Friday when the complex is open for prayers at the mosque between 12:00 and 14:00. The complex is open for night viewing on the day of the full moon and two days before and after, excluding Fridays and the month of Ramadan. For security reasons only five items - water in transparent bottles, small video cameras, still cameras, mobile phones and small ladies' purses - are allowed inside the Taj Mahal.

 

MYTHS

Ever since its construction, the building has been the source of an admiration transcending culture and geography, and so personal and emotional responses have consistently eclipsed scholastic appraisals of the monument. A longstanding myth holds that Shah Jahan planned a mausoleum to be built in black marble as a Black Taj Mahal across the Yamuna river. The idea originates from fanciful writings of Jean-Baptiste Tavernier, a European traveller who visited Agra in 1665. It was suggested that Shah Jahan was overthrown by his son Aurangzeb before it could be built. Ruins of blackened marble across the river in Moonlight Garden, Mahtab Bagh, seemed to support this legend. However, excavations carried out in the 1990s found that they were discolored white stones that had turned black. A more credible theory for the origins of the black mausoleum was demonstrated in 2006 by archaeologists who reconstructed part of the pool in the Moonlight Garden. A dark reflection of the white mausoleum could clearly be seen, befitting Shah Jahan's obsession with symmetry and the positioning of the pool itself.

 

No evidence exists for claims that describe, often in horrific detail, the deaths, dismemberments and mutilations which Shah Jahan supposedly inflicted on various architects and craftsmen associated with the tomb. Some stories claim that those involved in construction signed contracts committing themselves to have no part in any similar design. Similar claims are made for many famous buildings. No evidence exists for claims that Lord William Bentinck, governor-general of India in the 1830s, supposedly planned to demolish the Taj Mahal and auction off the marble. Bentinck's biographer John Rosselli says that the story arose from Bentinck's fund-raising sale of discarded marble from Agra Fort.

 

Another myth suggests that beating the silhouette of the finial will cause water to come forth. To this day, officials find broken bangles surrounding the silhouette.

 

In 2000, India's Supreme Court dismissed P. N. Oak's petition to declare that a Hindu king built the Taj Mahal. In 2005 a similar petition was dismissed by the Allahabad High Court. This case was brought by Amar Nath Mishra, a social worker and preacher who says that the Taj Mahal was built by the Hindu King Parmar Dev in 1196.

 

WIKIPEDIA

A World Economic Forum‑Water Resources Group meeting in Mongolia, co‑hosted by the Office of the President of Mongolia and the Water Resources Group in June 2011

1 us $ running for 7 turkish lira !..

-

1 tek, 1 adet PAPAZ'ın gücü. Ülkemde ( Diyanet İşleri Başkanlığı 2017 yılı performans programına göre Diyanet İşleri Başkanlığının personel sayısı 117 bin 378 olarak açıklandı. Merkez teşkilatında bin 117 personel hizmet verirken, personelin büyük çoğunluğu müftülüklerde görev yapıyor. Müftülüklerde görevli personel sayısı 115 bin 218 olarak açıklandı. Ayrıca eğitim merkezinde 988, yurtdışı teşkilatında 55 kamu personeli bulunuyor.Kadro unvanlarına göre personel sayısına bakıldığında ise en çok unvandaki personeli imam-hatip olarak kadrolu bulunduğu görülüyor. İmam-hatip unvanında 71 bin 362 personel hizmet veriyor. Kur'an kursu öğreticisi olarak 19 bin 721, müezzin olarak 11 bin 908, veri hazırlama ve kontol işletmeni olarak ise 3 bin 51 personel Diyanet İşleri Başkanlığında bünyesinde görev yapıyor. )

 

117.378 din adamının mevcut tek bozulmamış kitabı olan dininin eğitimini almış kişisinin duası fayda etmiyor, çaresiziz !!!

 

Öyle ise, eğer bu doların uçuşu konusunda bağzı yetkililerin dediği gibi dua etmemiz gerekiyor ise görülen o ki müslüman olarak değil papazın ettiği gibi dua etmemiz gerek. E öyle ya, Diyanet İşleri bütçesiyle, personeliyle koskoca bir ordu, ruhani bir ordu yani. Ayrıca bunun çok daha büyüğü Kuran'ı ile öğrettiği ve emrettiği gibi, Hz.Muhammed (S.A.V.)'in iletip gösterdiği gibi islam dinine inanan 80 milyon kadar müslüman vatandaşı var. Muhakkak onların da çoğu dua ediyorlardır !

 

Ayrıca ülkemde 45 tane olduğu su yüzüne çıkan dini bir vakfın okulunda eğitim gören "ÇOCUK" a tecavüz eden, geçenlerde de aralarında 27,26 ve 22 yaşlarında olan 7 ERKEK'in tarikat şeyhi tarafından cinsel tacizlere maruz kalmalarını , kişilerin ifadelerinde tarikattekilerin "Eğer şeyhimizin istediklerini yapmaz isem başıma çok kötü şeyler geleceğini söylediler, ben de engel olmaktan vazgeçtim (Hani bir nevi isteyerek ve rızamla domaldım) " diyenler gibilerin olduğu nice şeyhvetli tarikat şeyhleri, nice fesli, nice cüpbeli (cehennemde yanmayan kefen satan) , nice takkeliler olduğunu da düşünürsek ! ! ! Bütün bu kanıtlar gösteriyor ki bizlere dolar çıktıkça "Dua edin" diyenlerdeki mantık %100 yanlıştır. Çünki 1 gün olsun dua etmeyen müslüman bence yoktur. Yemek yerken hamdolsun, Allah'ım bize bu nimetleri nasip ettiğin için şükürler olsun demediğim öğün var ise ya çok hastayımdır yada dışarda/işte acele ile yemişimdir. Fakat 1 öğün kaçsa bu dua ötekinde edilir. "Olmayanlara da nasip eyle, Ya Rabbim sen kimseyi açlık ile sınama" demek de gelir elbet içimden ve ederim böyle de duamı. Bu kadarcık dua bile işte çalışıp da kazandığın paranın dolar karşısında devalüe olup da dün yediklerini yiyememek, yiyeceklerinden ve giyeceklerinden olmak üzere bir çok zaruri ihtiyaçtan kısmak zorunda kalmamayı da Allah'tan istemektir. Hal böyle iken Allah'ın bunca müslüman halk ve eğitimli kişi, şeyhvetli ve tarikatlerdeki şeyhvetli şeyhine seve seve istediklerini yapması için kul olan müritler de varken duamız kabul olmuyor ise ya bizim ettiğimiz dualarda bir gariplik var ya da başka bir yerde bir problemimiz var. Çünki elin dini bozuk, sapıtmış 1 tek, 1 tane papazının duası kabul oluyor biz tek doğru ve bozulmamış din ile Allah'a yakaranların kabul olmuyor ?!

Value @ Bridgetown 3/22/14

Value Quest poster Set 2

Data Value Hub

“How can Artificial Intelligence enable growth for SMEs”? Looking forward to hearing presentation on this topic for local SME's. datavaluehub.com/about-us/

 

Title Slide for Core Value series: The Bible is the Word of God. This is a generic design to be used for all Core Values (just swap out the text under the text "Core Value"). The imagery is of the county in which Life Church Calvert resides and serves (our "core" location").

 

The text wrapping around the circle or "core" is a list of all our core values. For each series the core value that is being taught would be in the center underneath "Core Value"

Photo class work

Best Value Investments are ideal options.

In the news this week it was revealed that some supermarkets were selling the new Harry Potter for less than the wholesale price. So much so that some independant booksellers will be buying them from Tesco to sell in their shops.

 

They are going to rather disappointed when they see the new cover.

Balcony gardening. Nice weather again. Hicima leaves are inedible.

ONLY the root portion of jicama is edible. The leaves, flowers and vines of the plant contain rotenone, a natural insecticide designed to protect the plant from predators. Eating any of these parts of the plant can cause a toxic reaction.

 

Pachyrhizus erosus, commonly known as jícama (/ˈhɪkəmə/ or /dʒɪˈkɑːmə/;[1] Spanish jícama [ˈxikama] (About this soundlisten); from Nahuatl xīcamatl, [ʃiːˈkamatɬ]), Mexican yam bean, or Mexican turnip, is the name of a native Mexican vine, although the name most commonly refers to the plant's edible tuberous root. Jícama is a species in the genus Pachyrhizus in the bean family (Fabaceae). Plants in this genus are commonly referred to as yam bean, although the term "yam bean" can be another name for jícama. The other major species of yam beans are also indigenous within the Americas. Pachyrhizus tuberosus[2] and Pachyrhizus ahipa are the other two cultivated species. The naming of this group of edible plants seems confused, with much overlap of similar or the same common names.

 

Pachyrhizus erosus

 

Pachyrhizus erosus Blanco2.249.png

Scientific classification:

Kingdom: (unranked):

Angiosperms: (unranked):

Eudicots: (unranked):

Rosids

Order: Fabales

Family: Fabaceae

Genus: Pachyrhizus

Species: P. erosus

Binomial name: Pachyrhizus erosus

(L.) Urb.

Flowers, either blue or white, and pods similar to lima beans, are produced on fully developed plants. Several species of jicama occur, but the one found in many markets is P. erosus. The two cultivated forms of P. erosus are jicama de aguaand jicama de leche, both named for the consistency of their juice. The leche form has an elongated root and milky juice, while the aguaform has a top-shaped to oblate root and a more watery, translucent juice, and is the preferred form for market.[3][4]

 

Botany:

 

Other names for jicama include Mexican potato, ahipa, saa got, Chinese potato, and sweet turnip. In Ecuador and Peru, the name jicama is used for the unrelated yacón or Peruvian ground apple, a plant of the sunflower family whose tubers are also used as food.[4]

  

Fresh jícama for sale at a farmers' market

The jícama vine can reach a height of 4–5 m given suitable support. Its root can attain lengths up to 2 m and weigh up to 20 kg. The heaviest jícama root ever recorded weighed 23 kg and was found in 2010 in the Philippines (where they are called singkamas).[5] Jicama is frost-tender and requires 9 months without frost for a good harvest of large tubers or to grow it commercially. It is worth growing in cooler areas that have at least 5 months without frost, as it will still produce tubers, but they will be smaller. Warm, temperate areas with at least 5 months without frost can start seed 8 to 10 weeks before the last spring frost. Bottom heat is recommended, as the seeds require warm temperatures to germinate, so the pots will need to be kept in a warm place. Jicama is unsuitable for areas with a short growing season unless cultured in a greenhouse. Growers in tropical areas can sow seed at any time of the year. Those in subtropical areas should sow seed once the soil has warmed in the spring.[6]

 

History:

 

The jicama originated in Mexico and central America.[7] It has been found at archaeological sites in Peru dating to 3000 BC.[7] In the 17th century, the jicama was introduced to Asia by the Spanish.[7]

 

In cooking:

 

Diced fresh jícama, seasoned with Tajín chili powder

The root's exterior is yellow and papery, while its inside is creamy white with a crisp texture that resembles raw potato or pear. The flavor is sweet and starchy, reminiscent of some apples or raw green beans, and it is usually eaten raw, sometimes with salt, lemon, or lime juice, alguashte, and chili powder. It is also cooked in soups and stir-fried dishes. Jícama is often paired with chilli powder, cilantro, ginger, lemon, lime, orange, red onion, salsa, sesame oil, grilled fish, and soy sauce.[8] It can be cut into thin wedges and dipped in salsa. In Mexico, it is popular in salads, fresh fruit combinations, fruit bars, soups, and other cooked dishes. In contrast to the root, the remainder of the jícama plant is very poisonous; the seeds contain the toxin rotenone, which is used to poison insects and fish.[9] The exterior of the seed pods are edible and can be used in cooking, for example the Ilocano dish “Bunga ng singkamas” where it is cooked in a stew as the main ingredient.

 

Spread to Asia:

 

Jícama

Yambean (jicama), raw

Nutritional value per 100 g (3.5 oz)

Energy: 159 kJ (38 kcal)

Carbohydrates: 8.82 g

Sugars: 1.8 g

Dietary fiber: 4.9 g

Fat: 0.09 g

Protein: 0.72 g

Vitamins: Quantity%DV†.

Thiamine (B1): 2%0.02 mg

Riboflavin (B2): 2%0.029 mg

Niacin (B3): 1%0.2 mg

Pantothenic acid (B5): 3%0.135 mg

Vitamin B6: 3%0.042 mg

Folate (B9): 3%12 μg

Choline: 3%13.6 mg

Vitamin C: 24%20.2 mg

Minerals: Quantity%DV†

Calcium: 1%12 mg

Iron: 5%0.6 mg

Magnesium: 3%12 mg

Manganese: 3%0.06 mg

Phosphorus: 3%18 mg

Potassium: 3%150 mg

Sodium: 0%4 mg

Zinc: 2%0.16 mg

 

Link to USDA Database entry

 

Units:

 

μg = micrograms • mg = milligrams

IU = International units

†Percentages are roughly approximated using US recommendations for adults.

 

Source: USDA Food Data Central

 

Spaniards spread cultivation of jícama from Mexico to the Philippines (where it is known as singkamas, from Nahuatl xicamatl),[10] from there it went to China and other parts of Southeast Asia, where notable uses of raw jícama include popiah, bola-bola (meatballs) and fresh lumpia in the Philippines, and salads in Indonesia, Singapore, and Malaysia such as yusheng and rojak.

 

In the Philippines, jícama is usually eaten fresh with condiments such as rice vinegar and sprinkled with salt, or with bagoong (shrimp paste). In Malay, it is known by the name ubi sengkuang. In Indonesia, jícama is known as bengkuang. This root crop is also known by people in Sumatra and Java,[citation needed] and eaten at fresh fruit bars or mixed in the rojak (a kind of spicy fruit salad). Padang, a city in West Sumatra, is called "the city of bengkuang". Local people might have thought that this jícama is the "indigenous crop" of Padang. The crop has been grown everywhere in this city and it has become a part of their culture.[11]

 

It is known by its Chinese name bang kuang to the ethnic Chinese in Southeast Asia. In Mandarin Chinese, it is known as dòushǔ (豆薯; lit. ‘bean potato’) or liáng shǔ (涼薯), as sa1 got (沙葛, same as "turnip") in Yue Chinese/Cantonese, and as mang-guang (芒光) in Teochew, where the word is borrowed from the Malay, and as dìguā (地瓜) in Guizhou province and several neighboring provinces of China, the latter term being shared with sweet potatoes. Jícama has become popular in Vietnamese food as an ingredient in pie, where it is called cây củ đậu (in northern Vietnam) or củ sắn or sắn nước (in southern Vietnam).

 

In Myanmar, it is called စိမ်းစားဥ (sane-saar-u). Its Thai name is มันแกว (man kaeo).[12] In Cambodia, it is known as ដំឡូងរលួស /dɑmlɔoŋ rəluəh/ or under its Chinese name as ប៉ិកួៈ ~ ប៉ិគក់ /peʔkŭəʔ/.[13]In Bengali, it is known as shankhalu (শাঁখ আলু), literally translating to "conch (shankha, শাঁখ) potato (alu, আলু)" for its shape, size, and colour. In Hindi, it is known as mishrikand (मिश्रीकंद). It is eaten during fast (उपवास) in Bihar (India) and is known as kesaur (केसौर). In Odia, it is known as (ଶଙ୍ଖ ସାରୁ) shankha saru. In Laos, it is called man phao (ມັນເພົາ),[14]smaller and tastes a little sweeter than the Mexican type. It is used as a snack by peeling off the outer layer of the skin, then cutting into bite sizes for eating like an apple or a pear.

 

Its formal Japanese common name is kuzu-imo (葛芋, lit. =‘kudzu vine’+ ‘tuber’), though it may be referred to as benkowan (ベンコワン) or bankuan (バンクアン) after the Indonesian name bengkuang or as hikama (ヒカマ) as in the Mexican name.[15]

 

Nutrition:

 

Jícama is high in carbohydrates in the form of dietary fiber (notably inulin).[16] It is composed of 86–90% water; it contains only trace amounts of protein and lipids. Its sweet flavor comes from the oligofructose inulin (also called fructo-oligosaccharide), which is a prebiotic. Jícama is very low in saturated fat and sodium. It is also a good source of vitamin C.[17]

 

Storage:

 

Learn more:

This section does not cite any sources. (July 2017)

Jícama should be stored dry, between 12 and 16 °C (53 and 60 °F). As colder temperatures will damage the roots, whole unpeeled jicama root should not be refrigerated. A fresh root stored at an appropriate temperature will keep for a month or two.

 

References:

 

^ Collins English Dictionary – Complete and Unabridged, 12th Edition 2014. S.v. "Jicama." Retrieved July 18, 2017 from www.thefreedictionary.com/jicama

^ Pachyrhizus tuberosus

^ Johnson, Hunter. "Extension Vegetable Specialist". UC-Davis.

^ a b "Globalization of Foods-Jicama". Global Bhasin. Archived from the original on 11 January 2014. Retrieved 31 July 2013.

^ 'Heaviest' Singkamas Found in Ilocos

^ "Jicama Growing Information". Green Harvest. Retrieved 31 July 2013.

^ a b c Sanderson, Helen (2005). Prance, Ghillean; Nesbitt, Mark (eds.). The Cultural History of Plants. Routledge. p. 67. ISBN 0415927463.

^ Green, Aliza (2004). Field Guide to Produce. Quirk Books. p. 194. ISBN 1-931686-80-7.

^ Duke, James A. (1992). "Handbook of phytochemical constituents of GRAS herbs and other economic plants". Dr. Duke's Phytochemical and Ethnobotanical Databases. CRC Press. Archived from the original on September 23, 2015. Retrieved June 25, 2010.

^ "Singkamas". Merriam-Webster. Retrieved 2 January 2015.

^ "What is Jicama?". Innovateus. Retrieved 30 July 2013.

^ So Sethaputra, New Model Thai-English Dictionary, Bangkok: Thai Watana Panich, 1965, p. 366.

^ Pauline Dy Phon, វចនានុក្រមរុក្ខជាតិប្រើប្រាស់ក្នុងប្រទេសកម្ពុជា, Dictionnaire des Plantes utilisées au Cambodge, Dictionary of Plants used in Cambodia, ភ្នំពេញ Phnom Penh, បោះពុម្ពលើកទី ១, រោងពុម្ព ហ ធីម អូឡាំពិក (រក្សាសិទ្ធិ៖ អ្នកគ្រូ ឌី ផុន) គ.ស. ២០០០, ទំព័រ ៤៨៥, 1st edition: 2000, Imprimerie Olympic Hor Thim (© Pauline Dy Phon), 1er tirage : 2000, Imprimerie Olympic Hor Thim, p. 485; វចនានុក្រមខ្មែរ ពុទ្ធសាសនបណ្ឌិត្យ ភ្នំពេញ ព.ស. ២៥១០-២៥១១ គ.ស. ១៩៦៧-១៩៦៨ ទំព័រ ៦២៧, ១០១៣, Dictionnaire cambodgien, Institut bouddhique de Phnom Penh, 1967-1968, p. 627, 1013.

^ Reinhorn, Marc, Dictionnaire laotien-français, Paris: CNRS, 1970, p. 1635.

^ Mitsubishi UFJ Research & Consulting (February 2019), Baiomasu nenryō bi anteichōtatsu/jizokukanōsei ni kakawaru chōsa バイオマス燃料の安定調達・持続可能性等に係る調査 [Study regarding the stable procurement, sustainability, etc., of biomass fuels] (PDF), p. 16, n9

^ Hughes SR, Qureshi N, López-Núñez JC, Jones MA, Jarodsky JM, Galindo-Leva LÁ, Lindquist MR (2017). "Utilization of inulin-containing waste in industrial fermentations to produce biofuels and bio-based chemicals". World Journal of Microbiology & Biotechnology. 33 (4): 48. doi:10.1007/s11274-017-2241-6. PMID 28341907. S2CID 23678976.

^ "Nutrition Data: Yambean (jicama), raw". Nutrition Data. Retrieved 11 July 2014.

The Škoda Rapid Convertible

(cabriolet) was remarkable value for money when sold in the UK in the Mid-1980s. Converted for Škoda (UK) from standard cars by Ludgate Designs in Kent, the (now rare) convertible was considerably cheaper than other new soft-topped cars on the market. It was a good drive, too. Autocar described the car as "the poor man's Porsche", and they are now sought after vehicles. This - probably the best one surviving - was taking part in this years SALT Rally, and was snapped at the Three Swans Hotel, Market Harborough.

The SALT Rally 2012 (SALT SIX) was held around Market Harborough. The SALT Rallies are for vehicles built in the Cold War period, and the events tour Cold-War related venues. Most of the participating vehicles come from the Soviet Bloc, but there is no political element, implied or actual in the SALT ethos.

 

Visit the Communist Classic Cars Panorama!

  

Camera: Nikon F5

Lens: Nikkor 28-80mm zoom

Film: Kodak Ektar 100

Thought this was a unique find. A trailer for the now defunct Value City discount department stores. The department stores are gone although the furniture stores still exist.

Nestlé employees at Solon test the latest products to come off the Lean Cuisine production line.

With the lovely Sienna Stroud. Photos by Karen Petitt.

Henry van de Velde (1863-1957)

Writing Desk Presented at the XIVth Secession Exhibition, 1900

Brussels, 1898

Execution: unknown

Solid ash; brass

 

Henry van de Velde (1863-1957)

Schreibtisch, präsentiert auf der XIV. Secessionsausstellung 1900

Brüssel, 1898

Ausführung: unbekannt

Eschenholz: massiv; Messing

H 2039/1954, Widmung zum Andenken an den Präsidenten des Vereines der Museumsfreunde

dedication in memory of the president of the Association of Friends of the Museum, Dr. Felix Freiherr von Oppenheimer

 

The history of the Austrian Museum of Applied Art/Contemporary Art

1863 / After many years of efforts by Rudolf Eitelberger decides emperor Franz Joseph I on 7 March on the initiative of his uncle archduke Rainer, following the model of the in 1852 founded South Kensington Museum (now the Victoria and Albert Museum, London) the establishment of the "k.u.k. Austrian Museum for Art and Industry" and appoints Rudolf von Eitelberger, the first professor of art history at the University of Vienna director. The museum should be serving as a specimen collection for artists, industrialists, and public and as a training and education center for designers and craftsmen.

1864/ on 12th of May, opened the museum - provisionally in premises of the ball house next to the Vienna Hofburg, the architect Heinrich von Ferstel for museum purposes had adapted. First exhibited objects are loans and donations from the imperial collections, monasteries, private property and from the k.u.k. Polytechnic in Vienna. Reproductions, masters and plaster casts are standing value-neutral next originals.

1865-1897 / The Museum of Art and Industry publishes the journal Communications of Imperial (k.u.k.) Austrian Museum for Art and Industry .

1866 / Due to the lack of space in the ballroom the erection of an own museum building is accelerated. A first project of Rudolf von Eitelberger and Heinrich von Ferstel provides the integration of the museum in the project of imperial museums in front of the Hofburg Imperial Forum. Only after the failure of this project, the site of the former Exerzierfelds (parade ground) of the defense barracks before Stubentor the museum here is assigned, next to the newly created city park at the still being under development Rind Road.

1867 / Theoretical and practical training are combined with the establishment of the School of Applied Arts. This will initially be housed in the old gun factory, Währinger street 11-13/Schwarzspanier street 17, Vienna 9.

1868 / With the construction of the building at Stubenring is started as soon as it is approved by emperor Franz Joseph I. the second draft of Heinrich Ferstel.

1871 / The opening of the building at Stubering takes place after three years of construction, 15 November. Designed according to plans by Heinrich von Ferstel in the Renaissance style, it is the first built museum building at the Ring. Objects from now on could be placed permanently and arranged according to main materials. / / The School of Arts and Crafts (Kunstgewerbeschule) moves into the house at Stubenring. / / Opening of Austrian arts and crafts exhibition.

1873 / Vienna World Exhibition. / / The Museum of Art and Industry and the Vienna School of Arts and Crafts are exhibiting together at Stubenring. / / Rudolf von Eitelberger organizes in the framework of the World Exhibition the worldwide first international art scientific congress in Vienna, thus emphasizing the orientation of the Museum on teaching and research. / / During the World Exhibition major purchases for the museum from funds of the Ministry are made, eg 60 pages of Indo-Persian Journal Mughal manuscript Hamzanama.

1877 / decision on the establishment of taxes for the award of Hoftiteln (court titels). With the collected amounts the local art industry can be promoted. / / The new building of the School of Arts and Crafts, adjoining the museum, Stubenring 3, also designed by Heinrich von Ferstel, is opened.

1878 / participation of the Museum of Art and Industry as well as of the School of Arts and Crafts at the Paris World Exhibition.

1884 / founding of the Vienna Arts and Crafts Association with seat in the museum. Many well-known companies and workshops (led by J. & L. Lobmeyr), personalities and professors of the School of Arts and Crafts join the Arts and Crafts Association. Undertaking of this association is to further develop all creative and executive powers the arts and craft since the 1860s has obtained. For this reason are organized various times changing, open to the public exhibitions at the Imperial Austrian Museum for Art and Industry. The exhibits can also be purchased. These new, generously carried out exhibitions give the club the necessary national and international resonance.

1885 / After the death of Rudolf von Eitelberger, Jacob von Falke, his longtime deputy, is appointed manager. Falke plans all collection areas al well as publications to develop newly and systematically. With his popular publications he influences significantly the interior design style of the historicism in Vienna.

1888 / The Empress Maria Theresa exhibition revives the contemporary discussion with the high Baroque in the history of art and in applied arts in particular.

1895 / end of directorate of Jacob von Falke. Bruno Bucher, longtime curator of the Museum of metal, ceramic and glass, and since 1885 deputy director, is appointed director.

1896 / The Vienna Congress exhibition launches the confrontation with the Empire and Biedermeier style, the sources of inspiration of Viennese Modernism.

1897 / end of the directorate of Bruno Bucher. Arthur von Scala, director of the Imperial Oriental Museum in Vienna since its founding in 1875 (renamed Imperial Austrian Trade Museum 1887), takes over the management of the Museum of Art and Industry. / / Scala wins Otto Wagner, Felician of Myrbach, Koloman Moser, Josef Hoffmann and Alfred Roller to work at the museum and School of Arts and Crafts. / / The style of the Secession is crucial for the Arts and Crafts School. Scala propagates the example of the Arts and Crafts Movement and makes appropriate acquisitions for the museum's collection.

1898 / Due to differences between Scala and the Arts and Crafts Association, which sees its influence on the Museum wane, archduke Rainer puts down his function as protector. / / New statutes are written.

1898-1921 / The Museum magazine Art and Crafts replaces the Mittheilungen (Communications) and soon gaines international reputation.

1900 / The administration of Museum and Arts and Crafts School is disconnected.

1904 / The Exhibition of Old Vienna porcelain, the to this day most comprehensive presentation on this topic, brings with the by the Museum in 1867 definitely taken over estate of the "k.u.k. Aerarial Porcelain Manufactory" (Vienna Porcelain Manufactory) important pieces of collectors from all parts of the Habsburg monarchy together.

1907 / The Museum of Art and Industry takes over the majority of the inventories of the Imperial Austrian Trade Museum, including the by Arthur von Scala founded Asia collection and the extensive East Asian collection of Heinrich von Siebold .

1908 / Integration of the Museum of Art and Industry in the Imperial and Royal Ministry of Public Works.

1909 / separation of Museum and Arts and Crafts School, the latter remains subordinated to the Ministry of Culture and Education. / / After three years of construction, the according to plans of Ludwig Baumann extension building of the museum (now Weiskirchnerstraße 3, Wien 1) is opened. The museum thereby receives rooms for special and permanent exhibitions. / / Arthur von Scala retires, Eduard Leisching follows him as director. / / Revision of the statutes.

1909 / Archduke Carl exhibition. For the centenary of the Battle of Aspern. / / The Biedermeier style is discussed in exhibitions and art and arts and crafts.

1914 / Exhibition of works by the Austrian Art Industry from 1850 to 1914, a competitive exhibition that highlights, among other things, the role model of the museum for arts and crafts in the fifty years of its existence.

1919 / After the founding of the First Republic it comes to assignments of former imperial possession to the museum, for example, of oriental carpets that are shown in an exhibition in 1920. The Museum now has one of the finest collections of oriental carpets worldwide.

1920 / As part of the reform of museums of the First Republic, the collection areas are delimited. The Antiquities Collection of the Museum of Art and Industry is given away to the Museum of Art History.

1922 / The exhibition of glasses of classicism, the Empire and Biedermeier time offers with precious objects from the museum and private collections an overview of the art of glassmaking from the former Austro-Hungarian Empire. / / Biedermeier glass serves as a model for contemporary glass production and designs, such as of Josef Hoffmann.

1922 / affiliation of the museal inventory of the royal table and silver collection to the museum. Until the institutional separation the former imperial household and table decoration is co-managed by the Museum of Art and Industry and is inventoried for the first time by Richard Ernst.

1925 / After the end of the directorate of Eduard Leisching, Hermann Trenkwald is appointed director.

1926 / The exhibition Gothic in Austria gives a first comprehensive overview of the Austrian panel painting and of arts and crafts of the 12th to 16th Century.

1927 / August Schestag succeeds Hermann Trenkwald as director.

1930 / The Werkbund (artists' organization) Exhibition Vienna, a first comprehensive presentation of the Austrian Werkbund, takes place on the occasion of the meeting of the Deutscher (German) Werkbund in Austria, it is organized by Josef Hoffmann in collaboration with Oskar Strnad, Josef Frank, Ernst Lichtblau and Clemens Holzmeister.

1931 / August Schestag concludes his directorate.

1932 / Richard Ernst is new director.

1936 and 1940 / In exchange with the Kunsthistorisches Museum (Museum of Art History), the museum at Stubenring gives away part of the sculptures and takes over arts and crafts inventories of the collection Albert Figdor and the Kunsthistorisches Museum.

1937 / The Collection of the Museum of Art and Industry is newly set up by Richard Ernst according to periods. / / Oskar Kokoschka exhibition on the 50th birthday of the artist.

1938 / After the "Anschluss" (annexation) of Austria by Nazi Germany, the museum is renamed into "National Museum of Arts and Crafts in Vienna".

1939-1945 / The museums are taking over numerous confiscated private collections. The collection of the "State Museum of Arts and Crafts in Vienna" in this way also is enlarged.

1945 / Partial destruction of the museum building by impact of war. / / War losses on collection objects, even in the places of rescue of objects.

1946 / The return of the outsourced objects of art begins. A portion of the during the Nazi time expropriated objects is returned in the following years.

1947 / The "State Museum of Arts and Crafts in Vienna" is renamed into "Austrian Museum of Applied Arts".

1948 / The "Cathedral and Metropolitan Church of St. Stephen" organizes the exhibition The St. Stephen's Cathedral in the Museum of Applied Arts. History, monuments, reconstruction.

1949 / The Museum is reopened after repair of the war damages.

1950 / As last exhibition under director Richard Ernst takes place Great art from Austria's monasteries (Middle Ages).

1951 / Ignaz Schlosser is appointed manager.

1952 / The exhibition Social home decor, designed by Franz Schuster, makes the development of social housing in Vienna again the topic of the Museum of Applied Arts.

1955 / The comprehensive archive of the Wiener Werkstätte (workshop) is acquired.

1955-1985 / The Museum publishes the periodical ancient and modern art .

1956 / Exhibition New Form from Denmark, modern design from Scandinavia becomes topic of the museum and model.

1957 / On the occasion of the exhibition Venini Murano glass, the first presentation of Venini glass in Austria, there are significant purchases and donations for the collection of glass.

1958 / End of the directorate of Ignaz Schlosser

1959 / Viktor Griesmaier is appointed as new director.

1960 / Exhibition Artistic creation and mass production of Gustavsberg, Sweden. Role model of Swedish design for the Austrian art and crafts.

1963 / For the first time in Europe, in the context of a comprehensive exhibition art treasures from Iran are shown.

1964 / The exhibition Vienna around 1900 (organised by the Cultural Department of the City of Vienna) presents for the frist time after the Second World War, inter alia, arts and crafts of Art Nouveau. / / It is started with the systematic work off of the archive of the Wiener Werkstätte. / / On the occasion of the founding anniversary offers the exhibition 100 years Austrian Museum of Applied Arts using examples of historicism insights into the collection.

1965 / The Geymüllerschlössel (small castle) is as a branch of the Museum angegliedert (annexed). Simultaneously with the building came the important collection of Franz Sobek - old Viennese clocks, made between 1760 and the second half of the 19th Century - and furniture from the years 1800 to 1840 in the possession of the MAK.

1966 / In the exhibition Selection 66 selected items of modern Austrian interior designers (male and female ones) are brought together.

1967 / The Exhibition The Wiener Werkstätte. Modern Arts and Crafts from 1903 to 1932 is founding the boom that continues until today of Austria's most important design project in the 20th Century.

1968 / To Viktor Griesmaier follows Wilhelm Mrazek as director.

1969 / The exhibition Sitting 69 shows at the international modernism oriented positions of Austrian designers, inter alia by Hans Hollein.

1974 / For the first time outside of China Archaeological Finds of the People's Republic of China are shown in a traveling exhibition in the so-called Western world.

1979 / Gerhart Egger is appointed director.

1980 / The exhibition New Living. Viennese interior design 1918-1938 provides the first comprehensive presentation of the spatial art in Vienna during the interwar period.

1981 / Herbert Fux follows Gerhart Egger as director.

1984 / Ludwig Neustift is appointed interim director. / / Exhibition Achille Castiglioni: designer. First exhibition of the Italian designer in Austria

1986 / Peter Noever is appointed director and starts with the building up of the collection contemporary art.

1987 / Josef Hoffmann. Ornament between hope and crime is the first comprehensive exhibition on the work of the architect and designer.

1989-1993 / General renovation of the old buildings and construction of a two-storey underground storeroom and a connecting tract. A generous deposit for the collection and additional exhibit spaces arise.

1989 / Exhibition Carlo Scarpa. The other city, the first comprehensive exhibition on the work of the architect outside Italy.

1990 / exhibition Hidden impressions. Japonisme in Vienna 1870-1930, first exhibition on the theme of the Japanese influence on the Viennese Modernism.

1991 / exhibition Donald Judd Architecture, first major presentation of the artist in Austria.

1992 / Magdalena Jetelová domestication of a pyramid (installation in the MAK portico).

1993 / The permanent collection is newly put up, interventions of internationally recognized artists (Barbara Bloom, Eichinger oder Knechtl, Günther Förg, GANGART, Franz Graf, Jenny Holzer, Donald Judd, Peter Noever, Manfred Wakolbinger and Heimo Zobernig) update the prospects, in the sense of "Tradition and Experiment". The halls on Stubenring accommodate furthermore the study collection and the temporary exhibitions of contemporary artists reserved gallery. The building in the Weiskirchner street is dedicated to changing exhibitions. / / The opening exhibition Vito Acconci. The City Inside Us shows a room installation by New York artist.

1994 / The Gefechtsturm (defence tower) Arenbergpark becomes branch of the MAK. / / Start of the cooperation MAK/MUAR - Schusev State Museum of Architecture Moscow. / / Ilya Kabakov: The Red Wagon (installation on MAK terrace plateau).

1995 / The MAK founds the branch of MAK Center for Art and Architecture in Los Angeles, in the Schindler House and at the Mackey Apartments, MAK Artists and Architects-in-Residence Program starts in October 1995. / / Exhibition Sergei Bugaev Africa: Krimania.

1996 / For the exhibition Philip Johnson: Turning Point designs the American doyen of architectural designing the sculpture "Viennese Trio", which is located since 1998 at the Franz-Josefs-Kai/Schottenring.

1998 / The for the exhibition James Turrell. The other Horizon designed Skyspace today stands in the garden of MAK Expositur Geymüllerschlössel. / / Overcoming the utility. Dagobert Peche and the Wiener Werkstätte, the first comprehensive biography of the work of the designer of Wiener Werkstätte after the Second World War.

1999 / Due to the Restitution Act and the Provenance Research from now on numerous during the Nazi time confiscated objects are returned.

2000 / Outsourcing of Federal Museums, transformation of the museum into a "scientific institution under public law". / / The exhibition Art and Industry. The beginnings of the Austrian Museum of Applied Arts in Vienna is dealing with the founding history of the house and the collection.

2001 / In the course of the exhibition Franz West: No Mercy, for which the sculptor and installation artist developed his hitherto most extensive work, the "Four lemurs heads" are placed at the bridge Stubenbrücke, located next to the MAK. / / Dennis Hopper: A System of Moments.

2001-2002 / The CAT Project - Contemporary Art Tower after New York, Los Angeles, Moscow and Berlin is presented in Vienna.

2002 / Exhibition Nodes. symmetrical-asymmetrical. The historical Oriental Carpets of the MAK presents the extensive rug collection.

2003 / Exhibition Zaha Hadid. Architecture. / / For the anniversary of the artist workshop, takes place the exhibition The Price of Beauty. 100 years Wiener Werkstätte. / / Richard Artschwager: The Hydraulic Door Check. Sculpture, painting, drawing.

2004 / James Turrell's MAKlite is since November 2004 permanently on the facade of the building installed. / / Exhibition Peter Eisenmann. Barefoot on White-Hot Walls, large-scaled architectural installation on the work of the influential American architect and theorist.

2005 / Atelier Van Lieshout: The Disciplinator / / The exhibition Ukiyo-e Reloaded presents for the first time the collection of Japanese woodblock prints of the MAK on a large scale.

2006 / Since the beginning of the year, the birthplace of Josef Hoffmann in Brtnice of the Moravian Gallery in Brno and the MAK Vienna as a joint branch is run and presents annually special exhibitions. / / The exhibition The Price of Beauty. The Wiener Werkstätte and the Stoclet House brings the objects of the Wiener Werkstätte to Brussels. / / Exhibition Jenny Holzer: XX.

2007/2008 / Exhibition Coop Himmelb(l)au. Beyond the Blue, is the hitherto largest and most comprehensive museal presentation of the global team of architects.

2008 / The 1936 according to plans of Rudolph M. Schindler built Fitzpatrick-Leland House, a generous gift from Russ Leland to the MAK Center LA, becomes with the aid of a promotion that granted the Bureau of Educational and Cultural Affairs of the U.S. Department the MAK Center, center of the MAK UFI project - MAK Urban Future Initiative. / / Julian Opie: Recent Works / / The exhibition Recollecting. Looting and Restitution examines the status of efforts to restitute expropriated objects from Jewish property from museums in Vienna.

2009 / The permanent exhibition Josef Hoffmann: Inspiration is in the Josef Hoffmann Museum, Brtnice opened. / / Exhibition Anish Kapoor. Shooting into the Corner / / The museum sees itself as a promoter of Cultural Interchange and discusses in the exhibition Global:lab Art as a message. Asia and Europe 1500-1700 the intercultural as well as the intercontinental cultural exchange based on objects from the MAK and from international collections.

2011 / After Peter Noever's resignation, Martina Kandeler-Fritsch takes over temporarily the management. / /

Since 1 September Christoph Thun-Hohenstein is director of the MAK and declares "change through applied art" as the new theme of the museum.

2012 / With future-oriented examples of mobility, health, education, communication, work and leisure, shows the exhibition MADE4YOU. Designing for Change, the new commitment to positive change in our society through applied art. // Exhibition series MAK DESIGN SALON opens the MAK branch Geymüllerschlössel for contemporary design positions.

2012/2013 / opening of the newly designed MAK Collection Vienna 1900. Design / Decorative Arts from 1890 to 1938 in two stages as a prelude to the gradual transformation of the permanent collection under director Christoph Thun-Hohenstein

2013 / SIGNS, CAUGHT IN WONDER. Looking for Istanbul today shows a unique, current snapshot of contemporary art production in the context of Istanbul. // The potential of East Asian countries as catalysts for a socially and ecologically oriented, visionary architecture explores the architecture exhibition EASTERN PROMISES. Contemporary Architecture and production of space in East Asia. // With a focus on the field of furniture design NOMADIC FURNITURE 3.0. examines new living without bounds? the between subculture and mainstream to locate "do-it-yourself" (DIY) movement for the first time in a historical context.

2014 / Anniversary year 150 years MAK // opening of the permanent exhibition of the MAK Asia. China - Japan - Korea // Opening of the MAK permanent exhibition rugs // As central anniversary project opens the dynamic MAK DESIGN LABORATORY (redesign of the MAK Study Collection) exactly on the 150th anniversary of the museum on May 12, 2014 // Other major projects for the anniversary: ROLE MODELS. MAK 150 years: from arts and crafts to design // // HOLLEIN WAYS OF MODERN AGE. Josef Hoffmann, Adolf Loos and the consequences.

www.mak.at/das_mak/geschichte

Haringey Law Centre is at 7 Holcombe Road, Tottenham N17 0AL.

 

I reported the damaged wall cladding to Haringey Council in December 2014. Most but not all the graffiti tagging was painted over. But the damaged wall cladding had deteriorated further. Please scroll down for a comparison on 2 July 2016 and 3 December 2014

 

The Centre is financially supported by Haringey Borough Council. It works from this Council-owned building which the Law Centre leases. As far as I know, the building itself is managed by Haringey Council's Property staff.

 

This is one of several vital services for residents.

In my view the state of a building providing such services is a strong "statement" of how both the agency and the local council values and respects its residents - or fails to do so. Especially because some of the most vulnerable people may be more likely to use such services.

 

As the photos show, the lower storeys of the building have a black cladding. I assume this seals the internal walls and prevents rainwater and pollutants reaching them. After I reported the damaged wall cladding to Haringey Council on on 17 December 2014 they acknowledged my emailed report on the same day.

Since then the damage has gradually worsened.

Value @ Bridgetown 3/22/14

May 13, 2015 | The Role of Philanthropy in Shared Value, featuring FSG's Mark Kramer, Walmart Foundation's Kathleen McLaughlin, and Ford Foundation's Darren Walker.

Teacher example. My 2D Art class began doing value studies of backpacks

1 2 ••• 5 6 8 10 11 ••• 79 80