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we used absolute value of sine because we needed something that would have the shape of a bouncing ball. because sine is a wave (periodic function) and absolute value is a pointed function, together they create the bouncing effect. we had to expand the length and the height to fit the mold of the shoes
I was again fortunate enough to have my photo as the cover of another record. Super stoked.
www.flickr.com/photos/nathancongleton/4962519726/in/set-7...
members of FIRE & ICE, BRACEWAR, IRON BOOTS(rip), VICTIM(rip)
Flza Dana, Ryan Wall, David Herzig, Hector Martinez.
Richmond, Virginia hardcore.
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I don't think my composition is very deep. I tried to use gradients to make the cloth-like shape look deeper and have shadows. But i think to make my composition have more depth i should have changed the background color.
I think the movement is in a U shape starting at the gradient moving down and coming up the jagged path.I think the U shape was created through oppsite line pointing in diagonal opposing directions.
The shape with the most weight is the curvy gradient pattern on the left side. This is due to the depth created through the gradient pattern. Unfortunately i dont think it is the most important shape in the picture, i think the most important is the solid white space at the bottom( in the origonal).
The negitive space in my composition makes the peice feel asymmetrical, i feel like the work would have had more unity if i had used a background tone.
Former Lee Bros. Value World Discount Store located at 1 Larkspur Plaza in Larkspur,CA. This was the first "Value World" location and was successful enough so that four more stores would soon be constructed. In the early 1970's the Lee Bros. chain struggled and consolidated their chain by selling their larger Value World stores. By the mid 1980's Lee Bros. had folded altogher leaving only a name behind them. The Larkspur store seen above is now occupied by the Mount Tam Racquet Club.
Here is a photo taken back in 1963 of the store...
www.sonic.net/~tterrace/larkspur/larkspurgallery/valuewor...
Saturday, July 28th, 2007 at Nissan Pavilion.
Got caught bring in the real camera...so had to resort to the Moto Q. Not a bad quality considering our distance and my drunkenness. :) It was like 90 degrees!
FYI - Evanescence is an alternative rock band from Little Rock, Arkansas.
I only got decent shots of the band from the monitors. Their light crew and show was AMAZING and BRIGHT! I could only get shots during the “slow” songs. She and the rest of the band move around on stage faster than squirrels on crack!! Second-time seeing this band...they STILL ROCK!!!
Value-based pricing allows companies to align their pricing strategies with the true worth of their products or services.
Read all about it: tridenstechnology.com/value-based-pricing/
What has changed? My daughter telling her sister to pull it tighter and tighter before the big event!
Value: uS/hr
Type: soil
Radiation: alpha, beta, gamma
Mobile Probe Radiation measurement for www.RDTN.com
Reported by: Pieter Franken, RDTN.org
Medcom inspector alert courtesy of Www.Medcom.com
Maurizio Cattelan was born in Padua, Italy, in 1960. Since the early 1990s Maurizio Cattelan has been internationally recognized for his humorous and ironic works which provoke and challenge the limits of contemporary value systems. Maurizio Cattelan’s retrospective, Sussurro, will be showcased at the Serralves Villa, a 1930s Art Deco house. The exhibition brings together a selection of works deeply connected to history, reflecting Cattelan's approach to art. In addition to the pieces displayed in the Villa, sculptures by the artist will be installed throughout the Serralves Park. Together, these settings offer a unique contextualization of both Maurizio Cattelan´s work and of Serralves Park and Villa.
Most of the works selected for Sussurro demonstrate Maurizio Cattelan’s interest in History: historical changes, historical trauma, and historical icons. The times of transition, these in-betweens, seem to captivate Cattelan. The hanging, elusive moment between childhood and adulthood, between life and death, between historical eras, between laughter and sobs, is the source of his iconography. He turns these moments into icons.
Maurizio Cattelan has conceived his work as a series of saynètes populated by a cast of characters ranging from, and raging with, historical figures, self-portraits, friends and acquaintances, a bestiary, children, to familiar objects, locations and images. A détournement… a family of misfits, including direct references to some of his ancestors: Joseph Beuys, Lucio Fontana, Giovanni Anselmo, Piero Manzoni, Mario Merz, Jannis Kounellis, Carlo Collodi, Walt Disney, Günter Grass, Volker Schlöndorff, Stephen King and Stanley Kubrick… and between all the lines, Andy Warhol, for his furtive relationship to public image, his status as an image-maker, his entrepreneurial and publisher scheme, and his obsession with death.
The saynètes demonstrate an understanding of space that is quasi-theatrical or cinematographic. Locations, as the Serralves Villa, are key; framing, angles and sightlines are never innocent, nor is Maurizio Cattelan; and the overall context is a defining perception of the work. Scenography and art directing are as important in his work as the historical or cultural references. His conception of space and the way we, as visitors, encounter the works, is fully informed by the legacy of conceptual and minimal art, the phenomenological approach to space and to the awareness of space. The way the objects are strategically positioned, oriented in a room, on a public square, affects and informs our apprehension and reading of the works.
Sussurro is to Serralves what Hieronymus Bosch’s Temptations of Saint Anthony is to the Museu Nacional de Arte Antiga in Lisbon. The Tentation de Lisbonne has now its symmetrical with the Tentation de Porto. Bosch’s painting is an exacerbated spectacle of human madness, the vision of a world spinning towards an end with the background of Biblical allegory of good and bad, the psychotic vision of decay where humans and animals dance towards their damnation on a scorched earth. With Bosch, grotesque and humor, mimicry and blasphemy are extracted from the world and expose, iconically, the complicity between humanity and corruption. Images are salvation.
Maurizio Cattelan breaks in a culture in which the question of the place, the role, the veracity of images is at the center of an endemic malaise and he provides answers with images that are themselves effractions imbued with a malaise. This malaise might be our laughter.
Maurizio Cattelan’s visual aphorisms are exercises in re-routing, hacking a broad database of images deeply embedded in history, culture, belief systems and in our taboos. Sussurro speaks out loudly for those who want, and may not want, to hear.
Produced by the Serralves Foundation – Museum of Contemporary Art Porto, the exhibition is curated by Philippe Vergne, the Museum Director and is coordinated by Giovana Gabriel.