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Dartmouth has been recognized for the exceptional value of its education and acknowledged for the low debt load carried by undergraduates in U.S. News and World Report's "Best Colleges 2015." The College came in at No. 5 among national universities in terms of least debt carried by graduates, moving up from No. 12 last year.
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I was tasked with designing icons to graphically convey our core values. They will be used as graphics during appropriate sermons, in training publications (ie - small group leaders' training manuals), etc. Top to bottom, left to right they are...
My biggest concern is that the contrast isn't significant enough (especially if they're sized down for printing purposes). Thoughts? This is still in the prelim stage, so any feedback is welcome.
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I don't sell my dolls. Thank you for your understanding !!!
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All Students Gain From a Ruling That Values Diversity t.co/9ALGF7K4VP……… t.co/XkC9sOWUCP………………………… t.co/Un4KztYuJi (via Twitter twitter.com/LawsuitInfoCent/status/747848855660552192)
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Collection: A. D. White Architectural Photographs, Cornell University Library
Accession Number: 15/5/3090.00593
Title: Southwestern View of the District of Columbia from the Washington Monument
Architect: John Russell Pope (American, 1874-1937)
Photograph date: ca. 1942
Location: North and Central America: United States; District of Columbia, Washington
Materials: gelatin silver print
Image: 7 1/2 x 9 3/8 in.; 19.05 x 23.8125 cm
Provenance: Transfer from the College of Architecture, Art and Planning
Persistent URI: http://hdl.handle.net/1813.001/5sqj
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
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This is ex-corporate equipment which has been removed from a fully working environment and refurbished by our in-house engineers, tested to be working perfectly. Please see 'cosmetic condition' section below for full cosmetic details.
We currently have several different specification variations of this workstation model. To see them all, please use the shop search box above, and search for 'XW6200'.
This system uses Dual 64-Bit Xeon processors and is compatible with Windows 7!!!
We can offer additional upgrades for almost any server in stock and will be more than happy to quote for your individual specification requirements. For RAM, Hard Drives or anything else, please contact us directly using contact details found throughout our auction pages.
HP XW6200 Workstation/Tower PC:
TWIN (2x) Intel Xeon 3.2Ghz - 64-Bit - Hyper-Threaded
- 3.0 - 3.8Ghz Dual Xeon systems available in our eBay shop
4 GB RAM - DDR2 ECC RAM
- Alternative 8GB systems available in our eBay shop
- 8GB Upgrade available for £50 GBP.
160GB SATA Hard Drive
- 1TB systems available in our eBay shop
- 1TB Upgrade available for £80 GBP
On-Board SATA RAID Controller - Raid 0 & 1
Brand New XFX ATI HD5450 1GB GDDR3 Gaming Graphics Card
- (2GB with Hyper-Memory!!)
DVD-ROM Optical Drive
Genuine Windows XP Professional Installed
All of these machines are identical. We currently have a large quantity of HP workstations in stock with various specifications, for further details please or bulk purchasing enquries please feel free to call us on 01254 878801.
Software:
This machine is sold with Genuine Microsoft XP Professional (32-Bit) pre-install with the latest Microsoft updates. The machine is fully broadband ready with on-board Ethernet Connection.
Also installed is Open Office (Micrsoft Office compatible), FoxIT PDF Reader, Google Chrome, FireFox and Microsoft Security Essentials (Anti-Virus), so the machine is fully loaded and ready to run.
Please Note: Windows XP is a 32-bit operating system and is limited to 3.5GB RAM. This is not a system fault, but simply a restriction of the operating system.
This system is of course easily capable of running the latest Windows 7 64-Bit!!!
Graphics & Video:
This HP workstation is sold with a Brand New ATI HD5450 1GB DDR3 Graphics Card for use with the latest games and video software. Capable of playing online games as ‘The Sims 3’ and ‘World of War craft’. Perfect for HD Entertainment, photo, 3D image and movie editing. This card enables the amazing entertainment experience, provides the best performance in its class. Full support for the latest Microsoft DirectX11 which enables real-time rendering and latest Shader Model/OpenGL, with ultra-realistic characters and incredible 3D imagery.
Manufacturer Description:
Bringing powerful, intelligently engineered workstations to power users who demand IT that performs – with uncompromising graphics and speed. HP Workstations are easy-to-buy, quick-to-deploy and simple-to-maintain solutions that support businesses, grow with complex needs and anticipate challenges.
The HP xw6200 is designed around Intel's E7525 new generation chipset for Intel Xeon® processors which supports dual-processing, an 800 MHz system bus (6.4 GB/sec bandwidth) and a dual channel DDR-2 400MHz ECC memory. New Intel Xeon® processors feature an expanded 2MB cache putting increased power and efficiency behind demanding applications.
As one of the smallest dual-processor design forms in the industry, this rack mountable minitower fits neatly into cramped workspaces such as financial traders’ desks. The space-saving design also features a tool-less chassis for easier upgrades and maintenance. Supporting 8 USB ports, 6 slots, 1 PCIe (x16) graphics slot, 4 legacy PCI slots, internal and external bays, the HP xw6200 can expand to meet specific power user requirements.
The HP xw6200 supports up to eight monitors, allowing large amounts of data to be viewed from multiple sources. Without the need to toggle between applications on screen users can stay in control and in touch with their data and designs.
Intel’s processor portfolio offers investment protection value as a transition tool to 64-bit computing — 32-bit applications run at full performance on an architecture that is also capable of supporting 64-bit operating systems and applications.
Featuring PCIe (x16) graphics interface, the xw6200 provides four times the total peak bandwidth and two times the uni-directional bandwidth of AGP graphics, delivering visual accuracy, image clarity and exceptional professional 2D, to high-end 3D performance.
Peer Value: Advancing the Commons Collaborative Economy was a conference integrating conversations and plans of action for shaping and connecting the Commons on a global level. The conference took place on September 2 & 3 in Amsterdam, The Netherlands. For more information, go to peervalueconf.eu/
Value City Furniture #99 (55,045 square feet)
2720 North Mall Drive, Suite 107, Lynnhaven North, Virginia Beach, VA
This location opened in the early 2000s; it was originally a Roses, which opened in 1985 and closed in summer 1994. It became a Service Merchandise in fall 1994, which closed in spring 1999. The exterior was updated in 2021.
Mixed Cover Crop Experiment Test plot with Full Mix: Radish, Pea, Oat, Safflower, Common Vetch, Italian Ryegrass, Purple Top Turnup, and Camelina. Used in experiment carried out by Montana State University. Taken June 14th 2012.
True Value Hardware (15,000 square feet)
1818 W Innes Street, Ketner Center, Salisbury, NC
This location opened on March 7th, 2016; it was originally the very first Food Town location, which opened on December 12th, 1957. It became a Food Lion in March 1983, which relocated here in 1991.
The search for new ideals characterizes our generation. But which values and virtues are still relevant today - religious, moral, spiritual or personal?
The 2013 Trend Diary presents design projects exploring the theme of values.
Why a Trend Diary dealing with values? We feel that in the course of the change instigated by the digital revolution, our view of a clearly defined, shared value system is increasingly fading. While design for "material values" is loud and ever-present, ethical values that paint a picture of belief, family, virtues and moral ideals are drowning in the modern media excess.
What´s in the trend diary? The Trend Diary, in the format of a desk calendar, assembles inspiring works of design by 53 designers of different cultures. Design that conveys values in message and function, provides guidance or aids us in our quest for meaning. Design that shows us that values are the most valuable thing we possess.
In keeping with the trend set by previous award-winning issues from the EIGA Trend Diary series, the publication showcases a special focus on experimental typography and groundbreaking graphic design. The designers at EIGA have developed a unique typeface whose characters are composed of continually rearranging elements – just like society’s understanding of shared values. Furthermore each calendar week features an individual composition corresponding to the designer’s contributions while still following a consistent overall design principle.
The cultural background. Design has been a guide and bearer of standards and values in all cultures from time immemorial. This is evidenced by the codex the Mesopotamians hewed in stone in the 18th century BC, by the awe-inspiring illumination of European Bible manuscripts in the Middle Ages or by the Bauhaus school's function-driven approach to design. Utilizing any given era's media toolbox, design brings the ideals and moral values of society to the surface.
Fact and figures. The Trend Diary was initiated by EIGA, a Hamburg-based design office, and published by NBVD. The production enjoys support from well-known partners in fine paper, printing and print finishing. 53 designers are given a special platform in the form of a weekly motive in the exclusive design calendar.
True Value (12,600 square feet)
4914 George Washington Memorial Highway, Yorktown, VA
This location opened in spring 1977. It was damaged by fire on April 17th, 2002, which caused the store to temporarily operate out of here. After rebuilding, they moved back here in April 2003.
Picture taken 8/9/21
Please contact me via FlickrMail
or on Gmail
if you'd like to use any of my photographs.
Gmail: gabegamesog@gmail.com
20 May 2019 - OECD Forum : Values, ethics & collective intelligence in the age of AI.
Moderator
Gareth Mitchell, Presenter, BBC Click
Speakers
Gluckman, Chair of the International Network for Government Science Advice, New Zealand
Ann Mettler, Head, European Political Strategy Centre
Geoff Mulgan, Author, Big Mind: How Collective Intelligence Can Change Our World; Chief Executive, NESTA, United Kingdom
Eric Salobir, Head, Optic
Pallaw Sharma, Senior Vice President, Digital and Data Science, Johnson & Johnson
Jess Whittlestone, Research Associate, Centre for the Future of Intelligence, Cambridge University, United Kingdom
Closing
Andreas Schleicher, Director, Education and Skills; Special Advisor on Education Policy to the Secretary-General, OECD
OECD Headquarters, Paris, France
Photo : OECD / Maud Bernos
Dulaang UP's SHOCK VALUE opens on September 15 at the Wilfrido Ma. Guerrero Theater.
Written by Floy Quintos
Directed by Alexander Cortez
Choreographed by Dexter Santos
Featuring Andoy Ranay, Jojit Lorenzo, Ana Abad Santos, Mylene Dizon, Frances Makil Ignacio, Stella Canete, John Sweet Lapus, Jomari Jose, Dexter Santos, Arkel Mendoza, Mitoy Sta. Ana, Joel Saracho and the Dulaang UP Ensemble
See you at the Theater :-)
Supplier of black snowboarding pants to the snow sports industry. Wholesale distributor of value-priced snow pants, ski pants and snowboard pants.
The history of the Austrian Museum of Applied Art/Contemporary Art
1863 / After many years of efforts by Rudolf Eitelberger decides emperor Franz Joseph I on 7 March on the initiative of his uncle archduke Rainer, following the model of the in 1852 founded South Kensington Museum (now the Victoria and Albert Museum, London) the establishment of the "k.u.k. Austrian Museum for Art and Industry" and appoints Rudolf von Eitelberger, the first professor of art history at the University of Vienna director. The museum should be serving as a specimen collection for artists, industrialists, and public and as a training and education center for designers and craftsmen.
1864/ on 12th of May, opened the museum - provisionally in premises of the ball house next to the Vienna Hofburg, the architect Heinrich von Ferstel for museum purposes had adapted. First exhibited objects are loans and donations from the imperial collections, monasteries, private property and from the k.u.k. Polytechnic in Vienna. Reproductions, masters and plaster casts are standing value-neutral next originals.
1865-1897 / The Museum of Art and Industry publishes the journal Communications of Imperial (k.u.k.) Austrian Museum for Art and Industry .
1866 / Due to the lack of space in the ballroom the erection of an own museum building is accelerated. A first project of Rudolf von Eitelberger and Heinrich von Ferstel provides the integration of the museum in the project of imperial museums in front of the Hofburg Imperial Forum. Only after the failure of this project, the site of the former Exerzierfelds (parade ground) of the defense barracks before Stubentor the museum here is assigned, next to the newly created city park at the still being under development Rind Road.
1867 / Theoretical and practical training are combined with the establishment of the School of Applied Arts. This will initially be housed in the old gun factory, Währinger street 11-13/Schwarzspanier street 17, Vienna 9.
1868 / With the construction of the building at Stubenring is started as soon as it is approved by emperor Franz Joseph I. the second draft of Heinrich Ferstel.
1871 / The opening of the building at Stubering takes place after three years of construction, 15 November. Designed according to plans by Heinrich von Ferstel in the Renaissance style, it is the first built museum building at the Ring. Objects from now on could be placed permanently and arranged according to main materials. / / The School of Arts and Crafts (Kunstgewerbeschule) moves into the house at Stubenring. / / Opening of Austrian arts and crafts exhibition.
1873 / Vienna World Exhibition. / / The Museum of Art and Industry and the Vienna School of Arts and Crafts are exhibiting together at Stubenring. / / Rudolf von Eitelberger organizes in the framework of the World Exhibition the worldwide first international art scientific congress in Vienna, thus emphasizing the orientation of the Museum on teaching and research. / / During the World Exhibition major purchases for the museum from funds of the Ministry are made, eg 60 pages of Indo-Persian Journal Mughal manuscript Hamzanama.
1877 / decision on the establishment of taxes for the award of Hoftiteln (court titels). With the collected amounts the local art industry can be promoted. / / The new building of the School of Arts and Crafts, adjoining the museum, Stubenring 3, also designed by Heinrich von Ferstel, is opened.
1878 / participation of the Museum of Art and Industry as well as of the School of Arts and Crafts at the Paris World Exhibition.
1884 / founding of the Vienna Arts and Crafts Association with seat in the museum. Many well-known companies and workshops (led by J. & L. Lobmeyr), personalities and professors of the School of Arts and Crafts join the Arts and Crafts Association. Undertaking of this association is to further develop all creative and executive powers the arts and craft since the 1860s has obtained. For this reason are organized various times changing, open to the public exhibitions at the Imperial Austrian Museum for Art and Industry. The exhibits can also be purchased. These new, generously carried out exhibitions give the club the necessary national and international resonance.
1885 / After the death of Rudolf von Eitelberger, Jacob von Falke, his longtime deputy, is appointed manager. Falke plans all collection areas al well as publications to develop newly and systematically. With his popular publications he influences significantly the interior design style of the historicism in Vienna.
1888 / The Empress Maria Theresa exhibition revives the contemporary discussion with the high Baroque in the history of art and in applied arts in particular.
1895 / end of directorate of Jacob von Falke. Bruno Bucher, longtime curator of the Museum of metal, ceramic and glass, and since 1885 deputy director, is appointed director.
1896 / The Vienna Congress exhibition launches the confrontation with the Empire and Biedermeier style, the sources of inspiration of Viennese Modernism.
1897 / end of the directorate of Bruno Bucher. Arthur von Scala, director of the Imperial Oriental Museum in Vienna since its founding in 1875 (renamed Imperial Austrian Trade Museum 1887), takes over the management of the Museum of Art and Industry. / / Scala wins Otto Wagner, Felician of Myrbach, Koloman Moser, Josef Hoffmann and Alfred Roller to work at the museum and School of Arts and Crafts. / / The style of the Secession is crucial for the Arts and Crafts School. Scala propagates the example of the Arts and Crafts Movement and makes appropriate acquisitions for the museum's collection.
1898 / Due to differences between Scala and the Arts and Crafts Association, which sees its influence on the Museum wane, archduke Rainer puts down his function as protector. / / New statutes are written.
1898-1921 / The Museum magazine Art and Crafts replaces the Mittheilungen (Communications) and soon gaines international reputation.
1900 / The administration of Museum and Arts and Crafts School is disconnected.
1904 / The Exhibition of Old Vienna porcelain, the to this day most comprehensive presentation on this topic, brings with the by the Museum in 1867 definitely taken over estate of the "k.u.k. Aerarial Porcelain Manufactory" (Vienna Porcelain Manufactory) important pieces of collectors from all parts of the Habsburg monarchy together.
1907 / The Museum of Art and Industry takes over the majority of the inventories of the Imperial Austrian Trade Museum, including the by Arthur von Scala founded Asia collection and the extensive East Asian collection of Heinrich von Siebold .
1908 / Integration of the Museum of Art and Industry in the Imperial and Royal Ministry of Public Works.
1909 / separation of Museum and Arts and Crafts School, the latter remains subordinated to the Ministry of Culture and Education. / / After three years of construction, the according to plans of Ludwig Baumann extension building of the museum (now Weiskirchnerstraße 3, Wien 1) is opened. The museum thereby receives rooms for special and permanent exhibitions. / / Arthur von Scala retires, Eduard Leisching follows him as director. / / Revision of the statutes.
1909 / Archduke Carl exhibition. For the centenary of the Battle of Aspern. / / The Biedermeier style is discussed in exhibitions and art and arts and crafts.
1914 / Exhibition of works by the Austrian Art Industry from 1850 to 1914, a competitive exhibition that highlights, among other things, the role model of the museum for arts and crafts in the fifty years of its existence.
1919 / After the founding of the First Republic it comes to assignments of former imperial possession to the museum, for example, of oriental carpets that are shown in an exhibition in 1920. The Museum now has one of the finest collections of oriental carpets worldwide.
1920 / As part of the reform of museums of the First Republic, the collection areas are delimited. The Antiquities Collection of the Museum of Art and Industry is given away to the Museum of Art History.
1922 / The exhibition of glasses of classicism, the Empire and Biedermeier time offers with precious objects from the museum and private collections an overview of the art of glassmaking from the former Austro-Hungarian Empire. / / Biedermeier glass serves as a model for contemporary glass production and designs, such as of Josef Hoffmann.
1922 / affiliation of the museal inventory of the royal table and silver collection to the museum. Until the institutional separation the former imperial household and table decoration is co-managed by the Museum of Art and Industry and is inventoried for the first time by Richard Ernst.
1925 / After the end of the directorate of Eduard Leisching, Hermann Trenkwald is appointed director.
1926 / The exhibition Gothic in Austria gives a first comprehensive overview of the Austrian panel painting and of arts and crafts of the 12th to 16th Century.
1927 / August Schestag succeeds Hermann Trenkwald as director.
1930 / The Werkbund (artists' organization) Exhibition Vienna, a first comprehensive presentation of the Austrian Werkbund, takes place on the occasion of the meeting of the Deutscher (German) Werkbund in Austria, it is organized by Josef Hoffmann in collaboration with Oskar Strnad, Josef Frank, Ernst Lichtblau and Clemens Holzmeister.
1931 / August Schestag concludes his directorate.
1932 / Richard Ernst is new director.
1936 and 1940 / In exchange with the Kunsthistorisches Museum (Museum of Art History), the museum at Stubenring gives away part of the sculptures and takes over arts and crafts inventories of the collection Albert Figdor and the Kunsthistorisches Museum.
1937 / The Collection of the Museum of Art and Industry is newly set up by Richard Ernst according to periods. / / Oskar Kokoschka exhibition on the 50th birthday of the artist.
1938 / After the "Anschluss" (annexation) of Austria by Nazi Germany, the museum is renamed into "National Museum of Arts and Crafts in Vienna".
1939-1945 / The museums are taking over numerous confiscated private collections. The collection of the "State Museum of Arts and Crafts in Vienna" in this way also is enlarged.
1945 / Partial destruction of the museum building by impact of war. / / War losses on collection objects, even in the places of rescue of objects.
1946 / The return of the outsourced objects of art begins. A portion of the during the Nazi time expropriated objects is returned in the following years.
1947 / The "State Museum of Arts and Crafts in Vienna" is renamed into "Austrian Museum of Applied Arts".
1948 / The "Cathedral and Metropolitan Church of St. Stephen" organizes the exhibition The St. Stephen's Cathedral in the Museum of Applied Arts. History, monuments, reconstruction.
1949 / The Museum is reopened after repair of the war damages.
1950 / As last exhibition under director Richard Ernst takes place Great art from Austria's monasteries (Middle Ages).
1951 / Ignaz Schlosser is appointed manager.
1952 / The exhibition Social home decor, designed by Franz Schuster, makes the development of social housing in Vienna again the topic of the Museum of Applied Arts.
1955 / The comprehensive archive of the Wiener Werkstätte (workshop) is acquired.
1955-1985 / The Museum publishes the periodical ancient and modern art .
1956 / Exhibition New Form from Denmark, modern design from Scandinavia becomes topic of the museum and model.
1957 / On the occasion of the exhibition Venini Murano glass, the first presentation of Venini glass in Austria, there are significant purchases and donations for the collection of glass.
1958 / End of the directorate of Ignaz Schlosser
1959 / Viktor Griesmaier is appointed as new director.
1960 / Exhibition Artistic creation and mass production of Gustavsberg, Sweden. Role model of Swedish design for the Austrian art and crafts.
1963 / For the first time in Europe, in the context of a comprehensive exhibition art treasures from Iran are shown.
1964 / The exhibition Vienna around 1900 (organised by the Cultural Department of the City of Vienna) presents for the frist time after the Second World War, inter alia, arts and crafts of Art Nouveau. / / It is started with the systematic work off of the archive of the Wiener Werkstätte. / / On the occasion of the founding anniversary offers the exhibition 100 years Austrian Museum of Applied Arts using examples of historicism insights into the collection.
1965 / The Geymüllerschlössel (small castle) is as a branch of the Museum angegliedert (annexed). Simultaneously with the building came the important collection of Franz Sobek - old Viennese clocks, made between 1760 and the second half of the 19th Century - and furniture from the years 1800 to 1840 in the possession of the MAK.
1966 / In the exhibition Selection 66 selected items of modern Austrian interior designers (male and female ones) are brought together.
1967 / The Exhibition The Wiener Werkstätte. Modern Arts and Crafts from 1903 to 1932 is founding the boom that continues until today of Austria's most important design project in the 20th Century.
1968 / To Viktor Griesmaier follows Wilhelm Mrazek as director.
1969 / The exhibition Sitting 69 shows at the international modernism oriented positions of Austrian designers, inter alia by Hans Hollein.
1974 / For the first time outside of China Archaeological Finds of the People's Republic of China are shown in a traveling exhibition in the so-called Western world.
1979 / Gerhart Egger is appointed director.
1980 / The exhibition New Living. Viennese interior design 1918-1938 provides the first comprehensive presentation of the spatial art in Vienna during the interwar period.
1981 / Herbert Fux follows Gerhart Egger as director.
1984 / Ludwig Neustift is appointed interim director. / / Exhibition Achille Castiglioni: designer. First exhibition of the Italian designer in Austria
1986 / Peter Noever is appointed director and starts with the building up of the collection contemporary art.
1987 / Josef Hoffmann. Ornament between hope and crime is the first comprehensive exhibition on the work of the architect and designer.
1989-1993 / General renovation of the old buildings and construction of a two-storey underground storeroom and a connecting tract. A generous deposit for the collection and additional exhibit spaces arise.
1989 / Exhibition Carlo Scarpa. The other city, the first comprehensive exhibition on the work of the architect outside Italy.
1990 / exhibition Hidden impressions. Japonisme in Vienna 1870-1930, first exhibition on the theme of the Japanese influence on the Viennese Modernism.
1991 / exhibition Donald Judd Architecture, first major presentation of the artist in Austria.
1992 / Magdalena Jetelová domestication of a pyramid (installation in the MAK portico).
1993 / The permanent collection is newly put up, interventions of internationally recognized artists (Barbara Bloom, Eichinger oder Knechtl, Günther Förg, GANGART, Franz Graf, Jenny Holzer, Donald Judd, Peter Noever, Manfred Wakolbinger and Heimo Zobernig) update the prospects, in the sense of "Tradition and Experiment". The halls on Stubenring accommodate furthermore the study collection and the temporary exhibitions of contemporary artists reserved gallery. The building in the Weiskirchner street is dedicated to changing exhibitions. / / The opening exhibition Vito Acconci. The City Inside Us shows a room installation by New York artist.
1994 / The Gefechtsturm (defence tower) Arenbergpark becomes branch of the MAK. / / Start of the cooperation MAK/MUAR - Schusev State Museum of Architecture Moscow. / / Ilya Kabakov: The Red Wagon (installation on MAK terrace plateau).
1995 / The MAK founds the branch of MAK Center for Art and Architecture in Los Angeles, in the Schindler House and at the Mackey Apartments, MAK Artists and Architects-in-Residence Program starts in October 1995. / / Exhibition Sergei Bugaev Africa: Krimania.
1996 / For the exhibition Philip Johnson: Turning Point designs the American doyen of architectural designing the sculpture "Viennese Trio", which is located since 1998 at the Franz-Josefs-Kai/Schottenring.
1998 / The for the exhibition James Turrell. The other Horizon designed Skyspace today stands in the garden of MAK Expositur Geymüllerschlössel. / / Overcoming the utility. Dagobert Peche and the Wiener Werkstätte, the first comprehensive biography of the work of the designer of Wiener Werkstätte after the Second World War.
1999 / Due to the Restitution Act and the Provenance Research from now on numerous during the Nazi time confiscated objects are returned.
2000 / Outsourcing of Federal Museums, transformation of the museum into a "scientific institution under public law". / / The exhibition Art and Industry. The beginnings of the Austrian Museum of Applied Arts in Vienna is dealing with the founding history of the house and the collection.
2001 / In the course of the exhibition Franz West: No Mercy, for which the sculptor and installation artist developed his hitherto most extensive work, the "Four lemurs heads" are placed at the bridge Stubenbrücke, located next to the MAK. / / Dennis Hopper: A System of Moments.
2001-2002 / The CAT Project - Contemporary Art Tower after New York, Los Angeles, Moscow and Berlin is presented in Vienna.
2002 / Exhibition Nodes. symmetrical-asymmetrical. The historical Oriental Carpets of the MAK presents the extensive rug collection.
2003 / Exhibition Zaha Hadid. Architecture. / / For the anniversary of the artist workshop, takes place the exhibition The Price of Beauty. 100 years Wiener Werkstätte. / / Richard Artschwager: The Hydraulic Door Check. Sculpture, painting, drawing.
2004 / James Turrell's MAKlite is since November 2004 permanently on the facade of the building installed. / / Exhibition Peter Eisenmann. Barefoot on White-Hot Walls, large-scaled architectural installation on the work of the influential American architect and theorist.
2005 / Atelier Van Lieshout: The Disciplinator / / The exhibition Ukiyo-e Reloaded presents for the first time the collection of Japanese woodblock prints of the MAK on a large scale.
2006 / Since the beginning of the year, the birthplace of Josef Hoffmann in Brtnice of the Moravian Gallery in Brno and the MAK Vienna as a joint branch is run and presents annually special exhibitions. / / The exhibition The Price of Beauty. The Wiener Werkstätte and the Stoclet House brings the objects of the Wiener Werkstätte to Brussels. / / Exhibition Jenny Holzer: XX.
2007/2008 / Exhibition Coop Himmelb(l)au. Beyond the Blue, is the hitherto largest and most comprehensive museal presentation of the global team of architects.
2008 / The 1936 according to plans of Rudolph M. Schindler built Fitzpatrick-Leland House, a generous gift from Russ Leland to the MAK Center LA, becomes with the aid of a promotion that granted the Bureau of Educational and Cultural Affairs of the U.S. Department the MAK Center, center of the MAK UFI project - MAK Urban Future Initiative. / / Julian Opie: Recent Works / / The exhibition Recollecting. Looting and Restitution examines the status of efforts to restitute expropriated objects from Jewish property from museums in Vienna.
2009 / The permanent exhibition Josef Hoffmann: Inspiration is in the Josef Hoffmann Museum, Brtnice opened. / / Exhibition Anish Kapoor. Shooting into the Corner / / The museum sees itself as a promoter of Cultural Interchange and discusses in the exhibition Global:lab Art as a message. Asia and Europe 1500-1700 the intercultural as well as the intercontinental cultural exchange based on objects from the MAK and from international collections.
2011 / After Peter Noever's resignation, Martina Kandeler-Fritsch takes over temporarily the management. / /
Since 1 September Christoph Thun-Hohenstein is director of the MAK and declares "change through applied art" as the new theme of the museum.
2012 / With future-oriented examples of mobility, health, education, communication, work and leisure, shows the exhibition MADE4YOU. Designing for Change, the new commitment to positive change in our society through applied art. // Exhibition series MAK DESIGN SALON opens the MAK branch Geymüllerschlössel for contemporary design positions.
2012/2013 / opening of the newly designed MAK Collection Vienna 1900. Design / Decorative Arts from 1890 to 1938 in two stages as a prelude to the gradual transformation of the permanent collection under director Christoph Thun-Hohenstein
2013 / SIGNS, CAUGHT IN WONDER. Looking for Istanbul today shows a unique, current snapshot of contemporary art production in the context of Istanbul. // The potential of East Asian countries as catalysts for a socially and ecologically oriented, visionary architecture explores the architecture exhibition EASTERN PROMISES. Contemporary Architecture and production of space in East Asia. // With a focus on the field of furniture design NOMADIC FURNITURE 3.0. examines new living without bounds? the between subculture and mainstream to locate "do-it-yourself" (DIY) movement for the first time in a historical context.
2014 / Anniversary year 150 years MAK // opening of the permanent exhibition of the MAK Asia. China - Japan - Korea // Opening of the MAK permanent exhibition rugs // As central anniversary project opens the dynamic MAK DESIGN LABORATORY (redesign of the MAK Study Collection) exactly on the 150th anniversary of the museum on May 12, 2014 // Other major projects for the anniversary: ROLE MODELS. MAK 150 years: from arts and crafts to design // // HOLLEIN WAYS OF MODERN AGE. Josef Hoffmann, Adolf Loos and the consequences.