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Two male Mallards just chilling in the evening at North Point. The colorful males have changed from their showy breeding colors to the more drab brown colors of the winter plumage.
Still, if you look closely on the head of the mallard to the right, some of the green color is just visible yet...
DSC7320
I haven’t been able to go out and work on my night time series for the past several weeks. But my camera still calls to me, so I’ve returned to the studio, so to speak, to shoot flowers. I decided to use light painting. The result is really an eclectic mix of styles. Each day, I ran with whatever idea came to me, and improvised as I went along. So this is more an odds and sods collection than a series of thematically connected images. There has been a lot of discards along the way, but enough keepers to start posting. It is keeping me engaged, and I hope to soon get back out under night skies.
For a look at them as a collection, check out, Flowers & Light Painting
Gouthwaite.
Pately Bridge.
Crappy old Ricoh 500G with grass in the viewfinder.
The first shot on a roll of Ilford FP4 at iso 250.
Developed with Ilfotec stopped and fixed then and hung above a bath after the missus had showered.
Walked the Dog.
Had a beer.
a few more.
Went to bed. Next day, scanned Neg.
Given pretentious sepia tone.
Zzzzz
I have disabled the comments, but want to thank everyone that stopped to take a look...
Enjoy the day and weekend...
Gold-marked thread-waisted wasps atop a Wild goldenglow blossom. Nature neither looks away nor blushes, it gets on with the business.
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Two hours old, born in the shade
Pines, poplars, and dogwoods.
A perfect spring morning.
The sun rising over the mountains.
Mother washing her labor of love.
Heifer, in a greedy first feed.
April at the Farm Series
This shot was taken with the same old Leica lens that I used for the shot of St Paul's Cathedral that I posted a few days back. It's a 90mm lens but when I adapt it to use on my Olympus Micro 4/3s camera, with it's crop sensor, it effectively becomes a 180mm lens. Using a telephoto lens that long will inevitably introduce a lot of compression into an image and you see that phenomenon very clearly here. The chimney tower on the right, which stands on top of the Tate Modern museum, is approximately 250 meters away. Meanwhile the slightly taller Shard building on the left is approximately 1100 meters away (distances measured in Google maps). The Shard is 306 meters high, the Tate chimney tower is 99 meters high.
an old but unforgettable photo i did in Sabie Sands, 14th august 2015 .
at sunset time a beautiful young leopard (panthera pardus) male
called "Quarantine" climbed the termite mound next to us and
started watching the sunset.
then he decided to get up and leave.
the scene was too close for my camera lens so i decided to use my smartphone.
a now very old Samsung Note4 did his job .
the rangers were very surprised by this shot and they asked me a copy of the photo.
Quarantine is now a dominant male in sabie sands, this shot is in the ranger office.
"two icons" leopard and african sunset
sabie sands ,South Africa
iso40 4.8mm f2.2 1/310sec made by note4