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A cartoon remembering cruel attacks may happen down there... Any way, one can doubt on the efficacy of implementing this kind of old fashion distributed personal big brother is watching you method. In the same idea, an ad was promoting you can take a course and train yourself as a volunteer policeman if you like.
Images from the two night dinner event for Trust America with Jeb Bush. Joel Silverman Photography, serving the Denver Metro area.
Kedleston Hall, Derbyshire, 1758-65.
The National Trust.
By Matthew Brettingham (1699-1769), James Paine (1717-1789) & Robert Adam (1728-1792).
Interiors complete by the 1780s.
For Nathaniel Curzon, 1st Baron Scarsdale (1726-1804).
Grade l listed.
Caesars' Hall - Fireplace.
Caesars' Hall.
This lower entrance hall was often used for estate staff parties, local people and tradesmen, as well as being the normal entrance for the family to get to their domestic wing of the property.
The Doric style columns support the upper floor – the 16 thicker ones are the original supporting columns with the 12 thinner columns added in the 19th Century.
Fireplace.
The fireplaces in Caesars' Hall were designed more for aesthetic purposes than practical ones for the heating was through the use of floor vents and grills. The fireplaces were carved by a local Derby mason, George Moneypenny, and designed by Robert Adam's previous draughtsman George Richardson.
The Caesars.
workshop of Matthew Brettingham the younger (1725-1803)
Bronzed plaster, c1758-69, probably cast in Britain after the antique. A set of nine plaster busts of the Caesars, 'bronzed' (painted to look like bronze), installed in the eponymous Caesar's Hall.
Kedleston Hall is an extravagant temple to the arts. Commissioned in the 1750s by Nathaniel Curzon whose ancestors had resided at Kedleston since the 12th century. The house is framed by historic parkland and boasts opulent interiors intended to impress.
Designed for lavish entertaining, Kedleston Hall displays an extensive collection of paintings, sculpture and original furnishings, reflecting both the tastes of its creators and their fascination with the classical world of the Roman Empire.
Inherited by George Nathaniel Curzon, Viceroy of India between 1899 and 1905, the hall also houses the many objects he amassed during his travels in South Asia and the Middle East, and in his role leading British rule in India.
Images from the two night dinner event for Trust America with Jeb Bush. Joel Silverman Photography, serving the Denver Metro area.
Country seat of the first Lord Armstrong. Built on a 14,000 acre site on the east side of the Debdon Burn valley near Rothbury. Original house of 1864 transformed by Norman Shaw in three periods of work, 1870-2, 1872-7 and 1883-5. The first house in the world to be lit by hydroelectric power. Morning Room
Glorious sunshine poured upon equally glorious gardens at #NationalTrust Hinton Ampner Gardens today
Or it could be a Small Skipper (T. sylvestris)
Whatever it is, photographed in Lion Creek Nature Reserve
Hardwick Hall, Derbyshire, 1590-97.
Probably by Robert Smythson (1535-1614).
For Elizabeth, Countess of Shrewsbury - Bess of Hardwick (1527-1608).
Grade l listed.
The Long Gallery.
Hardwick was home to Bess of Hardwick (1527-1608), one of the most formidable women of Elizabethan England. She was the matriarch of the Cavendish family, building Chatsworth with her second husband and returning to build the two great halls at Hardwick after her separation from her fourth husband the 6th Earl of Shrewsbury.
Images from the two night dinner event for Trust America with Jeb Bush. Joel Silverman Photography, serving the Denver Metro area.
Kedleston Hall, Derbyshire, 1758-65.
The National Trust.
By Matthew Brettingham (1699-1769), James Paine (1717-1789) & Robert Adam (1728-1792).
Interiors complete by the 1780s.
For Nathaniel Curzon, 1st Baron Scarsdale (1726-1804).
Grade l listed.
The Marble Hall.
Urania.
Workshop of Matthew Brettingham the younger (1725-1803).
Painted plaster, 1758.
In the niches of the walls are plaster cast copies of classical marble statues which were acquired in 1757-58. The casts are part of the collection formed by Sir Nathaniel Curzon before the house was built, and around which the chief Interiors were originally planned. There are duplicates within this display, with the 'Dancing Faun' and 'Medici Venus' featuring on either side of the Marble Hall, both of which were acquired second-hand by Curzon.
Kedleston Hall is an extravagant temple to the arts. Commissioned in the 1750s by Nathaniel Curzon whose ancestors had resided at Kedleston since the 12th century. The house is framed by historic parkland and boasts opulent interiors intended to impress.
Designed for lavish entertaining, Kedleston Hall displays an extensive collection of paintings, sculpture and original furnishings, reflecting both the tastes of its creators and their fascination with the classical world of the Roman Empire.
Inherited by George Nathaniel Curzon, Viceroy of India between 1899 and 1905, the hall also houses the many objects he amassed during his travels in South Asia and the Middle East, and in his role leading British rule in India.