View allAll Photos Tagged trusting

All the butterflies at the Butterfly Farm are so tame! This little beauty stayed on my hand for a good 3 mins whilst I slowly walked around the huge green house.

 

Location: Butterfly Farm, Stratford Upon Avon.

Taken with: Lumix- DMC-G2

Edited with: Photoshop CS2

Verbena bonariensis with a backdrop of the front wall of The Vyne (National Trust)

Festival Rétro c Trop 2018 [ Tilloloy - Fr ]

Taken at Nostell Priory (National Trust) near Wakefield

http://maps.secondlife.com/secondlife/Trust/177/165/3002

Shot with Nikon D700 and 24-85mm Nikkor © Craig Richardson 2011. All rights reserved.

well :] i was bored so i decided to make this oh so depressing desktop, which btw IS my new desktop :D yay me.

Photo credits: José Antero Almeida

Chicago, IL

Rowallane gardens - National trust

Trust me, my old friends are all tall guys, so they made me so short!

the halo trust kosovo Shared via #Fotor

The walls are covered in aluminium foil! How weird is that?

Planet Piece Series explores concerns about our exquisite and fragile planet raising questions of where we place our trust, how we allow our resources to be carved up and depleted and where our responsibility lies in these decisions.

catch up on some candids taken on the 18th of august

Felbrigg Hall, Norfolk.

The National Trust.

Grade l listed.

The Great Hall - South Bay Window - detail.

Glass amassed in the mid 19th century by William Howe Windham (1802-1854).

 

William Howe Windham had the four windows of the Great Hall of the south wing fitted out in 1840 with a collection of medieval, Renaissance and nineteenth-century glass which was installed by John Dixon of Norwich.

 

One of the finest 17th-century houses in Norfolk, Felbrigg Hall was the home of the Windham family and its successors for 300 years. The house itself has a distinguished and varied pedigree. The Jacobean entrance front, built mainly in 1620, is attributed to Robert Lyminge (d1628). A west wing was added in 1674-86 to the designs of William Samwell (1628-1676), with interior plasterwork by Edward Goudge. In 1751-56 the Palladian architect James Paine (1717-1789) designed a service wing, Gothic library, staircase and several rooms, with interior decoration by Joseph Rose (1745-1799). In 1840, the great hall was remodelled in a neo-Jacobean style by John Chessell Buckler (1793-1884) and George Buckler (1811-1886).

 

in the backyard I used to play in as a child.

A rather smart stairway to the Gallery

Stowe Landscape Gardens, Buckinghamshire.

The National Trust.

 

Left - Congreve's Monument, 1736.

By William Kent (1685-1748).

For Richard Temple, 1st Viscount Cobham (1675-1749).

Grade l listed.

 

A memorial to William Congreve, the playwright. It is in the form of a pyramid with an urn carved on one side with Apollo's head, pan pipes and masks of comedy and tragedy; the truncated pyramid supports the sculpture of an ape looking at itself in a mirror. , the playwright. It stands on a small island in the Octagon Lake.

 

Right - The Pebble Alcove.

By William Kent (1685-1748).

For Richard Temple, 1st Viscount Cobham (1675-1749).

Grade ll* listed.

 

Built of stone before 1739. It takes the form of an exedra enclosed by a stone work surmounted by a pediment. The exedra is decorated with coloured pebbles, including the family coat of arms below which is the Temple family motto TEMPLA QUAM DELECTA (How Beautiful are thy Temples).

   

Calke Abbey, Derbyshire.

The National Trust.

Grade l listed.

Butler's Pantry.

Fireplace by Longden & Co, Sheffield.

Detail.

 

With peeling paintwork and overgrown courtyards, Calke Abbey tells the story of the dramatic decline of a country house estate. The house and stables are little restored, with many abandoned areas vividly portraying a period in the 20th century when numerous country houses did not survive to tell their story.

 

The site was an Augustinian priory from the 12th century until its dissolution by Henry VIII. The present building, named Calke Abbey in 1808, was never actually an abbey, but is a Baroque mansion built between 1701 and 1704.

 

The house was owned by the Harpur family for nearly 300 years until it was passed to the National Trust in 1985 in lieu of death duties. Today, the house is open to the public and many of its rooms are deliberately displayed in the state of decline in which the house was handed to the Trust.

Trust, DZ Deathrays, and Beat Club performing at the Echo on September 11, 2012

1 2 ••• 74 75 76 77 79