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Opportunity shot, waiting for my bus: very lucky on this one, I targeted him and wait... and wait.... and finally, this gentle gull decided to take off... I pushed fiercely the trigger of my -bad for action shot - little bridge, then immediately went to see the result on the viewer.... which gave me a big smile!
canon eos rebel t1i / ef 28-70 f2.8L / canon speedlite 277t
f/2.8, 1/160, iso400
thanks to my brother flynn for helping with the lighting!
STROBIST INFO
canon speedlite 277t behind casey triggered with npt-04 trigger
Strobist info, Nikon SB 910, 1/6 defused through a small rectangular sofbox hand held just above and slightly to the right of the flower. Triggered with Yongnuo RF-603. The reflective surface is my laptop. I used the cheapest lens I have, the Nikon 28-80mm f3.3 G. It was £50 off ebay ; )
Dragon Age: Inquisition - Downsampled from ~20 MP, hotsampling! using SRWE; HattiWatti's Cinematic Tools, fog edit, freecam, and hide HUD; timestop; IDK's AR Unlocker for cutscenes and CT for henchmen coordinates; my own ReShade config (also available on Nexus)
Base B8301786
Camera 4 (X8111597)
Text 1: Two Pines Plot
Battery Level: 100%
Pics on camera: 2
camera4/p_000981.jpg: PIR Trigger
Lighting info:
Fujifilm X100T, 1/500 at ƒ/11, ISO 200.
Cactus RF60 handheld above subject, zoomed to 105mm.
Triggered by Cactus V6.
- Sun used as key light, camera left
- Cactus AF45 @ 1/4th power, camera right, for fill, shot into white shoot-through umbrella (the white umbrella doubled as a reflector)
- Triggered via Cactus V4.
- TRIGGERED - Lami Dress FATPACK
♥ 16 Colors + 4 Patterns for FATPACK
♥ You can color the Dress, Sleeves, & bow separately.
♥ Comes with Alpha.
♡ Body Compatibility:
✿ Legacy + Perky
✿ Ebody Reborn + Waifu
- TRIGGERED - Stockings & Heels FATPACK
♥ 16 Colors _+ 4 Patterns for FATPACK.
♥ Color options for Left & Right stocking along with Bow & Tassel, Fur (on shoe) Platform Main, & Platform Part.
♥ On & Off Options for Bow & Tassel / Stocking L / And Stocking R
♡ Body Compatibility:
✿ Legacy
✿ Ebody Reborn
- TRIGGERED - Lami Wings FATPACK
✿ 16 Color Options
Your Taxi for All ----->
Devil May Cry 5
• Camera tools by OtisInf, HattiWatti and K-putt (free camera, timestop, resolution scaling)
• ReShade 4
• Mods
• SRWE
The awesome people from Miops sent me their Smart Trigger for review. It's a Sound,Laser,Lightning, DIY, Scenario, HDR, etcc.... trigger!
You can check out the review here:
petapixel.com/2016/03/21/review-miops-smart-trigger-makes...
Strobist info:
YN460II speedlight thru bigmama subject right @1/4
YN460II with yellow gel back of subject @ 1/4
Strobist ~ Two Lights ~ AB800 & Nikon SB900 w Orange Gel ~ Triggered by Pocketwizards Plus II
After a few years of doing photo-shoots I was able to save up and purchase a full frame camera. So allow me to introduce you to my new camera, the Nikon D3 aka Barry Bonds....lol
Blog Post ~ www.jmorenophoto.com/blog/purchased-a-nikon-d3/
Sylacauga, AL
It's been a few months since I shot this. These guys recorded a full-length, and hit me up to have some promotional photos and album art taken. The name of their album is "Starting Over", and they wanted to shoot in a local elementary school. This is what we came up with.
Canon 5D Mark II with 50mm 1.4
STROBIST:
B800 through 47" octabox, boomed.
B800 bare left.
B800 bare right.
Triggered by Cactus v4's.
Powered by Vagabond II.
Facebook | Twitter | Tumblr | www.GarrettCoyte.com | gcoyte@gmail.com
I'm tinkering with a Godox TT685 off camera in TTL mode, triggered by the X1TN Remote Flash Trigger.
"Portraits - animated & non-static" project for Strobist Sundays.
Strobist: 580EX II @ 1/4 power fired through 43" umbrella camera-left, triggered with RF-602. LumoPro LP120 @ 1/8 power with red gel aimed at rear wall.
Pullback shot of mini desktop light tent. Two strobes with ebay triggers. Set on 10 x 24 inch black plexiglass, black backgroud propped up. 11x17 inch white paper over the top with half inch edges folded under plexiglass. Coroplast grid on the left SB800 strobe to reduce lens flare.
Final image here.
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Have not got any chance to go out for shooting... able to do some Flower shooting only. Also tried a new Metz mecablitz 15 MS-1 digital macro flash which is soo cool.
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September - Divers 2021
Heritage Days 19 September 2021 - KANAL-Centre Pompidou
After the crisis triggered by the 1929 Wall Street Crash, there was a marked revival in the popularity of cars, prompting the major carmakers to move en masse to the centre of Brussels. Thus, Citroen decided to relocate from Saint-Gilles/Sint-Gillis to a much busier site in 1934. For its chosen location in Place de l'Yser/IJzerplein, it opted for an imposing design in a functionalist style, produced by architects Alexis Dumont and Marcel Van Goethem, based on plans drawn up by Andre Citroen. Featuring an aerodynamic roof, the metal-framed modernist building has a surface area of around 40,000 m2, which is bathed in light thanks to its huge glazed facades. Five extra levels subdividing the showroom were added in 1959. Originally, the complex was home to the administrative staff, a large showroom, repair shops, warehouses for spare parts and a service station (on the Quai de Willebroeck/Willebroekkaai side).
The gem that is the Citroen garage was bought in 2015 by the Brussels-Capital Region, which tasked its Urban Development Corporation (SAU-MSI) with developing an international cultural hub. The Kanal Foundation was responsible for implementing the project, in cooperation with the International Centre for the City, Architecture and Landscape (CIVA) and the Centre Pompidou in Paris. The complex, which opened in 2018, is now undergoing a complete makeover, due for completion in 2024. KANAL envisages becoming a major multidisciplinary cultural institution and a centre of exchange open to all, featuring not only a museum of modern and contemporary art and an architecture museum (hence CIVA's involvement), exhibitions and restaurants, but also many multifunctional public spaces - in short, a vibrant place to meet and interact, at the heart of a neighbourhood on the move!
Photos of September 2021
Photos de septembre 2021
( Divers albums de photos prisent en 2021 sans sujet reel.
Various albums of pictures taken in 2021 without real subject. )
I shop too much. These were some of my finds from this weekends sales.
HEAD: lel EvoX MILAN
BODY: REBORN by eBODY
BOOBS: REBORN - Waifus
EARS: :ANDORE: - ears - ELF
BROWS: VELOUR "CRUELLA"
LIPSTICK: VELOUR "LAYLA" LIPSTICK - L.PINK - FADED
SKIN FACE: { Pity Party } Cranberry
SKIN BODY: Picasso Babe Skin for Ebody Reborn (JUICY/BLUSH)
HAIR: :::Phoenix::: Milena Hair
DRESS: DEAD DOLL - Jessica Dress
GLOVES: DEAD DOLL - Jessica Gloves
JEWELRY & ACCESSORIES:
:ANDORE: - :ear-acc: - [F] - Shary [L.E.X]
- TRIGGERED - Vega Glasses
. a i s l i n g . Sylochka RARE
PUNCH / Stem / Clip-On Nose Ring
RAWR! Moana Necklace
LuluB! - Jupiter - Aura - Violet.
What would we do if superheros were realy this dumb????
I was messing around in my garden and took some silly pics! Superman is my favorite superhero and i wanted to combine him with my silly comical mind!
Strobist:
NikonSB700: camera high left, bounced into umbrella 1/4power
NikonSB900: camera right shot 1/8 power threw lumiquest softbox 3
Both triggerd using cactus v4 wireless flash triggers
www.nlindleyphotography.blogspot.com
Twitter: @nlindleyphoto
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Picture above shows a Nikon D800E equipped with Phottix GPS and wireless RF trigger. The back of the camera is equipped with a Hoodman loupe to be able to critically focus using live view on LCD screen. The lens used is a Mamiya 645 Manual Focus A 150mm f/2.8. It is mounted on the camera via a PSA (Panorama Shift Adapter) from the company Zoerk (Zork) custom made to accommodate Mamiya 645 lenses on Nikon F body. The adapter has a tripod mount and can accommodate a L bracket shown here. The whole assembly is mounted via a Novoflex plate (QPL2 in blue color) on an Arca-Swiss compatible tripod head. I used here a clone of the Arca Swiss Cube for maximum flexibility and accuracy of positioning. In the picture above the lens is shifted horizontally to the left of the camera of approximately 10mm. This assembly is no longer a point & click camera but the digital equivalent of the old view camera, designed to meet or exceed the largest Digital medium format output.
The purpose of using a Mamiya lens on Nikon FF body is not just the latest fad to mount third party lenses on a Nikon body. Mamiya 645 lenses are excellent medium format lenses which have a diameter much superior to the 135 format lenses. It allows to take several photos shifted within the diameter of the lens optics. This is made possible because the 75mm diagonal of a 645 medium format lens gives 32mm of additional space (shift) compared to the 43mm diagonal of a 35mm format camera sensor. This is why we can take 3 photos shifted (one with no shit, one shifted left, and one shifted right) and still be within the diameter of the medium format lens. Using this technique the stitching is quasi perfect with no need to crop due to loss of coverage in the upper or lower section of the image, usually created by a a curvy horizon when panning/rotating with a non perfect leveling.
The resulting image that can be produced with this setup is the equivalent of a 80 Mpixel camera depending on the orientation of the D800E sensor vs the direction of shift! Superior resolution, higher ISO and less noise than all the current Digital medium format cameras sold $20000 and more! Yes, it is possible to do it with an investment inferior to $4000 if you count the purchase cost of the D800E. I will concede that the Mamiya 645 lenses, although excellent, will not quite match the performance of the Leica S lenses. Note however that a Leica S lens is usually > $6000 vs a used Mamiya 645 lens (55mm, 80mm) which can be found on ebay for $300 or less!
The German made Zoerk (Zork) adapter is unique as the Mamiya lens is fixed during the shifting: it is the body which moves behind the lens! Unlike most Panorama adapters allowing the rotation through a difficult to find nodal point , the Zork adaper eliminates any parallax issue since the lens is fixed vs the subject. This is particularly useful when you have a near and remote subject aligned with the camera: any rotation outside the nodal point will ruin the alignment and makes the stitching impossible. Therefore the Zork design results in a superior accuracy of the stitching of the photos where technically 2-3 pixels overlap is enough for a perfect stitch. Rotation based Panorama requires usually min 20% overlap to account for distortion/parallax issues, and the final image needs cropping due to curvature movement of the rotation if tripod head is not perfectly leveled.
Another huge benefit of the Zork adapter: it shifts horizontally 20mm with camera sensor in landscape mode. One limitation in vertical shift: the prism/flash housing of the D800 or D800E limits the vertical shift with sensor in landscape position (approx 14mm). It is better than the max shift of a Nikkor PC-E lens (approx 11 mm). With the camera in landscape mode and a vertical shift (up and down) or with the camera in portrait mode and a horizontal shift (left/right) you achieve the biggest file enlargement. With a Nikon PC-E lens a maximum 11mm shift will give you a 92% increase of the photo. With the Zork adapter a full 20mm shift (possible on Canon DLSR and Nikon pro bodies without built-in flash) will provide a 167% enlargement (yes 2.7 the original pixel size!). It means that a 36Mpixel camera like the D800 will provide a 96Mpixel file with the Zork adapter fully shifted. On Nikon bodies with built in flash like the D700 or D800 however the full shift of 20mm is not possible as the flash housing in on the path of the shift. It seems that the shift is limited to 14mm which provides an enlargement of 117% (x2.2 Mpixel increase).
For Panorama shots where the camera orientation must be the same as the direction of the shift (landscape/Horizontal shift or portrait/Vertical shift) the aspect ratio is spectacular but the Mpixel increase is less:
- On a traditional Nikon PC-E lens with 11mm shift, the Mpixel increase is 61% with aspect ratio of 2.4:1
- with the zork adapter using full 20mm shift (possible on all Canon and Nikon DSLR even with the D700/D800), the Mpixel increase is 111% with aspect ratio of 3:1! more information is available at the following link:
www.cambridgeincolour.com/tutorials/tilt-shift-lenses1.htm
Tilt movement is not possible with this adapter and in general with Mamiya 645 lenses tilt can be achieved but you lose the ability to focus at infinity as the registration distance between the rear of the lens and the sensor would be too long with the additional tilt movement.
Although a sturdy design that reflects German engineering, the finish (look) of the adapter looks as a hand made prototype. The demand is not high enough in the market to mass produce this custom made adapter (the model I purchased use only Mamiya 645 MF lenses but the manufacturer can sell you one adapte for Pentax 6x7 or Hasselblad lenses to be mounted on Nikon or Canon bodies).
Cost $750 including the L bracket that allows the adapter to be mounted with flexibility in any position on a tripod head.
more information can be found on the manufacturer website:
I have put a lot of effort to research and understand the Tilt and Shift world which was new to me, and although there are a few books on view cameras, T&S lenses and the Scheimpflug principle, I could not find any practical information on using T&S adapters like Mirex and Zork on Digital cameras, using large diameter Medium Format lenses. Forums seem to provide some partial information with little experience with Nikon DSLR which are less friendly to shifting in the direction of the built-in flash. So I decided to gather all the information I have learned and summarize it in this single post, which you can bookmark or save as a favorite for future reference.
An example of a photo taken with this set-up with explanations how to use Photoshop for Panorama stitching and focus stacking is given in the comments area of this link:
www.flickr.com/photos/episa/8603934110/in/photostream
Final question you may ask and which I already asked myself since I own the Nikkor Micro PC-E 45/2.8: why not use a simple dedicated Tilt and shift lens from Nikon?
It turns out that using a dedicated Nikon PC-E lens is not any easier and still requires to manually focus and fix the exposure manually. A the same time it costs $2000 to get a single T&S lens. With the set-up described in this posting the investment is limited to the adapter ($750) and the Mamiya lens ($300 on ebay for each focal length like 55mm f/2.8N, 80mm f/2.8N, A 150mm f/2.8). Investing in a Nikon PC-E lens makes sense if you use the tilting function for creative effect or as a landscape photographer. But I would argue that using Focus stacking you can achieve an ever better effect than with a Tilt lens if your goal is to achieve maximum depth of field in a landscape or in a macro shot. The real advantage of the PC-E lens remains when you need to reduce the depth of field and create special effects (like miniature rendering, or tilted plane of focus). This becomes a very narrow application mostly for professional photographers who need to sell a unique look in their pictures.
I hope that you found this compilation of data instructive, even eye opening. Let me know if you appreciate the sharing.
Base B8301786
Camera 4 (X8111597)
Text 1: Two Pines Plot
Battery Level: 100%
Pics on camera: 1
camera4/p_000986.jpg: PIR Trigger
first photo in a long time
strobist info
1 speedlite directly above high with umbrella
triggered via skyports
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©ChrisChumbley. Strobist: Nikon D800, 24-70mm, 1 medium-sized softbox powered by a Nikon SB910, trigger by Pocket Wizards.
Strobist=Sb-25 camera right 1/64 power bare. Sb-25 camera right aimed at front of muzzle 1/64 power. Triggered with V2's. Camera triggered by remote.
A test shot with a new sound trigger I got. Makes shots like this a lot easier but still a pain in the butt... Enjoy.
Everyone, scroll down in the comments and find one by Steve Strawn. He is known for shots like this but like a billion times better. He is truly one of my favorite photographers. Go to his gallery now and look at his stuff. It makes this shot almost embarrasing to post. Go. Go go go....
After reading an article about Monopoly pub crawls, it triggered an idea to create a piece of artwork combining all the locations on the board. Over a few of visits between June and August I trundled around London taking images of street signage.
London is great for photography due to its diverse mix of heritage and cutting edge design. I’m a graphic designer by trade so I always keep my eye out, especially the street signs.
Overall I’m pretty happy with the final design, I really enjoyed the process, learning new things about the capital as I went. If anything it was a good excuse to visit new parts of London, which I’d never previously seen.
I just can't resist uploading these Trigger images as she is so full of personality and gets a lot of different expressions with all those wrinkles..