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One from my off-camera flash class.
SB-800 right, SB-800 left in umbrellas. Optical trigger from low power strobe on hot-shoe.
Artista: Trigger The Bloodshed
Evento: Summer Breeze Open Air Festival
Fotografo: Emanuela Giurano
Data: 19 agosto 2011
Città: Dinkelsbuhl (D)
I'm not happy the nose is breaking the cheek line. Editorial or not. I noticed I'm doing it a lot. Must. Correct. Now.
Strobist: 4 lights. The key is camera right, a B400 in a medium softbox, f/8. Fill is another B400 in a large octa, boomed overhead, about 1/2 stop less. There are 2 background lights in reflective umbrellas (a B800 and a B1600), at approximately f/14. Triggered by Pocket Wizards.
PP in LR3/CS5
Strobist: Jessops 360AFD, 28mm, 1/16, trigger by muted onboard flash, hand held above and behind pepper
Today was the first day of the new regime – that being the Monday morning Lichfield to Basildon commute for the week ahead. Aside from a nerve racking moment merging from the crowded M42 onto the M6 (thanks to my lane knowledge) we set off nicely. Bruce did me proud, with plenty of grunt even on the hills. So, Monday morning rush hour was not as bad as expected, but I do need to make up a survival pack of food and drink.
However, whether as a result of a poor night’s sleep or just from the journey itself, work was a bit tough going before lunch as I felt so pooped.
We shall see how long it stays this way though, for however tolerable it may be, the situation is far from ideal.
Still, only four days until I see Cat again.
Testing the sound function of my new HiViz DIY multitrigger kit by popping balloons.
Strobist:
Sigma 500DG Super at subject left, 1/128th power (to keep flash duration as short as possible)
Triggered with HiViz multitrigger on sound mode, mic mounted next to flash
Canon 350d on tripod at ISO 400, aperture f/11, shutter 1 second using remote shutter cable
On January 20, 1973, I drove a car for the first time. It was just a couple of weeks before my 20th birthday, and the car was a Pontiac Ventura operated by driving instructor Arthur Irving. A very small and grainy photo still exists that shows me entering the car to take the driver's seat, with Mr. Irving behind me going around to the passenger side. It doesn't show enough of the car to let me say if it was a 2-door or 4-door model, although the model YEAR is evident from the four-element grille: it was either a 1971 or '72, because styling changed to a more traditional (for Pontiac!) split grille for 1973. Nevertheless, when I saw this '74 Ventura at a car show in Sackville, N.B., it immediately reminded me of my motoring debut all those years ago.
Society of Friends of Music in Vienna
The Society of Friends of Music in Vienna (briefly : Wiener Musikverein) is a traditional club in Vienna to promote musical culture. It was founded in 1812.
(Pictures you can see by clicking on the link at the end of the site!)
Founded Concert 1812
Foundation
On 29 November and 3 December 1812 was performed in the Winter Riding School of the Hofburg the Handel oratorio Timothy. This concert can be considered as a trigger for the founding of the Society of Friends of Music in Vienna. As the founder of the association is Joseph Sonnleithner (1766-1835) then secretary of the imperial Viennese court theater (Burgtheater and Kärntnertortheater). The proceeds of the concert should benefit the newly founded institution. Emperor Franz I donated 1,000 guilders, the net profit amounted to 25,934 florins finally Viennese currency. First office of the company was the Lobkowitz Palace today Lobkowitzplatz.
Goals
According to its statutes, which originated in 1814, is the "Empor renewed progress on music in all its branches" primary purpose of the Company.
The Friends of Music Society reaches(d) this in three ways:
The establishment of a conservatory,
The systematic collection of musicological documents (archive)
Organizing their own concerts.
To date, private commitment of individual members shapes the functioning of the Company. Since January 2000, all editions of the monthly appearing club newspaper "music lovers" on the website of the company are available .
Concerts
On the initiative of Antonio Salieri's first choral activities at the Musikverein go back, for example, also in 1824 at the Vienna initial or first performances of Beethoven's Missa Solemnis and 9th Symphony was involved. After there had been choral concerts of the Association for many years, then in 1858 was the official establishment of the Concert Choir held as a branch association of the Vienna Musikverein. The first principal conductor of the Vienna Singing Society was Johann von Herbeck, directs the choir since 1991, Johannes Prinz.
Musikverein (1831-1870) to the Tuchlauben (home to the Red Hedgehog), first building on the right, then No. 558, now No. 12
First concert hall of the society
1829 , the Company purchased a scoring for Kärnthnerviertl house on the Tuchlauben (home to the Red Hedgehog, rented from 1822, then House # 558, today Tuchlauben 12) with several business offices and apartments, it had the house demolished and gave at Franz Lossl (Site Manager: Carl Högl) by around 88,000 guilders (including equipment) the construction of a three storey new building with a concert hall on the 1st Floor in order. The site was approximately opposite the former Ofenlochgasse, since 1863 Kleeblattgasse. The Brandstätte that time not yet branched of from the Tuchlauben, but was a small place near the St. Stephen's Cathedral.
The festival opening concert of the hall took place on 4 November 1831 instead (then the cholera raged in Vienna). The Musikverein contributed among other things at this location (visitor concerts were still highly popular in the large ball room of the Hofburg ) essentially to the public concert life in Vienna.
The hall proved with 700 seats soon to be too small, but was still used for almost 40 years. 1846 gas lighting was installed. In the upper floors of the Conservatory and the archives of the Society, offices and rehearsal rooms were located.
The Society of Friends of Music in 1870 moved into their new house and sold its first house in the same year. In the subsequent use of it emerged inter alia the Strampfer-Theatre. The building was demolished in 1885.
Vienna Musikverein in 1898
Today's office of the Company
1863, Emperor Franz Joseph I donates the society from the state capital, the area on the bank of the river opposite the Vienna Karlskirche (church). It was on the former glacis of the 1858 demolished city walls around the old town. 1861-1869 emerged near the present-day Vienna State Opera, on the neighboring construction site on the riverbank 1865-1868 the Vienna Künstlerhaus, on the direction of ring road adjacent square 1862-1865 today's Imperial Hotel.
The of Theophil Hansen, who later built the Parliament, designed house, shortened to Vienna Musikverein, was on 6 January 1870 opened with a celebratory concert. That same year, the High Steward of the Emperor, Prince Constantine zu Hohenlohe-Schillingsfürst, was in gratitude for the favor of the imperial court for the new building project appointed as a honorary member of the society.
1869 Carl Heissler was the first conductor of the orchestra of the Society of Friends of Music in Vienna. 187, and 1872 was the Russian composer Anton Rubinstein artistic director of the company. After a short time he was replaced by Johannes Brahms.
Children and Youth Projects
In order to convey the joy of music and access to classical culture children and adolescents, the Friends of Music Society offers a pertinent program: In April 1989, it was the first "Celebration for Children" in all the rooms of the Musikverein building, since the offer has been steadily expanded and now includes more than 150 projects for all ages 3-19 years. The 20-year anniversary of the youth concerts was celebrated with a big party at the Vienna Musikverein in 2009. Symbol of child and youth concerts of the Society of Friends of Music is the concert clown Allegretto.
Artistic performances will be processed in accordance with the relevant age requirements paying particular attention to opportunities for active contribution. These include sing and dance along to the little ones, a gallery of children's drawings on the Internet and artist talks under the slogan "meet the artist" with internationally renowned conductors, soloists and composers for 15- to 19- year-old.
Conservatory of the Society of Music Lovers
The Conservatory was the first public music school in Vienna and was founded in 1819 by the violinist Joseph Böhm. As early as 1818, the Court Kapellmeister Antonio Salieri began to form a singing class. The general musical newspaper wrote here about 7 January 1818: "As the beginning of a newly established Conservatory imparts our worthy Hofkapellm. (chapel masteer) Salieri already to 12 girls and 12 boys gratuitous singing lessons."
On 19 April, the first 24 students of the Conservatory presented themselves in a collective concert of the Friends of Music to the public and sing an A cappella choral of Salieri. The dedication on the autograph reads: "Ringraziamento because farsi alli Benefattori del Conservatorio della musica nazionale inglese dalli primi Ventiquattro allieve dodici Ragazzi e dodici Ragazze, di detto luogo, nella quarta accademia dei dilettanti il giorno 19 Aprile 1818".
In the 19th Century, this facility has been significantly expanded, in the 1890s it had more than 1,000 students and found imitation in Vienna in other such facilities. In 1909, the private institute was to resolution of the emperor as "k.k. Academy of Music and Dramatic Art" nationalized. Thus, it is predecessor of today's University of Music and Performing Arts Vienna.
Archive
The archives of the Society of Friends of Music is one of the most important music collections in the world.
Personalities
Musikverein building of 1870 (2006)
Musikverein building at night
Founder
Joseph Sonnleithner (1766-1835)
Co-Founder
Fanny von Arnstein (1758-1818)
Prince Franz Joseph Maximilian von Lobkowitz (1772-1816) , Major General, art lover and patron
Famous members
Leopold of Sonnleithner (1797-1873), lawyer and music collector
January Václav Voříšek (1791-1825), composer, pianist and organist, as a member in 1818.
Franz Schubert (1797-1828), full member from 12 June 1827
Concert directors
Carl Heissler, lithography by Joseph Kriehuber, 1866
Carl Heissler (1823-1878), Artistic Director 1869-1871
Anton Rubinstein, Artistic Director 1871-1872
Johannes Brahms (1833-1897), concert director 1872-1875
Eduard Schön (1825-1879), Ministerialrat and composer, director in 1870
Johann von Herbeck (1831-1877), conductor and composer
Hans Richter (1843-1916), conductor, director until 1900
Franz Schalk (1863-1931), concert director 1904-1921
Ferdinand Löwe (1865-1925), concert director
Wilhelm Furtwängler (1886-1954), concert director 1921-1927 (jointly with Leopold Reichwein)
Leopold Reichwein (1878-1945), concert director 1921-1927 (together with Wilhelm Furtwängler)
Robert Heger (1886-1978), concert director 1925-1933
Walter Legge (1906-1979), director from 1946
Herbert von Karajan (1908-1989), last concert director 1948-1964
Vice Presidents
Raphael Georg Kiesewetter (1773-1850), privy councillor and musician, vice president 1821-1843
Nikolaus Dumba (1830-1900), industrialist, vice president in 1880
Gustav Ortner (born 1935) , diplomat, vice president since 2001
Directorate members
Heinrich Eduard Josef von Lannoy (1787-1853), conductor and composer, member
Martin Gustav Nottebohm (1817-1882), musicologist and composer, member from 1858
Anthony van Hoboken (1887-1983), musicologist and collector, member since 1957
Brothers Czartoryski, circa 1870
Secretaries
Leopold Alexander Zellner, general secretary in 1880
Botstiber Hugo (1875-1941), secretary and office director 1905-1912
Angyan Thomas (born 1953), general and artistic director since 1988
Archivist
Martin Gustav Nottebohm in 1864
Eusebius Mandyczewski (1857-1929), musicologist and composer, from 1887
Karl Geiringer (1899-1989), musicologist and librarian, 1930-1938
Otto Biba (born 1946), musicologist and director of the archive, since 1979
Testing the sound function of my new HiViz DIY multitrigger kit by popping balloons.
Strobist:
Sigma 500DG Super at subject left, 1/128th power (to keep flash duration as short as possible)
Triggered with HiViz multitrigger on sound mode, mic mounted next to flash
Canon 350d on tripod at ISO 400, aperture f/11, shutter 1 second using remote shutter cable
Another shot with me testing out my new umbrella and light stand. I love it, just like having a big window with natural light pouring in where ever I want it!
Edited using only my Sugarplum Lightroom preset. If you would like to test out my presets before they are released, send me a Flickr mail.
Strobist: Vivitar 825HV on 1/16 power, camera right, up very close to the subject.
Camera-Olympus SP350 p/s
Alien Bees B400 with a Photoflex medium softbox as main, Sunpak 383 with Wein Peanut slave sensor
White foamcore board as fill
All triggered by SP350's build in flash in manual mode.
How could I pass up having an actress in studio for headshots without getting some 'drama' 'fashiony' shots in the last few minutes. Love this girl!
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Camera info:
Canon T1i, Canon EF 135mm f/2L, f/5.0, 1/200s, ISO 100
Strobist Info:
-AlienBee B800 shot through a giant softbox camera right and in front of subject. 5 feet high and 2 feet away from subject. 1/8 Power
-AlienBee B400 shot into a reflective umbrella center and above the camera at subject 8 feet high. 5 feet away from subject. 1/16 Power
-Flash trigged with Cactus V5 triggers
Comments? Crit?
4.28.12
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This girl is my absolute best friend in the world. She probably knows me better than I know myself. Love her to death.
*Under Construction
Camera info:
Canon T1i, Canon EF 85mm f/1.8, f/2.6, 1/160s, ISO 100
Strobist Info:
-AlienBee B800 shot through a white umbrella camera left and in front of subject. 5 feet high and 2 feet away from subject. 1/32 Power
-Flash trigged with Cactus V5 triggers
Comments? Crit?
SOOC
I got some new gear in the mail today from a good friend Lucasberg. Thanks so much I can't wait to test it all out :)
info on kit
www.hiviz.com/kits/assembly.htm
Strobist info
580EXII camera right 1/4 power in Apollo softbox with baby boomer arm. white foam core camera left
F5.6
1/100
ISO 100
Harrogate Railway Athletic (red and green) about to get a shot away during a 3-1 victory at Welton Group Stadium (or Marshlands) over Northern Counties East League Division One rivals Louth Town.
The Rail were three up after just 22 minutes at the Saltfleetby venue. It meant a losing start for 2023 Lincolnshire League champions Louth on their return to step six non-league football.
Match statistics
Louth Town versus Harrogate Railway Athletic
Northern Counties East League, Division One (step six, 3pm kick-off)
Admission: £5. Programme: £1.50 (18 pages). Attendance: 112. Louth Town 1 Harrogate Railway Athletic 3 (HT 0-3). Scoring sequence: 0-1 (eight minutes, Daniel Mutch), 0-2 (12 minutes, Alex Clark), 0-3 (22 minutes, Luca Bolino), 1-3 (82 minutes, Reece Southwood). Referee: Shemakay Own (Scunthorpe Referees Association)
Nui Harime 針目 縫, a high order tailor, Kill la Kill (an anime television series produced by Trigger). She lost one of her eyes.
Supanova Expo, Sydney Olympic Park, Sydney, Australia (Sunday 15 Jun 2014)
Hey ladies....it's valentines day so I thought i'd try and seduce you all by pulling out all the stops and showing you the real me.
I think girls appreciate my honesty, sure I could comb my hair and shave properly but no...I want you to see what i'm really like, no point in starting off our relationship with a lie.
On a serious note I had a full on beard yesterday which I shaved down to this STUPID goatee just for this picture so now I have to wait for my beard to fill back in...I hope you appreciate my sacrifice. Also these glasses are my dads from the 90's...like i'd ever own anything so unfashionable :P...though the shirt is mine >.<
Strobist Info: 550ex speedlight with umbrella. Directly behind camera. 1/8 power. Interfit Trigger.
Fender FR50 Resonator.
A real quick and dirty shot with a totally faked atmosphere.
View in on black in Light Box - press "L" on your keyboard.
Strobist:
Created with a full CTO gelled 580EXII strobe at 1/16th power camera left and a YN565EX on 1/32nd power gelled with "moonlight" blue behind the chair. Triggered from pop-up with EOS 7D built in wireless.
Note: Everything fully manual and triggered from the EOS 7D's built in wireless system via the pop-up flash. The Canon 580EXII was set as a slave in group "A". The Yongnuo was slaved as group "B" on it's S2 mode which makes it behave as if it were a regular Canon model slave. This means that all strobe power settings can be controlled from the screen on the back of the camera - way cool! It will even work in ETTL mode but you will only be able to control A:B ratios (I think, better check that out)
I may do some more like this, only take some time to stage it a little bit better.
Also check out "The Speedliter's Handbook" by Syl Arena and his website: pixsylated.com/blog/