View allAll Photos Tagged transform
© 2011 David Young-Wolff All rights reserved
davidyoung-wolff.blogspot.com/
Here is what the artist Naomi says about this piece of art,
This mask was created for many coinciding purposes, but most importantly with the intent to
transform. Although clearly not a traditional mask, and indeed to the contrary, a mask that was
designed for war and, arguably, a tool of fear and genocide; it is my intent to recreate the mask
through art. By decorating the mask as I have, I seek to transcend the bleakness of its origin and
to breathe new life into its rigid man-made material through the real and symbolic act of layering it
with the organic life of the deer hide. In some way, the mask has been reborn with its own
power to transform; though perhaps not to transform the wearer into spirit, certainly to alter the
character of the wearer’s spirit.
Détails du théâtre transformable en carton que j'ai créé pour amuser ma petite-fille. Je l'ai surnommé le Théâtre du Rideau Vert.
Il s'agit ici de la version jungle avec les marionnettes appropriées.
My sexy transform roommates comics 47
transsexual.silicone-breast.com/2016/08/24/my-sexy-transf...
imgur.com/lbROGPl.jpg?utm_source=rss&utm_medium=rss
Notice : Releasing this comic on every Monday to Thursday !
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Evening time on the Lake Virmasvesi in the beginning of May.
Ice cover had almost melted and there was some wind causing the movement of the ice and water, especially on the foreground.
Taken with:
Canon EOS 6D
Zeiss Distagon T* 2,8/21 ZE
Lee Filters: Big Stopper
*
*
y también en Twiter
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El fitoplancton en el Lago de Sanabria sigue experimentando profundas transformaciones debido al desequilibrio que sufre este ecosistema como consecuencia de los vertidos contaminantes de aguas fecales que llegan a él de nuevo. Todo ello después de un paréntesis de verano en el que camiones cisterna diariamente han recogido de las depuradoras que no funcionan el "agua de colonia" que ha venido vertiéndose impunemente en él, año tras año, excepto por vez primera estos meses pasados de verano.
Quizá el aspecto más destacado de la situación actual del estado trófico del agua del Lago es que la mayoría de las especies de algas que conforman el fitoplancton de este ecosistema aparecen en toda la columna de agua muertas o gravemente enfermas, afectadas por la infección de hongos quitridiales de diferentes géneros. Apenas se encuentran vivas un 2% de todas las especies halladas entre cianobacterias, clorofíceas, diatomeas, désmidos, crisofíceas o dinoflagelados.
Cascarones vacíos de algas, masas de detritus, esporas y restos orgánicos son el panorama que refleja un análisis microscópico de estas aguas bajo el que está detrás la acción de los hongos y un exceso de nutrientes debido al aporte de aguas sin depurar que tanto daño está haciendo al Lago.
A lo largo del mes de agosto, tras el florecimiento masivo de la diminuta Coenocystis planctonica y su rápida desaparición causada por la infección de un quitridio, el dinoflagelado Peridinium umbonatum se convirtió en el protagonista más destacado del fitoplancton y llegó a representar más de un 85% del total de individuos en él.
A fecha de hoy, apenas un mes después, es difícil encontrar un individuo vivo de Peridinium, pues en algo más de una semana, otro hongo también quitridio, en esta ocasión del género Phlyctochytrium ha arrasado sus poblaciones.
En la imagen se aprecia una célula de Peridinium umbonatum infectada por dos individuos del hongo Phlyctochytrium sp. En ella se puede ver cómo el protoplasma del dinoflagelado se encuentra separado de la teca y de la pared celular y se halla concentrado hacia el centro, un claro indicio de que la célula está ya muerta o moribunda. Los esporangios de estos hongos se encuentran ya completamente maduros y han liberado las zoosporas que contenían y que probablemente infectarán nuevas células.
Se sabe que Phlyctochytrium es principalmente un hongo saprófito que se nutre de la materia orgánica en descomposición, pero de forma secundaria puede comportarse como parásito y este comportamiento se ha asociado por algunos autores con el estrés, debido a la presión humana que sufren los ecosistemas en los que aparece. En el Lago Kinneret de Israel, el hongo Phlyctochytrium acabó con toda la población de Peridinium gatunense en poco más de una semana en el año 2000. En el 2014, un proceso similar parece estar ocurriendo también en el Lago de Sanabria.
...sin embargo, para las "autoridades competentes" nada ha cambiado en el Lago de Sanabria, todo sigue igual, incluso ha mejorado.
La imagen, tomada a 1000 aumentos con la técnica de contraste de fase, procede de una muestra integrada de agua recogida el día 13 de octubre de 2014 en la zona central del Lago de Sanabria por Laura e Ismael desde el catamarán, Helios Sanabria .
presentación ponencia congreso internacional de Limnología
informes de contaminación en el Lago de Sanabria
informe de evolución de la contaminación en el Lago de Sanabria
a transformable spaceship in Japanese animation Macross / Robotech - SDF-1
photo shooting with VF-1J
2022: RM Sotheby Auction Preview, Monterey: 1920 Packard 3-35 Twin Six Transformable Town Car by Fleetwood
Gent - Gravensteen
The Gravensteen (Dutch; literally "Castle of the Counts") is a medieval castle at Ghent, East Flanders in Belgium. The current castle dates to 1180 and was the residence of the Counts of Flanders until 1353. It was subsequently re-purposed as a court, prison, mint, and even as a cotton factory. It was restored over 1893–1903 and is now a museum and a major landmark in the city.
The origins of the Gravensteen date to the reign of Arnulf I (890–965). The site, which sat between two branches of the Lys river, was first fortified around 1000, initially in wood and later in stone. This was soon transformed into a motte-and-bailey castle which burnt down in around 1176.
The current castle dates to 1180 and was built by Philip of Alsace (1143–1191) on the site of the older fortification. It may have been inspired by crusader castles witnessed by Philip during the Second Crusade. As well a protective citadel, the Gravensteen was intended to intimidate the burghers of Ghent who often challenged the Counts' authority. It incorporates a large central donjon, a residence and various smaller buildings. These are surrounded by a fortified, oval-shaped enceinte lined with 24 small échauguettes. It also has a sizeable moat, fed with water from the Lys.
From 1180 until 1353, the Gravensteen was the residence of the Counts of Flanders. The decision to leave was taken by Louis of Male (1330–1384) who transferred the court to the nearby Hof ten Walle.
After ceasing to be the residence of the Counts of Flanders, the castle entered a decline. It was used as a court and prison until the 18th century. From 1353 to 1491, it was the site of Ghent's mint. It was later sold to an industrialist who converted the buildings into a cotton factory and various small buildings were constructed on top of the Medieval remains. At one point in time, it was scheduled for demolition. After gradually buying up the castle, the city of Ghent heavily restored the castle in a romanticising Gothic style between 1893 and 1907. The first major restorations started under the direction of architect Joseph de Waele. In the footsteps of the great French restorer Eugène Viollet-le-Duc (1814–1879) he opted for a romantic gothic interpretation inspired by the era of Count Philip of Alsace. However, many details of the present-day Gravensteen, such as the flat roofs and the windows of the eastern outbuilding are not thought to be historically accurate.
The castle was later the centre piece of the Ghent World Fair of 1913 and remains open to the public.
(Wikipedia)
Die Burg Gravensteen (deutsch „Grafenstein“) in Gent ist die Burg der Grafen von Flandern. Sie ist eine der größten Wasserburgen Europas.
Die Burg überragt am linken Leieufer das Zentrum der Stadt. Sie liegt am Zusammenfluss der Flüsse Lieve und Leie.
Die erste Burg soll zur Zeit Karls des Kahlen errichtet worden sein, vielleicht von Balduin I. genannt „Eisenarm“ um 870, mit dem das Haus Flandern seine Herrschaft begann.
Die erste Anlage auf dem Platz der heutigen Burg war noch aus Holz und stammte wahrscheinlich von den Wikingern. Aber schon um 1000 errichtete man einen steinernen Saalbau. Eine erste Ringmauer komplettierte die Burg. 1128 kam es zur ersten ernsthaften Belagerung durch Anhänger des Dietrich von Elsass. Dabei wurde die Burg zerstört.
Auf ihren Resten ließ Philipp von Elsass, der damalige Graf von Flandern, von 1180 bis 1200 den Gravensteen erbauen. Er vergrößerte die Burganlage, um die Genter besser kontrollieren zu können. Ein Ringgraben wurde ebenfalls angelegt. Der Aushub wurde um den alten Saalbau aufgeschüttet, so dass eine Motte entstand. Auf den Mauern des Saalbaues, der nun als Keller dienen sollte, wurde ein 30 m hoher Donjon errichtet. Die Bürger hatten mittlerweile wehrhafte Türme in der Stadt errichtet. Aus dieser Zeit stammen auch die Fenster des Kastellan und die kreuzförmige Öffnung über dem Haupttor.
Hier tagten fortan die Gerichtshöfe.
Zwischen dem 13. Jahrhundert und dem 14. Jahrhundert wurde die Burg restauriert. Der ovale Burghof erhielt eine Ringmauer mit 24 vorspringenden, zweistöckigen Türmchen. Getrennt vom Donjon und innerhalb der Ringmauer lagen die Gebäude des Grafen sowie alle wichtigen Wirtschaftsräumlichkeiten. Ab dem 12. Jahrhundert wuchs Gent so enorm, dass die Stadt nun die Burg umschließt.
Schon im 14. Jahrhundert zogen die Grafen von Flandern wieder aus der Burg und residierten im benachbarten Prinzenhof. 1353 verlagerte Graf Ludwig II. seine Residenz von Gravensteen an den Hof Ten Walle. Große Feste und Empfänge wurden aber weiterhin in der alten Burg durchgeführt. 1301 belagerten die Genter die Burg und konnten sie durch den Einsatz von Feuer zur Kapitulation zwingen.
1368 schlugen die Angreifer eine Bresche in die Mauer. Die Instandsetzungsarbeiten aus dem ausgehenden 14. Jahrhundert sind am Torhaus und der Mauer heute noch zu sehen.
Von 1407 bis 1708 diente die Burg als Gerichtssitz. Auch der Rat der Stadt Gent tagte hier. Es wurde ein Kerker und eine Folterkammer eingerichtet. 1780 wurde sie verkauft und zu einer Textilfabrik umgewandelt. Die Nebengebäude dienten als Arbeiterwohnungen, das Torhaus als Direktorswohnung.
Nach der Französischen Revolution wurde der Gravensteen an eine Baumwollspinnerei verkauft.
Ende des 19. Jahrhunderts sollte die Burg abgerissen werden, was jedoch die Stadt Gent verhinderte. 1887 kaufte die Stadt Gent die Burg zurück. Zwischen 1889 und 1908 wurde die Burg nur notdürftig konserviert. Erst 1980 und in den folgenden Jahren wurde die Burg anlässlich der 800-Jahr-Feier der Stadt Gent vollständig restauriert.
Gravensteen ist ganzjährig zu besichtigen. Lediglich an den beiden Weihnachtsfeiertagen und am 1. und 2. Januar ist die Burg geschlossen.
In der Burg befindet sich ein Waffenmuseum, mit den typischen Waffen des Mittelalters, unter anderem aus der Waffensammlung von Adolphe Neyt.
Ferner gibt es ein Folterinstrumente- und Gerichtsmuseum. Zu den Exponaten zählen eisernen Fesseln, Guillotine, Streckbank, Dornenhalsband und Richtschwerter.
Der Besucher wird in 15 Stationen durch die Burg geführt. An jeder Station befindet sich eine Beschreibung in vier Sprachen: Französisch, Niederländisch, Englisch und Deutsch.
Die Festung ist im sternförmigen Stil syrischer Kreuzritter-Forts angelegt. Der Zentralturm mit Aussichtsplattform ragt wie ein riesiger Steinblock zwischen den beiden Wasserarmen auf. Der Burghof ist von einer Mauer mit Wehrgang sowie von 24 Halbtürmen mit Zinnen umgeben.
Der zweischiffige Audienzsaal im Erdgeschoss hat ein machtvolles Gewölbe. Im ersten Stock befindet sich der Große Saal, in dem 1445 die Versammlung der Ritter vom Goldenen Vlies stattfand. Dieser Ritterorden war 1430 von Philipp dem Guten von Burgund gestiftet worden. In den Wohnräumen des Palais ist heute ein Foltermuseum mit Folterwerkzeugen und Gerichtsakten eingerichtet. Im Kellergeschoss war das Gefängnis. Hier befinden sich noch die Folterkammer und das Kerkerloch.
(Wikipedia)
Then, pale as privet, took she heart to drink,
And therewithal most strange new thoughts did think,
And unknown feelings seized her, and there came
Sudden remembrance, vivid as a flame,
Of everything that she had done on earth,
Although it all seemed changed in weight and worth,
Small things becoming great, and great things small;
And godlike pity touched her therewithal
For her old self, for sons of men that die;
And that sweet new-born immortality
Now with full love her rested spirit fed.
Then in that concourse did she lift her head,
And stood at last a very goddess there,
And all cried out at seeing her grown so fair.
Happy Valentine’s Day
Robo Fett: transforms fluidly from a Nintendo 64 game cartridge of Star Wars: Shadows of the Empire, to robotic Boba Fett, and back! Thanks to the advent of Mixels ball and socket joints, I can make my LEGOformers much more articulated and compact. When in cartridge mode, this can fit snugly into the game slot of Ultra Hexacon: the transforming Nintendo 64. When Ultra Hexacon was first released, I created two transforming game cartridges to accompany it: Mecha Kong and Hot-Shot (Donkey Kong 64 and GoldenEye 007, respectively). However a third transforming game cartridge was built but never released: Link 2.0, who transformed into a gold cartridge of Legend of Zelda: Ocarina of Time. Although Link 2.0 was completed, I ran into problems with applying his game label, which interfered with inserting his cartridge into Hexacon’s game slot. For some reason, his sticker kept peeling off when inserting the game, thus I omitted from the photo shoot due to time constraints. My idea was to eventually retool Link 2.0 to have better clearance for the game slot, but unfortunately I abandoned the project
In early 2016 I decided to pick up where I left off and complete Link 2.0 — however, with its new retooling and transformation cycle, it was impossible for me to have the creation made predominantly of metallic gold pieces, thus I was stuck with having the outer cartridge mainly with the traditional light grey. This meant I had no choice but to base this off a different Nintendo 64 title; after debating back and forth between using Castlevania 64 and Star Wars: Shadows of the Empire (two of my favorite titles), I opted to build games of both — hence, the creation of the Hell Knight.
For making this model in particular, one of the toughest obstacles was making the arches on top of the cartridges: when transformed into robot mode, the arches are on the bottom of the feet, which make the robot have trouble standing up. To fix this, the robot’s legs have retractable toes built with hinge plates. The game’s labels were printed on glossy card stock paper and cut apart with scissors, then glued onto the outer tiles.
Just low light expertise - SM-G930F - S7
CITROEN
PPC
By Aviary
Mode Black and White
Concorde filter
●
Full AUTO
ISO 400
1/10
○
SELFTIMER 2 S
TRANSFORMED
Jahrzehnte Erfahrung & Erfolg mit Qualität aus Österreich, Deutschland, Ungarn, China, Thailand, Malaysia, USA
Under German legislation (Road Traffic Licensing Regulation or StVZO), winter tyres must be marked with the M+S symbol. Individuals looking for additional safety with regard to the good driving and braking properties of winter tyres should only purchase models with the snowflake symbol. "Snow tyre" means a tyre whose tread pattern, tread compound or structure are primarily designed to achieve in snow conditions a performance better than that of a normal tyre with regard to its ability to initiate or maintain vehicle motion. Germany does not stipulate a specific time at which winter tyres must be used. Instead, drivers have a duty to switch to winter tyres if driving conditions call for it. In wintry conditions (i.e. black ice, packed snow, snow slush or icy roads), only vehicles with M+S tyres are permitted on the roads. Individuals who do not drive in snow and ice can, in theory, continue using summer tyres even in wintertime. However, as summer tyres have material compounds specially developed for hot conditions, their use during winter is extremely dangerous and not recommended!
Semperit. A brand of Continental.
"We will meet again
in the lake
you as water
I as lotus blossom
Even the stars
will be surprised
here are two beings
transformed back
into their dream
that chose them."
- Rose Auslander
I just finished making The Boys birthday cake. I bet you can't guess what the theme of the party is...
The cake is a homemade white cake, dyed blue. In between the two layers and all around the cake is homemade buttercream icing. And the outer layers of blue and red are homemade marshmallow fondant.
An old grey garage sale robot (transformer?) gets blown up. I am glad to get rid of him because he has been sitting around for a long while and takes up more space than this picture warrants.
He did make some great deep voice sounds and laser beam pee-cows.
I wonder if the sound maker survived? I'll have to go check.
On a side note, I am always kind of blown away when I visit some forum that revolves around figures like these.
I'll read posts like " Oh, that's MecloMam from Episode 16 first aired in 2009. He was battling CramTron for control of Chiba City and used 75.3% of his muon power blasters. They made a mistake, though in frame 234 of the third scene when he PowerBlasted 14.3 meters to get over that fallen medical building. Everyone knows that MecloMan can only PowerBlast 13 meters at a time, so that scene was totally bogus....."
The amount of time that people can put it to understanding, memorizing and critiquing a completely imaginary reality just seems strange. I can't criticize it because it's a slippery slope to try and assign validity to a given obsession.
I blow up shit and take pictures of it, for example....
Cheers.
Crews working for Seattle Tunnel Partners tie rebar for a wall just north of the bored section of the SR 99 tunnel. The work is happening inside the pit near Seattle Center where the SR 99 tunneling machine Bertha was disassembled after completing tunnel mining in April 2017. Crews are now converting the pit into a section of the tunnel.
Learn more about the Alaskan Way Viaduct Replacement Program at www.alaskanwayviaduct.org or follow us on Twitter @BerthaDigsSR99.
Quite a lot going on in this one.
Had an interesting chat with a homeless person whilst taking this shot. "I live round here y'see. Well, I'm homeless like, but I still live round here. Hey, you don't want a shot of a homeless person do you?"
"Errr... It wasn't really on my list..."
hrough one of the alternate plain glass windows in the Round Church (1185) - Temple Church, London. Built by the Knights Templar, the soldier monks who protected pilgrims to the Holy Land during the crusades.
The cold, grey and windy day outside was transformed by the random ripples in the old glass.
My sexy transform roommates comics 46
travesti.silicone-breast.com/2016/08/23/my-sexy-transform...
imgur.com/y6RhdeX.jpg?utm_source=rss&utm_medium=rss
Notice : Releasing this comic on every Monday to Thursday !
Sale!
Smooth black underwear hip pads T-11B
$42.00 $39.00
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Sale!
Men’s Attractive Adjusted Straps Lace Corset ( L- 6XL
My 3nd moc set creation
In 20XX, Dracula revived. The growth in technology interested him and he made a motor coffin of dark power and technology combined. "My faithful servant, let's visit our old friends. Party time!"
■ Minifigures:
Dracula;
Zombie driver.
■ Parts: There are three parts in the set - Vampire armoured vehicle, Vampire aircraft, and Vampire huge wheel motor.
■ Various forms: The parts can be combined into various forms: Vampire armoured aircraft, Vampire transform motor, and Vampire mecha.
Dracula meets his old friends, who knows what will happen?
All playable modes and details on:
www.mocpages.com/moc.php/404442
Thank you for watching!
© 2011 David Young-Wolff All rights reserved
davidyoung-wolff.blogspot.com/
Here is what the artist Naomi says about this piece of art,
This mask was created for many coinciding purposes, but most importantly with the intent to
transform. Although clearly not a traditional mask, and indeed to the contrary, a mask that was
designed for war and, arguably, a tool of fear and genocide; it is my intent to recreate the mask
through art. By decorating the mask as I have, I seek to transcend the bleakness of its origin and
to breathe new life into its rigid man-made material through the real and symbolic act of layering it
with the organic life of the deer hide. In some way, the mask has been reborn with its own
power to transform; though perhaps not to transform the wearer into spirit, certainly to alter the
character of the wearer’s spirit.
Sculpture behind me is by MellowDee and can be seen along with much of her other work until 11/30 at the Panorama Art Gallery. The colors change and swirl, a picture really doesn't do it justice.
Après des décennies de déclin et de détérioration, ce manoir sera restauré et transformé en une splendide maison moderne tout en conservant certains matériau comme la pierre, le béton et le bois.
www.amenagementdesign.com/architecture/transformation-res...
USAID work is transforming lives, communities, and economies. Share these pictograms showcasing stories of impact of the work that USAID and partner organizations are doing around the world.
Transforming a new block drawing into a b&w woodcut by this Friday! Join up to our mailing list at www.tugboatprintshop.com for the 1st details!