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Is this considered a new tool? well it is new to me and is old like most of my machines. Scott brand receiver with dual phono stage (i might need to bring in a turntable from home) and a really nice analog tuner. my old Harmon/Karmon finally died and my connection at the audio store gave me this as a replacement.
The amazing ipod/iphone/ipad transferring tool is easy to use to transfer video, photo and music between computer and ipod, iphone or ipad.
This tool is actually from www.leawo.com/imediago/
Tools needed for my crocheted Cornflower.
This Cornflower is my own design and the pattern is available here: sionakaren.blogspot.com/2011/07/free-pattern-cornflower.html
I make this design to order so if you are interested in purchasing the flower please leave a comment or contact me via my blog: sionakaren.blogspot.com/
Copyright, please do not use without written consent. If you would like to have use of one of my images for a publication, gallery,or otherwise please email info@shutter16.com for information on obtaining use.
Photographer: David Zeck
This was probably the most popular booth at ICFF this year. 44 eighth grade students from The School at Columbia University were asked to design the classroom of the future. Merging math, science, and art, they reimagined their everyday school objects. Designed for kids by kids.
Berhardt Design.
Aruliden.
The School at Columbia University.
The Learning Studio hosted a workshop organized by Michael Swaine and Amy Franceschini, in which 12 local artists were invited to make tools that expand our natural perceptual limitations.
Another picture of the collected tools at Mary Arden's Farm at Wilmcote, a few miles north of Stratford
The Learning Studio hosted a workshop organized by Michael Swaine and Amy Franceschini, in which 12 local artists were invited to make tools that expand our natural perceptual limitations.
Looking up the MIllers River at Athol, MA with the the Starrett Tool plant in the background of all the trees at their peak.
Photographed on Kodak Ektar 100 film using a NIkon F4 with a Nikkor 28-85mm lens.
Copyright, please do not use without written consent. If you would like to have use of one of my images for a publication, gallery,or otherwise please email info@shutter16.com for information on obtaining use.
Photographer: David Zeck
By Tony Cragg
Tony Cragg (born 1949, UK) is one of the world’s foremost sculptors, constantly pushing to find new relations between people and the material world. In the 1980s, Cragg began to make sculptures suggestive of architecture...
These totemic piles of found objects and machined parts suggest an industrial counterpoint to the history of man-made achievements, while his other work nearby, Tools, made from sandstone, conveys the opposite, being hand wrought versions of mechanical aids, such as screwdrivers and mallets. Cragg sees no difference between the natural and the artificial, preferring to acknowledge the bridges between the two, the synthetic here acquiring figurative qualities in some of the bust-like tools, while his stacked turrets of spacers, washers and engine spares travel back through time to suggest archaeological accretions and geological strata.
[everythingatonce.com]
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]
Hand-tooled pattern on faux leather with leather-string button closure. Lining is beige cotton. (Photographed before button closure applied)
You'll need small and medium flat screwdrivers, needle-nose locking pliers (generically known as "Vice-Grips", though I used Craftsman this time), a second pair of pliers (preferably needle-nose), a Phillips screwdriver, a fairly heavy pair of wire cutters (yes, you can use a Dremel motor tool with a cut-off wheel if you have one), and a old butter knife.
Because spring steel can be brittle (especially 40-year old spring steel!), you probably should wear safety glasses. Gloves, too, if you are accident-prone.
The replacement spring will be made from a length of generic repair spring, available from most hardware and home improvement stores. Seems like Lowes has a different brand and selection every time I go. I use springs about half an inch in diameter made from ~1mm wire. The original spring has a diameter between 5/8" and 3/4", but it seems like all the repair springs that size range are MUCH thicker wire. Five dollars will get you enough material for at least a dozen hip springs.
I went to the hardware store yesterday to get a fan. While I was there I thought that I should grab one of those plastic tool shelf thingies and use it to get the tools off my workbench.
"It will look bare and forlorn", I thought, "but at least I'll be able to find the tools for a change!"
So I came home, installed it on the pegboard I'd previously (8 years ago) attached to my workbench, and started picking up tools and putting them on the shelf.
And picking up tools and putting them on the shelf.
AND PICKING UP TOOLS AND PUTTING THEM ON THE SHELF.
AND.... running out of room on the shelf and I've still got tools lying around on my workbench.
Siiiiiigh.
So I need to get another pegboard and another one of these plastic tool shelf thingies, get the rest of the tools off the workbench (I should make the pegboard freestanding, because when I'm cutting tubing the entire workbench shakes and I'd hate to vibrate this shelf loose) and then sort through the tools and stuff the duplicates (and triplicates, and quadruplicates) into a storage container for my heirs to deal with 30-40 years down the line.
A rose pruning gig... its a little late, and I have never done it before... but I think it came out alright.
YEA MY TOOL BOX !..I keep it in my "station" at the Tattoo Shop it securely hold the tools of my trade..The outside is a mish-mash of magnets & magnetic photo holders...helmit stickers ,bumper stickers n decals of all sorts and a couple oddz n endz.....O.K. so it a fridge to most (yes ,it works but I do not plug it in)
~my flickr friend "Patchworkgandalf" (& Her trusty side-kick "Pasta")...invited me to join a flickr pool called "Addiced To Fridges" so heres my submission , not your avarage fridge...errr ahhh *tool box*~