View allAll Photos Tagged tools
While troubleshooting my rubbing sheave problem, I discovered that the v-belt tension adjustment collar is snapped. I wonder if that's why I got such a good deal on it.
Tool Wall and work bench in the 1910 vintage Central California Traction engine barn. Stockton California.
Ok, so trying to keep my whatever it is number of days in a row having a page, or more, to add to this collection, I ran into a time constraint and associated snag about what to draw. The drawing started with the toothpick, then evolved into the coffee cup, then the lawn mower (one of the very few drawings I have done with no reference), and then, to fill in the space left over, a pot of coleus plants. Then it was a struggle, but "Tools" came to mind as a kind of title for the page...whatever.
I liked the shot to begin with but liked it even better after the post processing. I did a little different processing on this one. I think it really shows the gritty texture and age of these. This was taken in my Dads workshop where he used to tinker around with various projects. These drawers were used to store all sorts of tools.
Cheaper than a Swiss army knife, but much better. Back to work sale: two for the price of one. || Photo info: Taken 2013-09-01 with Canon EOS 5D Mark III, EF100mm f/2.8 Macro USM, ¹⁄₁₂₅ sec at f/4.5, focal length 100 mm, ISO 400. Copyright 2013 .
Quality fabrication services for custom tool boxes and trailer boxes for the mobility of your valuable tools
Tools & Equipment Cages. All Welded Cages. Ideal to secure inventory, Tools and Equipment. Ships Assembled. Stocked in 4ga galvanied steel and poseder coat finishes. Free Layout assistance. P(732)489-3867.
Tools Equipment Cages. Dispatcher Cages, New Jersey, New York
My husband's shop is full of tools and each one has a home. No matter what size or type of screwdriver you need he has you covered.
By Tony Cragg
Tony Cragg (born 1949, UK) is one of the world’s foremost sculptors, constantly pushing to find new relations between people and the material world. In the 1980s, Cragg began to make sculptures suggestive of architecture...
These totemic piles of found objects and machined parts suggest an industrial counterpoint to the history of man-made achievements, while his other work nearby, Tools, made from sandstone, conveys the opposite, being hand wrought versions of mechanical aids, such as screwdrivers and mallets. Cragg sees no difference between the natural and the artificial, preferring to acknowledge the bridges between the two, the synthetic here acquiring figurative qualities in some of the bust-like tools, while his stacked turrets of spacers, washers and engine spares travel back through time to suggest archaeological accretions and geological strata.
[everythingatonce.com]
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]