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light painted thread spool.

This is the before shot of poor ugly little thread holder.

Title no. #26. Edition no. 1/11. 11.3cm wide x 29.1cm tall. Printed papers, accordion book in paper envelope with glassine inclusions; printed photographs and map; button, twine and embroidery thread.

Ammophila procera

 

27 August 2020

 

© Bruce Bolin K1__6456ce

Thread weight cotton, 20+wpi. Blogged!

 

Needle tatting from antique patterns, blogged here: dorkwithaneedle.com/?p=1004

It's not an addiction. I can stop at any time!! This is both sewing threads and embroidery threads.

Visual Merchandising at Thread Hill

SWEET CALL AND RESPONSE

By Steve MacDonald and Dana F. Smith

2012, San Francisco, California

edition of 25

 

Sweet Call and Response was developed with an emphasis on experimentation with the materials - digital printing on canvas, photo collage, machine sewn thread, and sewn collage.

 

Instinctively, messages are sent to attract a response. This book is a visual poem about communication through the interplay of universal symbols and photographic images.

 

The book is printed entirely on canvas specially coated for digital printing with pigmented inks. A variety of sewing techniques, such as patchwork and embroidery, are applied to the pages over the ink. Each page of the book is treated with meticulous stitching executed by hand using a home sewing machine. Pages are affected on both sides by the stitching. Inverse images create a visual echo woven into the design of the book, which propels the narrative ever forward.

 

Designed by Steve MacDonald and Dana F. Smith

Digital printing by Dana F. Smith

Sewing by Steve MacDonald

Hand bound by Juliayn Coleman with a hard case canvas cover.

Closed book measures 16.5" by 12.5"

42 pages and endpapers

signed by the artists and blindstamped

 

Photo of the book by Matthew Davis

www.treatzone.com

 

To buy

www.danadanadana.com/sweetcall.html

 

Part of an artwork.

 

Ottawa Art Gallery; Ottawa, Ontario.

all pictures taken by Caroline Watson for Weaving Musical threads

 

Pictures taken by Caroline Watson for Weaving Musical Threads

Sometimes the back of things is nicer than the front

I need lots of colors to fight boredom.

My sewing threads collection has greatly benefited from the acquisition of a couple of second hand storage racks.

Trying to get my collection of thread in one spot instead of 238 separate places.

29.5° Threading. I still hate threading aluminum.

Ammophila Eremnophila aureonotata

Random parts from the cooling system

  

Help send Ruggybear to AIDS/LifeCycle 8

This thread changes color as you go along. So cool.

A man threads line through is fishing rod.

Autumn Arbor by The Drawn Thread. Stitched on Lemon Meringue belfast linen by Country Stitch using fibers and beads as charted. Finished August 10, 2011.

Visual Merchandising at Thread Hill

moby.to/sgzfhw

 

of note -- I have 125 heddles on each shaft, but this project only uses 25 heddles on each shaft AND it uses the full width of the loom. So I had to thread every 5th heddle on each shaft to spread the heddles more or less evenly throughout the shaft (sometimes I threaded every 6th or every 3rd, it just depended on what I grabbed).

I have three fine threads used together as one in the warp and the weft of this project. 2 of the three warp threads in each dent is handspun. A fine commercially spun boucle is the third.

 

The weft has two threads of commercially spun fine weavng wool combined with one of the boucle.

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