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Whaligoe Steps,

Caithness.

This Pic take long time ago

Go to Page 24 in the Internet Archive

Title: Haus-Gymnastik für Mädchen und Frauen : ein Anleitung zu körperlichen ÃÂbungen für Gesunde und Kranke des weiblichen Geschlechtes

Creator: Angerstein, E. (Eduard Ferdinand), 1830-1896

Creator: Eckler, G. (Gebhard), 1832-

Publisher: Berlin : Hermann Paetel

Sponsor: Wellcome Library

Contributor: Wellcome Library

Date: 1890

Language: ger

 

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Guess what this is? *SOLVED by darktek13*

Go to Page 126 in the Internet Archive

Title: The students' handbook of gynecology [electronic resource] : specially designed to assist those commencing the study of diseases of women

Publisher: Edinburgh : E. & S. Livingstone

Sponsor: Wellcome Library

Contributor: Wellcome Library

Date: 1893

Language: eng

Spine title: Gynecology

 

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Hi-5 Philippines launches in TV5 - starting this June 15, 2015 at 8:30am and 3:45pm weekdays

a Journey of a thousand miles, begins with a single step

 

This photo was taken when visited Paula in Plett, while studying at Equestrian Academy

 

Go to Page 170 in the Internet Archive

Title: Lehrbuch der Leibesübung des Menschen [electronic resource] : in Bezug aif Heilorganik, Turnen und Diätetik

Creator: Neumann, A. C. (Albert Constantin), b. 1804

Publisher: Berlin : E.H. Schroeder

Sponsor: Wellcome Library

Contributor: Wellcome Library

Date: 1856

Language: ger

 

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Layout share! This layout was inspired by an instagram converstaion I had with a new friend, @iloveartman. A comment I made in response stuck with me, and I couldn’t get it out of my head…so I journaled it. Journaling Reads: “When I was little, I dreamed of being a singer, a dancer and a painter of trees. All of which I decided as I grew, that I couldn’t do. Now, as I’m walking through self discover for truly the first time, I’m realizing that I can actually do all these things. I may not be the best singer but I love music with a passion. So I quote the songs I love and let them inspire my work. I may not be able to dance, but I’ve got rhythm in my soul that wants to come out and who am I to keep that bottle up? So I dance, and it makes me happy. I may not be able to paint a tree with enough detail to be breathtaking, but I’ve learned there’s more to art than detail of every brush stroke. And I’ve embraced that with every ounce of my heart. So I paint with a passion that I’ve never had before. All of these things now blur into who I am, making up the real me that has been hiding inside for so long, just waiting to be discovered. I wish I had taken the time, had the courage, to walk this walk sooner. “ You can read more about my art Journaling in a blog post I wrote earlier, where this layout is featured, on my web site at www.valerigaildesigns.com/Art%20Journaling# As always, pictures are 100% Iphonegraphy and the layout was done in PSE9

 

22 Likes on Instagram

 

8 Comments on Instagram:

 

valerigail: #statigram #webstagram #photooftheday #igdaily #clubsocial #rebelaww #igaddict #instahub #mobitog #editoftheday #all_shots #Livingston #texas #instagramtexas #valerigail #creativelayout #scrapbooking #artjournaling #journaling #selfdiscovery

 

iloveartman:  This is beautiful!! The layout, the words, the message... Bravo to you for listening to your dreams and letting your passion spill out of you in whatever form it might be.  I say it doesn't matter the age you discovered this... at least it was discovered!

 

wyethia: Love the layout and the words. I art journal too - lovely to see journaling here

 

sabinebliss:

 

valerigail: @iloveartman thanks!! It's been a long road to where I am now, comfortable enough to listen to my dreams... Let alone start acting on them. But I'm glad I'm finally here. Life has been so much more enjoyable!

 

valerigail: @wyethia thank you! Awesome that you journal too! I've always been a writer, journaling my thoughts or documenting my families events but last year it transitioned into art journaling. I find it therapeutic beyond description. I wish there was more art journaling being shared here, I'd love to see what others are doing. I was reluctant at first to put mine here, but I wanted a few of my IG friends to see where I went creatively after I edited the pics and posted them. For me, it kinda never stops lol. I'd love to see some of your pages, if you have a gallery online?

 

valerigail: @sabinebliss thank you!!

 

wyethia: I do have some online in various places. There are a couple on my photo feed and blog. I'll check my Flickr and see how it is set ( I had a whole slew on there but it might not be set public right now ). I just love! Seeing visual journal pages. We should start a tag and start a movement on instagram :)

  

Cho tôi một vé đi tuổi thơ :x

Go to Page 401 in the Internet Archive

Title: The science and art of surgery [electronic resource] : being a treatise on surgical injuries, diseases, and operations

Creator: Erichsen, John Eric, 1818-1896

Creator: Stivens, Bertram Herbert Lyne, 1855-1915 former owner

Creator: Robinson, Henry Betham, 1860-1918 former owner

Creator: Grattan, H. H. G., active 1897 bookseller

Creator: St. Thomas's Hospital. Medical School Library former owner

Creator: King's College London

Publisher: London : Longmans, Green

Sponsor: Jisc and Wellcome Library

Contributor: King's College London, Foyle Special Collections Library

Date: 1877

Language: eng

Description: Copy from KCSMD Historical Collection does not have publisher's advertisements at end of vol. 1

Vol. 1: xxiv, 992 p. ; vol. 2: xxi, [1], 1033, [1] p

With half-title pages

"Illustrated by eight hundred and sixty-two engravings on wood" -- title page

15, [1] p. of publisher's advertisements bound in at end of vol. 1

Includes index at end of both vols

First edition published in 1853

This material has been provided by King’s College London. The original may be consulted at King’s College London

King’s College London

Copy in King's Collection at WEC is Vol. 1 only

 

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Go to Page 123 in the Internet Archive

Title: Manual of gynecology, v. 1

Creator: Hart, D. Berry (David Berry), 1851-1920

Creator: Barbour, A. H. Freeland (Alexander Hugh Freeland), 1856-

Publisher: New York : Wood

Sponsor: Open Knowledge Commons and Harvard Medical School

Contributor: Francis A. Countway Library of Medicine

Date: 1883

Vol: v. 1

Language: eng

Includes bibliographical references and index

 

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This is HDR created early morning October day. Canadian Fall is famous and this is an effort show a glimps of it

The Love Town podcast from Antwerp, Belgium. Travel essay of beer, chocolate and chips, plus the amazing new MAS musuem.

Some wonderful character from the place I'm currently staying at.

 

sb800 above seat to right, in semi-transparent plastic container. 1/4 power and using flattened cardboard boxes to direct light.

Go to Page 19 in the Internet Archive

Title: Announcement, 1928-1933,1935-1938

Creator: Presbyterian Hospital (New York, N.Y.). School of Nursing

Publisher: New York : The University

Sponsor: Open Knowledge Commons

Contributor: Columbia University Libraries

Date: 1928

Vol: 1928-1933,1935-1938

Language: eng

Description: Cover title

Title varies

Shelving title: Columbia University bulletin. School of Nursing

<b>Columbia University Catalog: </b><a href="http://clio.columbia.edu/catalog/10861580" rel="nofollow">go to CLIO</a>

<h2>Other volumes</h2><img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="http://www.columbia.edu/cgi-bin/cul/resolve?clio10861580" rel="nofollow">1906-1933</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="http://www.columbia.edu/cgi-bin/cul/resolve?clio10861580.001" rel="nofollow">1917-1918</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="http://www.columbia.edu/cgi-bin/cul/resolve?clio10861580.002" rel="nofollow">1921</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="http://www.columbia.edu/cgi-bin/cul/resolve?clio10861580.003" rel="nofollow">1925</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="http://www.columbia.edu/cgi-bin/cul/resolve?clio10861580.004" rel="nofollow">1927</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="https://archive.org/details/announcement1936pres" rel="nofollow">1936-1937</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="http://www.columbia.edu/cgi-bin/cul/resolve?clio10861580.006" rel="nofollow">1939/40-1958/59</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="http://www.columbia.edu/cgi-bin/cul/resolve?clio10861580.007" rel="nofollow">1959-1960</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="https://archive.org/details/announcement1960pres" rel="nofollow">1960-1961</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="https://archive.org/details/announcement1961pres" rel="nofollow">1961-1962</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="http://www.columbia.edu/cgi-bin/cul/resolve?clio10861580.008" rel="nofollow">1962-1963</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="http://www.columbia.edu/cgi-bin/cul/resolve?clio10861580.009" rel="nofollow">1963-1964</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="https://archive.org/details/announcement1964pres" rel="nofollow">1964-1965</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="http://www.columbia.edu/cgi-bin/cul/resolve?clio10861580.010" rel="nofollow">1965-1966</a>

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<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="https://archive.org/details/announcement1967pres" rel="nofollow">1967-1968</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="https://archive.org/details/announcement1968pres" rel="nofollow">1968-1969</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="https://archive.org/details/announcement1969pres" rel="nofollow">1969-1970</a>

<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="http://www.columbia.edu/cgi-bin/cul/resolve?clio10861580.011" rel="nofollow">1970/71-1974/75</a>

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<img src="//web.archive.org/web/2im_/http://clio.columbia.edu/assets/icons/book-dd6385e1df68997c9a55e6cb9f746576.png" alt="Book" style="margin-right:10px;float:left;" /><a href="http://www.columbia.edu/cgi-bin/cul/resolve?clio10861580.017" rel="nofollow">1994-1996</a>

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by Edvard Munch, or in this case by me.

This spot where they be working.

Check us out at www.digitaltourbus.com!

 

Do you like this picture?

If so, make sure you check out our website at:

www.digitaltourbus.com

 

We have tons of video tours of band's touring vehicles!

Go to www.digitaltourbus.com,

Sign up to be apart of the website,

Talk to other music fans,

Enjoy everything we have to offer!

 

Check out www.digitaltourbus.com!

This is an image taken in Gran Turismo 5 Photomode.

Los Angeles, CA - October 27, 2009 - Ken Stacey at the Los Angeles Premiere of Columbia Pictures' MICHAEL JACKSON'S THIS IS IT at the Nokia Theatre L.A. Live.

Photo By: SPE, Inc./Trae Patton

 

This Happened Utrecht: Alexander Zeh

This is just the breakfast pastries!

This guy is our youngest son's new pet. He loves him. Jake is the reason we don't have many bugs inside our house. You have to know what a huge stretch this is for mommy (who is trying to overcome my Arachnophobia) to let him have Jake. Jake actually lives free but my son frequently visits him. Do you also notice how well Jake eats? Jake has quite the smorgasboard.

(PS. this guy, Jake, is only half the size of our indoor visitor, Fred, who came to visit us last summer and made a grand appearance on our kitchen floor)

 

 

This long shot came out not too bad of this pair swimming away from me in the Cobourg harbour.

this is how long it hangs

After months of depressing darkness, it's finally light when I leave work. Lovely sunset followed by clear, starry night. Would have been rude not to extend the commute a bit. 109km for the day including a loop over Winter Hill to finish. The long hours in the saddle through the darkness of Winter are starting to pay dividends.

love and marriage, love and marriage

go together like a horse and carriage

This train shot past on the fast track extremely quickly. I'm amazed that it didn't come out blurred.

this is love, LIB style

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