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In reaction to Philippine Tour Operators comment that some people dont even know where the Philippines is located. Well... We are here. #HelpDOT
New mysterious mini-series on Cartoon Network! On your tvs and internets!
I storyboarded this episode with the amazing Jim Campbell!
The Twilight Zone / Heft-Reihe
> The Plague!
> The Stand-In
> Shock Treatment
> The Golden Glove
cover: Joe Certa
Gold Key Publications Inc.
(New York/USA; 1974)
ex libris MTP
1913 dated postcard view of flooding at Delphi, Indiana. This was the Great Flood of 1913. The flood affected much of Indiana and portions of surrounding states. The photographer was on the south side of the city, standing east of Market Street and looking south. The flooding was associated with Deer Creek that ran along the foot of the ridge in the background. That ridge is part of Riley Park today.
The structures in the foreground would have been on the northeast corner at Market and Water Streets, but are not in the Sanborn™ map set. This must be the “stone crusher” mentioned in the message on the back of the postcard. The boys in this scene were standing on a pile of rocks that may have been part of the crushing operation. The large building and the house in the center of this scene stood southwest of the intersection of Market and Water Streets. These structures are shown in the 1912 Sanborn™ fire insurance map set for Delphi. The utility poles immediately behind these structures stood along the Wabash Valley Traction Co. line that followed Deer Creek in this part of the city. The company’s station was a block east (left in this view) on Water Street at the Washington Street intersection.
The large building in the center of this view was identified in the Sanborn™ map set as the Crystal Steam Laundry and Ice Cream Factory. The larger part of the building facing Water Street was the laundry. A rear addition to the building that can’t be seen from this angle was the ice cream factory. The low sheds at the back were separate from the laundry/ice cream factory structure and were part of the ice house according to the map set.
The postcard’s dateline is April 5, a few days after the flood event. “Herman” addressed the postcard to Mr. and Mrs. August Piepho at Dyer, Indiana. His message says, “The Laundry and Stone-Crusher below our hill is shown here after the flood had gone down a little.” “Herman” was probably August (Herman) Piepho who resided in Delphi for a while.
Near the left edge of the postcard, one of the buildings at the top of the ridge had a small bell tower. The Sanborn™ map set didn’t include this area, but that building was probably a small church in the area known as South Delphi.
From a private collection.
The other side of this postcard can be seen here.
www.flickr.com/photos/hoosier_recollections/8518837749/in...
Copyright 2006-2014 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
Titel: Sachsenspiegel : Auffs new fleissig corrigiert, an Texten: Glossen: Allegaten: Auch mit vermehrung des emendirten Repertorij, vnd vieler newen nützlichen Additionen
Verfasser: Eike, von Repgow
Verlag: Wolrab
Erscheinungsort: Dressden
Erscheinungsjahr: 1554
Format: [22], CCLXX, [6], [108] Bl.
Signatur: Gk 22857:F4
Sprache: Latein und Deutsch
Spezialbestand: Grimm-Bibliothek
Link zum Bibliothekskatalog:
hu-berlin.hosted.exlibrisgroup.com:443/hub_ub:default_sco...
Besuchen Sie weitere Digitalisate der UB:
Reproduktions-Service:
www.ub.hu-berlin.de/de/bibliothek-benutzen/digitalisierun...
This was found among the letters written during the American Civil War by my great-great grandfather, Andrew Jackson Adrain, to his loved ones at home.
My great-great grandfather:
www.flickr.com/photos/itinerant_wanderer/3151090337/in/al...
#1 third time: University of Pittsburgh Medical Center, July 2013
Pictures by John S. Quarterman for Spam ranked as a sneeze for infosec disease (SpamRankings.net), , .
www.perilocity.net/2013/08/1-third-time-university-of-pit...
Plano topográfico de Zaragoza, 1830.
Fuente: BNE.
Proyecto GAZA ("Gran Archivo Zaragoza Antigua"),
es un compendio de imágenes de la antigua Zaragoza (España), acompañadas de textos creados por José María Ballestín Miguel
y la colaboración de Antonio Tausiet.
This is the Crease Pattern (CP) for my Cross Lap Unit Heart.
The same method as used here for making the strip of paper seemingly intersect itself can be used to fold many other shapes, both from single sheets and as modular assemblies.
Never give up on tons of text tattoos. Tattoo with Black Birds.
I am a small town professional licensed tattooist currently tattooing near Portland, Oregon. I am a classically trained illustrator-University of Minnesota and Minneapolis College of Art & Design. I try to do my best with EACH tattoo I do regardless of the size or cost. Thank you for looking, Jason Doherty, Tattooist. I just THINK different!
Wegala Water Supply and Sanitation Project. Sri Lanka. Photo: Simone D. McCourtie / World Bank
Photo ID: SDM-LK-085
Peter Behrens (German graphic designer, 1868-1940)
1913 letterpress, color lithograph 8.4 cm (height) x 12.7 cm (width)
part of "16 Weinetiketten" [16 Wine Labels], which was published in supplement to the journal Das Plakat as a promotional sample by the firm Wilhelm Gerstung, Offenbach-am-Main (Hesse), November, 1913
See MCAD Library's catalog record for this book.
Plakat (Berlin, Germany). Berlin: Verlag Max Schildberger
Scatalogical woodcut illustration accompanying a poem characterizing the Roman Catholic polemicist Johannes Nas as an ass. Used by Nicolaus Henricus of Oberursel.
Birgit Wiedl notes that the Eselritt (ass-ride), like the Sauritt (sow-ride), "is the typical feature of a type of pamphlet that is known as Schandbild or Schmähbrief ('defamatory picture/letter') that ... show the person(s) they are directed against as riding backwards; if groups of people are depicted, they might also engage in the 'typical' habit of occupying themselves with the animal's behind, shoving seals or money pouches into its hindquarters, or devouring its excrement" ("Laughing at the Beast" in Laughter in the Middle Ages and Early Modern Times, ed. A. Classen (Berlin: De Gruyter, 2010), p. 351). Donkeys are commonly depicted eating thistles; in the 16th century, this image also becomes emblematic of miserliness or the failure to appreciate the good things in one's possession: cf. emblem 86 in Andrea Alciati's Emblemata. (The anagram "Nasus/As(i)nus," used in this work, may also have influenced the choice of mount.) The pigs pursuing the donkey's droppings require no further comment. The rider is tonsured and dressed as a friar and bears a shield which identifies him as Johannes Nas. The upper portion of the shield shows a pair of scissors, three needles, and a thimble. Johannes Nas began life as a tailor and included a pair of shears on his episcopal arms; they are common in satirical depictions of him: cf. this image and this image. Here the tailor's tools are accompanied by a goat, negatively associated with lasciviousness and stubbornness (cf. Wiedl, p. 353, and the entry "Goat" in H.B. Werness, The Continuum Encyclopedia of Animal Symbolism in Art (New York: Continuum, 2006)).
Established heading: Henricus, Nicolaus, fl. 1557-1597
Penn Libraries call number: GC55 Sch955 570v
This large-format, illuminated Timurid copy of the Qur’an is believed to have been produced in Northern India in the ninth century AH / fifteenth CE. The manuscript opens with a series of illuminated frontispieces. The main text is written in a large vocalized polychrome muḥaqqaq script. Marginal explanations of the readings of particular words and phrases are in thuluth and naskh scripts, and there is interlinear Persian translation in red naskh script. The fore-edge flap of the gold-tooled, brown leather binding is inscribed with verses 77 through 80 from Chapter 56 (Sūrat al-wāqiʿah). The seal of Sultan Bayezid II (1481-1512 CE) appears on fol. 8a. There is an erased bequest (waqf) statement and stamp of Sultan ʿUthmān Khān (1027-31 CE) on fol. 3a.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
RICHARD E. ARMSTRONG
ROBERT ARMSTRONG
WALTER V. ARMSTRONG
JOHN B. AYER
FRANK BABIE
JOHN BABIE
EUGENE J. BOURQUE
CHARLES BRESLIN
EDWARD E. BRESLIN
HAROLD J. BRESLIN
RICHARD C. BRIGGS
ROWLAND M. BROWNING
ROBERT CALVERT
ANTHONY CARBONI
DOMINICK CARBONI
JAMES CARBONI
JOHN CARBONI
ROCCO CARBONI
RAYMOND H. CAVIGGIA
ERNEST C. CHAMBERLIN, JR
WALLACE F. DUERR
HARRY R. DUNN
FREDERICK A. FONTAINE
RAYMOND E. FONTAINE
ROBERT T. HANDFIELD
JAMES E. HANSEN
JOSEPH S. HILLMAN
FRANCES IDZKOWSKI
HADLEY P. JOHNSON
MELVIN J. JOHNSON
VERNE E. JOHNSON
WALTER JURCZYK
WARREN E. KELLY, JR.
FREDERICK K. KINGSLEY
WESLEY J. KINGSLEY
HENRY M. KONOW
FRED LAIDLEY
ALFRED LAMB
WILLIAM E. LAMB
LORRAINE LAPPIE
SAVERIO J. LATERRA
RAYMOND V. LEMIRE
WILLIAM S. LYCHACK
ROLAND A. MAHEU
EDWARD S. MALACHOWSKI
RAYMOND S. MANNING
NINA MELANEC
WALTER MELANEC
PAUL L. MORSE
FRANCIS P. NASIN
MICHAEL O'HEARN
PAIMER RATHBUN
DONALD G. RICE
ARTHUR E. ROBINSON
RICHARD E. ROBINSON
RUSSELL P. ROBINSON
ROBERT E. SEMMELROCK
LAWRENCE C. SCHILLER
STEPHEN SEPANIK
JOSEPH S. SLOWICK
ALLYN G. SMITH
CHARLES W. SMITH
ROY E. STARKWEATHER
ANTHONY VANE
EDWARD J. WAWRZYNOWICZ
AIME J. WOOD, JR
DAVID O. WOOD - KIA
PAUL R. WOOD
SOPHIE WOODEL
CHARLES WOZNIAK
EDWARD WOZNIAK
WALTER WOZNIAK
JOHN J. YUSCHALK
JOHN J. J. YUSCHALK
FELIX ZANIEWSKI
VIOLA B. ZAWACKI
JOSEPH B. HEARN
This is a scan of the original instructions for Economy Design E89 Pattern Sheet 2
The original tissue is over 60 years old, so rather than further damage the paper, I have scanned the pattern instructions.
If you need any assistance with terminology, resizing, fabric selection or any other aspect of creating this lovely vintage pattern, please contact me.
This pattern is available in my etsy shop: ConsuturaFashionista
gracias a la gente de vida rapida por la invitacion a esta gran expo!
mao&voladores negros presente!