View allAll Photos Tagged testing.
Close-up focus test of the new Nikon 1 V3 stock kit lens "NIKKOR VR 10-30mm". These tomatoes are only about 1.5 inches wide (3.81 centimeters).
Testing Lamy ink for review. This is a test on an index card. See the notes for what the bits are. Next pic in the photostream is more testing - same stuff in a Moleskine, and the PigPog Smudge Test.
The plan is to do this same pattern with a few different inks, as a way of comparing. If anyone's got any ideas on better ways of doing it, I'd love to hear them.
Test de bokeh lors de la réunion du club Rouen52 dans la salle Micheline-Ostermeyer de la mairie de Rouen
testing out the new bees with a self portrait...
Strobist: AB800 1/8 power camera right thru Softbox
No normal diffuser but polarising sheet on the flash (from an LCD panel) and CPL filter on the lens as for the comaprison shot here www.flickr.com/photos/lordv/5692175329/ but with the CPL filter at approximately the correct angle (at 90' to the prvious shot) to block the specular reflection
The Capistrano Test Site was owned by TRW of Redondo Beach until TRW was absorbed by Northrop Grumman in 2002.
Repository: San Diego Air and Space Museum Archive
Sebastian Loeb (FRA) World Rally Champion tests for Red Bull Racing.
Formula One Testing, Day One, Barcelona, Spain, 17 November 2008.
Straight out of the camera, no post processing at all. "Subjects" at 125m (375ft) away. Focus on the white column at center. The pic was taken at a slight angle, it's not uneven. Look at it at full size.
Test shot for a retro photoshoot. Softbox on full power and 580EXII on 1/128 on camera
© Anthony Dorman
Test day at Goodwood Racing Circuit, Chichester, West Sussex. UK. 2019/08/23. If anyone can ID this Bike for me I'd Appreciate it thank you.
Mark Williams, in his brilliant Industrial Revelations series, visited Southwark in London and demonstrated David Kirkaldy's fearsome and magnificent testing and experimenting machine.
Original DSC_3163
Magnifique articulation du coude. Le mister est hyper tendu donc un peu dur à manipuler, mais il peut prendre de jolie pause !
I'm testing the blue watercolor pigments I have on hand - Lucas and Grumbacher - in my quest to paint with two waterbrushes (one filled with a warm color and one with a cool). The indigo looks interesting, but it's too dark a value. Ultramarine mixes well with burnt umber and burnt sienna. I really like a mix of Payne's gray and cobalt. Next I need to test these in the waterbrush and see how they look and mix with the warm color.
Just trying my hand at stop animation. It took me about an hour from start to finish, I thought it turned out alright for my first try.
I used a Nikon D80 and a Nikkor 18-70mm lense. I just used Microsoft Movie maker to compile the video. If I get more into it maybe I'll invest in better software.
My second test can be viewed here: www.flickr.com/photos/33904413@N02/3907440033/
Speed Test - Spot the difference...;)
Left:
Sensitiser #1 (guillot-saguez formula)
Right:
Sensitiser #2 (same but with 50% less acid)
negative scan
Date: 7.11.10
Weather: Bright sunny
Light: EV 15 (zoneV)
Time: 14:00
Exposure: 2 minutes
f/stop: f/16
Camera Pointing: NE
Development: 75min .8% gallic
w.o. added silver (extra AgNO3 would have given better contrast)
Paper: Canson Marker
Iodisation: Chloro-bromo-iodized
Test roll 1 from the Canon EOS 3. There's a bit of a learning curve, but all in all, I'm happy with the purchase. My portraits from this roll turned out the best.
There does seem to be a tendency to overexpose, which I'll need to work on.
Canon EOS 3
Lens unknown (not sure which one I had on)
Kodak Portra 400
Scanned by Englewood Camera
© Web-Betty: digital heart, analog soul
I use the carrier as a test stand to hold rollers for running the locomotive in a stationary position. The hose on the stack is connected to a fan to provide a draft. In this testing session I set the popping pressure of the safety valves and ran the engine briefly on steam.
Test 2 on my new lens. This isn't the greatest or sharpest photo in the World (and its a gull - not an eagle), but he bird was on a post in the water at quite a distance (well over 200 feet away). FYI, the lens was zoomed to 500mm and then the pic was cropped from 2 bird/post combos to one, followed by adjustments to colour, white balance & sharpening. So the lens did pretty well - plus, nice bokeh.
Here are the specs:
Camera: Nikon D7200
Speed 1/2000 Sec., F6.3, ISO 400
Hand held.
Lens: Tamron 150-600 (shot at 500mm), f5-6.3
Vibration Control on
Quick test which hints at cheap filters being a pain for night shots. I might test it on a day shoot before giving the world a chance to buy it off me on ebay.
I must point out the shortcomings of this test. Only one sample of each filter was used, and only tested on one lens for one exposure, and clearly the better performances were in different lighting conditions (though I think flare and ghosting would be more likely with a darker background/higher contrast).