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Nikon D600 + Nikkor 24-70
Test du capteur donc accesible en full size (Pas de grosses retouches, Dérawtisé avec LR 4.2)
© Landry NOBLET
Test sardegna 1 con TL in movimento, slider e effetto 360
Sardinian test 1 with TL in motion, slider and 360 effect
just used a phone drawing app to make the effects but i need some advice here....so....yea....feel free to leave a comment!!!!!!!!
Test day at Goodwood Racing Circuit, Chichester, West Sussex. UK. 2019/08/23. If anyone can ID this Bike for me I'd Appreciate it thank you.
31415 + Test Car 1 + YBA civil engineers wagons, DB994441 which was a modified Sturgeon flatbed, and DB994267 with original dropside doors and metal ends designated as Tench
© Dave Bower - Rail Vehicle Testing
Testing the Canon EF100mm f/2.8L Macro IS USM on the Canon EOS 5D Mark II at Wooden Shoe Tulip Festival. Love the color and contrast of the lens. The hybrid IS and AF works very well. Shot a series of closeups handheld and all came out sharp. Too bad the lens belong to a friend. I may need to go get one myself.
To view my other Images from Oregon, click here.
Lien vers le test :
www.nikonpassion.com/test-nikon-z6-deux-semaines-terrain-...
Les photos en pleine définition
GB Railfreight Class 92, 92 014 hauls a Caledonian Sleeper Mk5 test run south as 3Z11 Glasgow Central to London Euston through Acton Bridge.
Whilst there were some indications this would be a Load 15/16, there were only seven Mk5s in the consist behind 92014 - as was the case with the test runs the prior week. It was also the same short-formed "unit" of coaches, so at least some of them are getting some miles under their belts. The missing coach is believed to have wheelflats.
Rake was: 15006 / 15104 / 15203 / 15316 / 15324 / 15325 / 15329
(Missing coach: 15326)
Ph: Josefina Alazraki
Styling: Julieta Trillo
Makeup: Mariana Tartavull
Model: Romina (Clump Management)
/*
Update (2015-02-09)
I did new tests:
www.photigy.com/best-focus-stacking-macro-rails-vs-focus-...
*/
This is a quick test to compare the results of two focus stacking approaches:
1.)
For this one, I did two shots and changed the focus between the shots.
First one: Focus on the front pin, second one: focus on the pin in the back.
Then I copied the (sharp) front pin near the pin in the back. One can easily see the large difference in size. If you want to do focus stacking this way, then it might work (the programs tolerate size up to some degree), or it might not.
2.)
For this one, I did two shots and changed the distance of the camera between the shots using a macro rail. One can easily see, that there is no difference in size. A good basis for focus stacking.
--
So, a macro rail is a cheap gadget, but does a good job to provide a good basis for a stacking series for focus stacking.
--
Tilo ~gallo~ Gockel, www.fotopraxis.net
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Catalog #: 10_0016037
Title: Atomic Bomb Test
Date: 1946
Additional Information: Bikini Island
Tags: Atomic Bomb Test, Bikini Island, 1946
Repository: San Diego Air and Space Museum Archive
Lien vers le test :
www.nikonpassion.com/test-nikon-z6-deux-semaines-terrain-...
Les photos en pleine définition
More tests today. I'm learning how to control very light values. But first I did a little ink test in the upper left to see if you get green when you mix yellow and black ink. Yes, you do if you are very fast and mix them while they are still wet. I used a yellow Micron pen and a black Zig pen.
My main test was to slowly build up dilute colors. I had burnt sienna in one Kuretake Mini waterbrush and cobalt in another. I applied a wash, waited for it to dry completely, and added another. I did this four times to create four increasingly darker values. You have to be very patient, but it works. I learned this method from a book called "The Wash Method of Handling Water Colour" by Frank Forrest Frederick published in 1908. I found it for free on Archive.org
archive.org/details/washmethodofhand00freduoft
Where you can download it as a PDF, ePub, or Kindle file.
Finally I tried to get the lightest value possible with a number of colors. I used a wet round brush to pick up a little dried tube paint. I then quickly dipped the brush in water, tapped the brush against the inside of my water container (to dislodge a little water) and then made a brush mark down the dry page. This deposits very little pigment and is a good way to make beautiful, light colors. I also tried lifting some color out with a thirsty brush (in the cadmium red/lemon yellow mix), and I tried adding a little more color on top of the wet first stroke (ultramarine and cobalt - bottom left).
The pathfinder (or test) backplane of the James Webb Space Telescope is shown here at NASA Johnson. It's secondary mirror boom was extended in prep for cryogenic tests in NASA Johnson's giant Chamber A. Mounted on the pathfinder are two test primary mirror segments, and at the end of that boom structure, a test secondary mirror.
Image credit: NASA/Desiree Stover
Testing the New 7D Mark II
This Bird was far away from me around 150 meter !!!
Sparrowhawk (sometimes sparrow hawk) may refer to several species of small hawk in the genus Accipiter. "Sparrow-hawk" or sparhawk originally referred to Accipiter nisus, now called "Eurasian" or "northern" sparrowhawk to distinguish it from other species.
The American kestrel (Falco sparverius), a North American falcon species, is also commonly referred to as a sparrowhawk
Testing out lith-printing on paper. This is the best so far, still somewhat uneven but usable i think... Its an art that takes a time. to practice due to the fact that you have to pull the print out of the developer at the right time.
Developer kodak d8 diluted 1-4
About 2.5 stops overexposure (if i remember correctly).
Print from kiev 88 negative.
Band is Gete from Oslo.
I built this for the guys over at tested.com, as a thank you for having me as a guest on Octobercast 2013.